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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #717B03 it is the complementary color #8E84FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #717B03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #717B03 shade: #767B00, #878D11, #989F24, #A9B137 and #BAC34A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #717B03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #717B03 shade: #717B03, #606900, #4F5700, #3E4500 and #2D3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #717B03 shade: #727C03, #7C6503, #7C4503, #7C2403 and #7C0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #717B03 shade: #727C03, #517C03, #307C03, #107C03 and #037C16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #717B03 shade matches the following richer shades: #727C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #717B03 shade: #727C03, #69710D, #616717, #585D22 and #4F532C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #717B03 shade: #7C4503, #7C6603, #727C03, #517C03 and #317C03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #717B03 shade: #282B01, #4D5402, #727C03, #97A404 and #BCCC05

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #717B03 shade: #717B03, #037C25 and #55037C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #717B03 shade: #717B03, #03727C and #7C0372

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #717B03 shade: #717B03, #037C25, #0D037C and #7C0359

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #717B03 shade: #717B03, #037C49, #0D037C and #7C0335

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 98 / 52

HEX #717B03

RGB 113 123 3

HSL 65, 0.95%, 0.25%

LAB 49.11, -17.16, 53.46

 

Complementary color

CMYK 44 / 48 / 0 / 1

HEX #8E84FC

RGB 142 132 252

HSL 245, 0.95%, 0.75%

LAB 61.03, 32.98, -58.84

 

CMYK 4 / 0 / 100 / 52

HEX #767B00

RGB 118 123 0

HSL 62.44, 1%, 0.24%

LAB 49.52, -14.9, 54.56

 

CMYK 4 / 0 / 88 / 45

HEX #878D11

RGB 135 141 17

HSL 62.9, 0.78%, 0.31%

LAB 56.33, -16.27, 57.26

 

CMYK 4 / 0 / 77 / 38

HEX #989F24

RGB 152 159 36

HSL 63.41, 0.63%, 0.38%

LAB 63.01, -17.38, 58.4

 

CMYK 5 / 0 / 69 / 31

HEX #A9B137

RGB 169 177 55

HSL 63.93, 0.53%, 0.45%

LAB 69.58, -18.26, 58.42

 

CMYK 5 / 0 / 62 / 24

HEX #BAC34A

RGB 186 195 74

HSL 64.46, 0.5%, 0.53%

LAB 76.05, -18.96, 57.85

 

CMYK 8 / 0 / 98 / 52

HEX #717B03

RGB 113 123 3

HSL 65, 0.95%, 0.25%

LAB 49.11, -17.16, 53.46

 

CMYK 9 / 0 / 100 / 59

HEX #606900

RGB 96 105 0

HSL 65.14, 1%, 0.21%

LAB 42.14, -15.54, 48.28

 

CMYK 9 / 0 / 100 / 66

HEX #4F5700

RGB 79 87 0

HSL 65.52, 1%, 0.17%

LAB 34.96, -13.81, 42.3

 

CMYK 10 / 0 / 100 / 73

HEX #3E4500

RGB 62 69 0

HSL 66.09, 1%, 0.14%

LAB 27.52, -12.02, 35.97

 

CMYK 12 / 0 / 100 / 80

HEX #2D3300

RGB 45 51 0

HSL 67.06, 1%, 0.1%

LAB 19.74, -10.16, 27.67

 

CMYK 8 / 0 / 98 / 51

HEX #727C03

RGB 114 124 3

HSL 64.96, 0.95%, 0.25%

LAB 49.5, -17.22, 53.79

 

CMYK 0 / 19 / 98 / 51

HEX #7C6503

RGB 124 101 3

HSL 48.6, 0.95%, 0.25%

LAB 43.65, 0.38, 49.84

 

CMYK 0 / 44 / 98 / 51

HEX #7C4503

RGB 124 69 3

HSL 32.73, 0.95%, 0.25%

LAB 35.1, 19.33, 43.78

 

CMYK 0 / 71 / 98 / 51

HEX #7C2403

RGB 124 36 3

HSL 16.36, 0.95%, 0.25%

LAB 28.26, 36.79, 38.91

 

CMYK 0 / 98 / 98 / 51

HEX #7C0303

RGB 124 3 3

HSL 0, 0.95%, 0.25%

LAB 24.82, 46.43, 35.83

 

CMYK 8 / 0 / 98 / 51

HEX #727C03

RGB 114 124 3

HSL 64.96, 0.95%, 0.25%

LAB 49.5, -17.22, 53.79

 

CMYK 35 / 0 / 98 / 51

HEX #517C03

RGB 81 124 3

HSL 81.32, 0.95%, 0.25%

LAB 47.2, -31.6, 51.02

 

CMYK 61 / 0 / 98 / 51

HEX #307C03

RGB 48 124 3

HSL 97.69, 0.95%, 0.25%

LAB 45.7, -42.87, 49.19

 

CMYK 87 / 0 / 98 / 51

HEX #107C03

RGB 16 124 3

HSL 113.55, 0.95%, 0.25%

LAB 44.99, -49.01, 48.31

 

CMYK 98 / 0 / 82 / 51

HEX #037C16

RGB 3 124 22

HSL 129.42, 0.95%, 0.25%

LAB 44.93, -49.23, 43.55

 

CMYK 8 / 0 / 98 / 51

HEX #727C03

RGB 114 124 3

HSL 64.96, 0.95%, 0.25%

LAB 49.5, -17.22, 53.79

 

CMYK 8 / 0 / 98 / 51

HEX #727C03

RGB 114 124 3

HSL 64.96, 0.95%, 0.25%

LAB 49.5, -17.22, 53.79

 

CMYK 7 / 0 / 88 / 56

HEX #69710D

RGB 105 113 13

HSL 64.8, 0.79%, 0.25%

LAB 45.42, -15.28, 48.13

 

CMYK 6 / 0 / 78 / 60

HEX #616717

RGB 97 103 23

HSL 64.5, 0.63%, 0.25%

LAB 41.69, -13.16, 41.43

 

CMYK 5 / 0 / 63 / 64

HEX #585D22

RGB 88 93 34

HSL 65.08, 0.46%, 0.25%

LAB 37.88, -11.04, 32.39

 

CMYK 5 / 0 / 47 / 67

HEX #4F532C

RGB 79 83 44

HSL 66.15, 0.31%, 0.25%

LAB 34.05, -8.43, 22.24

 

CMYK 0 / 44 / 98 / 51

HEX #7C4503

RGB 124 69 3

HSL 32.73, 0.95%, 0.25%

LAB 35.1, 19.33, 43.78

 

CMYK 0 / 18 / 98 / 51

HEX #7C6603

RGB 124 102 3

HSL 49.09, 0.95%, 0.25%

LAB 43.94, -0.2, 50.05

 

CMYK 8 / 0 / 98 / 51

HEX #727C03

RGB 114 124 3

HSL 64.96, 0.95%, 0.25%

LAB 49.5, -17.22, 53.79

 

CMYK 35 / 0 / 98 / 51

HEX #517C03

RGB 81 124 3

HSL 81.32, 0.95%, 0.25%

LAB 47.2, -31.6, 51.02

 

CMYK 60 / 0 / 98 / 51

HEX #317C03

RGB 49 124 3

HSL 97.19, 0.95%, 0.25%

LAB 45.74, -42.59, 49.23

 

CMYK 7 / 0 / 98 / 83

HEX #282B01

RGB 40 43 1

HSL 64.29, 0.95%, 0.09%

LAB 16.41, -7.81, 23.18

 

CMYK 8 / 0 / 98 / 67

HEX #4D5402

RGB 77 84 2

HSL 65.12, 0.95%, 0.17%

LAB 33.82, -13.02, 40.69

 

CMYK 8 / 0 / 98 / 51

HEX #727C03

RGB 114 124 3

HSL 64.96, 0.95%, 0.25%

LAB 49.5, -17.22, 53.79

 

CMYK 8 / 0 / 98 / 36

HEX #97A404

RGB 151 164 4

HSL 64.88, 0.95%, 0.33%

LAB 64.27, -21.18, 66.13

 

CMYK 8 / 0 / 98 / 20

HEX #BCCC05

RGB 188 204 5

HSL 64.82, 0.95%, 0.41%

LAB 78.4, -24.96, 77.91

 

CMYK 8 / 0 / 98 / 52

HEX #717B03

RGB 113 123 3

HSL 65, 0.95%, 0.25%

LAB 49.11, -17.16, 53.46

 

CMYK 98 / 0 / 70 / 51

HEX #037C25

RGB 3 124 37

HSL 136.86, 0.95%, 0.25%

LAB 45.04, -47.88, 37.86

 

CMYK 31 / 98 / 0 / 51

HEX #55037C

RGB 85 3 124

HSL 280.66, 0.95%, 0.25%

LAB 21.77, 50.87, -47.31

 

CMYK 8 / 0 / 98 / 52

HEX #717B03

RGB 113 123 3

HSL 65, 0.95%, 0.25%

LAB 49.11, -17.16, 53.46

 

CMYK 98 / 8 / 0 / 51

HEX #03727C

RGB 3 114 124

HSL 184.96, 0.95%, 0.25%

LAB 43.52, -22.95, -13.23

 

CMYK 0 / 98 / 8 / 51

HEX #7C0372

RGB 124 3 114

HSL 304.96, 0.95%, 0.25%

LAB 28.29, 55.56, -30.04

 

CMYK 8 / 0 / 98 / 52

HEX #717B03

RGB 113 123 3

HSL 65, 0.95%, 0.25%

LAB 49.11, -17.16, 53.46

 

CMYK 98 / 0 / 70 / 51

HEX #037C25

RGB 3 124 37

HSL 136.86, 0.95%, 0.25%

LAB 45.04, -47.88, 37.86

 

CMYK 90 / 98 / 0 / 51

HEX #0D037C

RGB 13 3 124

HSL 244.96, 0.95%, 0.25%

LAB 13.27, 45.37, -61.65

 

CMYK 0 / 98 / 28 / 51

HEX #7C0359

RGB 124 3 89

HSL 317.36, 0.95%, 0.25%

LAB 26.94, 52.13, -15.89

 

CMYK 8 / 0 / 98 / 52

HEX #717B03

RGB 113 123 3

HSL 65, 0.95%, 0.25%

LAB 49.11, -17.16, 53.46

 

CMYK 98 / 0 / 41 / 51

HEX #037C49

RGB 3 124 73

HSL 154.71, 0.95%, 0.25%

LAB 45.52, -42.03, 19.8

 

CMYK 90 / 98 / 0 / 51

HEX #0D037C

RGB 13 3 124

HSL 244.96, 0.95%, 0.25%

LAB 13.27, 45.37, -61.65

 

CMYK 0 / 98 / 57 / 51

HEX #7C0335

RGB 124 3 53

HSL 335.21, 0.95%, 0.25%

LAB 25.59, 48.54, 6.43

 

Description

Color code: HEX #717B03 | qconv.com Color code: HEX #717B03 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 123 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 123 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 98 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 98% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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