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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #717F05 it is the complementary color #8E80FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #717F05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #717F05 shade: #767F00, #879113, #98A326, #A9B539 and #BAC74C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #717F05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #717F05 shade: #717F05, #606D00, #4F5B00, #3E4900 and #2D3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #717F05 shade: #717F05, #7F6C05, #7F4B05, #7F2A05 and #7F0905

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #717F05 shade: #717F05, #507F05, #2F7F05, #0E7F05 and #057F1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #717F05 shade matches the following richer shades: #717F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #717F05 shade: #717F05, #697410, #60691A, #585F25 and #505430

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #717F05 shade: #7F4A05, #7F6A05, #737F05, #527F05 and #327F05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #717F05 shade: #2A3002, #4E5703, #717F05, #94A606 and #B7CE08

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #717F05 shade: #717F05, #057F29 and #5A057F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #717F05 shade: #717F05, #05737F and #7F0573

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #717F05 shade: #717F05, #057F29, #11057F and #7F055A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #717F05 shade: #717F05, #057F4E, #11057F and #7F0536

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

Complementary color

CMYK 43 / 49 / 0 / 2

HEX #8E80FA

RGB 142 128 250

HSL 246.89, 0.92%, 0.74%

LAB 59.97, 34.74, -59.43

 

CMYK 7 / 0 / 100 / 50

HEX #767F00

RGB 118 127 0

HSL 64.25, 1%, 0.25%

LAB 50.72, -17.03, 55.45

 

CMYK 7 / 0 / 87 / 43

HEX #879113

RGB 135 145 19

HSL 64.76, 0.77%, 0.32%

LAB 57.51, -18.3, 57.79

 

CMYK 7 / 0 / 77 / 36

HEX #98A326

RGB 152 163 38

HSL 65.28, 0.62%, 0.39%

LAB 64.17, -19.34, 58.82

 

CMYK 7 / 0 / 69 / 29

HEX #A9B539

RGB 169 181 57

HSL 65.81, 0.52%, 0.47%

LAB 70.72, -20.16, 58.79

 

CMYK 7 / 0 / 62 / 22

HEX #BAC74C

RGB 186 199 76

HSL 66.34, 0.52%, 0.54%

LAB 77.17, -20.81, 58.21

 

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

CMYK 12 / 0 / 100 / 57

HEX #606D00

RGB 96 109 0

HSL 67.16, 1%, 0.21%

LAB 43.4, -17.69, 49.21

 

CMYK 13 / 0 / 100 / 64

HEX #4F5B00

RGB 79 91 0

HSL 67.91, 1%, 0.18%

LAB 36.26, -16.02, 43.27

 

CMYK 15 / 0 / 100 / 71

HEX #3E4900

RGB 62 73 0

HSL 69.04, 1%, 0.14%

LAB 28.87, -14.31, 37.09

 

CMYK 18 / 0 / 100 / 78

HEX #2D3700

RGB 45 55 0

HSL 70.91, 1%, 0.11%

LAB 21.17, -12.55, 29.26

 

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

CMYK 0 / 15 / 96 / 50

HEX #7F6C05

RGB 127 108 5

HSL 50.66, 0.92%, 0.26%

LAB 45.97, -2.17, 51.23

 

CMYK 0 / 41 / 96 / 50

HEX #7F4B05

RGB 127 75 5

HSL 34.43, 0.92%, 0.26%

LAB 37.03, 17.24, 44.66

 

CMYK 0 / 67 / 96 / 50

HEX #7F2A05

RGB 127 42 5

HSL 18.2, 0.92%, 0.26%

LAB 29.86, 35.25, 39.61

 

CMYK 0 / 93 / 96 / 50

HEX #7F0905

RGB 127 9 5

HSL 1.97, 0.92%, 0.26%

LAB 25.92, 46.18, 36.3

 

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

CMYK 37 / 0 / 96 / 50

HEX #507F05

RGB 80 127 5

HSL 83.11, 0.92%, 0.26%

LAB 48.13, -33.31, 51.33

 

CMYK 63 / 0 / 96 / 50

HEX #2F7F05

RGB 47 127 5

HSL 99.34, 0.92%, 0.26%

LAB 46.7, -44.17, 49.58

 

CMYK 89 / 0 / 96 / 50

HEX #0E7F05

RGB 14 127 5

HSL 115.57, 0.92%, 0.26%

LAB 46.02, -50.06, 48.73

 

CMYK 96 / 0 / 78 / 50

HEX #057F1C

RGB 5 127 28

HSL 131.31, 0.92%, 0.26%

LAB 46.04, -49.54, 42.55

 

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

CMYK 9 / 0 / 86 / 55

HEX #697410

RGB 105 116 16

HSL 66.6, 0.76%, 0.26%

LAB 46.35, -16.79, 48.15

 

CMYK 9 / 0 / 75 / 59

HEX #60691A

RGB 96 105 26

HSL 66.84, 0.6%, 0.26%

LAB 42.25, -14.56, 40.77

 

CMYK 7 / 0 / 61 / 63

HEX #585F25

RGB 88 95 37

HSL 67.24, 0.44%, 0.26%

LAB 38.54, -11.92, 31.61

 

CMYK 5 / 0 / 43 / 67

HEX #505430

RGB 80 84 48

HSL 66.67, 0.27%, 0.26%

LAB 34.52, -8.04, 20.5

 

CMYK 0 / 42 / 96 / 50

HEX #7F4A05

RGB 127 74 5

HSL 33.93, 0.92%, 0.26%

LAB 36.78, 17.83, 44.48

 

CMYK 0 / 17 / 96 / 50

HEX #7F6A05

RGB 127 106 5

HSL 49.67, 0.92%, 0.26%

LAB 45.4, -1.02, 50.81

 

CMYK 9 / 0 / 96 / 50

HEX #737F05

RGB 115 127 5

HSL 65.9, 0.92%, 0.26%

LAB 50.49, -18.3, 54.2

 

CMYK 35 / 0 / 96 / 50

HEX #527F05

RGB 82 127 5

HSL 82.13, 0.92%, 0.26%

LAB 48.24, -32.52, 51.47

 

CMYK 61 / 0 / 96 / 50

HEX #327F05

RGB 50 127 5

HSL 97.87, 0.92%, 0.26%

LAB 46.8, -43.37, 49.7

 

CMYK 13 / 0 / 96 / 81

HEX #2A3002

RGB 42 48 2

HSL 67.83, 0.92%, 0.1%

LAB 18.41, -9.76, 25.24

 

CMYK 10 / 0 / 97 / 66

HEX #4E5703

RGB 78 87 3

HSL 66.43, 0.93%, 0.18%

LAB 34.89, -14.18, 41.22

 

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

CMYK 11 / 0 / 96 / 35

HEX #94A606

RGB 148 166 6

HSL 66.75, 0.93%, 0.34%

LAB 64.63, -23.46, 66.04

 

CMYK 11 / 0 / 96 / 19

HEX #B7CE08

RGB 183 206 8

HSL 66.97, 0.93%, 0.42%

LAB 78.59, -27.98, 77.61

 

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

CMYK 96 / 0 / 68 / 50

HEX #057F29

RGB 5 127 41

HSL 137.7, 0.92%, 0.26%

LAB 46.14, -48.24, 37.28

 

CMYK 29 / 96 / 0 / 50

HEX #5A057F

RGB 90 5 127

HSL 281.8, 0.92%, 0.26%

LAB 23.05, 51.73, -47.09

 

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

CMYK 96 / 9 / 0 / 50

HEX #05737F

RGB 5 115 127

HSL 185.9, 0.92%, 0.26%

LAB 43.98, -22.31, -14.33

 

CMYK 0 / 96 / 9 / 50

HEX #7F0573

RGB 127 5 115

HSL 305.9, 0.92%, 0.26%

LAB 29.05, 55.95, -29.43

 

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

CMYK 96 / 0 / 68 / 50

HEX #057F29

RGB 5 127 41

HSL 137.7, 0.92%, 0.26%

LAB 46.14, -48.24, 37.28

 

CMYK 87 / 96 / 0 / 50

HEX #11057F

RGB 17 5 127

HSL 245.9, 0.92%, 0.26%

LAB 14.17, 45.53, -62.05

 

CMYK 0 / 96 / 29 / 50

HEX #7F055A

RGB 127 5 90

HSL 318.2, 0.92%, 0.26%

LAB 27.73, 52.56, -15.27

 

CMYK 11 / 0 / 96 / 50

HEX #717F05

RGB 113 127 5

HSL 66.89, 0.92%, 0.26%

LAB 50.33, -19.21, 54.01

 

CMYK 96 / 0 / 39 / 50

HEX #057F4E

RGB 5 127 78

HSL 155.9, 0.92%, 0.26%

LAB 46.66, -41.96, 18.48

 

CMYK 87 / 96 / 0 / 50

HEX #11057F

RGB 17 5 127

HSL 245.9, 0.92%, 0.26%

LAB 14.17, 45.53, -62.05

 

CMYK 0 / 96 / 57 / 50

HEX #7F0536

RGB 127 5 54

HSL 335.9, 0.92%, 0.26%

LAB 26.41, 49.02, 7

 

Description

Color code: HEX #717F05 | qconv.com Color code: HEX #717F05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 127 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 127 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 96 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 96% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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