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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7183C5 it is the complementary color #8E7C3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7183C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7183C5 shade: #7683C0, #8795D3, #98A7E6, #A9B9F9 and #BACBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7183C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7183C5 shade: #7183C5, #6071B2, #4F5F9F, #3E4D8C and #2D3B79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7183C5 shade: #7183C5, #7671C5, #8C71C5, #A371C5 and #B971C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7183C5 shade: #7183C5 and #7171C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7183C5 shade matches the following richer shades: #7183C5, #617AD5, #5171E5 and #4168F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7183C5 shade: #7183C5, #818CB5, #9196A5, #A29F95 and #B2A884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7183C5 shade: #71B0C5, #719AC5, #7183C5, #7571C5 and #8C71C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7183C5 shade: #4256A2, #546AB9, #7183C5, #8F9DD1 and #ACB6DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7183C5 shade: #7183C5, #C371C5 and #A5C571

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7183C5 shade: #7183C5, #C57183 and #83C571

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7183C5 shade: #7183C5, #C371C5, #C5B371 and #73C571

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7183C5 shade: #7183C5, #C571AD, #C5B371 and #71C589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

Complementary color

CMYK 0 / 13 / 59 / 44

HEX #8E7C3A

RGB 142 124 58

HSL 47.14, 0.42%, 0.39%

LAB 52.37, -1.68, 37.96

 

CMYK 39 / 32 / 0 / 25

HEX #7683C0

RGB 118 131 192

HSL 229.46, 0.37%, 0.61%

LAB 55.98, 10.55, -33.38

 

CMYK 36 / 29 / 0 / 17

HEX #8795D3

RGB 135 149 211

HSL 228.95, 0.46%, 0.68%

LAB 62.8, 9.97, -33.37

 

CMYK 34 / 27 / 0 / 10

HEX #98A7E6

RGB 152 167 230

HSL 228.46, 0.61%, 0.75%

LAB 69.49, 9.46, -33.4

 

CMYK 32 / 26 / 0 / 2

HEX #A9B9F9

RGB 169 185 249

HSL 228, 0.87%, 0.82%

LAB 76.05, 9.02, -33.46

 

CMYK 27 / 20 / 0 / 0

HEX #BACBFF

RGB 186 203 255

HSL 225.22, 1%, 0.86%

LAB 82.04, 5.51, -27.37

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 46 / 37 / 0 / 30

HEX #6071B2

RGB 96 113 178

HSL 227.56, 0.35%, 0.54%

LAB 48.9, 11.41, -36.54

 

CMYK 50 / 40 / 0 / 38

HEX #4F5F9F

RGB 79 95 159

HSL 228, 0.34%, 0.47%

LAB 41.77, 12.36, -36.71

 

CMYK 56 / 45 / 0 / 45

HEX #3E4D8C

RGB 62 77 140

HSL 228.46, 0.39%, 0.4%

LAB 34.45, 13.56, -36.95

 

CMYK 63 / 51 / 0 / 53

HEX #2D3B79

RGB 45 59 121

HSL 228.95, 0.46%, 0.33%

LAB 26.92, 15.14, -37.26

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 40 / 43 / 0 / 23

HEX #7671C5

RGB 118 113 197

HSL 243.57, 0.42%, 0.61%

LAB 51.49, 22.72, -43.3

 

CMYK 29 / 43 / 0 / 23

HEX #8C71C5

RGB 140 113 197

HSL 259.29, 0.42%, 0.61%

LAB 53.4, 28.71, -40.15

 

CMYK 17 / 43 / 0 / 23

HEX #A371C5

RGB 163 113 197

HSL 275.71, 0.42%, 0.61%

LAB 55.71, 35.39, -36.35

 

CMYK 6 / 43 / 0 / 23

HEX #B971C5

RGB 185 113 197

HSL 291.43, 0.42%, 0.61%

LAB 58.18, 41.97, -32.31

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 43 / 43 / 0 / 23

HEX #7171C5

RGB 113 113 197

HSL 240, 0.42%, 0.61%

LAB 51.1, 21.43, -43.94

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 54 / 43 / 0 / 16

HEX #617AD5

RGB 97 122 213

HSL 227.07, 0.58%, 0.61%

LAB 53.24, 17.15, -49.71

 

CMYK 65 / 51 / 0 / 10

HEX #5171E5

RGB 81 113 229

HSL 227.03, 0.74%, 0.61%

LAB 50.94, 25.02, -62.47

 

CMYK 73 / 58 / 0 / 4

HEX #4168F5

RGB 65 104 245

HSL 227, 0.9%, 0.61%

LAB 49.03, 34.02, -74.56

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 29 / 23 / 0 / 29

HEX #818CB5

RGB 129 140 181

HSL 227.31, 0.26%, 0.61%

LAB 58.75, 5.55, -22.77

 

CMYK 12 / 9 / 0 / 35

HEX #9196A5

RGB 145 150 165

HSL 225, 0.1%, 0.61%

LAB 62.13, 1.31, -8.48

 

CMYK 0 / 2 / 8 / 36

HEX #A29F95

RGB 162 159 149

HSL 46.15, 0.07%, 0.61%

LAB 65.47, -0.74, 5.59

 

CMYK 0 / 6 / 26 / 30

HEX #B2A884

RGB 178 168 132

HSL 46.96, 0.23%, 0.61%

LAB 68.85, -2.21, 19.93

 

CMYK 43 / 11 / 0 / 23

HEX #71B0C5

RGB 113 176 197

HSL 195, 0.42%, 0.61%

LAB 68.46, -14.7, -17.04

 

CMYK 43 / 22 / 0 / 23

HEX #719AC5

RGB 113 154 197

HSL 210.71, 0.42%, 0.61%

LAB 62.21, -2.69, -26.56

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 41 / 43 / 0 / 23

HEX #7571C5

RGB 117 113 197

HSL 242.86, 0.42%, 0.61%

LAB 51.41, 22.46, -43.43

 

CMYK 29 / 43 / 0 / 23

HEX #8C71C5

RGB 140 113 197

HSL 259.29, 0.42%, 0.61%

LAB 53.4, 28.71, -40.15

 

CMYK 59 / 47 / 0 / 36

HEX #4256A2

RGB 66 86 162

HSL 227.5, 0.42%, 0.45%

LAB 38.59, 16.2, -43.61

 

CMYK 55 / 43 / 0 / 27

HEX #546AB9

RGB 84 106 185

HSL 226.93, 0.42%, 0.53%

LAB 46.57, 15.1, -44.33

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 32 / 25 / 0 / 18

HEX #8F9DD1

RGB 143 157 209

HSL 227.27, 0.42%, 0.69%

LAB 65.4, 7.15, -28.19

 

CMYK 22 / 18 / 0 / 13

HEX #ACB6DD

RGB 172 182 221

HSL 227.76, 0.42%, 0.77%

LAB 74.47, 4.83, -20.72

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 1 / 43 / 0 / 23

HEX #C371C5

RGB 195 113 197

HSL 298.57, 0.42%, 0.61%

LAB 59.38, 44.99, -30.36

 

CMYK 16 / 0 / 43 / 23

HEX #A5C571

RGB 165 197 113

HSL 82.86, 0.42%, 0.61%

LAB 75.53, -24.68, 38.56

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 0 / 43 / 34 / 23

HEX #C57183

RGB 197 113 131

HSL 347.14, 0.42%, 0.61%

LAB 57.39, 35.2, 4.68

 

CMYK 34 / 0 / 43 / 23

HEX #83C571

RGB 131 197 113

HSL 107.14, 0.42%, 0.61%

LAB 73.51, -36.89, 35.59

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 1 / 43 / 0 / 23

HEX #C371C5

RGB 195 113 197

HSL 298.57, 0.42%, 0.61%

LAB 59.38, 44.99, -30.36

 

CMYK 0 / 9 / 43 / 23

HEX #C5B371

RGB 197 179 113

HSL 47.14, 0.42%, 0.61%

LAB 73.09, -2.79, 35.99

 

CMYK 42 / 0 / 43 / 23

HEX #73C571

RGB 115 197 113

HSL 118.57, 0.42%, 0.61%

LAB 72.74, -42, 34.44

 

CMYK 43 / 34 / 0 / 23

HEX #7183C5

RGB 113 131 197

HSL 227.14, 0.42%, 0.61%

LAB 55.86, 10.63, -36.43

 

CMYK 0 / 43 / 12 / 23

HEX #C571AD

RGB 197 113 173

HSL 317.14, 0.42%, 0.61%

LAB 58.69, 41.39, -17.69

 

CMYK 0 / 9 / 43 / 23

HEX #C5B371

RGB 197 179 113

HSL 47.14, 0.42%, 0.61%

LAB 73.09, -2.79, 35.99

 

CMYK 43 / 0 / 30 / 23

HEX #71C589

RGB 113 197 137

HSL 137.14, 0.42%, 0.61%

LAB 73.06, -38.61, 22.32

 

Description

Color code: HEX #7183C5 | qconv.com Color code: HEX #7183C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 131 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 131 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 34 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 34% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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