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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #719CC7 it is the complementary color #8E6338. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #719CC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #719CC7 shade: #769CC2, #87AED5, #98C0E8, #A9D2FB and #BAE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #719CC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #719CC7 shade: #719CC7, #608AB4, #4F78A1, #3E668E and #2D547B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #719CC7 shade: #709BC6, #7084C6, #7470C6, #8B70C6 and #A270C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #719CC7 shade: #709BC6, #7084C6 and #7070C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #719CC7 shade matches the following richer shades: #709BC6, #609BD6, #509BE6 and #409BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #719CC7 shade: #709BC6, #809BB6, #909BA6, #A19B96 and #B19B85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #719CC7 shade: #70C6C3, #70B2C6, #709BC6, #7084C6 and #7370C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #719CC7 shade: #4172A3, #5386BA, #709BC6, #8EB0D2 and #ABC4DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #719CC7 shade: #719CC7, #AC70C6 and #BDC670

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #719CC7 shade: #719CC7, #C6709B and #9BC670

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #719CC7 shade: #719CC7, #AC70C6, #C69B70 and #8AC670

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #719CC7 shade: #719CC7, #C670C6, #C69B70 and #70C670

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 22 / 0 / 22

HEX #719CC7

RGB 113 156 199

HSL 210, 0.43%, 0.61%

LAB 62.85, -3.25, -26.7

 

Complementary color

CMYK 0 / 30 / 61 / 44

HEX #8E6338

RGB 142 99 56

HSL 30, 0.43%, 0.39%

LAB 45.58, 12.54, 31.06

 

CMYK 39 / 20 / 0 / 24

HEX #769CC2

RGB 118 156 194

HSL 210, 0.38%, 0.61%

LAB 62.95, -3.31, -23.73

 

CMYK 37 / 18 / 0 / 16

HEX #87AED5

RGB 135 174 213

HSL 210, 0.48%, 0.68%

LAB 69.63, -3.56, -23.95

 

CMYK 34 / 17 / 0 / 9

HEX #98C0E8

RGB 152 192 232

HSL 210, 0.63%, 0.75%

LAB 76.19, -3.78, -24.18

 

CMYK 33 / 16 / 0 / 2

HEX #A9D2FB

RGB 169 210 251

HSL 210, 0.91%, 0.82%

LAB 82.64, -3.98, -24.42

 

CMYK 27 / 11 / 0 / 0

HEX #BAE4FF

RGB 186 228 255

HSL 203.48, 1%, 0.86%

LAB 88.52, -7.65, -17.55

 

CMYK 43 / 22 / 0 / 22

HEX #719CC7

RGB 113 156 199

HSL 210, 0.43%, 0.61%

LAB 62.85, -3.25, -26.7

 

CMYK 47 / 23 / 0 / 29

HEX #608AB4

RGB 96 138 180

HSL 210, 0.36%, 0.54%

LAB 56.05, -2.85, -26.54

 

CMYK 51 / 25 / 0 / 37

HEX #4F78A1

RGB 79 120 161

HSL 210, 0.34%, 0.47%

LAB 49.09, -2.36, -26.41

 

CMYK 56 / 28 / 0 / 44

HEX #3E668E

RGB 62 102 142

HSL 210, 0.39%, 0.4%

LAB 41.97, -1.71, -26.3

 

CMYK 63 / 32 / 0 / 52

HEX #2D547B

RGB 45 84 123

HSL 210, 0.46%, 0.33%

LAB 34.66, -0.82, -26.22

 

CMYK 43 / 22 / 0 / 22

HEX #709BC6

RGB 112 155 198

HSL 210, 0.43%, 0.61%

LAB 62.48, -3.23, -26.72

 

CMYK 43 / 33 / 0 / 22

HEX #7084C6

RGB 112 132 198

HSL 226.05, 0.43%, 0.61%

LAB 56.11, 10.07, -36.61

 

CMYK 41 / 43 / 0 / 22

HEX #7470C6

RGB 116 112 198

HSL 242.79, 0.43%, 0.61%

LAB 51.13, 23.09, -44.45

 

CMYK 30 / 43 / 0 / 22

HEX #8B70C6

RGB 139 112 198

HSL 258.84, 0.43%, 0.61%

LAB 53.12, 29.27, -41.17

 

CMYK 18 / 43 / 0 / 22

HEX #A270C6

RGB 162 112 198

HSL 274.88, 0.43%, 0.61%

LAB 55.43, 35.88, -37.38

 

CMYK 43 / 22 / 0 / 22

HEX #709BC6

RGB 112 155 198

HSL 210, 0.43%, 0.61%

LAB 62.48, -3.23, -26.72

 

CMYK 43 / 33 / 0 / 22

HEX #7084C6

RGB 112 132 198

HSL 226.05, 0.43%, 0.61%

LAB 56.11, 10.07, -36.61

 

CMYK 43 / 43 / 0 / 22

HEX #7070C6

RGB 112 112 198

HSL 240, 0.43%, 0.61%

LAB 50.82, 22.08, -44.96

 

CMYK 43 / 22 / 0 / 22

HEX #709BC6

RGB 112 155 198

HSL 210, 0.43%, 0.61%

LAB 62.48, -3.23, -26.72

 

CMYK 55 / 28 / 0 / 16

HEX #609BD6

RGB 96 155 214

HSL 210, 0.59%, 0.61%

LAB 62.33, -2.23, -35.95

 

CMYK 65 / 33 / 0 / 10

HEX #509BE6

RGB 80 155 230

HSL 210, 0.75%, 0.61%

LAB 62.39, -0.08, -44.77

 

CMYK 74 / 37 / 0 / 4

HEX #409BF6

RGB 64 155 246

HSL 210, 0.91%, 0.61%

LAB 62.66, 3.13, -53.18

 

CMYK 43 / 22 / 0 / 22

HEX #709BC6

RGB 112 155 198

HSL 210, 0.43%, 0.61%

LAB 62.48, -3.23, -26.72

 

CMYK 30 / 15 / 0 / 29

HEX #809BB6

RGB 128 155 182

HSL 210, 0.27%, 0.61%

LAB 62.85, -3.01, -17.09

 

CMYK 13 / 7 / 0 / 35

HEX #909BA6

RGB 144 155 166

HSL 210, 0.11%, 0.61%

LAB 63.45, -1.61, -7.08

 

CMYK 0 / 4 / 7 / 37

HEX #A19B96

RGB 161 155 150

HSL 27.27, 0.06%, 0.61%

LAB 64.34, 1.27, 3.39

 

CMYK 0 / 12 / 25 / 31

HEX #B19B85

RGB 177 155 133

HSL 30, 0.22%, 0.61%

LAB 65.34, 4.61, 14.52

 

CMYK 43 / 0 / 2 / 22

HEX #70C6C3

RGB 112 198 195

HSL 177.91, 0.43%, 0.61%

LAB 74.68, -26.69, -6.63

 

CMYK 43 / 10 / 0 / 22

HEX #70B2C6

RGB 112 178 198

HSL 193.95, 0.43%, 0.61%

LAB 69.01, -15.74, -16.75

 

CMYK 43 / 22 / 0 / 22

HEX #709BC6

RGB 112 155 198

HSL 210, 0.43%, 0.61%

LAB 62.48, -3.23, -26.72

 

CMYK 43 / 33 / 0 / 22

HEX #7084C6

RGB 112 132 198

HSL 226.05, 0.43%, 0.61%

LAB 56.11, 10.07, -36.61

 

CMYK 42 / 43 / 0 / 22

HEX #7370C6

RGB 115 112 198

HSL 242.09, 0.43%, 0.61%

LAB 51.05, 22.84, -44.58

 

CMYK 60 / 30 / 0 / 36

HEX #4172A3

RGB 65 114 163

HSL 210, 0.43%, 0.45%

LAB 46.71, -1.28, -31.34

 

CMYK 55 / 28 / 0 / 27

HEX #5386BA

RGB 83 134 186

HSL 210.29, 0.43%, 0.53%

LAB 54.48, -1.76, -32.44

 

CMYK 43 / 22 / 0 / 22

HEX #709BC6

RGB 112 155 198

HSL 210, 0.43%, 0.61%

LAB 62.48, -3.23, -26.72

 

CMYK 32 / 16 / 0 / 18

HEX #8EB0D2

RGB 142 176 210

HSL 210, 0.43%, 0.69%

LAB 70.49, -3.46, -20.95

 

CMYK 23 / 11 / 0 / 13

HEX #ABC4DD

RGB 171 196 221

HSL 210, 0.42%, 0.77%

LAB 78.09, -3.03, -15.27

 

CMYK 43 / 22 / 0 / 22

HEX #719CC7

RGB 113 156 199

HSL 210, 0.43%, 0.61%

LAB 62.85, -3.25, -26.7

 

CMYK 13 / 43 / 0 / 22

HEX #AC70C6

RGB 172 112 198

HSL 281.86, 0.43%, 0.61%

LAB 56.52, 38.83, -35.59

 

CMYK 5 / 0 / 43 / 22

HEX #BDC670

RGB 189 198 112

HSL 66.28, 0.43%, 0.61%

LAB 77.51, -15.94, 41.91

 

CMYK 43 / 22 / 0 / 22

HEX #719CC7

RGB 113 156 199

HSL 210, 0.43%, 0.61%

LAB 62.85, -3.25, -26.7

 

CMYK 0 / 43 / 22 / 22

HEX #C6709B

RGB 198 112 155

HSL 330, 0.43%, 0.61%

LAB 58, 39.42, -8.34

 

CMYK 22 / 0 / 43 / 22

HEX #9BC670

RGB 155 198 112

HSL 90, 0.43%, 0.61%

LAB 75.16, -29.03, 38.46

 

CMYK 43 / 22 / 0 / 22

HEX #719CC7

RGB 113 156 199

HSL 210, 0.43%, 0.61%

LAB 62.85, -3.25, -26.7

 

CMYK 13 / 43 / 0 / 22

HEX #AC70C6

RGB 172 112 198

HSL 281.86, 0.43%, 0.61%

LAB 56.52, 38.83, -35.59

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 30 / 0 / 43 / 22

HEX #8AC670

RGB 138 198 112

HSL 101.86, 0.43%, 0.61%

LAB 74.17, -35.1, 37

 

CMYK 43 / 22 / 0 / 22

HEX #719CC7

RGB 113 156 199

HSL 210, 0.43%, 0.61%

LAB 62.85, -3.25, -26.7

 

CMYK 0 / 43 / 0 / 22

HEX #C670C6

RGB 198 112 198

HSL 300, 0.43%, 0.61%

LAB 59.59, 46.6, -30.57

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 43 / 0 / 43 / 22

HEX #70C670

RGB 112 198 112

HSL 120, 0.43%, 0.61%

LAB 72.89, -43.49, 35.12

 

Description

Color code: HEX #719CC7 | qconv.com Color code: HEX #719CC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 156 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 156 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 22 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 22% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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