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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71A270 it is the complementary color #8E5D8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71A270. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71A270 shade: #76A26B, #87B47E, #98C691, #A9D8A4 and #BAEAB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71A270. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71A270 shade: #71A270, #60905D, #4F7E4A, #3E6C37 and #2D5A24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71A270 shade: #72A271, #7FA271, #8CA271, #99A271 and #A29D71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71A270 shade: #72A271, #71A27D, #71A28A, #71A297 and #719FA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71A270 shade matches the following richer shades: #72A271, #5FB55E, #4DC84B, #3BDB38 and #29EE25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71A270 shade: #72A271, #848F84, #967C97, #A869AA and #BA56BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71A270 shade: #8CA271, #7FA271, #72A271, #71A27C and #71A289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71A270 shade: #4C744C, #5D8D5C, #72A271, #8AB28A and #A3C2A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71A270 shade: #71A270, #719AA2 and #A27186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71A270 shade: #71A270, #7172A2 and #A27172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71A270 shade: #71A270, #719AA2, #A071A2 and #A27971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71A270 shade: #71A270, #718BA2, #A071A2 and #A28871

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 31 / 36

HEX #71A270

RGB 113 162 112

HSL 118.8, 0.21%, 0.54%

LAB 62.1, -26.63, 20.92

 

Complementary color

CMYK 1 / 35 / 0 / 44

HEX #8E5D8F

RGB 142 93 143

HSL 298.8, 0.21%, 0.46%

LAB 46.4, 28.59, -19.51

 

CMYK 27 / 0 / 34 / 36

HEX #76A26B

RGB 118 162 107

HSL 108, 0.23%, 0.53%

LAB 62.3, -25.71, 23.96

 

CMYK 25 / 0 / 30 / 29

HEX #87B47E

RGB 135 180 126

HSL 110, 0.26%, 0.6%

LAB 68.97, -25.51, 22.83

 

CMYK 23 / 0 / 27 / 22

HEX #98C691

RGB 152 198 145

HSL 112.08, 0.32%, 0.67%

LAB 75.52, -25.32, 21.77

 

CMYK 22 / 0 / 24 / 15

HEX #A9D8A4

RGB 169 216 164

HSL 114.23, 0.4%, 0.75%

LAB 81.96, -25.13, 20.77

 

CMYK 21 / 0 / 22 / 8

HEX #BAEAB7

RGB 186 234 183

HSL 116.47, 0.55%, 0.82%

LAB 88.31, -24.96, 19.82

 

CMYK 30 / 0 / 31 / 36

HEX #71A270

RGB 113 162 112

HSL 118.8, 0.21%, 0.54%

LAB 62.1, -26.63, 20.92

 

CMYK 33 / 0 / 35 / 44

HEX #60905D

RGB 96 144 93

HSL 116.47, 0.22%, 0.46%

LAB 55.3, -26.88, 22.1

 

CMYK 37 / 0 / 41 / 51

HEX #4F7E4A

RGB 79 126 74

HSL 114.23, 0.26%, 0.39%

LAB 48.36, -27.12, 23.37

 

CMYK 43 / 0 / 49 / 58

HEX #3E6C37

RGB 62 108 55

HSL 112.08, 0.33%, 0.32%

LAB 41.26, -27.32, 24.73

 

CMYK 50 / 0 / 60 / 65

HEX #2D5A24

RGB 45 90 36

HSL 110, 0.43%, 0.25%

LAB 33.98, -27.37, 26.13

 

CMYK 30 / 0 / 30 / 36

HEX #72A271

RGB 114 162 113

HSL 118.78, 0.21%, 0.54%

LAB 62.18, -26.12, 20.48

 

CMYK 22 / 0 / 30 / 36

HEX #7FA271

RGB 127 162 113

HSL 102.86, 0.21%, 0.54%

LAB 62.96, -21.49, 21.68

 

CMYK 14 / 0 / 30 / 36

HEX #8CA271

RGB 140 162 113

HSL 86.94, 0.21%, 0.54%

LAB 63.84, -16.62, 23.01

 

CMYK 6 / 0 / 30 / 36

HEX #99A271

RGB 153 162 113

HSL 71.02, 0.21%, 0.54%

LAB 64.81, -11.56, 24.48

 

CMYK 0 / 3 / 30 / 36

HEX #A29D71

RGB 162 157 113

HSL 53.88, 0.21%, 0.54%

LAB 64.15, -5.28, 23.73

 

CMYK 30 / 0 / 30 / 36

HEX #72A271

RGB 114 162 113

HSL 118.78, 0.21%, 0.54%

LAB 62.18, -26.12, 20.48

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113 162 125

HSL 134.69, 0.21%, 0.54%

LAB 62.37, -24.27, 14.1

 

CMYK 30 / 0 / 15 / 36

HEX #71A28A

RGB 113 162 138

HSL 150.61, 0.21%, 0.54%

LAB 62.66, -21.65, 7.27

 

CMYK 30 / 0 / 7 / 36

HEX #71A297

RGB 113 162 151

HSL 166.53, 0.21%, 0.54%

LAB 63, -18.81, 0.46

 

CMYK 30 / 2 / 0 / 36

HEX #719FA2

RGB 113 159 162

HSL 183.67, 0.21%, 0.54%

LAB 62.44, -14.64, -6.55

 

CMYK 30 / 0 / 30 / 36

HEX #72A271

RGB 114 162 113

HSL 118.78, 0.21%, 0.54%

LAB 62.18, -26.12, 20.48

 

CMYK 48 / 0 / 48 / 29

HEX #5FB55E

RGB 95 181 94

HSL 119.31, 0.37%, 0.54%

LAB 66.74, -43.87, 36.31

 

CMYK 62 / 0 / 63 / 22

HEX #4DC84B

RGB 77 200 75

HSL 119.04, 0.53%, 0.54%

LAB 71.82, -58.25, 51.16

 

CMYK 73 / 0 / 74 / 14

HEX #3BDB38

RGB 59 219 56

HSL 118.9, 0.69%, 0.54%

LAB 77.21, -69.67, 64.06

 

CMYK 83 / 0 / 84 / 7

HEX #29EE25

RGB 41 238 37

HSL 118.81, 0.86%, 0.54%

LAB 82.78, -78.59, 74.44

 

CMYK 30 / 0 / 30 / 36

HEX #72A271

RGB 114 162 113

HSL 118.78, 0.21%, 0.54%

LAB 62.18, -26.12, 20.48

 

CMYK 8 / 0 / 8 / 44

HEX #848F84

RGB 132 143 132

HSL 120, 0.05%, 0.54%

LAB 58.24, -6.18, 4.48

 

CMYK 1 / 18 / 0 / 41

HEX #967C97

RGB 150 124 151

HSL 297.78, 0.11%, 0.54%

LAB 55.21, 15, -10.76

 

CMYK 1 / 38 / 0 / 33

HEX #A869AA

RGB 168 105 170

HSL 298.15, 0.28%, 0.54%

LAB 53.31, 35.74, -24.51

 

CMYK 1 / 54 / 0 / 26

HEX #BA56BC

RGB 186 86 188

HSL 298.82, 0.43%, 0.54%

LAB 52.65, 54.3, -35.79

 

CMYK 14 / 0 / 30 / 36

HEX #8CA271

RGB 140 162 113

HSL 86.94, 0.21%, 0.54%

LAB 63.84, -16.62, 23.01

 

CMYK 22 / 0 / 30 / 36

HEX #7FA271

RGB 127 162 113

HSL 102.86, 0.21%, 0.54%

LAB 62.96, -21.49, 21.68

 

CMYK 30 / 0 / 30 / 36

HEX #72A271

RGB 114 162 113

HSL 118.78, 0.21%, 0.54%

LAB 62.18, -26.12, 20.48

 

CMYK 30 / 0 / 23 / 36

HEX #71A27C

RGB 113 162 124

HSL 133.47, 0.21%, 0.54%

LAB 62.34, -24.46, 14.63

 

CMYK 30 / 0 / 15 / 36

HEX #71A289

RGB 113 162 137

HSL 149.39, 0.21%, 0.54%

LAB 62.64, -21.86, 7.8

 

CMYK 34 / 0 / 34 / 55

HEX #4C744C

RGB 76 116 76

HSL 120, 0.21%, 0.38%

LAB 45.01, -22.83, 17.78

 

CMYK 34 / 0 / 35 / 45

HEX #5D8D5C

RGB 93 141 92

HSL 118.78, 0.21%, 0.46%

LAB 54.19, -26.61, 21.14

 

CMYK 30 / 0 / 30 / 36

HEX #72A271

RGB 114 162 113

HSL 118.78, 0.21%, 0.54%

LAB 62.18, -26.12, 20.48

 

CMYK 22 / 0 / 22 / 30

HEX #8AB28A

RGB 138 178 138

HSL 120, 0.21%, 0.62%

LAB 68.81, -21.42, 16.15

 

CMYK 16 / 0 / 16 / 24

HEX #A3C2A2

RGB 163 194 162

HSL 118.13, 0.21%, 0.7%

LAB 75.44, -16.59, 12.67

 

CMYK 30 / 0 / 31 / 36

HEX #71A270

RGB 113 162 112

HSL 118.8, 0.21%, 0.54%

LAB 62.1, -26.63, 20.92

 

CMYK 30 / 5 / 0 / 36

HEX #719AA2

RGB 113 154 162

HSL 189.8, 0.21%, 0.54%

LAB 60.98, -11.95, -8.71

 

CMYK 0 / 30 / 17 / 36

HEX #A27186

RGB 162 113 134

HSL 334.29, 0.21%, 0.54%

LAB 53.18, 22.63, -3.72

 

CMYK 30 / 0 / 31 / 36

HEX #71A270

RGB 113 162 112

HSL 118.8, 0.21%, 0.54%

LAB 62.1, -26.63, 20.92

 

CMYK 30 / 30 / 0 / 36

HEX #7172A2

RGB 113 114 162

HSL 238.78, 0.21%, 0.54%

LAB 49.68, 11.02, -25.9

 

CMYK 0 / 30 / 30 / 36

HEX #A27172

RGB 162 113 114

HSL 358.78, 0.21%, 0.54%

LAB 52.63, 19.53, 7.23

 

CMYK 30 / 0 / 31 / 36

HEX #71A270

RGB 113 162 112

HSL 118.8, 0.21%, 0.54%

LAB 62.1, -26.63, 20.92

 

CMYK 30 / 5 / 0 / 36

HEX #719AA2

RGB 113 154 162

HSL 189.8, 0.21%, 0.54%

LAB 60.98, -11.95, -8.71

 

CMYK 1 / 30 / 0 / 36

HEX #A071A2

RGB 160 113 162

HSL 297.55, 0.21%, 0.54%

LAB 53.91, 27.03, -19.01

 

CMYK 0 / 25 / 30 / 36

HEX #A27971

RGB 162 121 113

HSL 9.8, 0.21%, 0.54%

LAB 54.6, 14.82, 10.62

 

CMYK 30 / 0 / 31 / 36

HEX #71A270

RGB 113 162 112

HSL 118.8, 0.21%, 0.54%

LAB 62.1, -26.63, 20.92

 

CMYK 30 / 14 / 0 / 36

HEX #718BA2

RGB 113 139 162

HSL 208.16, 0.21%, 0.54%

LAB 56.67, -3.63, -15.2

 

CMYK 1 / 30 / 0 / 36

HEX #A071A2

RGB 160 113 162

HSL 297.55, 0.21%, 0.54%

LAB 53.91, 27.03, -19.01

 

CMYK 0 / 16 / 30 / 36

HEX #A28871

RGB 162 136 113

HSL 28.16, 0.21%, 0.54%

LAB 58.49, 6.32, 16.03

 

Description

Color code: HEX #71A270 | qconv.com Color code: HEX #71A270 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 162 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 162 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 31 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 31% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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