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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71B5DE it is the complementary color #8E4A21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71B5DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71B5DE shade: #76B5D9, #87C7EC, #98D9FF, #A9EBFF and #BAFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71B5DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71B5DE shade: #71B5DE, #60A3CB, #4F91B8, #3E7FA5 and #2D6D92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71B5DE shade: #72B5DE, #7298DE, #727BDE, #8672DE and #A372DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71B5DE shade: #72B5DE, #7298DE, #727BDE and #7272DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71B5DE shade matches the following richer shades: #72B5DE, #64B9EC and #56BCFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71B5DE shade: #72B5DE, #80B2D0, #8EAEC1, #9CABB3 and #AAA7A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71B5DE shade: #72DECC, #72D3DE, #72B6DE, #7299DE and #727DDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71B5DE shade: #3092CD, #51A4D6, #72B5DE, #93C7E5 and #B5D8ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71B5DE shade: #71B5DE, #AF72DE and #DEDA72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71B5DE shade: #71B5DE, #DE72B6 and #B6DE72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71B5DE shade: #71B5DE, #AF72DE, #DE9972 and #A1DE72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71B5DE shade: #71B5DE, #CF72DE, #DE9972 and #80DE72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 18 / 0 / 13

HEX #71B5DE

RGB 113 181 222

HSL 202.57, 0.62%, 0.66%

LAB 70.76, -10.45, -27.25

 

Complementary color

CMYK 0 / 48 / 77 / 44

HEX #8E4A21

RGB 142 74 33

HSL 22.57, 0.62%, 0.34%

LAB 39.17, 25.49, 36.2

 

CMYK 46 / 17 / 0 / 15

HEX #76B5D9

RGB 118 181 217

HSL 201.82, 0.57%, 0.66%

LAB 70.81, -10.68, -24.42

 

CMYK 43 / 16 / 0 / 7

HEX #87C7EC

RGB 135 199 236

HSL 201.98, 0.73%, 0.73%

LAB 77.31, -10.92, -24.71

 

CMYK 40 / 15 / 0 / 0

HEX #98D9FF

RGB 152 217 255

HSL 202.14, 1%, 0.8%

LAB 83.72, -11.11, -24.99

 

CMYK 34 / 8 / 0 / 0

HEX #A9EBFF

RGB 169 235 255

HSL 193.95, 1%, 0.83%

LAB 89.43, -15.9, -16.27

 

CMYK 27 / 1 / 0 / 0

HEX #BAFDFF

RGB 186 253 255

HSL 181.74, 1%, 0.86%

LAB 95.12, -20.2, -7.69

 

CMYK 49 / 18 / 0 / 13

HEX #71B5DE

RGB 113 181 222

HSL 202.57, 0.62%, 0.66%

LAB 70.76, -10.45, -27.25

 

CMYK 53 / 20 / 0 / 20

HEX #60A3CB

RGB 96 163 203

HSL 202.43, 0.51%, 0.59%

LAB 64.16, -10.05, -27

 

CMYK 57 / 21 / 0 / 28

HEX #4F91B8

RGB 79 145 184

HSL 202.29, 0.43%, 0.52%

LAB 57.44, -9.54, -26.74

 

CMYK 62 / 23 / 0 / 35

HEX #3E7FA5

RGB 62 127 165

HSL 202.14, 0.45%, 0.45%

LAB 50.59, -8.86, -26.47

 

CMYK 69 / 25 / 0 / 43

HEX #2D6D92

RGB 45 109 146

HSL 201.98, 0.53%, 0.37%

LAB 43.61, -7.94, -26.19

 

CMYK 49 / 18 / 0 / 13

HEX #72B5DE

RGB 114 181 222

HSL 202.78, 0.62%, 0.66%

LAB 70.8, -10.22, -27.18

 

CMYK 49 / 32 / 0 / 13

HEX #7298DE

RGB 114 152 222

HSL 218.89, 0.62%, 0.66%

LAB 62.77, 5.96, -39.64

 

CMYK 49 / 45 / 0 / 13

HEX #727BDE

RGB 114 123 222

HSL 235, 0.62%, 0.66%

LAB 55.09, 23.1, -51.77

 

CMYK 40 / 49 / 0 / 13

HEX #8672DE

RGB 134 114 222

HSL 251.11, 0.62%, 0.66%

LAB 54.42, 33.18, -52.74

 

CMYK 27 / 49 / 0 / 13

HEX #A372DE

RGB 163 114 222

HSL 267.22, 0.62%, 0.66%

LAB 57.17, 40.62, -48.21

 

CMYK 49 / 18 / 0 / 13

HEX #72B5DE

RGB 114 181 222

HSL 202.78, 0.62%, 0.66%

LAB 70.8, -10.22, -27.18

 

CMYK 49 / 32 / 0 / 13

HEX #7298DE

RGB 114 152 222

HSL 218.89, 0.62%, 0.66%

LAB 62.77, 5.96, -39.64

 

CMYK 49 / 45 / 0 / 13

HEX #727BDE

RGB 114 123 222

HSL 235, 0.62%, 0.66%

LAB 55.09, 23.1, -51.77

 

CMYK 49 / 49 / 0 / 13

HEX #7272DE

RGB 114 114 222

HSL 240, 0.62%, 0.66%

LAB 52.82, 28.51, -55.39

 

CMYK 49 / 18 / 0 / 13

HEX #72B5DE

RGB 114 181 222

HSL 202.78, 0.62%, 0.66%

LAB 70.8, -10.22, -27.18

 

CMYK 58 / 22 / 0 / 7

HEX #64B9EC

RGB 100 185 236

HSL 202.5, 0.78%, 0.66%

LAB 71.87, -11.23, -33.2

 

CMYK 66 / 25 / 0 / 2

HEX #56BCFA

RGB 86 188 250

HSL 202.68, 0.94%, 0.66%

LAB 72.79, -10.93, -39.38

 

CMYK 49 / 18 / 0 / 13

HEX #72B5DE

RGB 114 181 222

HSL 202.78, 0.62%, 0.66%

LAB 70.8, -10.22, -27.18

 

CMYK 38 / 14 / 0 / 18

HEX #80B2D0

RGB 128 178 208

HSL 202.5, 0.46%, 0.66%

LAB 70.16, -8.94, -20.42

 

CMYK 26 / 10 / 0 / 24

HEX #8EAEC1

RGB 142 174 193

HSL 202.35, 0.29%, 0.66%

LAB 69.38, -6.53, -13.28

 

CMYK 13 / 4 / 0 / 30

HEX #9CABB3

RGB 156 171 179

HSL 200.87, 0.13%, 0.66%

LAB 69.07, -3.57, -5.9

 

CMYK 0 / 2 / 3 / 33

HEX #AAA7A5

RGB 170 167 165

HSL 24, 0.03%, 0.66%

LAB 68.68, 0.7, 1.4

 

CMYK 49 / 0 / 8 / 13

HEX #72DECC

RGB 114 222 204

HSL 170, 0.62%, 0.66%

LAB 81.94, -35.46, -0.77

 

CMYK 49 / 5 / 0 / 13

HEX #72D3DE

RGB 114 211 222

HSL 186.11, 0.62%, 0.66%

LAB 79.29, -25.67, -14.29

 

CMYK 49 / 18 / 0 / 13

HEX #72B6DE

RGB 114 182 222

HSL 202.22, 0.62%, 0.66%

LAB 71.08, -10.76, -26.75

 

CMYK 49 / 31 / 0 / 13

HEX #7299DE

RGB 114 153 222

HSL 218.33, 0.62%, 0.66%

LAB 63.04, 5.39, -39.21

 

CMYK 49 / 44 / 0 / 13

HEX #727DDE

RGB 114 125 222

HSL 233.89, 0.62%, 0.66%

LAB 55.6, 21.9, -50.95

 

CMYK 77 / 29 / 0 / 20

HEX #3092CD

RGB 48 146 205

HSL 202.55, 0.62%, 0.5%

LAB 57.65, -8.07, -38.35

 

CMYK 62 / 23 / 0 / 16

HEX #51A4D6

RGB 81 164 214

HSL 202.56, 0.62%, 0.58%

LAB 64.29, -10.21, -32.95

 

CMYK 49 / 18 / 0 / 13

HEX #72B5DE

RGB 114 181 222

HSL 202.78, 0.62%, 0.66%

LAB 70.8, -10.22, -27.18

 

CMYK 36 / 13 / 0 / 10

HEX #93C7E5

RGB 147 199 229

HSL 201.95, 0.61%, 0.74%

LAB 77.7, -9.63, -20.29

 

CMYK 24 / 9 / 0 / 7

HEX #B5D8ED

RGB 181 216 237

HSL 202.5, 0.61%, 0.82%

LAB 84.51, -6.95, -14.11

 

CMYK 49 / 18 / 0 / 13

HEX #71B5DE

RGB 113 181 222

HSL 202.57, 0.62%, 0.66%

LAB 70.76, -10.45, -27.25

 

CMYK 21 / 49 / 0 / 13

HEX #AF72DE

RGB 175 114 222

HSL 273.89, 0.62%, 0.66%

LAB 58.44, 43.85, -46.12

 

CMYK 0 / 2 / 49 / 13

HEX #DEDA72

RGB 222 218 114

HSL 57.78, 0.62%, 0.66%

LAB 85.45, -12.61, 51.21

 

CMYK 49 / 18 / 0 / 13

HEX #71B5DE

RGB 113 181 222

HSL 202.57, 0.62%, 0.66%

LAB 70.76, -10.45, -27.25

 

CMYK 0 / 49 / 18 / 13

HEX #DE72B6

RGB 222 114 182

HSL 322.22, 0.62%, 0.66%

LAB 62.46, 50.31, -16.81

 

CMYK 18 / 0 / 49 / 13

HEX #B6DE72

RGB 182 222 114

HSL 82.22, 0.62%, 0.66%

LAB 83.65, -30.13, 48.37

 

CMYK 49 / 18 / 0 / 13

HEX #71B5DE

RGB 113 181 222

HSL 202.57, 0.62%, 0.66%

LAB 70.76, -10.45, -27.25

 

CMYK 21 / 49 / 0 / 13

HEX #AF72DE

RGB 175 114 222

HSL 273.89, 0.62%, 0.66%

LAB 58.44, 43.85, -46.12

 

CMYK 0 / 31 / 49 / 13

HEX #DE9972

RGB 222 153 114

HSL 21.67, 0.62%, 0.66%

LAB 69.13, 21.46, 30.86

 

CMYK 27 / 0 / 49 / 13

HEX #A1DE72

RGB 161 222 114

HSL 93.89, 0.62%, 0.66%

LAB 82.4, -37.76, 46.55

 

CMYK 49 / 18 / 0 / 13

HEX #71B5DE

RGB 113 181 222

HSL 202.57, 0.62%, 0.66%

LAB 70.76, -10.45, -27.25

 

CMYK 7 / 49 / 0 / 13

HEX #CF72DE

RGB 207 114 222

HSL 291.67, 0.62%, 0.66%

LAB 62.15, 52.67, -40.02

 

CMYK 0 / 31 / 49 / 13

HEX #DE9972

RGB 222 153 114

HSL 21.67, 0.62%, 0.66%

LAB 69.13, 21.46, 30.86

 

CMYK 42 / 0 / 49 / 13

HEX #80DE72

RGB 128 222 114

HSL 112.22, 0.62%, 0.66%

LAB 80.76, -48.55, 44.18

 

Description

Color code: HEX #71B5DE | qconv.com Color code: HEX #71B5DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 181 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 181 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 18 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 18% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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