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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71B809 it is the complementary color #8E47F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71B809. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71B809 shade: #76B804, #87CA17, #98DC2A, #A9EE3D and #BAFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71B809. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71B809 shade: #71B809, #60A600, #4F9400, #3E8200 and #2D7000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71B809 shade: #71B908, #A1B908, #B9A108, #B97108 and #B94208

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71B809 shade: #71B908, #41B908, #12B908, #08B92E and #08B95E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71B809 shade matches the following richer shades: #71B908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71B809 shade: #71B908, #6EA918, #6B9928, #688A37 and #657A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71B809 shade: #B9A108, #A1B908, #72B908, #43B908 and #14B908

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71B809 shade: #416A05, #599106, #71B908, #89E00A and #9EF41F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71B809 shade: #71B809, #08B972 and #B908B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71B809 shade: #71B809, #0872B9 and #B90872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71B809 shade: #71B809, #08B972, #4F08B9 and #B9084F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71B809 shade: #71B809, #08B9A7, #4F08B9 and #B9081A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 95 / 28

HEX #71B809

RGB 113 184 9

HSL 84.34, 0.91%, 0.38%

LAB 67.88, -45.53, 67.3

 

Complementary color

CMYK 42 / 71 / 0 / 4

HEX #8E47F6

RGB 142 71 246

HSL 264.34, 0.91%, 0.62%

LAB 48.15, 64.1, -76.31

 

CMYK 36 / 0 / 98 / 28

HEX #76B804

RGB 118 184 4

HSL 82, 0.96%, 0.37%

LAB 68.12, -43.82, 68.19

 

CMYK 33 / 0 / 89 / 21

HEX #87CA17

RGB 135 202 23

HSL 82.46, 0.8%, 0.44%

LAB 74.48, -44.84, 71.12

 

CMYK 31 / 0 / 81 / 14

HEX #98DC2A

RGB 152 220 42

HSL 82.92, 0.72%, 0.51%

LAB 80.75, -45.63, 72.73

 

CMYK 29 / 0 / 74 / 7

HEX #A9EE3D

RGB 169 238 61

HSL 83.39, 0.84%, 0.59%

LAB 86.96, -46.22, 73.33

 

CMYK 27 / 0 / 69 / 0

HEX #BAFF50

RGB 186 255 80

HSL 83.66, 1%, 0.66%

LAB 92.81, -46.24, 72.99

 

CMYK 39 / 0 / 95 / 28

HEX #71B809

RGB 113 184 9

HSL 84.34, 0.91%, 0.38%

LAB 67.88, -45.53, 67.3

 

CMYK 42 / 0 / 100 / 35

HEX #60A600

RGB 96 166 0

HSL 85.3, 1%, 0.33%

LAB 61.45, -44.26, 63.02

 

CMYK 47 / 0 / 100 / 42

HEX #4F9400

RGB 79 148 0

HSL 87.97, 1%, 0.29%

LAB 54.91, -42.76, 57.59

 

CMYK 52 / 0 / 100 / 49

HEX #3E8200

RGB 62 130 0

HSL 91.38, 1%, 0.25%

LAB 48.25, -41.12, 52.06

 

CMYK 60 / 0 / 100 / 56

HEX #2D7000

RGB 45 112 0

HSL 95.89, 1%, 0.22%

LAB 41.45, -39.28, 46.44

 

CMYK 39 / 0 / 96 / 27

HEX #71B908

RGB 113 185 8

HSL 84.41, 0.92%, 0.38%

LAB 68.19, -45.96, 67.66

 

CMYK 13 / 0 / 96 / 27

HEX #A1B908

RGB 161 185 8

HSL 68.14, 0.92%, 0.38%

LAB 71.07, -27.15, 71.16

 

CMYK 0 / 13 / 96 / 27

HEX #B9A108

RGB 185 161 8

HSL 51.86, 0.92%, 0.38%

LAB 66.38, -4.4, 68.49

 

CMYK 0 / 39 / 96 / 27

HEX #B97108

RGB 185 113 8

HSL 35.59, 0.92%, 0.38%

LAB 54.18, 21.91, 59.69

 

CMYK 0 / 64 / 96 / 27

HEX #B94208

RGB 185 66 8

HSL 19.66, 0.92%, 0.38%

LAB 44.56, 45.97, 53.31

 

CMYK 39 / 0 / 96 / 27

HEX #71B908

RGB 113 185 8

HSL 84.41, 0.92%, 0.38%

LAB 68.19, -45.96, 67.66

 

CMYK 65 / 0 / 96 / 27

HEX #41B908

RGB 65 185 8

HSL 100.68, 0.92%, 0.38%

LAB 66.4, -59.9, 65.47

 

CMYK 90 / 0 / 96 / 27

HEX #12B908

RGB 18 185 8

HSL 116.61, 0.92%, 0.38%

LAB 65.63, -66.62, 64.52

 

CMYK 96 / 0 / 75 / 27

HEX #08B92E

RGB 8 185 46

HSL 132.88, 0.92%, 0.38%

LAB 65.71, -65.36, 55.79

 

CMYK 96 / 0 / 49 / 27

HEX #08B95E

RGB 8 185 94

HSL 149.15, 0.92%, 0.38%

LAB 66.18, -59.48, 35.22

 

CMYK 39 / 0 / 96 / 27

HEX #71B908

RGB 113 185 8

HSL 84.41, 0.92%, 0.38%

LAB 68.19, -45.96, 67.66

 

CMYK 39 / 0 / 96 / 27

HEX #71B908

RGB 113 185 8

HSL 84.41, 0.92%, 0.38%

LAB 68.19, -45.96, 67.66

 

CMYK 35 / 0 / 86 / 34

HEX #6EA918

RGB 110 169 24

HSL 84.41, 0.75%, 0.38%

LAB 63.14, -39.9, 60.78

 

CMYK 30 / 0 / 74 / 40

HEX #6B9928

RGB 107 153 40

HSL 84.42, 0.59%, 0.38%

LAB 58.1, -33.11, 51.23

 

CMYK 25 / 0 / 60 / 46

HEX #688A37

RGB 104 138 55

HSL 84.58, 0.43%, 0.38%

LAB 53.38, -25.96, 39.78

 

CMYK 17 / 0 / 42 / 52

HEX #657A47

RGB 101 122 71

HSL 84.71, 0.26%, 0.38%

LAB 48.44, -17.1, 25.42

 

CMYK 0 / 13 / 96 / 27

HEX #B9A108

RGB 185 161 8

HSL 51.86, 0.92%, 0.38%

LAB 66.38, -4.4, 68.49

 

CMYK 13 / 0 / 96 / 27

HEX #A1B908

RGB 161 185 8

HSL 68.14, 0.92%, 0.38%

LAB 71.07, -27.15, 71.16

 

CMYK 38 / 0 / 96 / 27

HEX #72B908

RGB 114 185 8

HSL 84.07, 0.92%, 0.38%

LAB 68.24, -45.6, 67.72

 

CMYK 64 / 0 / 96 / 27

HEX #43B908

RGB 67 185 8

HSL 100, 0.92%, 0.38%

LAB 66.45, -59.45, 65.54

 

CMYK 89 / 0 / 96 / 27

HEX #14B908

RGB 20 185 8

HSL 115.93, 0.92%, 0.38%

LAB 65.64, -66.48, 64.54

 

CMYK 39 / 0 / 95 / 58

HEX #416A05

RGB 65 106 5

HSL 84.36, 0.91%, 0.22%

LAB 40.32, -29.61, 44.64

 

CMYK 39 / 0 / 96 / 43

HEX #599106

RGB 89 145 6

HSL 84.17, 0.92%, 0.3%

LAB 54.44, -37.81, 56.42

 

CMYK 39 / 0 / 96 / 27

HEX #71B908

RGB 113 185 8

HSL 84.41, 0.92%, 0.38%

LAB 68.19, -45.96, 67.66

 

CMYK 39 / 0 / 96 / 12

HEX #89E00A

RGB 137 224 10

HSL 84.39, 0.91%, 0.46%

LAB 81.1, -53.36, 78.22

 

CMYK 35 / 0 / 87 / 4

HEX #9EF41F

RGB 158 244 31

HSL 84.23, 0.91%, 0.54%

LAB 88, -53.74, 81.48

 

CMYK 39 / 0 / 95 / 28

HEX #71B809

RGB 113 184 9

HSL 84.34, 0.91%, 0.38%

LAB 67.88, -45.53, 67.3

 

CMYK 96 / 0 / 38 / 27

HEX #08B972

RGB 8 185 114

HSL 155.93, 0.92%, 0.38%

LAB 66.49, -55.79, 25.26

 

CMYK 0 / 96 / 0 / 27

HEX #B908B9

RGB 185 8 185

HSL 300, 0.92%, 0.38%

LAB 44.22, 76.46, -47.41

 

CMYK 39 / 0 / 95 / 28

HEX #71B809

RGB 113 184 9

HSL 84.34, 0.91%, 0.38%

LAB 67.88, -45.53, 67.3

 

CMYK 96 / 38 / 0 / 27

HEX #0872B9

RGB 8 114 185

HSL 204.07, 0.92%, 0.38%

LAB 46.43, 0.35, -44.71

 

CMYK 0 / 96 / 38 / 27

HEX #B90872

RGB 185 8 114

HSL 324.07, 0.92%, 0.38%

LAB 40.74, 67.6, -9.78

 

CMYK 39 / 0 / 95 / 28

HEX #71B809

RGB 113 184 9

HSL 84.34, 0.91%, 0.38%

LAB 67.88, -45.53, 67.3

 

CMYK 96 / 0 / 38 / 27

HEX #08B972

RGB 8 185 114

HSL 155.93, 0.92%, 0.38%

LAB 66.49, -55.79, 25.26

 

CMYK 57 / 96 / 0 / 27

HEX #4F08B9

RGB 79 8 185

HSL 264.07, 0.92%, 0.38%

LAB 27.68, 63.04, -75.08

 

CMYK 0 / 96 / 57 / 27

HEX #B9084F

RGB 185 8 79

HSL 335.93, 0.92%, 0.38%

LAB 39.67, 64.73, 10.85

 

CMYK 39 / 0 / 95 / 28

HEX #71B809

RGB 113 184 9

HSL 84.34, 0.91%, 0.38%

LAB 67.88, -45.53, 67.3

 

CMYK 96 / 0 / 10 / 27

HEX #08B9A7

RGB 8 185 167

HSL 173.9, 0.92%, 0.38%

LAB 67.68, -42.81, -1.91

 

CMYK 57 / 96 / 0 / 27

HEX #4F08B9

RGB 79 8 185

HSL 264.07, 0.92%, 0.38%

LAB 27.68, 63.04, -75.08

 

CMYK 0 / 96 / 86 / 27

HEX #B9081A

RGB 185 8 26

HSL 353.9, 0.92%, 0.38%

LAB 38.83, 62.43, 42.24

 

Description

Color code: HEX #71B809 | qconv.com Color code: HEX #71B809 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 184 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 184 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 95 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 95% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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