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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71CB1A it is the complementary color #8E34E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71CB1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71CB1A shade: #76CB15, #87DD28, #98EF3B, #A9FF4E and #BAFF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71CB1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71CB1A shade: #71CB1A, #60B907, #4FA700, #3E9500 and #2D8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71CB1A shade: #71CB1A, #A0CB1A, #CBC51A, #CB961A and #CB661A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71CB1A shade: #71CB1A, #41CB1A, #1ACB22, #1ACB52 and #1ACB82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71CB1A shade matches the following richer shades: #71CB1A and #70DD07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71CB1A shade: #71CB1A, #71B82C, #71A53F, #729352 and #728064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71CB1A shade: #CBC51A, #A1CB1A, #72CB1A, #43CB1A and #1ACB20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71CB1A shade: #488210, #5CA615, #71CB1A, #85E32B and #9AE84F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71CB1A shade: #71CB1A, #1ACB96 and #CB1AB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71CB1A shade: #71CB1A, #1A72CB and #CB1A72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71CB1A shade: #71CB1A, #1ACB96, #721ACB and #CB1A4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71CB1A shade: #71CB1A, #1ACBCB, #721ACB and #CB1A1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

Complementary color

CMYK 38 / 77 / 0 / 10

HEX #8E34E5

RGB 142 52 229

HSL 270.51, 0.77%, 0.55%

LAB 44.04, 67.97, -73.44

 

CMYK 42 / 0 / 90 / 20

HEX #76CB15

RGB 118 203 21

HSL 88.02, 0.81%, 0.44%

LAB 73.94, -51.23, 70.68

 

CMYK 39 / 0 / 82 / 13

HEX #87DD28

RGB 135 221 40

HSL 88.51, 0.73%, 0.51%

LAB 80.19, -52.07, 72.4

 

CMYK 36 / 0 / 75 / 6

HEX #98EF3B

RGB 152 239 59

HSL 89, 0.85%, 0.58%

LAB 86.37, -52.68, 73.08

 

CMYK 34 / 0 / 69 / 0

HEX #A9FF4E

RGB 169 255 78

HSL 89.15, 1%, 0.65%

LAB 91.91, -52.31, 72.5

 

CMYK 27 / 0 / 62 / 0

HEX #BAFF61

RGB 186 255 97

HSL 86.2, 1%, 0.69%

LAB 92.94, -45.05, 66.62

 

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

CMYK 48 / 0 / 96 / 27

HEX #60B907

RGB 96 185 7

HSL 90, 0.93%, 0.38%

LAB 67.43, -51.62, 66.85

 

CMYK 53 / 0 / 100 / 35

HEX #4FA700

RGB 79 167 0

HSL 91.62, 1%, 0.33%

LAB 61.05, -50.14, 62.4

 

CMYK 58 / 0 / 100 / 42

HEX #3E9500

RGB 62 149 0

HSL 95.03, 1%, 0.29%

LAB 54.57, -48.35, 57.04

 

CMYK 66 / 0 / 100 / 49

HEX #2D8300

RGB 45 131 0

HSL 99.39, 1%, 0.26%

LAB 47.99, -46.28, 51.61

 

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

CMYK 21 / 0 / 87 / 20

HEX #A0CB1A

RGB 160 203 26

HSL 74.58, 0.77%, 0.45%

LAB 76.23, -35.64, 72.61

 

CMYK 0 / 3 / 87 / 20

HEX #CBC51A

RGB 203 197 26

HSL 57.97, 0.77%, 0.45%

LAB 77.7, -14.81, 75.11

 

CMYK 0 / 26 / 87 / 20

HEX #CB961A

RGB 203 150 26

HSL 42.03, 0.77%, 0.45%

LAB 65.42, 9.87, 65.26

 

CMYK 0 / 50 / 87 / 20

HEX #CB661A

RGB 203 102 26

HSL 25.76, 0.77%, 0.45%

LAB 54.32, 35.7, 56.35

 

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

CMYK 68 / 0 / 87 / 20

HEX #41CB1A

RGB 65 203 26

HSL 106.78, 0.77%, 0.45%

LAB 72.17, -65.23, 67.55

 

CMYK 87 / 0 / 83 / 20

HEX #1ACB22

RGB 26 203 34

HSL 122.71, 0.77%, 0.45%

LAB 71.59, -70.21, 65

 

CMYK 87 / 0 / 60 / 20

HEX #1ACB52

RGB 26 203 82

HSL 138.98, 0.77%, 0.45%

LAB 71.92, -66.02, 47.93

 

CMYK 87 / 0 / 36 / 20

HEX #1ACB82

RGB 26 203 130

HSL 155.25, 0.77%, 0.45%

LAB 72.59, -58.07, 25.02

 

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

CMYK 49 / 0 / 97 / 13

HEX #70DD07

RGB 112 221 7

HSL 90.56, 0.94%, 0.45%

LAB 79.14, -60.18, 76.49

 

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

CMYK 39 / 0 / 76 / 28

HEX #71B82C

RGB 113 184 44

HSL 90.43, 0.61%, 0.45%

LAB 68, -44.28, 59.6

 

CMYK 32 / 0 / 62 / 35

HEX #71A53F

RGB 113 165 63

HSL 90.59, 0.45%, 0.45%

LAB 62.32, -34.54, 46.24

 

CMYK 22 / 0 / 44 / 42

HEX #729352

RGB 114 147 82

HSL 90.46, 0.28%, 0.45%

LAB 57.13, -23.39, 30.67

 

CMYK 11 / 0 / 22 / 50

HEX #728064

RGB 114 128 100

HSL 90, 0.12%, 0.45%

LAB 51.76, -10.6, 13.52

 

CMYK 0 / 3 / 87 / 20

HEX #CBC51A

RGB 203 197 26

HSL 57.97, 0.77%, 0.45%

LAB 77.7, -14.81, 75.11

 

CMYK 21 / 0 / 87 / 20

HEX #A1CB1A

RGB 161 203 26

HSL 74.24, 0.77%, 0.45%

LAB 76.29, -35.24, 72.69

 

CMYK 44 / 0 / 87 / 20

HEX #72CB1A

RGB 114 203 26

HSL 90.17, 0.77%, 0.45%

LAB 73.78, -52.4, 69.57

 

CMYK 67 / 0 / 87 / 20

HEX #43CB1A

RGB 67 203 26

HSL 106.1, 0.77%, 0.45%

LAB 72.21, -64.84, 67.61

 

CMYK 87 / 0 / 84 / 20

HEX #1ACB20

RGB 26 203 32

HSL 122.03, 0.77%, 0.45%

LAB 71.58, -70.3, 65.48

 

CMYK 45 / 0 / 88 / 49

HEX #488210

RGB 72 130 16

HSL 90.53, 0.78%, 0.29%

LAB 48.74, -37.24, 49.39

 

CMYK 45 / 0 / 87 / 35

HEX #5CA615

RGB 92 166 21

HSL 90.62, 0.78%, 0.37%

LAB 61.31, -45.12, 59.52

 

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

CMYK 41 / 0 / 81 / 11

HEX #85E32B

RGB 133 227 43

HSL 90.65, 0.77%, 0.53%

LAB 81.89, -54.97, 73.14

 

CMYK 34 / 0 / 66 / 9

HEX #9AE84F

RGB 154 232 79

HSL 90.59, 0.77%, 0.61%

LAB 84.56, -47.85, 64.28

 

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

CMYK 87 / 0 / 26 / 20

HEX #1ACB96

RGB 26 203 150

HSL 162.03, 0.77%, 0.45%

LAB 72.98, -53.69, 14.95

 

CMYK 0 / 87 / 9 / 20

HEX #CB1AB9

RGB 203 26 185

HSL 306.1, 0.77%, 0.45%

LAB 48.18, 77.44, -40.91

 

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

CMYK 87 / 44 / 0 / 20

HEX #1A72CB

RGB 26 114 203

HSL 210.17, 0.77%, 0.45%

LAB 47.71, 8.33, -53.02

 

CMYK 0 / 87 / 44 / 20

HEX #CB1A72

RGB 203 26 114

HSL 330.17, 0.77%, 0.45%

LAB 45.15, 69.25, -2.83

 

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

CMYK 87 / 0 / 26 / 20

HEX #1ACB96

RGB 26 203 150

HSL 162.03, 0.77%, 0.45%

LAB 72.98, -53.69, 14.95

 

CMYK 44 / 87 / 0 / 20

HEX #721ACB

RGB 114 26 203

HSL 269.83, 0.77%, 0.45%

LAB 35.26, 66.66, -73.01

 

CMYK 0 / 87 / 61 / 20

HEX #CB1A4F

RGB 203 26 79

HSL 342.03, 0.77%, 0.45%

LAB 44.23, 66.65, 17.68

 

CMYK 44 / 0 / 87 / 20

HEX #71CB1A

RGB 113 203 26

HSL 90.51, 0.77%, 0.45%

LAB 73.74, -52.72, 69.52

 

CMYK 87 / 0 / 0 / 20

HEX #1ACBCB

RGB 26 203 203

HSL 180, 0.77%, 0.45%

LAB 74.35, -39.56, -11.68

 

CMYK 44 / 87 / 0 / 20

HEX #721ACB

RGB 114 26 203

HSL 269.83, 0.77%, 0.45%

LAB 35.26, 66.66, -73.01

 

CMYK 0 / 87 / 87 / 20

HEX #CB1A1A

RGB 203 26 26

HSL 0, 0.77%, 0.45%

LAB 43.52, 64.59, 47.68

 

Description

Color code: HEX #71CB1A | qconv.com Color code: HEX #71CB1A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 203 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 203 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 87 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 87% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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