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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71CD40 it is the complementary color #8E32BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71CD40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71CD40 shade: #76CD3B, #87DF4E, #98F161, #A9FF74 and #BAFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71CD40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71CD40 shade: #71CD40, #60BB2D, #4FA91A, #3E9707 and #2D8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71CD40 shade: #71CD40, #97CD40, #BDCD40, #CDB740 and #CD9140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71CD40 shade: #71CD40, #4BCD40, #40CD5B, #40CD81 and #40CDA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71CD40 shade matches the following richer shades: #71CD40, #6BE12D and #65F419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71CD40 shade: #71CD40, #77BA53, #7DA767, #83937A and #89808E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71CD40 shade: #BDCD40, #97CD40, #71CD40, #4CCD40 and #40CD5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71CD40 shade: #4C9526, #5DB62E, #71CD40, #89D661 and #A2DE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71CD40 shade: #71CD40, #40CDB8 and #CD40AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71CD40 shade: #71CD40, #4071CD and #CD4071

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71CD40 shade: #71CD40, #40CDB8, #9C40CD and #CD4055

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71CD40 shade: #71CD40, #40B8CD, #9C40CD and #CD5540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

Complementary color

CMYK 26 / 74 / 0 / 25

HEX #8E32BF

RGB 142 50 191

HSL 279.15, 0.59%, 0.47%

LAB 40.89, 60.39, -56.65

 

CMYK 42 / 0 / 71 / 20

HEX #76CD3B

RGB 118 205 59

HSL 95.75, 0.59%, 0.52%

LAB 74.72, -50.24, 61.1

 

CMYK 39 / 0 / 65 / 13

HEX #87DF4E

RGB 135 223 78

HSL 96.41, 0.69%, 0.59%

LAB 81, -50.57, 60.61

 

CMYK 37 / 0 / 60 / 5

HEX #98F161

RGB 152 241 97

HSL 97.08, 0.84%, 0.66%

LAB 87.22, -50.74, 59.8

 

CMYK 34 / 0 / 55 / 0

HEX #A9FF74

RGB 169 255 116

HSL 97.12, 1%, 0.73%

LAB 92.23, -49.15, 57.5

 

CMYK 27 / 0 / 47 / 0

HEX #BAFF87

RGB 186 255 135

HSL 94.5, 1%, 0.76%

LAB 93.32, -41.39, 50.33

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 49 / 0 / 76 / 27

HEX #60BB2D

RGB 96 187 45

HSL 98.45, 0.61%, 0.45%

LAB 68.18, -50.96, 59.18

 

CMYK 53 / 0 / 85 / 34

HEX #4FA91A

RGB 79 169 26

HSL 97.76, 0.73%, 0.38%

LAB 61.75, -50.15, 58.53

 

CMYK 59 / 0 / 95 / 41

HEX #3E9707

RGB 62 151 7

HSL 97.08, 0.91%, 0.31%

LAB 55.25, -48.89, 56.45

 

CMYK 66 / 0 / 100 / 48

HEX #2D8500

RGB 45 133 0

HSL 99.7, 1%, 0.26%

LAB 48.68, -46.99, 52.15

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 26 / 0 / 69 / 20

HEX #97CD40

RGB 151 205 64

HSL 82.98, 0.59%, 0.53%

LAB 76.44, -38.32, 61.54

 

CMYK 8 / 0 / 69 / 20

HEX #BDCD40

RGB 189 205 64

HSL 66.81, 0.59%, 0.53%

LAB 78.96, -23.26, 64.9

 

CMYK 0 / 11 / 69 / 20

HEX #CDB740

RGB 205 183 64

HSL 50.64, 0.59%, 0.53%

LAB 74.33, -5.4, 60.67

 

CMYK 0 / 29 / 69 / 20

HEX #CD9140

RGB 205 145 64

HSL 34.47, 0.59%, 0.53%

LAB 64.64, 14.92, 50.56

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 63 / 0 / 69 / 20

HEX #4BCD40

RGB 75 205 64

HSL 115.32, 0.59%, 0.53%

LAB 73.24, -61.5, 57.21

 

CMYK 69 / 0 / 56 / 20

HEX #40CD5B

RGB 64 205 91

HSL 131.49, 0.59%, 0.53%

LAB 73.23, -60.71, 45.47

 

CMYK 69 / 0 / 37 / 20

HEX #40CD81

RGB 64 205 129

HSL 147.66, 0.59%, 0.53%

LAB 73.76, -54.59, 27.22

 

CMYK 69 / 0 / 19 / 20

HEX #40CDA7

RGB 64 205 167

HSL 163.83, 0.59%, 0.53%

LAB 74.54, -46.36, 8.11

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 52 / 0 / 80 / 12

HEX #6BE12D

RGB 107 225 45

HSL 99.33, 0.75%, 0.53%

LAB 80.27, -61.91, 70.76

 

CMYK 59 / 0 / 90 / 4

HEX #65F419

RGB 101 244 25

HSL 99.18, 0.91%, 0.53%

LAB 85.78, -70.69, 79.69

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 36 / 0 / 55 / 27

HEX #77BA53

RGB 119 186 83

HSL 99.03, 0.43%, 0.53%

LAB 69.23, -39.79, 44.98

 

CMYK 25 / 0 / 38 / 35

HEX #7DA767

RGB 125 167 103

HSL 99.38, 0.27%, 0.53%

LAB 64.14, -26.26, 28.63

 

CMYK 11 / 0 / 17 / 42

HEX #83937A

RGB 131 147 122

HSL 98.4, 0.1%, 0.53%

LAB 59.06, -10.6, 11.33

 

CMYK 4 / 10 / 0 / 44

HEX #89808E

RGB 137 128 142

HSL 278.57, 0.06%, 0.53%

LAB 54.77, 6.16, -6.31

 

CMYK 8 / 0 / 69 / 20

HEX #BDCD40

RGB 189 205 64

HSL 66.81, 0.59%, 0.53%

LAB 78.96, -23.26, 64.9

 

CMYK 26 / 0 / 69 / 20

HEX #97CD40

RGB 151 205 64

HSL 82.98, 0.59%, 0.53%

LAB 76.44, -38.32, 61.54

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 63 / 0 / 69 / 20

HEX #4CCD40

RGB 76 205 64

HSL 114.89, 0.59%, 0.53%

LAB 73.27, -61.29, 57.25

 

CMYK 69 / 0 / 56 / 20

HEX #40CD5A

RGB 64 205 90

HSL 131.06, 0.59%, 0.53%

LAB 73.21, -60.84, 45.92

 

CMYK 49 / 0 / 74 / 42

HEX #4C9526

RGB 76 149 38

HSL 99.46, 0.59%, 0.37%

LAB 55.25, -42.56, 48.62

 

CMYK 49 / 0 / 75 / 29

HEX #5DB62E

RGB 93 182 46

HSL 99.26, 0.6%, 0.45%

LAB 66.5, -49.87, 57.16

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 36 / 0 / 55 / 16

HEX #89D661

RGB 137 214 97

HSL 99.49, 0.59%, 0.61%

LAB 78.62, -44.35, 49.72

 

CMYK 27 / 0 / 41 / 13

HEX #A2DE82

RGB 162 222 130

HSL 99.13, 0.58%, 0.69%

LAB 82.67, -35.44, 39.08

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 69 / 0 / 10 / 20

HEX #40CDB8

RGB 64 205 184

HSL 171.06, 0.59%, 0.53%

LAB 74.96, -42.08, -0.44

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 69 / 45 / 0 / 20

HEX #4071CD

RGB 64 113 205

HSL 219.15, 0.59%, 0.53%

LAB 48.65, 13.91, -52.6

 

CMYK 0 / 69 / 45 / 20

HEX #CD4071

RGB 205 64 113

HSL 339.15, 0.59%, 0.53%

LAB 49.3, 58.94, 3.88

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 69 / 0 / 10 / 20

HEX #40CDB8

RGB 64 205 184

HSL 171.06, 0.59%, 0.53%

LAB 74.96, -42.08, -0.44

 

CMYK 24 / 69 / 0 / 20

HEX #9C40CD

RGB 156 64 205

HSL 279.15, 0.59%, 0.53%

LAB 45.83, 60.4, -56.71

 

CMYK 0 / 69 / 59 / 20

HEX #CD4055

RGB 205 64 85

HSL 351.06, 0.59%, 0.53%

LAB 48.64, 56.63, 19.95

 

CMYK 45 / 0 / 69 / 20

HEX #71CD40

RGB 113 205 64

HSL 99.15, 0.59%, 0.53%

LAB 74.54, -51.46, 58.97

 

CMYK 69 / 10 / 0 / 20

HEX #40B8CD

RGB 64 184 205

HSL 188.94, 0.59%, 0.53%

LAB 69.31, -26.26, -20.31

 

CMYK 24 / 69 / 0 / 20

HEX #9C40CD

RGB 156 64 205

HSL 279.15, 0.59%, 0.53%

LAB 45.83, 60.4, -56.71

 

CMYK 0 / 59 / 69 / 20

HEX #CD5540

RGB 205 85 64

HSL 8.94, 0.59%, 0.53%

LAB 51.66, 46.31, 36.03

 

Description

Color code: HEX #71CD40 | qconv.com Color code: HEX #71CD40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 205 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 205 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 69% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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