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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71DAC6 it is the complementary color #8E2539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71DAC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71DAC6 shade: #76DAC1, #87ECD4, #98FEE7, #A9FFFA and #BAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71DAC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71DAC6 shade: #71DAC6, #60C8B3, #4FB6A0, #3EA48D and #2D927A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71DAC6 shade: #71DAC6, #71DAA9, #71DA8D, #71DA71 and #8DDA71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71DAC6 shade: #71DAC6, #71D2DA, #71B5DA, #7199DA and #717CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71DAC6 shade matches the following richer shades: #71DAC6, #62E8CF and #54F7D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71DAC6 shade: #71DAC6, #7FCBBD, #8DBDB4, #9CAFAB and #AAA0A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71DAC6 shade: #71DA8D, #71DAA9, #71DAC5, #71D3DA and #71B7DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71DAC6 shade: #33C5A9, #50D1B9, #71DAC6, #91E2D3 and #B2EBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71DAC6 shade: #71DAC6, #7171DA and #DA9B71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71DAC6 shade: #71DAC6, #C571DA and #DAC571

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71DAC6 shade: #71DAC6, #7171DA, #DA7186 and #DADA71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71DAC6 shade: #71DAC6, #9071DA, #DA7186 and #BADA71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

Complementary color

CMYK 0 / 74 / 60 / 44

HEX #8E2539

RGB 142 37 57

HSL 348.57, 0.59%, 0.35%

LAB 32.63, 45.02, 14.03

 

CMYK 46 / 0 / 11 / 15

HEX #76DAC1

RGB 118 218 193

HSL 165, 0.57%, 0.66%

LAB 80.65, -35.26, 3.23

 

CMYK 43 / 0 / 10 / 7

HEX #87ECD4

RGB 135 236 212

HSL 165.74, 0.73%, 0.73%

LAB 86.95, -35.13, 2.41

 

CMYK 40 / 0 / 9 / 0

HEX #98FEE7

RGB 152 254 231

HSL 166.47, 0.98%, 0.8%

LAB 93.16, -34.99, 1.64

 

CMYK 34 / 0 / 2 / 0

HEX #A9FFFA

RGB 169 255 250

HSL 176.51, 1%, 0.83%

LAB 94.68, -26.87, -5.86

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

CMYK 52 / 0 / 11 / 22

HEX #60C8B3

RGB 96 200 179

HSL 167.88, 0.49%, 0.58%

LAB 74.22, -35.3, 1.3

 

CMYK 57 / 0 / 12 / 29

HEX #4FB6A0

RGB 79 182 160

HSL 167.18, 0.41%, 0.51%

LAB 67.77, -35.25, 2.22

 

CMYK 62 / 0 / 14 / 36

HEX #3EA48D

RGB 62 164 141

HSL 166.47, 0.45%, 0.44%

LAB 61.22, -35.1, 3.23

 

CMYK 69 / 0 / 16 / 43

HEX #2D927A

RGB 45 146 122

HSL 165.74, 0.53%, 0.37%

LAB 54.58, -34.76, 4.37

 

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

CMYK 48 / 0 / 22 / 15

HEX #71DAA9

RGB 113 218 169

HSL 152, 0.59%, 0.65%

LAB 79.91, -41.71, 14.87

 

CMYK 48 / 0 / 35 / 15

HEX #71DA8D

RGB 113 218 141

HSL 136, 0.59%, 0.65%

LAB 79.37, -47.03, 28.76

 

CMYK 48 / 0 / 48 / 15

HEX #71DA71

RGB 113 218 113

HSL 120, 0.59%, 0.65%

LAB 78.95, -51.37, 42.28

 

CMYK 35 / 0 / 48 / 15

HEX #8DDA71

RGB 141 218 113

HSL 104, 0.59%, 0.65%

LAB 80.18, -42.9, 44.07

 

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

CMYK 48 / 4 / 0 / 15

HEX #71D2DA

RGB 113 210 218

HSL 184.57, 0.59%, 0.65%

LAB 78.85, -26.45, -12.82

 

CMYK 48 / 17 / 0 / 15

HEX #71B5DA

RGB 113 181 218

HSL 201.14, 0.59%, 0.65%

LAB 70.61, -11.59, -25.29

 

CMYK 48 / 30 / 0 / 15

HEX #7199DA

RGB 113 153 218

HSL 217.14, 0.59%, 0.65%

LAB 62.81, 3.96, -37.36

 

CMYK 48 / 43 / 0 / 15

HEX #717CDA

RGB 113 124 218

HSL 233.71, 0.59%, 0.65%

LAB 55.06, 21.06, -49.57

 

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

CMYK 58 / 0 / 11 / 9

HEX #62E8CF

RGB 98 232 207

HSL 168.81, 0.74%, 0.65%

LAB 84.39, -42.56, 1.16

 

CMYK 66 / 0 / 13 / 3

HEX #54F7D8

RGB 84 247 216

HSL 168.59, 0.91%, 0.65%

LAB 88.62, -49.19, 2.56

 

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

CMYK 37 / 0 / 7 / 20

HEX #7FCBBD

RGB 127 203 189

HSL 168.95, 0.42%, 0.65%

LAB 76.62, -26.74, -0.46

 

CMYK 25 / 0 / 5 / 26

HEX #8DBDB4

RGB 141 189 180

HSL 168.75, 0.27%, 0.65%

LAB 73.12, -17.69, -0.6

 

CMYK 11 / 0 / 2 / 31

HEX #9CAFAB

RGB 156 175 171

HSL 167.37, 0.11%, 0.65%

LAB 69.94, -7.37, -0.2

 

CMYK 0 / 6 / 5 / 33

HEX #AAA0A2

RGB 170 160 162

HSL 348, 0.06%, 0.65%

LAB 66.75, 3.99, 0.26

 

CMYK 48 / 0 / 35 / 15

HEX #71DA8D

RGB 113 218 141

HSL 136, 0.59%, 0.65%

LAB 79.37, -47.03, 28.76

 

CMYK 48 / 0 / 22 / 15

HEX #71DAA9

RGB 113 218 169

HSL 152, 0.59%, 0.65%

LAB 79.91, -41.71, 14.87

 

CMYK 48 / 0 / 10 / 15

HEX #71DAC5

RGB 113 218 197

HSL 168, 0.59%, 0.65%

LAB 80.56, -35.51, 0.94

 

CMYK 48 / 3 / 0 / 15

HEX #71D3DA

RGB 113 211 218

HSL 184, 0.59%, 0.65%

LAB 79.13, -26.94, -12.39

 

CMYK 48 / 16 / 0 / 15

HEX #71B7DA

RGB 113 183 218

HSL 200, 0.59%, 0.65%

LAB 71.17, -12.65, -24.43

 

CMYK 74 / 0 / 14 / 23

HEX #33C5A9

RGB 51 197 169

HSL 168.49, 0.59%, 0.49%

LAB 71.89, -44.22, 3.2

 

CMYK 62 / 0 / 11 / 18

HEX #50D1B9

RGB 80 209 185

HSL 168.84, 0.58%, 0.57%

LAB 76.56, -41.06, 1.41

 

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

CMYK 36 / 0 / 7 / 11

HEX #91E2D3

RGB 145 226 211

HSL 168.89, 0.58%, 0.73%

LAB 84.54, -28.06, -0.51

 

CMYK 24 / 0 / 5 / 8

HEX #B2EBE0

RGB 178 235 224

HSL 168.42, 0.59%, 0.81%

LAB 89.05, -20.27, -0.56

 

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

CMYK 48 / 48 / 0 / 15

HEX #7171DA

RGB 113 113 218

HSL 240, 0.59%, 0.65%

LAB 52.27, 27.68, -54.02

 

CMYK 0 / 29 / 48 / 15

HEX #DA9B71

RGB 218 155 113

HSL 24, 0.59%, 0.65%

LAB 69.14, 18.67, 31.32

 

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

CMYK 10 / 48 / 0 / 15

HEX #C571DA

RGB 197 113 218

HSL 288, 0.59%, 0.65%

LAB 60.55, 49.61, -40.37

 

CMYK 0 / 10 / 48 / 15

HEX #DAC571

RGB 218 197 113

HSL 48, 0.59%, 0.65%

LAB 79.63, -3.63, 44.57

 

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

CMYK 48 / 48 / 0 / 15

HEX #7171DA

RGB 113 113 218

HSL 240, 0.59%, 0.65%

LAB 52.27, 27.68, -54.02

 

CMYK 0 / 48 / 39 / 15

HEX #DA7186

RGB 218 113 134

HSL 348, 0.59%, 0.65%

LAB 60.28, 43.13, 7.47

 

CMYK 0 / 0 / 48 / 15

HEX #DADA71

RGB 218 218 113

HSL 60, 0.59%, 0.65%

LAB 85.12, -14.3, 51.22

 

CMYK 48 / 0 / 9 / 15

HEX #71DAC6

RGB 113 218 198

HSL 168.57, 0.59%, 0.65%

LAB 80.59, -35.27, 0.45

 

CMYK 34 / 48 / 0 / 15

HEX #9071DA

RGB 144 113 218

HSL 257.71, 0.59%, 0.65%

LAB 54.87, 35.2, -49.72

 

CMYK 0 / 48 / 39 / 15

HEX #DA7186

RGB 218 113 134

HSL 348, 0.59%, 0.65%

LAB 60.28, 43.13, 7.47

 

CMYK 15 / 0 / 48 / 15

HEX #BADA71

RGB 186 218 113

HSL 78.29, 0.59%, 0.65%

LAB 82.79, -26.83, 47.86

 

Description

Color code: HEX #71DAC6 | qconv.com Color code: HEX #71DAC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 218 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 218 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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