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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71E670 it is the complementary color #8E198F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71E670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71E670 shade: #76E66B, #87F87E, #98FF91, #A9FFA4 and #BAFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71E670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71E670 shade: #71E670, #60D45D, #4FC24A, #3EB037 and #2D9E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71E670 shade: #70E56F, #90E56F, #B0E56F, #D0E56F and #E5DB6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71E670 shade: #70E56F, #6FE58E, #6FE5AE, #6FE5CE and #6FDDE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71E670 shade matches the following richer shades: #70E56F and #63F362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71E670 shade: #70E56F, #7ED87D, #8BCA8B, #99BC98 and #A6AFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71E670 shade: #B0E56F, #91E56F, #71E56F, #6FE58D and #6FE5AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71E670 shade: #2BD929, #4EDF4C, #70E56F, #93EB93 and #B6F2B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71E670 shade: #71E670, #6FD0E5 and #E56FA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71E670 shade: #71E670, #6F71E5 and #E56F71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71E670 shade: #71E670, #6FD0E5, #E36FE5 and #E5856F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71E670 shade: #71E670, #6FACE5, #E36FE5 and #E5A86F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 51 / 10

HEX #71E670

RGB 113 230 112

HSL 119.49, 0.7%, 0.67%

LAB 82.53, -56.24, 47.16

 

Complementary color

CMYK 1 / 83 / 0 / 44

HEX #8E198F

RGB 142 25 143

HSL 299.49, 0.7%, 0.33%

LAB 34.86, 59.47, -37.56

 

CMYK 49 / 0 / 53 / 10

HEX #76E66B

RGB 118 230 107

HSL 114.63, 0.71%, 0.66%

LAB 82.65, -55.52, 49.68

 

CMYK 46 / 0 / 49 / 3

HEX #87F87E

RGB 135 248 126

HSL 115.57, 0.9%, 0.73%

LAB 88.82, -55.53, 48.47

 

CMYK 40 / 0 / 43 / 0

HEX #98FF91

RGB 152 255 145

HSL 116.18, 1%, 0.78%

LAB 91.79, -50.97, 43.28

 

CMYK 34 / 0 / 36 / 0

HEX #A9FFA4

RGB 169 255 164

HSL 116.7, 1%, 0.82%

LAB 92.85, -43.11, 35.5

 

CMYK 27 / 0 / 28 / 0

HEX #BAFFB7

RGB 186 255 183

HSL 117.5, 1%, 0.86%

LAB 94.05, -34.82, 27.72

 

CMYK 51 / 0 / 51 / 10

HEX #71E670

RGB 113 230 112

HSL 119.49, 0.7%, 0.67%

LAB 82.53, -56.24, 47.16

 

CMYK 55 / 0 / 56 / 17

HEX #60D45D

RGB 96 212 93

HSL 118.49, 0.58%, 0.6%

LAB 76.29, -56.09, 48.4

 

CMYK 59 / 0 / 62 / 24

HEX #4FC24A

RGB 79 194 74

HSL 117.5, 0.5%, 0.53%

LAB 69.99, -55.72, 49.55

 

CMYK 65 / 0 / 69 / 31

HEX #3EB037

RGB 62 176 55

HSL 116.53, 0.52%, 0.45%

LAB 63.63, -55.04, 50.5

 

CMYK 72 / 0 / 77 / 38

HEX #2D9E24

RGB 45 158 36

HSL 115.57, 0.63%, 0.38%

LAB 57.21, -53.87, 50.96

 

CMYK 51 / 0 / 52 / 10

HEX #70E56F

RGB 112 229 111

HSL 119.49, 0.69%, 0.67%

LAB 82.18, -56.24, 47.2

 

CMYK 37 / 0 / 52 / 10

HEX #90E56F

RGB 144 229 111

HSL 103.22, 0.69%, 0.67%

LAB 83.5, -46.88, 49.11

 

CMYK 23 / 0 / 52 / 10

HEX #B0E56F

RGB 176 229 111

HSL 86.95, 0.69%, 0.67%

LAB 85.21, -35.89, 51.56

 

CMYK 9 / 0 / 52 / 10

HEX #D0E56F

RGB 208 229 111

HSL 70.68, 0.69%, 0.67%

LAB 87.29, -23.81, 54.54

 

CMYK 0 / 4 / 52 / 10

HEX #E5DB6F

RGB 229 219 111

HSL 54.92, 0.69%, 0.67%

LAB 86.24, -10.55, 53.7

 

CMYK 51 / 0 / 52 / 10

HEX #70E56F

RGB 112 229 111

HSL 119.49, 0.69%, 0.67%

LAB 82.18, -56.24, 47.2

 

CMYK 52 / 0 / 38 / 10

HEX #6FE58E

RGB 111 229 142

HSL 135.76, 0.69%, 0.67%

LAB 82.58, -51.91, 32.49

 

CMYK 52 / 0 / 24 / 10

HEX #6FE5AE

RGB 111 229 174

HSL 152.03, 0.69%, 0.67%

LAB 83.16, -45.95, 16.8

 

CMYK 52 / 0 / 10 / 10

HEX #6FE5CE

RGB 111 229 206

HSL 168.31, 0.69%, 0.67%

LAB 83.9, -38.85, 1.03

 

CMYK 52 / 3 / 0 / 10

HEX #6FDDE5

RGB 111 221 229

HSL 184.07, 0.69%, 0.67%

LAB 82.24, -29.33, -13.61

 

CMYK 51 / 0 / 52 / 10

HEX #70E56F

RGB 112 229 111

HSL 119.49, 0.69%, 0.67%

LAB 82.18, -56.24, 47.2

 

CMYK 59 / 0 / 60 / 5

HEX #63F362

RGB 99 243 98

HSL 119.59, 0.86%, 0.67%

LAB 85.82, -66.08, 57.26

 

CMYK 51 / 0 / 52 / 10

HEX #70E56F

RGB 112 229 111

HSL 119.49, 0.69%, 0.67%

LAB 82.18, -56.24, 47.2

 

CMYK 42 / 0 / 42 / 15

HEX #7ED87D

RGB 126 216 125

HSL 119.34, 0.54%, 0.67%

LAB 79.06, -45.1, 36.59

 

CMYK 31 / 0 / 31 / 21

HEX #8BCA8B

RGB 139 202 139

HSL 120, 0.37%, 0.67%

LAB 75.82, -32.58, 25.23

 

CMYK 19 / 0 / 19 / 26

HEX #99BC98

RGB 153 188 152

HSL 118.33, 0.21%, 0.67%

LAB 72.9, -18.79, 14.39

 

CMYK 5 / 0 / 5 / 31

HEX #A6AFA6

RGB 166 175 166

HSL 120, 0.05%, 0.67%

LAB 70.54, -4.87, 3.51

 

CMYK 23 / 0 / 52 / 10

HEX #B0E56F

RGB 176 229 111

HSL 86.95, 0.69%, 0.67%

LAB 85.21, -35.89, 51.56

 

CMYK 37 / 0 / 52 / 10

HEX #91E56F

RGB 145 229 111

HSL 102.71, 0.69%, 0.67%

LAB 83.55, -46.56, 49.18

 

CMYK 51 / 0 / 52 / 10

HEX #71E56F

RGB 113 229 111

HSL 118.98, 0.69%, 0.67%

LAB 82.22, -55.98, 47.25

 

CMYK 52 / 0 / 38 / 10

HEX #6FE58D

RGB 111 229 141

HSL 135.25, 0.69%, 0.67%

LAB 82.56, -52.08, 32.98

 

CMYK 52 / 0 / 25 / 10

HEX #6FE5AC

RGB 111 229 172

HSL 151.02, 0.69%, 0.67%

LAB 83.12, -46.36, 17.79

 

CMYK 80 / 0 / 81 / 15

HEX #2BD929

RGB 43 217 41

HSL 119.32, 0.7%, 0.51%

LAB 76.25, -72.2, 67.56

 

CMYK 65 / 0 / 66 / 13

HEX #4EDF4C

RGB 78 223 76

HSL 119.18, 0.7%, 0.59%

LAB 78.99, -65.9, 58.66

 

CMYK 51 / 0 / 52 / 10

HEX #70E56F

RGB 112 229 111

HSL 119.49, 0.69%, 0.67%

LAB 82.18, -56.24, 47.2

 

CMYK 37 / 0 / 37 / 8

HEX #93EB93

RGB 147 235 147

HSL 120, 0.69%, 0.75%

LAB 85.87, -43.68, 34.58

 

CMYK 25 / 0 / 25 / 5

HEX #B6F2B6

RGB 182 242 182

HSL 120, 0.7%, 0.83%

LAB 90.24, -30.25, 22.98

 

CMYK 51 / 0 / 51 / 10

HEX #71E670

RGB 113 230 112

HSL 119.49, 0.7%, 0.67%

LAB 82.53, -56.24, 47.16

 

CMYK 52 / 9 / 0 / 10

HEX #6FD0E5

RGB 111 208 229

HSL 190.68, 0.69%, 0.67%

LAB 78.55, -22.94, -19.17

 

CMYK 0 / 52 / 30 / 10

HEX #E56FA1

RGB 229 111 161

HSL 334.58, 0.69%, 0.67%

LAB 62.17, 51.11, -5.15

 

CMYK 51 / 0 / 51 / 10

HEX #71E670

RGB 113 230 112

HSL 119.49, 0.7%, 0.67%

LAB 82.53, -56.24, 47.16

 

CMYK 52 / 51 / 0 / 10

HEX #6F71E5

RGB 111 113 229

HSL 238.98, 0.69%, 0.67%

LAB 52.78, 30.6, -59.4

 

CMYK 0 / 52 / 51 / 10

HEX #E56F71

RGB 229 111 113

HSL 358.98, 0.69%, 0.67%

LAB 60.97, 45.94, 20.75

 

CMYK 51 / 0 / 51 / 10

HEX #71E670

RGB 113 230 112

HSL 119.49, 0.7%, 0.67%

LAB 82.53, -56.24, 47.16

 

CMYK 52 / 9 / 0 / 10

HEX #6FD0E5

RGB 111 208 229

HSL 190.68, 0.69%, 0.67%

LAB 78.55, -22.94, -19.17

 

CMYK 1 / 52 / 0 / 10

HEX #E36FE5

RGB 227 111 229

HSL 298.98, 0.69%, 0.67%

LAB 64.45, 60.88, -40.14

 

CMYK 0 / 42 / 52 / 10

HEX #E5856F

RGB 229 133 111

HSL 11.19, 0.69%, 0.67%

LAB 65.42, 34.57, 27.81

 

CMYK 51 / 0 / 51 / 10

HEX #71E670

RGB 113 230 112

HSL 119.49, 0.7%, 0.67%

LAB 82.53, -56.24, 47.16

 

CMYK 52 / 25 / 0 / 10

HEX #6FACE5

RGB 111 172 229

HSL 208.98, 0.69%, 0.67%

LAB 68.42, -3.96, -34.7

 

CMYK 1 / 52 / 0 / 10

HEX #E36FE5

RGB 227 111 229

HSL 298.98, 0.69%, 0.67%

LAB 64.45, 60.88, -40.14

 

CMYK 0 / 27 / 52 / 10

HEX #E5A86F

RGB 229 168 111

HSL 28.98, 0.69%, 0.67%

LAB 73.42, 15.98, 38.1

 

Description

Color code: HEX #71E670 | qconv.com Color code: HEX #71E670 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 230 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 230 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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