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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71E8DD it is the complementary color #8E1722. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71E8DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71E8DD shade: #76E8D8, #87FAEB, #98FFFE, #A9FFFF and #BAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71E8DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71E8DD shade: #71E8DD, #60D6CA, #4FC4B7, #3EB2A4 and #2DA091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71E8DD shade: #72E8DD, #72E8BD, #72E89D, #72E87E and #86E872

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71E8DD shade: #72E8DD, #72D3E8, #72B3E8, #7293E8 and #7274E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71E8DD shade matches the following richer shades: #72E8DD and #65F5E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71E8DD shade: #72E8DD, #7FDAD2, #8DCDC7, #9AC0BD and #A7B3B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71E8DD shade: #72E89D, #72E8BD, #72E8DC, #72D4E8 and #72B5E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71E8DD shade: #2BDCCC, #4FE2D4, #72E8DD, #96EDE5 and #B9F3EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71E8DD shade: #71E8DD, #7E72E8 and #E8AD72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71E8DD shade: #71E8DD, #DC72E8 and #E8DC72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71E8DD shade: #71E8DD, #7E72E8, #E8727E and #DCE872

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71E8DD shade: #71E8DD, #A172E8, #E8727E and #B9E872

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 5 / 9

HEX #71E8DD

RGB 113 232 221

HSL 174.45, 0.72%, 0.68%

LAB 85.22, -36.16, -4.94

 

Complementary color

CMYK 0 / 84 / 76 / 44

HEX #8E1722

RGB 142 23 34

HSL 354.45, 0.72%, 0.32%

LAB 30.59, 48.26, 26.32

 

CMYK 49 / 0 / 7 / 9

HEX #76E8D8

RGB 118 232 216

HSL 171.58, 0.71%, 0.69%

LAB 85.26, -36.32, -2.23

 

CMYK 46 / 0 / 6 / 2

HEX #87FAEB

RGB 135 250 235

HSL 172.17, 0.92%, 0.75%

LAB 91.47, -36.29, -2.98

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFE

RGB 152 255 254

HSL 179.42, 1%, 0.8%

LAB 94.03, -30.19, -8.96

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 51 / 0 / 5 / 9

HEX #71E8DD

RGB 113 232 221

HSL 174.45, 0.72%, 0.68%

LAB 85.22, -36.16, -4.94

 

CMYK 55 / 0 / 6 / 16

HEX #60D6CA

RGB 96 214 202

HSL 173.9, 0.59%, 0.61%

LAB 78.95, -36.05, -4.16

 

CMYK 60 / 0 / 7 / 23

HEX #4FC4B7

RGB 79 196 183

HSL 173.33, 0.5%, 0.54%

LAB 72.6, -35.85, -3.31

 

CMYK 65 / 0 / 8 / 30

HEX #3EB2A4

RGB 62 178 164

HSL 172.76, 0.48%, 0.47%

LAB 66.17, -35.51, -2.38

 

CMYK 72 / 0 / 9 / 37

HEX #2DA091

RGB 45 160 145

HSL 172.17, 0.56%, 0.4%

LAB 59.66, -34.97, -1.35

 

CMYK 51 / 0 / 5 / 9

HEX #72E8DD

RGB 114 232 221

HSL 174.41, 0.72%, 0.68%

LAB 85.26, -35.95, -4.88

 

CMYK 51 / 0 / 19 / 9

HEX #72E8BD

RGB 114 232 189

HSL 158.14, 0.72%, 0.68%

LAB 84.47, -43.4, 10.8

 

CMYK 51 / 0 / 32 / 9

HEX #72E89D

RGB 114 232 157

HSL 141.86, 0.72%, 0.68%

LAB 83.82, -49.79, 26.53

 

CMYK 51 / 0 / 46 / 9

HEX #72E87E

RGB 114 232 126

HSL 126.1, 0.72%, 0.68%

LAB 83.34, -54.85, 41.45

 

CMYK 42 / 0 / 51 / 9

HEX #86E872

RGB 134 232 114

HSL 109.83, 0.72%, 0.68%

LAB 83.96, -50.87, 48.16

 

CMYK 51 / 0 / 5 / 9

HEX #72E8DD

RGB 114 232 221

HSL 174.41, 0.72%, 0.68%

LAB 85.26, -35.95, -4.88

 

CMYK 51 / 9 / 0 / 9

HEX #72D3E8

RGB 114 211 232

HSL 190.68, 0.72%, 0.68%

LAB 79.61, -22.99, -19.16

 

CMYK 51 / 23 / 0 / 9

HEX #72B3E8

RGB 114 179 232

HSL 206.95, 0.72%, 0.68%

LAB 70.62, -6.26, -32.9

 

CMYK 51 / 37 / 0 / 9

HEX #7293E8

RGB 114 147 232

HSL 223.22, 0.72%, 0.68%

LAB 61.89, 11.89, -46.56

 

CMYK 51 / 50 / 0 / 9

HEX #7274E8

RGB 114 116 232

HSL 238.98, 0.72%, 0.68%

LAB 53.91, 30.34, -59.25

 

CMYK 51 / 0 / 5 / 9

HEX #72E8DD

RGB 114 232 221

HSL 174.41, 0.72%, 0.68%

LAB 85.26, -35.95, -4.88

 

CMYK 59 / 0 / 5 / 4

HEX #65F5E8

RGB 101 245 232

HSL 174.58, 0.88%, 0.68%

LAB 88.87, -41.58, -5.36

 

CMYK 51 / 0 / 5 / 9

HEX #72E8DD

RGB 114 232 221

HSL 174.41, 0.72%, 0.68%

LAB 85.26, -35.95, -4.88

 

CMYK 42 / 0 / 4 / 15

HEX #7FDAD2

RGB 127 218 210

HSL 174.73, 0.55%, 0.68%

LAB 81.46, -29.08, -4.6

 

CMYK 31 / 0 / 3 / 20

HEX #8DCDC7

RGB 141 205 199

HSL 174.38, 0.39%, 0.68%

LAB 78.14, -21.57, -3.53

 

CMYK 20 / 0 / 2 / 25

HEX #9AC0BD

RGB 154 192 189

HSL 175.26, 0.23%, 0.68%

LAB 74.98, -13.25, -2.69

 

CMYK 7 / 0 / 1 / 30

HEX #A7B3B2

RGB 167 179 178

HSL 175, 0.07%, 0.68%

LAB 72.01, -4.36, -0.94

 

CMYK 51 / 0 / 32 / 9

HEX #72E89D

RGB 114 232 157

HSL 141.86, 0.72%, 0.68%

LAB 83.82, -49.79, 26.53

 

CMYK 51 / 0 / 19 / 9

HEX #72E8BD

RGB 114 232 189

HSL 158.14, 0.72%, 0.68%

LAB 84.47, -43.4, 10.8

 

CMYK 51 / 0 / 5 / 9

HEX #72E8DC

RGB 114 232 220

HSL 173.9, 0.72%, 0.68%

LAB 85.23, -36.2, -4.4

 

CMYK 51 / 9 / 0 / 9

HEX #72D4E8

RGB 114 212 232

HSL 190.17, 0.72%, 0.68%

LAB 79.89, -23.49, -18.73

 

CMYK 51 / 22 / 0 / 9

HEX #72B5E8

RGB 114 181 232

HSL 205.93, 0.72%, 0.68%

LAB 71.18, -7.34, -32.04

 

CMYK 80 / 0 / 7 / 14

HEX #2BDCCC

RGB 43 220 204

HSL 174.58, 0.72%, 0.52%

LAB 79.65, -45.59, -4.33

 

CMYK 65 / 0 / 6 / 11

HEX #4FE2D4

RGB 79 226 212

HSL 174.29, 0.72%, 0.6%

LAB 82.28, -41.85, -4.64

 

CMYK 51 / 0 / 5 / 9

HEX #72E8DD

RGB 114 232 221

HSL 174.41, 0.72%, 0.68%

LAB 85.26, -35.95, -4.88

 

CMYK 37 / 0 / 3 / 7

HEX #96EDE5

RGB 150 237 229

HSL 174.48, 0.71%, 0.76%

LAB 88.31, -27.95, -4.43

 

CMYK 24 / 0 / 2 / 5

HEX #B9F3EE

RGB 185 243 238

HSL 174.83, 0.71%, 0.84%

LAB 91.95, -19.22, -3.57

 

CMYK 51 / 0 / 5 / 9

HEX #71E8DD

RGB 113 232 221

HSL 174.45, 0.72%, 0.68%

LAB 85.22, -36.16, -4.94

 

CMYK 46 / 51 / 0 / 9

HEX #7E72E8

RGB 126 114 232

HSL 246.1, 0.72%, 0.68%

LAB 54.34, 34.14, -58.52

 

CMYK 0 / 25 / 51 / 9

HEX #E8AD72

RGB 232 173 114

HSL 30, 0.72%, 0.68%

LAB 74.99, 14.8, 38.58

 

CMYK 51 / 0 / 5 / 9

HEX #71E8DD

RGB 113 232 221

HSL 174.45, 0.72%, 0.68%

LAB 85.22, -36.16, -4.94

 

CMYK 5 / 51 / 0 / 9

HEX #DC72E8

RGB 220 114 232

HSL 293.9, 0.72%, 0.68%

LAB 64.22, 58.1, -42.22

 

CMYK 0 / 5 / 51 / 9

HEX #E8DC72

RGB 232 220 114

HSL 53.9, 0.72%, 0.68%

LAB 86.78, -9.59, 52.99

 

CMYK 51 / 0 / 5 / 9

HEX #71E8DD

RGB 113 232 221

HSL 174.45, 0.72%, 0.68%

LAB 85.22, -36.16, -4.94

 

CMYK 46 / 51 / 0 / 9

HEX #7E72E8

RGB 126 114 232

HSL 246.1, 0.72%, 0.68%

LAB 54.34, 34.14, -58.52

 

CMYK 0 / 51 / 46 / 9

HEX #E8727E

RGB 232 114 126

HSL 353.9, 0.72%, 0.68%

LAB 62.25, 46.73, 15.13

 

CMYK 5 / 0 / 51 / 9

HEX #DCE872

RGB 220 232 114

HSL 66.1, 0.72%, 0.68%

LAB 88.99, -20.3, 55.38

 

CMYK 51 / 0 / 5 / 9

HEX #71E8DD

RGB 113 232 221

HSL 174.45, 0.72%, 0.68%

LAB 85.22, -36.16, -4.94

 

CMYK 31 / 51 / 0 / 9

HEX #A172E8

RGB 161 114 232

HSL 263.9, 0.72%, 0.68%

LAB 57.5, 42.53, -53.29

 

CMYK 0 / 51 / 46 / 9

HEX #E8727E

RGB 232 114 126

HSL 353.9, 0.72%, 0.68%

LAB 62.25, 46.73, 15.13

 

CMYK 20 / 0 / 51 / 9

HEX #B9E872

RGB 185 232 114

HSL 83.9, 0.72%, 0.68%

LAB 86.62, -33.66, 51.99

 

Description

Color code: HEX #71E8DD | qconv.com Color code: HEX #71E8DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 232 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 232 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 5 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 5% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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