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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71EA8F it is the complementary color #8E1570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71EA8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71EA8F shade: #76EA8A, #87FC9D, #98FFB0, #A9FFC3 and #BAFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71EA8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71EA8F shade: #71EA8F, #60D87C, #4FC669, #3EB456 and #2DA243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71EA8F shade: #71E98E, #73E971, #94E971, #B4E971 and #D5E971

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71EA8F shade: #71E98E, #71E9AF, #71E9D0, #71E2E9 and #71C2E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71EA8F shade matches the following richer shades: #71E98E and #63F688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71EA8F shade: #71E98E, #7EDC95, #8BCF9C, #98C2A2 and #A5B4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71EA8F shade: #95E971, #75E971, #71E98D, #71E9AD and #71E9CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71EA8F shade: #29DF56, #4DE472, #71E98E, #94EFAB and #B8F4C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71EA8F shade: #71EA8F, #71B5E9 and #E97185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71EA8F shade: #71EA8F, #8D71E9 and #E98D71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71EA8F shade: #71EA8F, #71B5E9, #E971CD and #E9A571

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71EA8F shade: #71EA8F, #7191E9, #E971CD and #E9C971

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 39 / 8

HEX #71EA8F

RGB 113 234 143

HSL 134.88, 0.74%, 0.68%

LAB 84.14, -53.27, 34.06

 

Complementary color

CMYK 0 / 85 / 21 / 44

HEX #8E1570

RGB 142 21 112

HSL 314.88, 0.74%, 0.32%

LAB 32.83, 55.78, -21.39

 

CMYK 50 / 0 / 41 / 8

HEX #76EA8A

RGB 118 234 138

HSL 130.34, 0.73%, 0.69%

LAB 84.24, -52.81, 36.73

 

CMYK 46 / 0 / 38 / 1

HEX #87FC9D

RGB 135 252 157

HSL 131.28, 0.95%, 0.76%

LAB 90.42, -52.69, 35.48

 

CMYK 40 / 0 / 31 / 0

HEX #98FFB0

RGB 152 255 176

HSL 133.98, 1%, 0.8%

LAB 92.28, -46.19, 28.58

 

CMYK 34 / 0 / 24 / 0

HEX #A9FFC3

RGB 169 255 195

HSL 138.14, 1%, 0.83%

LAB 93.4, -38.01, 20.61

 

CMYK 27 / 0 / 16 / 0

HEX #BAFFD6

RGB 186 255 214

HSL 144.35, 1%, 0.86%

LAB 94.66, -29.47, 12.77

 

CMYK 52 / 0 / 39 / 8

HEX #71EA8F

RGB 113 234 143

HSL 134.88, 0.74%, 0.68%

LAB 84.14, -53.27, 34.06

 

CMYK 56 / 0 / 43 / 15

HEX #60D87C

RGB 96 216 124

HSL 134, 0.61%, 0.61%

LAB 77.91, -53.29, 35.38

 

CMYK 60 / 0 / 47 / 22

HEX #4FC669

RGB 79 198 105

HSL 133.11, 0.51%, 0.54%

LAB 71.6, -53.15, 36.77

 

CMYK 66 / 0 / 52 / 29

HEX #3EB456

RGB 62 180 86

HSL 132.2, 0.49%, 0.47%

LAB 65.23, -52.8, 38.21

 

CMYK 72 / 0 / 59 / 36

HEX #2DA243

RGB 45 162 67

HSL 131.28, 0.57%, 0.41%

LAB 58.79, -52.09, 39.65

 

CMYK 52 / 0 / 39 / 9

HEX #71E98E

RGB 113 233 142

HSL 134.5, 0.73%, 0.68%

LAB 83.83, -53.03, 34.16

 

CMYK 51 / 0 / 52 / 9

HEX #73E971

RGB 115 233 113

HSL 119, 0.73%, 0.68%

LAB 83.5, -56.74, 47.89

 

CMYK 36 / 0 / 52 / 9

HEX #94E971

RGB 148 233 113

HSL 102.5, 0.73%, 0.68%

LAB 84.88, -47.05, 49.88

 

CMYK 23 / 0 / 52 / 9

HEX #B4E971

RGB 180 233 113

HSL 86.5, 0.73%, 0.68%

LAB 86.59, -36.05, 52.34

 

CMYK 9 / 0 / 52 / 9

HEX #D5E971

RGB 213 233 113

HSL 70, 0.73%, 0.68%

LAB 88.74, -23.6, 55.42

 

CMYK 52 / 0 / 39 / 9

HEX #71E98E

RGB 113 233 142

HSL 134.5, 0.73%, 0.68%

LAB 83.83, -53.03, 34.16

 

CMYK 52 / 0 / 25 / 9

HEX #71E9AF

RGB 113 233 175

HSL 151, 0.73%, 0.68%

LAB 84.42, -46.99, 18.05

 

CMYK 52 / 0 / 11 / 9

HEX #71E9D0

RGB 113 233 208

HSL 167.5, 0.73%, 0.68%

LAB 85.17, -39.76, 1.83

 

CMYK 52 / 3 / 0 / 9

HEX #71E2E9

RGB 113 226 233

HSL 183.5, 0.73%, 0.68%

LAB 83.85, -30.27, -13.31

 

CMYK 52 / 17 / 0 / 9

HEX #71C2E9

RGB 113 194 233

HSL 199.5, 0.73%, 0.68%

LAB 74.81, -14.22, -27.01

 

CMYK 52 / 0 / 39 / 9

HEX #71E98E

RGB 113 233 142

HSL 134.5, 0.73%, 0.68%

LAB 83.83, -53.03, 34.16

 

CMYK 60 / 0 / 45 / 4

HEX #63F688

RGB 99 246 136

HSL 135.1, 0.89%, 0.68%

LAB 87.16, -62.19, 41.35

 

CMYK 52 / 0 / 39 / 9

HEX #71E98E

RGB 113 233 142

HSL 134.5, 0.73%, 0.68%

LAB 83.83, -53.03, 34.16

 

CMYK 43 / 0 / 32 / 14

HEX #7EDC95

RGB 126 220 149

HSL 134.68, 0.57%, 0.68%

LAB 80.62, -42.97, 26.4

 

CMYK 33 / 0 / 25 / 19

HEX #8BCF9C

RGB 139 207 156

HSL 135, 0.41%, 0.68%

LAB 77.59, -31.97, 18.68

 

CMYK 22 / 0 / 16 / 24

HEX #98C2A2

RGB 152 194 162

HSL 134.29, 0.26%, 0.68%

LAB 74.74, -20.34, 11.58

 

CMYK 8 / 0 / 6 / 29

HEX #A5B4A9

RGB 165 180 169

HSL 136, 0.09%, 0.68%

LAB 71.9, -7.32, 3.82

 

CMYK 36 / 0 / 52 / 9

HEX #95E971

RGB 149 233 113

HSL 102, 0.73%, 0.68%

LAB 84.92, -46.73, 49.95

 

CMYK 50 / 0 / 52 / 9

HEX #75E971

RGB 117 233 113

HSL 118, 0.73%, 0.68%

LAB 83.57, -56.21, 48

 

CMYK 52 / 0 / 39 / 9

HEX #71E98D

RGB 113 233 141

HSL 134, 0.73%, 0.68%

LAB 83.82, -53.2, 34.64

 

CMYK 52 / 0 / 26 / 9

HEX #71E9AD

RGB 113 233 173

HSL 150, 0.73%, 0.68%

LAB 84.38, -47.39, 19.03

 

CMYK 52 / 0 / 12 / 9

HEX #71E9CD

RGB 113 233 205

HSL 166, 0.73%, 0.68%

LAB 85.1, -40.46, 3.3

 

CMYK 82 / 0 / 61 / 13

HEX #29DF56

RGB 41 223 86

HSL 134.84, 0.74%, 0.52%

LAB 78.41, -70.42, 53.66

 

CMYK 66 / 0 / 50 / 11

HEX #4DE472

RGB 77 228 114

HSL 134.7, 0.74%, 0.6%

LAB 80.89, -63.26, 43.96

 

CMYK 52 / 0 / 39 / 9

HEX #71E98E

RGB 113 233 142

HSL 134.5, 0.73%, 0.68%

LAB 83.83, -53.03, 34.16

 

CMYK 38 / 0 / 28 / 6

HEX #94EFAB

RGB 148 239 171

HSL 135.16, 0.74%, 0.76%

LAB 87.47, -41.21, 24.54

 

CMYK 25 / 0 / 18 / 4

HEX #B8F4C7

RGB 184 244 199

HSL 135, 0.73%, 0.84%

LAB 91.24, -27.62, 15.64

 

CMYK 52 / 0 / 39 / 8

HEX #71EA8F

RGB 113 234 143

HSL 134.88, 0.74%, 0.68%

LAB 84.14, -53.27, 34.06

 

CMYK 52 / 22 / 0 / 9

HEX #71B5E9

RGB 113 181 233

HSL 206, 0.73%, 0.68%

LAB 71.17, -7.27, -32.6

 

CMYK 0 / 52 / 43 / 9

HEX #E97185

RGB 233 113 133

HSL 350, 0.73%, 0.68%

LAB 62.36, 48.27, 11.29

 

CMYK 52 / 0 / 39 / 8

HEX #71EA8F

RGB 113 234 143

HSL 134.88, 0.74%, 0.68%

LAB 84.14, -53.27, 34.06

 

CMYK 39 / 52 / 0 / 9

HEX #8D71E9

RGB 141 113 233

HSL 254, 0.73%, 0.68%

LAB 55.44, 38.45, -57.25

 

CMYK 0 / 39 / 52 / 9

HEX #E98D71

RGB 233 141 113

HSL 14, 0.73%, 0.68%

LAB 67.7, 32.1, 29.79

 

CMYK 52 / 0 / 39 / 8

HEX #71EA8F

RGB 113 234 143

HSL 134.88, 0.74%, 0.68%

LAB 84.14, -53.27, 34.06

 

CMYK 52 / 22 / 0 / 9

HEX #71B5E9

RGB 113 181 233

HSL 206, 0.73%, 0.68%

LAB 71.17, -7.27, -32.6

 

CMYK 0 / 52 / 12 / 9

HEX #E971CD

RGB 233 113 205

HSL 314, 0.73%, 0.68%

LAB 64.6, 57.64, -26.42

 

CMYK 0 / 29 / 52 / 9

HEX #E9A571

RGB 233 165 113

HSL 26, 0.73%, 0.68%

LAB 73.17, 19.37, 36.82

 

CMYK 52 / 0 / 39 / 8

HEX #71EA8F

RGB 113 234 143

HSL 134.88, 0.74%, 0.68%

LAB 84.14, -53.27, 34.06

 

CMYK 52 / 38 / 0 / 9

HEX #7191E9

RGB 113 145 233

HSL 224, 0.73%, 0.68%

LAB 61.35, 13.15, -47.97

 

CMYK 0 / 52 / 12 / 9

HEX #E971CD

RGB 233 113 205

HSL 314, 0.73%, 0.68%

LAB 64.6, 57.64, -26.42

 

CMYK 0 / 14 / 52 / 9

HEX #E9C971

RGB 233 201 113

HSL 44, 0.73%, 0.68%

LAB 82, 0.41, 47.76

 

Description

Color code: HEX #71EA8F | qconv.com Color code: HEX #71EA8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 234 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 234 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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