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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71F084 it is the complementary color #8E0F7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71F084. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71F084 shade: #76F07F, #87FF92, #98FFA5, #A9FFB8 and #BAFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71F084. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71F084 shade: #71F084, #60DE71, #4FCC5E, #3EBA4B and #2DA838

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71F084 shade: #6FEF83, #7FEF6F, #A1EF6F, #C4EF6F and #E6EF6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71F084 shade: #6FEF83, #6FEFA5, #6FEFC8, #6FEFEA and #6FD2EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71F084 shade matches the following richer shades: #6FEF83 and #63FC7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71F084 shade: #6FEF83, #7CE38C, #89D695, #96C99D and #A3BCA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71F084 shade: #A3EF6F, #80EF6F, #6FEF80, #6FEFA3 and #6FEFC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71F084 shade: #25E842, #4AEC62, #6FEF83, #95F3A3 and #BAF7C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71F084 shade: #71F084, #6FC5EF and #EF6F92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71F084 shade: #71F084, #806FEF and #EF806F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71F084 shade: #71F084, #6FC5EF, #EF6FDE and #EF9A6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71F084 shade: #71F084, #6F9EEF, #EF6FDE and #EFC16F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 45 / 6

HEX #71F084

RGB 113 240 132

HSL 128.98, 0.81%, 0.69%

LAB 85.75, -57.35, 41.59

 

Complementary color

CMYK 0 / 89 / 13 / 44

HEX #8E0F7B

RGB 142 15 123

HSL 308.98, 0.81%, 0.31%

LAB 32.97, 58.54, -28.12

 

CMYK 51 / 0 / 47 / 6

HEX #76F07F

RGB 118 240 127

HSL 124.43, 0.8%, 0.7%

LAB 85.86, -56.81, 44.17

 

CMYK 47 / 0 / 43 / 0

HEX #87FF92

RGB 135 255 146

HSL 125.5, 1%, 0.76%

LAB 91.12, -55.58, 41.8

 

CMYK 40 / 0 / 35 / 0

HEX #98FFA5

RGB 152 255 165

HSL 127.57, 1%, 0.8%

LAB 92.09, -48, 33.85

 

CMYK 34 / 0 / 28 / 0

HEX #A9FFB8

RGB 169 255 184

HSL 130.47, 1%, 0.83%

LAB 93.2, -39.92, 25.92

 

CMYK 27 / 0 / 20 / 0

HEX #BAFFCB

RGB 186 255 203

HSL 134.78, 1%, 0.86%

LAB 94.43, -31.46, 18.08

 

CMYK 53 / 0 / 45 / 6

HEX #71F084

RGB 113 240 132

HSL 128.98, 0.81%, 0.69%

LAB 85.75, -57.35, 41.59

 

CMYK 57 / 0 / 49 / 13

HEX #60DE71

RGB 96 222 113

HSL 128.1, 0.66%, 0.62%

LAB 79.57, -57.26, 42.92

 

CMYK 61 / 0 / 54 / 20

HEX #4FCC5E

RGB 79 204 94

HSL 127.2, 0.55%, 0.55%

LAB 73.32, -56.98, 44.26

 

CMYK 67 / 0 / 60 / 27

HEX #3EBA4B

RGB 62 186 75

HSL 126.29, 0.5%, 0.49%

LAB 67.01, -56.43, 45.58

 

CMYK 73 / 0 / 67 / 34

HEX #2DA838

RGB 45 168 56

HSL 125.37, 0.58%, 0.42%

LAB 60.65, -55.46, 46.75

 

CMYK 54 / 0 / 45 / 6

HEX #6FEF83

RGB 111 239 131

HSL 129.38, 0.8%, 0.69%

LAB 85.38, -57.6, 41.58

 

CMYK 47 / 0 / 54 / 6

HEX #7FEF6F

RGB 127 239 111

HSL 112.5, 0.8%, 0.69%

LAB 85.7, -56.06, 51.57

 

CMYK 33 / 0 / 54 / 6

HEX #A1EF6F

RGB 161 239 111

HSL 96.56, 0.8%, 0.69%

LAB 87.22, -45.55, 53.75

 

CMYK 18 / 0 / 54 / 6

HEX #C4EF6F

RGB 196 239 111

HSL 80.16, 0.8%, 0.69%

LAB 89.21, -33.09, 56.59

 

CMYK 4 / 0 / 54 / 6

HEX #E6EF6F

RGB 230 239 111

HSL 64.22, 0.8%, 0.69%

LAB 91.55, -20, 59.9

 

CMYK 54 / 0 / 45 / 6

HEX #6FEF83

RGB 111 239 131

HSL 129.38, 0.8%, 0.69%

LAB 85.38, -57.6, 41.58

 

CMYK 54 / 0 / 31 / 6

HEX #6FEFA5

RGB 111 239 165

HSL 145.31, 0.8%, 0.69%

LAB 85.92, -51.9, 25.27

 

CMYK 54 / 0 / 16 / 6

HEX #6FEFC8

RGB 111 239 200

HSL 161.72, 0.8%, 0.69%

LAB 86.64, -44.68, 8.14

 

CMYK 54 / 0 / 2 / 6

HEX #6FEFEA

RGB 111 239 234

HSL 177.66, 0.8%, 0.69%

LAB 87.51, -36.51, -8.39

 

CMYK 54 / 12 / 0 / 6

HEX #6FD2EF

RGB 111 210 239

HSL 193.59, 0.8%, 0.69%

LAB 79.45, -21.18, -23.16

 

CMYK 54 / 0 / 45 / 6

HEX #6FEF83

RGB 111 239 131

HSL 129.38, 0.8%, 0.69%

LAB 85.38, -57.6, 41.58

 

CMYK 61 / 0 / 52 / 1

HEX #63FC7A

RGB 99 252 122

HSL 129.02, 0.96%, 0.69%

LAB 88.77, -66.37, 50

 

CMYK 54 / 0 / 45 / 6

HEX #6FEF83

RGB 111 239 131

HSL 129.38, 0.8%, 0.69%

LAB 85.38, -57.6, 41.58

 

CMYK 45 / 0 / 38 / 11

HEX #7CE38C

RGB 124 227 140

HSL 129.32, 0.65%, 0.69%

LAB 82.44, -48.02, 33.41

 

CMYK 36 / 0 / 30 / 16

HEX #89D695

RGB 137 214 149

HSL 129.35, 0.48%, 0.69%

LAB 79.37, -37.07, 24.79

 

CMYK 25 / 0 / 22 / 21

HEX #96C99D

RGB 150 201 157

HSL 128.24, 0.32%, 0.69%

LAB 76.49, -25.39, 16.71

 

CMYK 13 / 0 / 12 / 26

HEX #A3BCA6

RGB 163 188 166

HSL 127.2, 0.16%, 0.69%

LAB 73.87, -12.78, 8.28

 

CMYK 32 / 0 / 54 / 6

HEX #A3EF6F

RGB 163 239 111

HSL 95.63, 0.8%, 0.69%

LAB 87.32, -44.88, 53.9

 

CMYK 46 / 0 / 54 / 6

HEX #80EF6F

RGB 128 239 111

HSL 112.03, 0.8%, 0.69%

LAB 85.74, -55.78, 51.63

 

CMYK 54 / 0 / 46 / 6

HEX #6FEF80

RGB 111 239 128

HSL 127.97, 0.8%, 0.69%

LAB 85.34, -58.03, 42.99

 

CMYK 54 / 0 / 32 / 6

HEX #6FEFA3

RGB 111 239 163

HSL 144.38, 0.8%, 0.69%

LAB 85.88, -52.27, 26.24

 

CMYK 54 / 0 / 18 / 6

HEX #6FEFC5

RGB 111 239 197

HSL 160.31, 0.8%, 0.69%

LAB 86.58, -45.35, 9.61

 

CMYK 84 / 0 / 72 / 9

HEX #25E842

RGB 37 232 66

HSL 128.92, 0.81%, 0.53%

LAB 81.02, -75.47, 64.36

 

CMYK 69 / 0 / 58 / 7

HEX #4AEC62

RGB 74 236 98

HSL 128.89, 0.81%, 0.61%

LAB 83.09, -68.64, 53.95

 

CMYK 54 / 0 / 45 / 6

HEX #6FEF83

RGB 111 239 131

HSL 129.38, 0.8%, 0.69%

LAB 85.38, -57.6, 41.58

 

CMYK 39 / 0 / 33 / 5

HEX #95F3A3

RGB 149 243 163

HSL 128.94, 0.8%, 0.77%

LAB 88.51, -44.03, 30.04

 

CMYK 25 / 0 / 21 / 3

HEX #BAF7C3

RGB 186 247 195

HSL 128.85, 0.79%, 0.85%

LAB 92.09, -29.11, 18.91

 

CMYK 53 / 0 / 45 / 6

HEX #71F084

RGB 113 240 132

HSL 128.98, 0.81%, 0.69%

LAB 85.75, -57.35, 41.59

 

CMYK 54 / 18 / 0 / 6

HEX #6FC5EF

RGB 111 197 239

HSL 199.69, 0.8%, 0.69%

LAB 75.79, -14.49, -28.75

 

CMYK 0 / 54 / 39 / 6

HEX #EF6F92

RGB 239 111 146

HSL 343.59, 0.8%, 0.69%

LAB 63.17, 52.63, 5.1

 

CMYK 53 / 0 / 45 / 6

HEX #71F084

RGB 113 240 132

HSL 128.98, 0.81%, 0.69%

LAB 85.75, -57.35, 41.59

 

CMYK 46 / 54 / 0 / 6

HEX #806FEF

RGB 128 111 239

HSL 247.97, 0.8%, 0.69%

LAB 54.23, 38.35, -62.6

 

CMYK 0 / 46 / 54 / 6

HEX #EF806F

RGB 239 128 111

HSL 7.97, 0.8%, 0.69%

LAB 65.7, 40.94, 28.42

 

CMYK 53 / 0 / 45 / 6

HEX #71F084

RGB 113 240 132

HSL 128.98, 0.81%, 0.69%

LAB 85.75, -57.35, 41.59

 

CMYK 54 / 18 / 0 / 6

HEX #6FC5EF

RGB 111 197 239

HSL 199.69, 0.8%, 0.69%

LAB 75.79, -14.49, -28.75

 

CMYK 0 / 54 / 7 / 6

HEX #EF6FDE

RGB 239 111 222

HSL 307.97, 0.8%, 0.69%

LAB 65.74, 62.96, -34.1

 

CMYK 0 / 36 / 54 / 6

HEX #EF9A6F

RGB 239 154 111

HSL 20.16, 0.8%, 0.69%

LAB 71.29, 27.44, 35.63

 

CMYK 53 / 0 / 45 / 6

HEX #71F084

RGB 113 240 132

HSL 128.98, 0.81%, 0.69%

LAB 85.75, -57.35, 41.59

 

CMYK 54 / 34 / 0 / 6

HEX #6F9EEF

RGB 111 158 239

HSL 217.97, 0.8%, 0.69%

LAB 65.01, 6.99, -45.5

 

CMYK 0 / 54 / 7 / 6

HEX #EF6FDE

RGB 239 111 222

HSL 307.97, 0.8%, 0.69%

LAB 65.74, 62.96, -34.1

 

CMYK 0 / 19 / 54 / 6

HEX #EFC16F

RGB 239 193 111

HSL 38.44, 0.8%, 0.69%

LAB 80.54, 6.85, 47.11

 

Description

Color code: HEX #71F084 | qconv.com Color code: HEX #71F084 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 240 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 240 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 45 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 45% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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