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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #720C5E it is the complementary color #8DF3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #720C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #720C5E shade: #770C59, #881E6C, #99307F, #AA4292 and #BB54A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #720C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #720C5E shade: #720C5E, #61004B, #500038, #3F0025 and #2E0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #720C5E shade: #730C5F, #730C43, #730C27 and #730C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #720C5E shade: #730C5F, #6B0C73, #4F0C73, #340C73 and #180C73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #720C5E shade matches the following richer shades: #730C5F and #7D0165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #720C5E shade: #730C5F, #691658, #5E2052, #542B4C and #4A3546

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #720C5E shade: #4F0C73, #6A0C73, #730C60, #730C44 and #730C29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #720C5E shade: #280421, #4E0840, #730C5F, #98107D and #BE139C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #720C5E shade: #720C5E, #73330C and #0C735D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #720C5E shade: #720C5E, #60730C and #0C6073

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #720C5E shade: #720C5E, #73330C, #0C731F and #0C4B73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #720C5E shade: #720C5E, #73520C, #0C731F and #0C2C73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 18 / 55

HEX #720C5E

RGB 114 12 94

HSL 311.76, 0.81%, 0.25%

LAB 25.71, 48.88, -21.26

 

Complementary color

CMYK 42 / 0 / 34 / 5

HEX #8DF3A1

RGB 141 243 161

HSL 131.76, 0.81%, 0.75%

LAB 88.13, -46.65, 30.48

 

CMYK 0 / 90 / 25 / 53

HEX #770C59

RGB 119 12 89

HSL 316.82, 0.82%, 0.26%

LAB 26.47, 49.34, -16.7

 

CMYK 0 / 78 / 21 / 47

HEX #881E6C

RGB 136 30 108

HSL 315.85, 0.64%, 0.33%

LAB 32.36, 51.29, -19.65

 

CMYK 0 / 69 / 17 / 40

HEX #99307F

RGB 153 48 127

HSL 314.86, 0.52%, 0.39%

LAB 38.58, 51.99, -21.7

 

CMYK 0 / 61 / 14 / 33

HEX #AA4292

RGB 170 66 146

HSL 313.85, 0.44%, 0.46%

LAB 44.97, 51.98, -23.19

 

CMYK 0 / 55 / 12 / 27

HEX #BB54A5

RGB 187 84 165

HSL 312.82, 0.43%, 0.53%

LAB 51.41, 51.6, -24.32

 

CMYK 0 / 89 / 18 / 55

HEX #720C5E

RGB 114 12 94

HSL 311.76, 0.81%, 0.25%

LAB 25.71, 48.88, -21.26

 

CMYK 0 / 100 / 23 / 62

HEX #61004B

RGB 97 0 75

HSL 313.61, 1%, 0.19%

LAB 20.24, 45.06, -17.32

 

CMYK 0 / 100 / 30 / 69

HEX #500038

RGB 80 0 56

HSL 318, 1%, 0.16%

LAB 15.44, 38.72, -11.8

 

CMYK 0 / 100 / 41 / 75

HEX #3F0025

RGB 63 0 37

HSL 324.76, 1%, 0.12%

LAB 10.49, 32.19, -5.79

 

CMYK 0 / 100 / 61 / 82

HEX #2E0012

RGB 46 0 18

HSL 336.52, 1%, 0.09%

LAB 5.64, 24.29, 0.75

 

CMYK 0 / 90 / 17 / 55

HEX #730C5F

RGB 115 12 95

HSL 311.65, 0.81%, 0.25%

LAB 25.96, 49.26, -21.5

 

CMYK 0 / 90 / 42 / 55

HEX #730C43

RGB 115 12 67

HSL 327.96, 0.81%, 0.25%

LAB 24.68, 45.72, -4.72

 

CMYK 0 / 90 / 66 / 55

HEX #730C27

RGB 115 12 39

HSL 344.27, 0.81%, 0.25%

LAB 23.85, 43.34, 13.4

 

CMYK 0 / 90 / 90 / 55

HEX #730C0C

RGB 115 12 12

HSL 0, 0.81%, 0.25%

LAB 23.45, 42.17, 30.08

 

CMYK 0 / 90 / 17 / 55

HEX #730C5F

RGB 115 12 95

HSL 311.65, 0.81%, 0.25%

LAB 25.96, 49.26, -21.5

 

CMYK 7 / 90 / 0 / 55

HEX #6B0C73

RGB 107 12 115

HSL 295.34, 0.81%, 0.25%

LAB 25.64, 50.82, -35.09

 

CMYK 31 / 90 / 0 / 55

HEX #4F0C73

RGB 79 12 115

HSL 279.03, 0.81%, 0.25%

LAB 20.69, 45.82, -43.36

 

CMYK 55 / 90 / 0 / 55

HEX #340C73

RGB 52 12 115

HSL 263.3, 0.81%, 0.25%

LAB 16.65, 42.01, -50.12

 

CMYK 79 / 90 / 0 / 55

HEX #180C73

RGB 24 12 115

HSL 246.99, 0.81%, 0.25%

LAB 13.8, 39.52, -54.94

 

CMYK 0 / 90 / 17 / 55

HEX #730C5F

RGB 115 12 95

HSL 311.65, 0.81%, 0.25%

LAB 25.96, 49.26, -21.5

 

CMYK 0 / 99 / 19 / 51

HEX #7D0165

RGB 125 1 101

HSL 311.61, 0.98%, 0.25%

LAB 27.63, 54.24, -22.67

 

CMYK 0 / 90 / 17 / 55

HEX #730C5F

RGB 115 12 95

HSL 311.65, 0.81%, 0.25%

LAB 25.96, 49.26, -21.5

 

CMYK 0 / 79 / 16 / 59

HEX #691658

RGB 105 22 88

HSL 312.29, 0.65%, 0.25%

LAB 24.58, 43.05, -19.18

 

CMYK 0 / 66 / 13 / 63

HEX #5E2052

RGB 94 32 82

HSL 311.61, 0.49%, 0.25%

LAB 23.74, 34.78, -16.64

 

CMYK 0 / 49 / 10 / 67

HEX #542B4C

RGB 84 43 76

HSL 311.71, 0.32%, 0.25%

LAB 24.11, 24.23, -12.2

 

CMYK 0 / 28 / 5 / 71

HEX #4A3546

RGB 74 53 70

HSL 311.43, 0.17%, 0.25%

LAB 25.09, 12.74, -6.83

 

CMYK 31 / 90 / 0 / 55

HEX #4F0C73

RGB 79 12 115

HSL 279.03, 0.81%, 0.25%

LAB 20.69, 45.82, -43.36

 

CMYK 8 / 90 / 0 / 55

HEX #6A0C73

RGB 106 12 115

HSL 294.76, 0.81%, 0.25%

LAB 25.46, 50.63, -35.4

 

CMYK 0 / 90 / 17 / 55

HEX #730C60

RGB 115 12 96

HSL 311.07, 0.81%, 0.25%

LAB 26.02, 49.4, -22.08

 

CMYK 0 / 90 / 41 / 55

HEX #730C44

RGB 115 12 68

HSL 327.38, 0.81%, 0.25%

LAB 24.72, 45.83, -5.35

 

CMYK 0 / 90 / 64 / 55

HEX #730C29

RGB 115 12 41

HSL 343.11, 0.81%, 0.25%

LAB 23.89, 43.47, 12.07

 

CMYK 0 / 90 / 18 / 84

HEX #280421

RGB 40 4 33

HSL 311.67, 0.82%, 0.09%

LAB 5.85, 22.01, -10.28

 

CMYK 0 / 90 / 18 / 69

HEX #4E0840

RGB 78 8 64

HSL 312, 0.81%, 0.17%

LAB 16.32, 36.8, -16.12

 

CMYK 0 / 90 / 17 / 55

HEX #730C5F

RGB 115 12 95

HSL 311.65, 0.81%, 0.25%

LAB 25.96, 49.26, -21.5

 

CMYK 0 / 89 / 18 / 40

HEX #98107D

RGB 152 16 125

HSL 311.91, 0.81%, 0.33%

LAB 35.06, 60.73, -25.96

 

CMYK 0 / 90 / 18 / 25

HEX #BE139C

RGB 190 19 156

HSL 311.93, 0.82%, 0.41%

LAB 43.96, 72.11, -30.51

 

CMYK 0 / 89 / 18 / 55

HEX #720C5E

RGB 114 12 94

HSL 311.76, 0.81%, 0.25%

LAB 25.71, 48.88, -21.26

 

CMYK 0 / 56 / 90 / 55

HEX #73330C

RGB 115 51 12

HSL 22.72, 0.81%, 0.25%

LAB 29.51, 25.84, 35.56

 

CMYK 90 / 0 / 19 / 55

HEX #0C735D

RGB 12 115 93

HSL 167.18, 0.81%, 0.25%

LAB 42.96, -32.68, 4.57

 

CMYK 0 / 89 / 18 / 55

HEX #720C5E

RGB 114 12 94

HSL 311.76, 0.81%, 0.25%

LAB 25.71, 48.88, -21.26

 

CMYK 17 / 0 / 90 / 55

HEX #60730C

RGB 96 115 12

HSL 71.07, 0.81%, 0.25%

LAB 45.32, -20.51, 48

 

CMYK 90 / 17 / 0 / 55

HEX #0C6073

RGB 12 96 115

HSL 191.07, 0.81%, 0.25%

LAB 37.27, -15.81, -17.31

 

CMYK 0 / 89 / 18 / 55

HEX #720C5E

RGB 114 12 94

HSL 311.76, 0.81%, 0.25%

LAB 25.71, 48.88, -21.26

 

CMYK 0 / 56 / 90 / 55

HEX #73330C

RGB 115 51 12

HSL 22.72, 0.81%, 0.25%

LAB 29.51, 25.84, 35.56

 

CMYK 90 / 0 / 73 / 55

HEX #0C731F

RGB 12 115 31

HSL 131.07, 0.81%, 0.25%

LAB 41.9, -44.81, 37.15

 

CMYK 90 / 35 / 0 / 55

HEX #0C4B73

RGB 12 75 115

HSL 203.3, 0.81%, 0.25%

LAB 30.27, -3.04, -28.21

 

CMYK 0 / 89 / 18 / 55

HEX #720C5E

RGB 114 12 94

HSL 311.76, 0.81%, 0.25%

LAB 25.71, 48.88, -21.26

 

CMYK 0 / 29 / 90 / 55

HEX #73520C

RGB 115 82 12

HSL 40.78, 0.81%, 0.25%

LAB 37.31, 7.47, 42.06

 

CMYK 90 / 0 / 73 / 55

HEX #0C731F

RGB 12 115 31

HSL 131.07, 0.81%, 0.25%

LAB 41.9, -44.81, 37.15

 

CMYK 90 / 62 / 0 / 55

HEX #0C2C73

RGB 12 44 115

HSL 221.36, 0.81%, 0.25%

LAB 20.51, 18.66, -43.9

 

Description

Color code: HEX #720C5E | qconv.com Color code: HEX #720C5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 12 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 12 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 18 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 18% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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