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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #720C81 it is the complementary color #8DF37E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #720C81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #720C81 shade: #770C7C, #881E8F, #9930A2, #AA42B5 and #BB54C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #720C81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #720C81 shade: #720C81, #61006E, #50005B, #3F0048 and #2E0035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #720C81 shade: #730C82, #820C71, #820C51, #820C31 and #820C12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #720C81 shade: #730C82, #530C82, #330C82, #130C82 and #0C0C82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #720C81 shade matches the following richer shades: #730C82 and #7C008E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #720C81 shade: #730C82, #6A1777, #62236B, #592E60 and #513A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #720C81 shade: #330C82, #530C82, #720C82, #820C72 and #820C53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #720C81 shade: #300537, #52085C, #730C82, #940FA8 and #B613CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #720C81 shade: #720C81, #82140C and #0C8243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #720C81 shade: #720C81, #82720C and #0C8272

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #720C81 shade: #720C81, #82140C, #1B820C and #0C7A82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #720C81 shade: #720C81, #82370C, #1B820C and #0C5782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 91 / 0 / 49

HEX #720C81

RGB 114 12 129

HSL 292.31, 0.83%, 0.28%

LAB 27.91, 54.62, -40.27

 

Complementary color

CMYK 42 / 0 / 48 / 5

HEX #8DF37E

RGB 141 243 126

HSL 112.31, 0.83%, 0.72%

LAB 87.62, -51.79, 47.04

 

CMYK 4 / 90 / 0 / 51

HEX #770C7C

RGB 119 12 124

HSL 297.32, 0.82%, 0.27%

LAB 28.49, 54.67, -36.15

 

CMYK 5 / 79 / 0 / 44

HEX #881E8F

RGB 136 30 143

HSL 296.28, 0.65%, 0.34%

LAB 34.29, 56.87, -38.54

 

CMYK 6 / 70 / 0 / 36

HEX #9930A2

RGB 153 48 162

HSL 295.26, 0.54%, 0.41%

LAB 40.4, 57.79, -40.16

 

CMYK 6 / 64 / 0 / 29

HEX #AA42B5

RGB 170 66 181

HSL 294.26, 0.47%, 0.48%

LAB 46.68, 57.96, -41.28

 

CMYK 7 / 58 / 0 / 22

HEX #BB54C8

RGB 187 84 200

HSL 293.28, 0.51%, 0.56%

LAB 53.03, 57.69, -42.09

 

CMYK 12 / 91 / 0 / 49

HEX #720C81

RGB 114 12 129

HSL 292.31, 0.83%, 0.28%

LAB 27.91, 54.62, -40.27

 

CMYK 12 / 100 / 0 / 57

HEX #61006E

RGB 97 0 110

HSL 292.91, 1%, 0.22%

LAB 22.54, 50.65, -36.97

 

CMYK 12 / 100 / 0 / 64

HEX #50005B

RGB 80 0 91

HSL 292.75, 1%, 0.18%

LAB 17.74, 44.34, -32.36

 

CMYK 13 / 100 / 0 / 72

HEX #3F0048

RGB 63 0 72

HSL 292.5, 1%, 0.14%

LAB 12.76, 37.8, -27.58

 

CMYK 13 / 100 / 0 / 79

HEX #2E0035

RGB 46 0 53

HSL 292.08, 1%, 0.1%

LAB 7.57, 30.92, -22.57

 

CMYK 12 / 91 / 0 / 49

HEX #730C82

RGB 115 12 130

HSL 292.37, 0.83%, 0.28%

LAB 28.17, 54.98, -40.48

 

CMYK 0 / 91 / 13 / 49

HEX #820C71

RGB 130 12 113

HSL 308.64, 0.83%, 0.28%

LAB 29.91, 55.12, -26.75

 

CMYK 0 / 91 / 38 / 49

HEX #820C51

RGB 130 12 81

HSL 324.92, 0.83%, 0.28%

LAB 28.39, 51.02, -8.26

 

CMYK 0 / 91 / 62 / 49

HEX #820C31

RGB 130 12 49

HSL 341.19, 0.83%, 0.28%

LAB 27.38, 48.2, 11.85

 

CMYK 0 / 91 / 86 / 49

HEX #820C12

RGB 130 12 18

HSL 356.95, 0.83%, 0.28%

LAB 26.88, 46.76, 31.37

 

CMYK 12 / 91 / 0 / 49

HEX #730C82

RGB 115 12 130

HSL 292.37, 0.83%, 0.28%

LAB 28.17, 54.98, -40.48

 

CMYK 36 / 91 / 0 / 49

HEX #530C82

RGB 83 12 130

HSL 276.1, 0.83%, 0.28%

LAB 22.7, 49.79, -49.61

 

CMYK 61 / 91 / 0 / 49

HEX #330C82

RGB 51 12 130

HSL 259.83, 0.83%, 0.28%

LAB 18.27, 45.98, -57.06

 

CMYK 85 / 91 / 0 / 49

HEX #130C82

RGB 19 12 130

HSL 243.56, 0.83%, 0.28%

LAB 15.56, 43.91, -61.65

 

CMYK 91 / 91 / 0 / 49

HEX #0C0C82

RGB 12 12 130

HSL 240, 0.83%, 0.28%

LAB 15.24, 43.69, -62.19

 

CMYK 12 / 91 / 0 / 49

HEX #730C82

RGB 115 12 130

HSL 292.37, 0.83%, 0.28%

LAB 28.17, 54.98, -40.48

 

CMYK 13 / 100 / 0 / 44

HEX #7C008E

RGB 124 0 142

HSL 292.39, 1%, 0.28%

LAB 30.01, 60.6, -44.92

 

CMYK 12 / 91 / 0 / 49

HEX #730C82

RGB 115 12 130

HSL 292.37, 0.83%, 0.28%

LAB 28.17, 54.98, -40.48

 

CMYK 11 / 81 / 0 / 53

HEX #6A1777

RGB 106 23 119

HSL 291.88, 0.68%, 0.28%

LAB 26.76, 48.38, -35.87

 

CMYK 8 / 67 / 0 / 58

HEX #62236B

RGB 98 35 107

HSL 292.5, 0.51%, 0.28%

LAB 26.33, 39.29, -28.94

 

CMYK 7 / 52 / 0 / 62

HEX #592E60

RGB 89 46 96

HSL 291.6, 0.35%, 0.28%

LAB 26.51, 28.4, -21.61

 

CMYK 4 / 31 / 0 / 67

HEX #513A54

RGB 81 58 84

HSL 293.08, 0.18%, 0.28%

LAB 27.89, 15.37, -11.74

 

CMYK 61 / 91 / 0 / 49

HEX #330C82

RGB 51 12 130

HSL 259.83, 0.83%, 0.28%

LAB 18.27, 45.98, -57.06

 

CMYK 36 / 91 / 0 / 49

HEX #530C82

RGB 83 12 130

HSL 276.1, 0.83%, 0.28%

LAB 22.7, 49.79, -49.61

 

CMYK 12 / 91 / 0 / 49

HEX #720C82

RGB 114 12 130

HSL 291.86, 0.83%, 0.28%

LAB 27.99, 54.81, -40.78

 

CMYK 0 / 91 / 12 / 49

HEX #820C72

RGB 130 12 114

HSL 308.14, 0.83%, 0.28%

LAB 29.97, 55.27, -27.3

 

CMYK 0 / 91 / 36 / 49

HEX #820C53

RGB 130 12 83

HSL 323.9, 0.83%, 0.28%

LAB 28.47, 51.24, -9.46

 

CMYK 13 / 91 / 0 / 78

HEX #300537

RGB 48 5 55

HSL 291.6, 0.83%, 0.12%

LAB 9.1, 29, -21.55

 

CMYK 11 / 91 / 0 / 64

HEX #52085C

RGB 82 8 92

HSL 292.86, 0.84%, 0.2%

LAB 18.97, 42.63, -31.02

 

CMYK 12 / 91 / 0 / 49

HEX #730C82

RGB 115 12 130

HSL 292.37, 0.83%, 0.28%

LAB 28.17, 54.98, -40.48

 

CMYK 12 / 91 / 0 / 34

HEX #940FA8

RGB 148 15 168

HSL 292.16, 0.84%, 0.36%

LAB 36.86, 66.79, -49.48

 

CMYK 12 / 91 / 0 / 19

HEX #B613CE

RGB 182 19 206

HSL 292.3, 0.83%, 0.44%

LAB 45.45, 78.05, -57.69

 

CMYK 12 / 91 / 0 / 49

HEX #720C81

RGB 114 12 129

HSL 292.31, 0.83%, 0.28%

LAB 27.91, 54.62, -40.27

 

CMYK 0 / 85 / 91 / 49

HEX #82140C

RGB 130 20 12

HSL 4.07, 0.83%, 0.28%

LAB 27.5, 44.73, 35.06

 

CMYK 91 / 0 / 48 / 49

HEX #0C8243

RGB 12 130 67

HSL 147.97, 0.83%, 0.28%

LAB 47.56, -44.82, 25.8

 

CMYK 12 / 91 / 0 / 49

HEX #720C81

RGB 114 12 129

HSL 292.31, 0.83%, 0.28%

LAB 27.91, 54.62, -40.27

 

CMYK 0 / 12 / 91 / 49

HEX #82720C

RGB 130 114 12

HSL 51.86, 0.83%, 0.28%

LAB 48.02, -4, 51.44

 

CMYK 91 / 0 / 12 / 49

HEX #0C8272

RGB 12 130 114

HSL 171.86, 0.83%, 0.28%

LAB 48.58, -33.46, 0.26

 

CMYK 12 / 91 / 0 / 49

HEX #720C81

RGB 114 12 129

HSL 292.31, 0.83%, 0.28%

LAB 27.91, 54.62, -40.27

 

CMYK 0 / 85 / 91 / 49

HEX #82140C

RGB 130 20 12

HSL 4.07, 0.83%, 0.28%

LAB 27.5, 44.73, 35.06

 

CMYK 79 / 0 / 91 / 49

HEX #1B820C

RGB 27 130 12

HSL 112.37, 0.83%, 0.28%

LAB 47.27, -49.1, 48.47

 

CMYK 91 / 6 / 0 / 49

HEX #0C7A82

RGB 12 122 130

HSL 184.07, 0.83%, 0.28%

LAB 46.46, -24.52, -12.36

 

CMYK 12 / 91 / 0 / 49

HEX #720C81

RGB 114 12 129

HSL 292.31, 0.83%, 0.28%

LAB 27.91, 54.62, -40.27

 

CMYK 0 / 58 / 91 / 49

HEX #82370C

RGB 130 55 12

HSL 21.86, 0.83%, 0.28%

LAB 32.93, 30.06, 39.42

 

CMYK 79 / 0 / 91 / 49

HEX #1B820C

RGB 27 130 12

HSL 112.37, 0.83%, 0.28%

LAB 47.27, -49.1, 48.47

 

CMYK 91 / 33 / 0 / 49

HEX #0C5782

RGB 12 87 130

HSL 201.86, 0.83%, 0.28%

LAB 35.02, -4.59, -30.04

 

Description

Color code: HEX #720C81 | qconv.com Color code: HEX #720C81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 12 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 12 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 91 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 91% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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