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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #721669 it is the complementary color #8DE996. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #721669. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #721669 shade: #771664, #882877, #993A8A, #AA4C9D and #BB5EB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #721669. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #721669 shade: #721669, #610456, #500043, #3F0030 and #2E001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #721669 shade: #73166A, #731651, #731638, #73161E and #731616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #721669 shade: #73166A, #631673, #4A1673, #311673 and #171673

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #721669 shade matches the following richer shades: #73166A and #7E0A73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #721669 shade: #73166A, #682161, #5D2C58, #52374F and #474246

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #721669 shade: #491673, #621673, #73166B, #731652 and #731639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #721669 shade: #2E082A, #510F4A, #73166A, #961C8A and #B823AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #721669 shade: #721669, #733016 and #167356

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #721669 shade: #721669, #6B7316 and #166B73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #721669 shade: #721669, #733016, #16731D and #165973

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #721669 shade: #721669, #734C16, #16731D and #163D73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 8 / 55

HEX #721669

RGB 114 22 105

HSL 305.87, 0.68%, 0.27%

LAB 27.22, 47.99, -26.07

 

Complementary color

CMYK 39 / 0 / 36 / 9

HEX #8DE996

RGB 141 233 150

HSL 125.87, 0.68%, 0.73%

LAB 85.07, -44.14, 31.96

 

CMYK 0 / 82 / 16 / 53

HEX #771664

RGB 119 22 100

HSL 311.75, 0.69%, 0.28%

LAB 27.89, 48.39, -21.7

 

CMYK 0 / 71 / 13 / 47

HEX #882877

RGB 136 40 119

HSL 310.63, 0.55%, 0.35%

LAB 34.16, 49.38, -23.82

 

CMYK 0 / 62 / 10 / 40

HEX #993A8A

RGB 153 58 138

HSL 309.47, 0.45%, 0.41%

LAB 40.63, 49.48, -25.28

 

CMYK 0 / 55 / 8 / 33

HEX #AA4C9D

RGB 170 76 157

HSL 308.3, 0.38%, 0.48%

LAB 47.17, 49.13, -26.35

 

CMYK 0 / 50 / 6 / 27

HEX #BB5EB0

RGB 187 94 176

HSL 307.1, 0.41%, 0.55%

LAB 53.71, 48.55, -27.17

 

CMYK 0 / 81 / 8 / 55

HEX #721669

RGB 114 22 105

HSL 305.87, 0.68%, 0.27%

LAB 27.22, 47.99, -26.07

 

CMYK 0 / 96 / 11 / 62

HEX #610456

RGB 97 4 86

HSL 307.1, 0.92%, 0.2%

LAB 21.21, 45.68, -23.26

 

CMYK 0 / 100 / 16 / 69

HEX #500043

RGB 80 0 67

HSL 309.75, 1%, 0.16%

LAB 16.06, 40.28, -18.61

 

CMYK 0 / 100 / 24 / 75

HEX #3F0030

RGB 63 0 48

HSL 314.29, 1%, 0.12%

LAB 11.07, 33.67, -13.1

 

CMYK 0 / 100 / 37 / 82

HEX #2E001D

RGB 46 0 29

HSL 322.17, 1%, 0.09%

LAB 6.05, 26.01, -6.75

 

CMYK 0 / 81 / 8 / 55

HEX #73166A

RGB 115 22 106

HSL 305.81, 0.68%, 0.27%

LAB 27.46, 48.39, -26.31

 

CMYK 0 / 81 / 30 / 55

HEX #731651

RGB 115 22 81

HSL 321.94, 0.68%, 0.27%

LAB 26.19, 44.69, -11.87

 

CMYK 0 / 81 / 51 / 55

HEX #731638

RGB 115 22 56

HSL 338.06, 0.68%, 0.27%

LAB 25.27, 41.87, 3.66

 

CMYK 0 / 81 / 74 / 55

HEX #73161E

RGB 115 22 30

HSL 354.84, 0.68%, 0.27%

LAB 24.68, 39.99, 20.54

 

CMYK 0 / 81 / 81 / 55

HEX #731616

RGB 115 22 22

HSL 0, 0.68%, 0.27%

LAB 24.57, 39.63, 25.57

 

CMYK 0 / 81 / 8 / 55

HEX #73166A

RGB 115 22 106

HSL 305.81, 0.68%, 0.27%

LAB 27.46, 48.39, -26.31

 

CMYK 14 / 81 / 0 / 55

HEX #631673

RGB 99 22 115

HSL 289.68, 0.68%, 0.27%

LAB 25.15, 46.46, -35.96

 

CMYK 36 / 81 / 0 / 55

HEX #4A1673

RGB 74 22 115

HSL 273.55, 0.68%, 0.27%

LAB 21.08, 41.49, -42.74

 

CMYK 57 / 81 / 0 / 55

HEX #311673

RGB 49 22 115

HSL 257.42, 0.68%, 0.27%

LAB 17.76, 37.34, -48.32

 

CMYK 80 / 81 / 0 / 55

HEX #171673

RGB 23 22 115

HSL 240.65, 0.68%, 0.27%

LAB 15.45, 34.41, -52.2

 

CMYK 0 / 81 / 8 / 55

HEX #73166A

RGB 115 22 106

HSL 305.81, 0.68%, 0.27%

LAB 27.46, 48.39, -26.31

 

CMYK 0 / 92 / 9 / 51

HEX #7E0A73

RGB 126 10 115

HSL 305.69, 0.85%, 0.27%

LAB 29.13, 54.94, -29.31

 

CMYK 0 / 81 / 8 / 55

HEX #73166A

RGB 115 22 106

HSL 305.81, 0.68%, 0.27%

LAB 27.46, 48.39, -26.31

 

CMYK 0 / 68 / 7 / 59

HEX #682161

RGB 104 33 97

HSL 305.92, 0.52%, 0.27%

LAB 26.43, 39.92, -22.23

 

CMYK 0 / 53 / 5 / 64

HEX #5D2C58

RGB 93 44 88

HSL 306.12, 0.36%, 0.27%

LAB 26.25, 29.2, -16.74

 

CMYK 0 / 33 / 4 / 68

HEX #52374F

RGB 82 55 79

HSL 306.67, 0.2%, 0.27%

LAB 26.99, 16.58, -9.82

 

CMYK 0 / 7 / 1 / 72

HEX #474246

RGB 71 66 70

HSL 312, 0.04%, 0.27%

LAB 28.59, 2.98, -1.66

 

CMYK 37 / 81 / 0 / 55

HEX #491673

RGB 73 22 115

HSL 272.9, 0.68%, 0.27%

LAB 20.94, 41.3, -42.99

 

CMYK 15 / 81 / 0 / 55

HEX #621673

RGB 98 22 115

HSL 289.03, 0.68%, 0.27%

LAB 24.98, 46.25, -36.25

 

CMYK 0 / 81 / 7 / 55

HEX #73166B

RGB 115 22 107

HSL 305.16, 0.68%, 0.27%

LAB 27.52, 48.55, -26.87

 

CMYK 0 / 81 / 29 / 55

HEX #731652

RGB 115 22 82

HSL 321.29, 0.68%, 0.27%

LAB 26.24, 44.82, -12.47

 

CMYK 0 / 81 / 50 / 55

HEX #731639

RGB 115 22 57

HSL 337.42, 0.68%, 0.27%

LAB 25.3, 41.96, 3.02

 

CMYK 0 / 83 / 9 / 82

HEX #2E082A

RGB 46 8 42

HSL 306.32, 0.7%, 0.11%

LAB 8.32, 24.15, -13.21

 

CMYK 0 / 81 / 9 / 68

HEX #510F4A

RGB 81 15 74

HSL 306.36, 0.69%, 0.19%

LAB 18.3, 36.97, -19.92

 

CMYK 0 / 81 / 8 / 55

HEX #73166A

RGB 115 22 106

HSL 305.81, 0.68%, 0.27%

LAB 27.46, 48.39, -26.31

 

CMYK 0 / 81 / 8 / 41

HEX #961C8A

RGB 150 28 138

HSL 305.9, 0.69%, 0.35%

LAB 36.27, 59.58, -32.16

 

CMYK 0 / 81 / 8 / 28

HEX #B823AA

RGB 184 35 170

HSL 305.64, 0.68%, 0.43%

LAB 44.65, 69.76, -37.87

 

CMYK 0 / 81 / 8 / 55

HEX #721669

RGB 114 22 105

HSL 305.87, 0.68%, 0.27%

LAB 27.22, 47.99, -26.07

 

CMYK 0 / 58 / 81 / 55

HEX #733016

RGB 115 48 22

HSL 16.77, 0.68%, 0.27%

LAB 28.95, 27.85, 30.13

 

CMYK 81 / 0 / 25 / 55

HEX #167356

RGB 22 115 86

HSL 161.29, 0.68%, 0.27%

LAB 42.92, -33.56, 8.71

 

CMYK 0 / 81 / 8 / 55

HEX #721669

RGB 114 22 105

HSL 305.87, 0.68%, 0.27%

LAB 27.22, 47.99, -26.07

 

CMYK 7 / 0 / 81 / 55

HEX #6B7316

RGB 107 115 22

HSL 65.16, 0.68%, 0.27%

LAB 46.24, -15.09, 46.3

 

CMYK 81 / 7 / 0 / 55

HEX #166B73

RGB 22 107 115

HSL 185.16, 0.68%, 0.27%

LAB 41.09, -20.91, -11.46

 

CMYK 0 / 81 / 8 / 55

HEX #721669

RGB 114 22 105

HSL 305.87, 0.68%, 0.27%

LAB 27.22, 47.99, -26.07

 

CMYK 0 / 58 / 81 / 55

HEX #733016

RGB 115 48 22

HSL 16.77, 0.68%, 0.27%

LAB 28.95, 27.85, 30.13

 

CMYK 81 / 0 / 75 / 55

HEX #16731D

RGB 22 115 29

HSL 124.52, 0.68%, 0.27%

LAB 42.03, -43.76, 38.16

 

CMYK 81 / 23 / 0 / 55

HEX #165973

RGB 22 89 115

HSL 196.77, 0.68%, 0.27%

LAB 35.11, -10.74, -20.62

 

CMYK 0 / 81 / 8 / 55

HEX #721669

RGB 114 22 105

HSL 305.87, 0.68%, 0.27%

LAB 27.22, 47.99, -26.07

 

CMYK 0 / 34 / 81 / 55

HEX #734C16

RGB 115 76 22

HSL 34.84, 0.68%, 0.27%

LAB 35.74, 11.45, 36.83

 

CMYK 81 / 0 / 75 / 55

HEX #16731D

RGB 22 115 29

HSL 124.52, 0.68%, 0.27%

LAB 42.03, -43.76, 38.16

 

CMYK 81 / 47 / 0 / 55

HEX #163D73

RGB 22 61 115

HSL 214.84, 0.68%, 0.27%

LAB 26, 7.49, -35

 

Description

Color code: HEX #721669 | qconv.com Color code: HEX #721669 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 22 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 22 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 8 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 8% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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