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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #721C89 it is the complementary color #8DE376. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #721C89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #721C89 shade: #771C84, #882E97, #9940AA, #AA52BD and #BB64D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #721C89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #721C89 shade: #721C89, #610A76, #500063, #3F0050 and #2E003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #721C89 shade: #701B87, #871B81, #871B64, #871B47 and #871B29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #721C89 shade: #701B87, #531B87, #361B87 and #1B1B87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #721C89 shade matches the following richer shades: #701B87, #780E94 and #7F01A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #721C89 shade: #701B87, #69287A, #61366D, #59435F and #525052

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #721C89 shade: #361B87, #531B87, #701B87, #871B82 and #871B65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #721C89 shade: #370D42, #541465, #701B87, #8D22A9 and #A929CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #721C89 shade: #721C89, #871B1D and #1B8745

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #721C89 shade: #721C89, #87701B and #1B8770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #721C89 shade: #721C89, #871B1D, #33871B and #1B8785

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #721C89 shade: #721C89, #873A1B, #33871B and #1B6887

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 80 / 0 / 46

HEX #721C89

RGB 114 28 137

HSL 287.34, 0.66%, 0.32%

LAB 29.95, 51.88, -42

 

Complementary color

CMYK 38 / 0 / 48 / 11

HEX #8DE376

RGB 141 227 118

HSL 107.34, 0.66%, 0.68%

LAB 82.86, -46.14, 44.98

 

CMYK 10 / 79 / 0 / 48

HEX #771C84

RGB 119 28 132

HSL 292.5, 0.65%, 0.31%

LAB 30.44, 51.94, -38.04

 

CMYK 10 / 70 / 0 / 41

HEX #882E97

RGB 136 46 151

HSL 291.43, 0.53%, 0.39%

LAB 36.79, 52.61, -39.44

 

CMYK 10 / 62 / 0 / 33

HEX #9940AA

RGB 153 64 170

HSL 290.38, 0.45%, 0.46%

LAB 43.27, 52.55, -40.37

 

CMYK 10 / 57 / 0 / 26

HEX #AA52BD

RGB 170 82 189

HSL 289.35, 0.45%, 0.53%

LAB 49.8, 52.12, -41

 

CMYK 10 / 52 / 0 / 18

HEX #BB64D0

RGB 187 100 208

HSL 288.33, 0.53%, 0.6%

LAB 56.32, 51.49, -41.46

 

CMYK 17 / 80 / 0 / 46

HEX #721C89

RGB 114 28 137

HSL 287.34, 0.66%, 0.32%

LAB 29.95, 51.88, -42

 

CMYK 18 / 92 / 0 / 54

HEX #610A76

RGB 97 10 118

HSL 288.33, 0.84%, 0.25%

LAB 23.89, 49.96, -39.94

 

CMYK 19 / 100 / 0 / 61

HEX #500063

RGB 80 0 99

HSL 288.48, 1%, 0.19%

LAB 18.39, 45.86, -36.63

 

CMYK 21 / 100 / 0 / 69

HEX #3F0050

RGB 63 0 80

HSL 287.25, 1%, 0.16%

LAB 13.45, 39.38, -32.01

 

CMYK 25 / 100 / 0 / 76

HEX #2E003D

RGB 46 0 61

HSL 285.25, 1%, 0.12%

LAB 8.29, 32.64, -27.21

 

CMYK 17 / 80 / 0 / 47

HEX #701B87

RGB 112 27 135

HSL 287.22, 0.67%, 0.32%

LAB 29.36, 51.42, -41.72

 

CMYK 0 / 80 / 4 / 47

HEX #871B81

RGB 135 27 129

HSL 303.33, 0.67%, 0.32%

LAB 32.96, 55.17, -31.98

 

CMYK 0 / 80 / 26 / 47

HEX #871B64

RGB 135 27 100

HSL 319.44, 0.67%, 0.32%

LAB 31.47, 50.88, -15.9

 

CMYK 0 / 80 / 47 / 47

HEX #871B47

RGB 135 27 71

HSL 335.56, 0.67%, 0.32%

LAB 30.38, 47.56, 1.44

 

CMYK 0 / 80 / 70 / 47

HEX #871B29

RGB 135 27 41

HSL 352.22, 0.67%, 0.32%

LAB 29.65, 45.29, 20.34

 

CMYK 17 / 80 / 0 / 47

HEX #701B87

RGB 112 27 135

HSL 287.22, 0.67%, 0.32%

LAB 29.36, 51.42, -41.72

 

CMYK 39 / 80 / 0 / 47

HEX #531B87

RGB 83 27 135

HSL 271.11, 0.67%, 0.32%

LAB 24.87, 45.97, -49.21

 

CMYK 60 / 80 / 0 / 47

HEX #361B87

RGB 54 27 135

HSL 255, 0.67%, 0.32%

LAB 21.27, 41.55, -55.24

 

CMYK 80 / 80 / 0 / 47

HEX #1B1B87

RGB 27 27 135

HSL 240, 0.67%, 0.32%

LAB 19.08, 38.81, -58.94

 

CMYK 17 / 80 / 0 / 47

HEX #701B87

RGB 112 27 135

HSL 287.22, 0.67%, 0.32%

LAB 29.36, 51.42, -41.72

 

CMYK 19 / 91 / 0 / 42

HEX #780E94

RGB 120 14 148

HSL 287.46, 0.83%, 0.32%

LAB 30.51, 58.77, -47.84

 

CMYK 21 / 99 / 0 / 37

HEX #7F01A1

RGB 127 1 161

HSL 287.25, 0.99%, 0.32%

LAB 32.05, 64.27, -53.23

 

CMYK 17 / 80 / 0 / 47

HEX #701B87

RGB 112 27 135

HSL 287.22, 0.67%, 0.32%

LAB 29.36, 51.42, -41.72

 

CMYK 14 / 67 / 0 / 52

HEX #69287A

RGB 105 40 122

HSL 287.56, 0.51%, 0.32%

LAB 29.22, 41.87, -33.84

 

CMYK 11 / 50 / 0 / 57

HEX #61366D

RGB 97 54 109

HSL 286.91, 0.34%, 0.32%

LAB 30.12, 29.19, -24.25

 

CMYK 6 / 29 / 0 / 63

HEX #59435F

RGB 89 67 95

HSL 287.14, 0.17%, 0.32%

LAB 31.73, 15.15, -12.9

 

CMYK 0 / 2 / 0 / 68

HEX #525052

RGB 82 80 82

HSL 300, 0.01%, 0.32%

LAB 34.27, 1.25, -0.89

 

CMYK 60 / 80 / 0 / 47

HEX #361B87

RGB 54 27 135

HSL 255, 0.67%, 0.32%

LAB 21.27, 41.55, -55.24

 

CMYK 39 / 80 / 0 / 47

HEX #531B87

RGB 83 27 135

HSL 271.11, 0.67%, 0.32%

LAB 24.87, 45.97, -49.21

 

CMYK 17 / 80 / 0 / 47

HEX #701B87

RGB 112 27 135

HSL 287.22, 0.67%, 0.32%

LAB 29.36, 51.42, -41.72

 

CMYK 0 / 80 / 4 / 47

HEX #871B82

RGB 135 27 130

HSL 302.78, 0.67%, 0.32%

LAB 33.02, 55.34, -32.51

 

CMYK 0 / 80 / 25 / 47

HEX #871B65

RGB 135 27 101

HSL 318.89, 0.67%, 0.32%

LAB 31.52, 51.01, -16.47

 

CMYK 17 / 80 / 0 / 74

HEX #370D42

RGB 55 13 66

HSL 287.55, 0.67%, 0.15%

LAB 12.57, 29.49, -23.77

 

CMYK 17 / 80 / 0 / 60

HEX #541465

RGB 84 20 101

HSL 287.41, 0.67%, 0.24%

LAB 21.3, 41.09, -33.21

 

CMYK 17 / 80 / 0 / 47

HEX #701B87

RGB 112 27 135

HSL 287.22, 0.67%, 0.32%

LAB 29.36, 51.42, -41.72

 

CMYK 17 / 80 / 0 / 34

HEX #8D22A9

RGB 141 34 169

HSL 287.56, 0.67%, 0.4%

LAB 37.25, 61.39, -49.52

 

CMYK 17 / 80 / 0 / 20

HEX #A929CB

RGB 169 41 203

HSL 287.41, 0.66%, 0.48%

LAB 44.71, 70.77, -57.27

 

CMYK 17 / 80 / 0 / 46

HEX #721C89

RGB 114 28 137

HSL 287.34, 0.66%, 0.32%

LAB 29.95, 51.88, -42

 

CMYK 0 / 80 / 79 / 47

HEX #871B1D

RGB 135 27 29

HSL 358.89, 0.67%, 0.32%

LAB 29.47, 44.71, 27.77

 

CMYK 80 / 0 / 49 / 47

HEX #1B8745

RGB 27 135 69

HSL 143.33, 0.67%, 0.32%

LAB 49.48, -44.73, 27.21

 

CMYK 17 / 80 / 0 / 46

HEX #721C89

RGB 114 28 137

HSL 287.34, 0.66%, 0.32%

LAB 29.95, 51.88, -42

 

CMYK 0 / 17 / 80 / 47

HEX #87701B

RGB 135 112 27

HSL 47.22, 0.67%, 0.32%

LAB 48.03, -0.01, 47.17

 

CMYK 80 / 0 / 17 / 47

HEX #1B8770

RGB 27 135 112

HSL 167.22, 0.67%, 0.32%

LAB 50.37, -34.97, 4.04

 

CMYK 17 / 80 / 0 / 46

HEX #721C89

RGB 114 28 137

HSL 287.34, 0.66%, 0.32%

LAB 29.95, 51.88, -42

 

CMYK 0 / 80 / 79 / 47

HEX #871B1D

RGB 135 27 29

HSL 358.89, 0.67%, 0.32%

LAB 29.47, 44.71, 27.77

 

CMYK 62 / 0 / 80 / 47

HEX #33871B

RGB 51 135 27

HSL 106.67, 0.67%, 0.32%

LAB 49.63, -45.07, 46.71

 

CMYK 80 / 0 / 1 / 47

HEX #1B8785

RGB 27 135 133

HSL 178.89, 0.67%, 0.32%

LAB 50.98, -28.82, -7.31

 

CMYK 17 / 80 / 0 / 46

HEX #721C89

RGB 114 28 137

HSL 287.34, 0.66%, 0.32%

LAB 29.95, 51.88, -42

 

CMYK 0 / 57 / 80 / 47

HEX #873A1B

RGB 135 58 27

HSL 17.22, 0.67%, 0.32%

LAB 34.51, 31.02, 34.2

 

CMYK 62 / 0 / 80 / 47

HEX #33871B

RGB 51 135 27

HSL 106.67, 0.67%, 0.32%

LAB 49.63, -45.07, 46.71

 

CMYK 80 / 23 / 0 / 47

HEX #1B6887

RGB 27 104 135

HSL 197.22, 0.67%, 0.32%

LAB 41.03, -11.55, -23.65

 

Description

Color code: HEX #721C89 | qconv.com Color code: HEX #721C89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 28 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 28 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 80 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 80% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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