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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #722647 it is the complementary color #8DD9B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #722647. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #722647 shade: #772642, #883855, #994A68, #AA5C7B and #BB6E8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #722647. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #722647 shade: #722647, #611434, #500221, #3F000E and #2E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #722647 shade: #722647, #722632 and #722626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #722647 shade: #722647, #72265C, #722670, #602672 and #4B2672

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #722647 shade matches the following richer shades: #722647, #7F1945, #8B0D44 and #970142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #722647 shade: #722647, #663249, #593F4A, #4D4B4C and #41574D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #722647 shade: #722671, #72265D, #722648, #722634 and #722C26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #722647 shade: #341120, #531B34, #722647, #91305A and #B03A6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #722647 shade: #722647, #725F26 and #266772

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #722647 shade: #722647, #487226 and #264872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #722647 shade: #722647, #725F26, #267250 and #263972

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #722647 shade: #722647, #6E7226, #267250 and #2A2672

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

Complementary color

CMYK 35 / 0 / 15 / 15

HEX #8DD9B8

RGB 141 217 184

HSL 153.95, 0.5%, 0.7%

LAB 81.15, -30.66, 8.86

 

CMYK 0 / 68 / 45 / 53

HEX #772642

RGB 119 38 66

HSL 339.26, 0.52%, 0.31%

LAB 28.65, 37.83, 1.87

 

CMYK 0 / 59 / 38 / 47

HEX #883855

RGB 136 56 85

HSL 338.25, 0.42%, 0.38%

LAB 35.44, 37.27, -0.27

 

CMYK 0 / 52 / 32 / 40

HEX #994A68

RGB 153 74 104

HSL 337.22, 0.35%, 0.45%

LAB 42.26, 36.46, -1.89

 

CMYK 0 / 46 / 28 / 33

HEX #AA5C7B

RGB 170 92 123

HSL 336.15, 0.31%, 0.51%

LAB 49.04, 35.58, -3.18

 

CMYK 0 / 41 / 24 / 27

HEX #BB6E8E

RGB 187 110 142

HSL 335.06, 0.36%, 0.58%

LAB 55.76, 34.7, -4.26

 

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

CMYK 0 / 79 / 46 / 62

HEX #611434

RGB 97 20 52

HSL 335.06, 0.66%, 0.23%

LAB 21.17, 36.64, 0.02

 

CMYK 0 / 98 / 59 / 69

HEX #500221

RGB 80 2 33

HSL 336.15, 0.95%, 0.16%

LAB 14.73, 35.54, 3.91

 

CMYK 0 / 100 / 78 / 75

HEX #3F000E

RGB 63 0 14

HSL 346.67, 1%, 0.12%

LAB 9.71, 30.14, 9.39

 

CMYK 0 / 100 / 100 / 82

HEX #2E0000

RGB 46 0 0

HSL 0, 1%, 0.09%

LAB 5.25, 22.43, 8.29

 

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

CMYK 0 / 67 / 56 / 55

HEX #722632

RGB 114 38 50

HSL 350.53, 0.5%, 0.3%

LAB 27.28, 34.46, 10.5

 

CMYK 0 / 67 / 67 / 55

HEX #722626

RGB 114 38 38

HSL 0, 0.5%, 0.3%

LAB 27.03, 33.5, 18.12

 

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

CMYK 0 / 67 / 19 / 55

HEX #72265C

RGB 114 38 92

HSL 317.37, 0.5%, 0.3%

LAB 28.74, 39.73, -15.24

 

CMYK 0 / 67 / 2 / 55

HEX #722670

RGB 114 38 112

HSL 301.58, 0.5%, 0.3%

LAB 29.75, 43.16, -26.57

 

CMYK 16 / 67 / 0 / 55

HEX #602672

RGB 96 38 114

HSL 285.79, 0.5%, 0.3%

LAB 26.98, 38.8, -32.41

 

CMYK 34 / 67 / 0 / 55

HEX #4B2672

RGB 75 38 114

HSL 269.21, 0.5%, 0.3%

LAB 23.99, 33.48, -37.38

 

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

CMYK 0 / 80 / 46 / 50

HEX #7F1945

RGB 127 25 69

HSL 334.12, 0.67%, 0.3%

LAB 28.48, 45.69, -0.18

 

CMYK 0 / 91 / 51 / 45

HEX #8B0D44

RGB 139 13 68

HSL 333.81, 0.83%, 0.3%

LAB 29.9, 51.84, 2.85

 

CMYK 0 / 99 / 56 / 41

HEX #970142

RGB 151 1 66

HSL 334, 0.99%, 0.3%

LAB 31.79, 56.51, 7.24

 

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

CMYK 0 / 51 / 28 / 60

HEX #663249

RGB 102 50 73

HSL 333.46, 0.34%, 0.3%

LAB 28.35, 26.35, -3.55

 

CMYK 0 / 29 / 17 / 65

HEX #593F4A

RGB 89 63 74

HSL 334.62, 0.17%, 0.3%

LAB 29.85, 13.3, -2.18

 

CMYK 0 / 3 / 1 / 70

HEX #4D4B4C

RGB 77 75 76

HSL 330, 0.01%, 0.3%

LAB 32.1, 1.04, -0.31

 

CMYK 25 / 0 / 11 / 66

HEX #41574D

RGB 65 87 77

HSL 152.73, 0.14%, 0.3%

LAB 34.96, -10.78, 3.08

 

CMYK 0 / 67 / 1 / 55

HEX #722671

RGB 114 38 113

HSL 300.79, 0.5%, 0.3%

LAB 29.8, 43.35, -27.12

 

CMYK 0 / 67 / 18 / 55

HEX #72265D

RGB 114 38 93

HSL 316.58, 0.5%, 0.3%

LAB 28.78, 39.89, -15.82

 

CMYK 0 / 67 / 37 / 55

HEX #722648

RGB 114 38 72

HSL 333.16, 0.5%, 0.3%

LAB 27.93, 36.86, -3.28

 

CMYK 0 / 67 / 54 / 55

HEX #722634

RGB 114 38 52

HSL 348.95, 0.5%, 0.3%

LAB 27.33, 34.64, 9.23

 

CMYK 0 / 61 / 67 / 55

HEX #722C26

RGB 114 44 38

HSL 4.74, 0.5%, 0.3%

LAB 28.16, 30.48, 19.55

 

CMYK 0 / 67 / 38 / 80

HEX #341120

RGB 52 17 32

HSL 334.29, 0.51%, 0.14%

LAB 10.81, 19.58, -1.78

 

CMYK 0 / 67 / 37 / 67

HEX #531B34

RGB 83 27 52

HSL 333.21, 0.51%, 0.22%

LAB 19.52, 28.84, -2.72

 

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

CMYK 0 / 67 / 38 / 43

HEX #91305A

RGB 145 48 90

HSL 334.02, 0.5%, 0.38%

LAB 35.74, 44.65, -2.85

 

CMYK 0 / 67 / 38 / 31

HEX #B03A6E

RGB 176 58 110

HSL 333.56, 0.5%, 0.46%

LAB 43.33, 52.32, -3.6

 

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

CMYK 0 / 17 / 67 / 55

HEX #725F26

RGB 114 95 38

HSL 45, 0.5%, 0.3%

LAB 41.06, 0.5, 34.6

 

CMYK 67 / 10 / 0 / 55

HEX #266772

RGB 38 103 114

HSL 188.68, 0.5%, 0.3%

LAB 40.13, -16.7, -12.28

 

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

CMYK 37 / 0 / 67 / 55

HEX #487226

RGB 72 114 38

HSL 93.16, 0.5%, 0.3%

LAB 43.58, -28.6, 36.39

 

CMYK 67 / 37 / 0 / 55

HEX #264872

RGB 38 72 114

HSL 213.16, 0.5%, 0.3%

LAB 30.06, 2.23, -27.86

 

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

CMYK 0 / 17 / 67 / 55

HEX #725F26

RGB 114 95 38

HSL 45, 0.5%, 0.3%

LAB 41.06, 0.5, 34.6

 

CMYK 67 / 0 / 30 / 55

HEX #267250

RGB 38 114 80

HSL 153.16, 0.5%, 0.3%

LAB 42.8, -31.95, 12.16

 

CMYK 67 / 50 / 0 / 55

HEX #263972

RGB 38 57 114

HSL 225, 0.5%, 0.3%

LAB 25.42, 12.48, -35.25

 

CMYK 0 / 67 / 38 / 55

HEX #722647

RGB 114 38 71

HSL 333.95, 0.5%, 0.3%

LAB 27.9, 36.73, -2.66

 

CMYK 4 / 0 / 67 / 55

HEX #6E7226

RGB 110 114 38

HSL 63.16, 0.5%, 0.3%

LAB 46.3, -12.25, 40.11

 

CMYK 67 / 0 / 30 / 55

HEX #267250

RGB 38 114 80

HSL 153.16, 0.5%, 0.3%

LAB 42.8, -31.95, 12.16

 

CMYK 63 / 67 / 0 / 55

HEX #2A2672

RGB 42 38 114

HSL 243.16, 0.5%, 0.3%

LAB 20.41, 26.37, -43.35

 

Description

Color code: HEX #722647 | qconv.com Color code: HEX #722647 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 38 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 38 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 38 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 38% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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