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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7221A5 it is the complementary color #8DDE5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7221A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7221A5 shade: #7721A0, #8833B3, #9945C6, #AA57D9 and #BB69EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7221A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7221A5 shade: #7221A5, #610F92, #50007F, #3F006C and #2E0059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7221A5 shade: #7220A6, #9620A6, #A62091, #A6206D and #A62049

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7221A5 shade: #7220A6, #4E20A6, #2A20A6 and #2020A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7221A5 shade matches the following richer shades: #7220A6, #7610B6 and #7900C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7221A5 shade: #7220A6, #6E3095, #6B4185, #675175 and #636165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7221A5 shade: #2920A6, #4D20A6, #7020A6, #9420A6 and #A62094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7221A5 shade: #431361, #5A1A83, #7220A6, #8A27C8 and #9E40D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7221A5 shade: #7221A5, #A6203B and #20A63B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7221A5 shade: #7221A5, #A67020 and #20A670

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7221A5 shade: #7221A5, #A6203B, #56A620 and #20A68B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7221A5 shade: #7221A5, #A62E20, #56A620 and #2098A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 80 / 0 / 35

HEX #7221A5

RGB 114 33 165

HSL 276.82, 0.67%, 0.39%

LAB 32.66, 56.03, -54.74

 

Complementary color

CMYK 36 / 0 / 59 / 13

HEX #8DDE5A

RGB 141 222 90

HSL 96.82, 0.67%, 0.61%

LAB 81.1, -47.12, 55.76

 

CMYK 26 / 79 / 0 / 37

HEX #7721A0

RGB 119 33 160

HSL 280.63, 0.66%, 0.38%

LAB 33.02, 55.84, -51.1

 

CMYK 24 / 72 / 0 / 30

HEX #8833B3

RGB 136 51 179

HSL 279.84, 0.56%, 0.45%

LAB 39.34, 56.24, -52.14

 

CMYK 23 / 65 / 0 / 22

HEX #9945C6

RGB 153 69 198

HSL 279.07, 0.53%, 0.52%

LAB 45.78, 56.02, -52.77

 

CMYK 22 / 60 / 0 / 15

HEX #AA57D9

RGB 170 87 217

HSL 278.31, 0.63%, 0.6%

LAB 52.26, 55.47, -53.16

 

CMYK 21 / 56 / 0 / 7

HEX #BB69EC

RGB 187 105 236

HSL 277.56, 0.78%, 0.67%

LAB 58.72, 54.76, -53.41

 

CMYK 31 / 80 / 0 / 35

HEX #7221A5

RGB 114 33 165

HSL 276.82, 0.67%, 0.39%

LAB 32.66, 56.03, -54.74

 

CMYK 34 / 90 / 0 / 43

HEX #610F92

RGB 97 15 146

HSL 277.56, 0.81%, 0.32%

LAB 26.62, 54.61, -53.11

 

CMYK 37 / 100 / 0 / 50

HEX #50007F

RGB 80 0 127

HSL 277.8, 1%, 0.25%

LAB 20.97, 51.6, -50.56

 

CMYK 42 / 100 / 0 / 58

HEX #3F006C

RGB 63 0 108

HSL 275, 1%, 0.21%

LAB 16.2, 45.45, -46.26

 

CMYK 48 / 100 / 0 / 65

HEX #2E0059

RGB 46 0 89

HSL 271.01, 1%, 0.17%

LAB 11.29, 39.14, -41.8

 

CMYK 31 / 81 / 0 / 35

HEX #7220A6

RGB 114 32 166

HSL 276.72, 0.68%, 0.39%

LAB 32.62, 56.6, -55.41

 

CMYK 10 / 81 / 0 / 35

HEX #9620A6

RGB 150 32 166

HSL 292.84, 0.68%, 0.39%

LAB 38.32, 63.13, -45.91

 

CMYK 0 / 81 / 13 / 35

HEX #A62091

RGB 166 32 145

HSL 309.4, 0.68%, 0.39%

LAB 39.89, 63.05, -30.55

 

CMYK 0 / 81 / 34 / 35

HEX #A6206D

RGB 166 32 109

HSL 325.52, 0.68%, 0.39%

LAB 38.28, 58.41, -10.72

 

CMYK 0 / 81 / 56 / 35

HEX #A62049

RGB 166 32 73

HSL 341.64, 0.68%, 0.39%

LAB 37.15, 55.04, 10.61

 

CMYK 31 / 81 / 0 / 35

HEX #7220A6

RGB 114 32 166

HSL 276.72, 0.68%, 0.39%

LAB 32.62, 56.6, -55.41

 

CMYK 53 / 81 / 0 / 35

HEX #4E20A6

RGB 78 32 166

HSL 260.6, 0.68%, 0.39%

LAB 27.86, 51.17, -63.39

 

CMYK 75 / 81 / 0 / 35

HEX #2A20A6

RGB 42 32 166

HSL 244.48, 0.68%, 0.39%

LAB 24.57, 47.43, -68.93

 

CMYK 81 / 81 / 0 / 35

HEX #2020A6

RGB 32 32 166

HSL 240, 0.68%, 0.39%

LAB 23.98, 46.76, -69.94

 

CMYK 31 / 81 / 0 / 35

HEX #7220A6

RGB 114 32 166

HSL 276.72, 0.68%, 0.39%

LAB 32.62, 56.6, -55.41

 

CMYK 35 / 91 / 0 / 29

HEX #7610B6

RGB 118 16 182

HSL 276.87, 0.84%, 0.39%

LAB 33.13, 64.86, -64.12

 

CMYK 39 / 100 / 0 / 22

HEX #7900C6

RGB 121 0 198

HSL 276.67, 1%, 0.39%

LAB 34.28, 70.83, -71.67

 

CMYK 31 / 81 / 0 / 35

HEX #7220A6

RGB 114 32 166

HSL 276.72, 0.68%, 0.39%

LAB 32.62, 56.6, -55.41

 

CMYK 26 / 68 / 0 / 42

HEX #6E3095

RGB 110 48 149

HSL 276.83, 0.51%, 0.39%

LAB 33.13, 45.25, -44.29

 

CMYK 20 / 51 / 0 / 48

HEX #6B4185

RGB 107 65 133

HSL 277.06, 0.34%, 0.39%

LAB 35.2, 31.43, -31.19

 

CMYK 12 / 31 / 0 / 54

HEX #675175

RGB 103 81 117

HSL 276.67, 0.18%, 0.39%

LAB 37.94, 16.57, -17.08

 

CMYK 2 / 4 / 0 / 60

HEX #636165

RGB 99 97 101

HSL 270, 0.02%, 0.39%

LAB 41.44, 1.63, -1.99

 

CMYK 75 / 81 / 0 / 35

HEX #2920A6

RGB 41 32 166

HSL 244.03, 0.68%, 0.39%

LAB 24.51, 47.36, -69.05

 

CMYK 54 / 81 / 0 / 35

HEX #4D20A6

RGB 77 32 166

HSL 260.15, 0.68%, 0.39%

LAB 27.75, 51.04, -63.58

 

CMYK 33 / 81 / 0 / 35

HEX #7020A6

RGB 112 32 166

HSL 275.82, 0.68%, 0.39%

LAB 32.33, 56.26, -55.9

 

CMYK 11 / 81 / 0 / 35

HEX #9420A6

RGB 148 32 166

HSL 291.94, 0.68%, 0.39%

LAB 37.99, 62.75, -46.47

 

CMYK 0 / 81 / 11 / 35

HEX #A62094

RGB 166 32 148

HSL 308.06, 0.68%, 0.39%

LAB 40.05, 63.49, -32.13

 

CMYK 31 / 80 / 0 / 62

HEX #431361

RGB 67 19 97

HSL 276.92, 0.67%, 0.23%

LAB 18.02, 36.96, -36.02

 

CMYK 31 / 80 / 0 / 49

HEX #5A1A83

RGB 90 26 131

HSL 276.57, 0.67%, 0.31%

LAB 25.42, 46.67, -45.76

 

CMYK 31 / 81 / 0 / 35

HEX #7220A6

RGB 114 32 166

HSL 276.72, 0.68%, 0.39%

LAB 32.62, 56.6, -55.41

 

CMYK 31 / 81 / 0 / 22

HEX #8A27C8

RGB 138 39 200

HSL 276.89, 0.67%, 0.47%

LAB 39.62, 65.53, -63.99

 

CMYK 27 / 71 / 0 / 15

HEX #9E40D9

RGB 158 64 217

HSL 276.86, 0.67%, 0.55%

LAB 46.9, 63.36, -61.85

 

CMYK 31 / 80 / 0 / 35

HEX #7221A5

RGB 114 33 165

HSL 276.82, 0.67%, 0.39%

LAB 32.66, 56.03, -54.74

 

CMYK 0 / 81 / 64 / 35

HEX #A6203B

RGB 166 32 59

HSL 347.91, 0.68%, 0.39%

LAB 36.85, 54.1, 19.19

 

CMYK 81 / 0 / 64 / 35

HEX #20A63B

RGB 32 166 59

HSL 132.09, 0.68%, 0.39%

LAB 59.79, -56.37, 44.44

 

CMYK 31 / 80 / 0 / 35

HEX #7221A5

RGB 114 33 165

HSL 276.82, 0.67%, 0.39%

LAB 32.66, 56.03, -54.74

 

CMYK 0 / 33 / 81 / 35

HEX #A67020

RGB 166 112 32

HSL 35.82, 0.68%, 0.39%

LAB 51.61, 14.55, 49.86

 

CMYK 81 / 0 / 33 / 35

HEX #20A670

RGB 32 166 112

HSL 155.82, 0.68%, 0.39%

LAB 60.56, -47.42, 18.36

 

CMYK 31 / 80 / 0 / 35

HEX #7221A5

RGB 114 33 165

HSL 276.82, 0.67%, 0.39%

LAB 32.66, 56.03, -54.74

 

CMYK 0 / 81 / 64 / 35

HEX #A6203B

RGB 166 32 59

HSL 347.91, 0.68%, 0.39%

LAB 36.85, 54.1, 19.19

 

CMYK 48 / 0 / 81 / 35

HEX #56A620

RGB 86 166 32

HSL 95.82, 0.68%, 0.39%

LAB 61.09, -46.59, 56.4

 

CMYK 81 / 0 / 16 / 35

HEX #20A68B

RGB 32 166 139

HSL 167.91, 0.68%, 0.39%

LAB 61.17, -40.84, 4.21

 

CMYK 31 / 80 / 0 / 35

HEX #7221A5

RGB 114 33 165

HSL 276.82, 0.67%, 0.39%

LAB 32.66, 56.03, -54.74

 

CMYK 0 / 72 / 81 / 35

HEX #A62E20

RGB 166 46 32

HSL 6.27, 0.68%, 0.39%

LAB 38.14, 48.16, 37

 

CMYK 48 / 0 / 81 / 35

HEX #56A620

RGB 86 166 32

HSL 95.82, 0.68%, 0.39%

LAB 61.09, -46.59, 56.4

 

CMYK 81 / 8 / 0 / 35

HEX #2098A6

RGB 32 152 166

HSL 186.27, 0.68%, 0.39%

LAB 57.58, -26.29, -16.4

 

Description

Color code: HEX #7221A5 | qconv.com Color code: HEX #7221A5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 33 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 33 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 80 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 80% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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