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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #722A95 it is the complementary color #8DD56A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #722A95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #722A95 shade: #772A90, #883CA3, #994EB6, #AA60C9 and #BB72DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #722A95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #722A95 shade: #722A95, #611882, #50066F, #3F005C and #2E0049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #722A95 shade: #702993, #8D2993, #93297C, #932960 and #932943

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #722A95 shade: #702993, #542993, #372993 and #292993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #722A95 shade matches the following richer shades: #702993, #751AA2 and #7B0AB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #722A95 shade: #702993, #6B3883, #664874, #605765 and #5B6656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #722A95 shade: #372993, #532993, #6F2993, #8C2993 and #93297E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #722A95 shade: #3F1752, #572073, #702993, #8932B3 and #9E44CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #722A95 shade: #722A95, #932937 and #299345

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #722A95 shade: #722A95, #936F29 and #29936F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #722A95 shade: #722A95, #932937, #4C9329 and #299385

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #722A95 shade: #722A95, #933B29, #4C9329 and #298193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 72 / 0 / 42

HEX #722A95

RGB 114 42 149

HSL 280.37, 0.56%, 0.37%

LAB 32.71, 48.93, -44.95

 

Complementary color

CMYK 34 / 0 / 50 / 16

HEX #8DD56A

RGB 141 213 106

HSL 100.37, 0.56%, 0.63%

LAB 78.63, -41.57, 45.54

 

CMYK 17 / 71 / 0 / 44

HEX #772A90

RGB 119 42 144

HSL 285.29, 0.55%, 0.36%

LAB 33.12, 48.97, -41.18

 

CMYK 17 / 63 / 0 / 36

HEX #883CA3

RGB 136 60 163

HSL 284.27, 0.46%, 0.44%

LAB 39.77, 48.77, -41.93

 

CMYK 16 / 57 / 0 / 29

HEX #994EB6

RGB 153 78 182

HSL 283.27, 0.42%, 0.51%

LAB 46.44, 48.21, -42.39

 

CMYK 15 / 52 / 0 / 21

HEX #AA60C9

RGB 170 96 201

HSL 282.29, 0.49%, 0.58%

LAB 53.09, 47.49, -42.71

 

CMYK 15 / 48 / 0 / 14

HEX #BB72DC

RGB 187 114 220

HSL 281.32, 0.6%, 0.65%

LAB 59.68, 46.71, -42.95

 

CMYK 23 / 72 / 0 / 42

HEX #722A95

RGB 114 42 149

HSL 280.37, 0.56%, 0.37%

LAB 32.71, 48.93, -44.95

 

CMYK 25 / 82 / 0 / 49

HEX #611882

RGB 97 24 130

HSL 281.32, 0.69%, 0.3%

LAB 26.18, 48.49, -43.85

 

CMYK 28 / 95 / 0 / 56

HEX #50066F

RGB 80 6 111

HSL 282.29, 0.9%, 0.23%

LAB 19.98, 46.66, -41.92

 

CMYK 32 / 100 / 0 / 64

HEX #3F005C

RGB 63 0 92

HSL 281.09, 1%, 0.18%

LAB 14.57, 41.9, -38.34

 

CMYK 37 / 100 / 0 / 71

HEX #2E0049

RGB 46 0 73

HSL 277.81, 1%, 0.14%

LAB 9.5, 35.33, -33.74

 

CMYK 24 / 72 / 0 / 42

HEX #702993

RGB 112 41 147

HSL 280.19, 0.56%, 0.37%

LAB 32.12, 48.49, -44.69

 

CMYK 4 / 72 / 0 / 42

HEX #8D2993

RGB 141 41 147

HSL 296.6, 0.56%, 0.37%

LAB 36.66, 54.98, -37.16

 

CMYK 0 / 72 / 16 / 42

HEX #93297C

RGB 147 41 124

HSL 313.02, 0.56%, 0.37%

LAB 36.45, 52.64, -23.23

 

CMYK 0 / 72 / 35 / 42

HEX #932960

RGB 147 41 96

HSL 328.87, 0.56%, 0.37%

LAB 35.27, 48.84, -7.35

 

CMYK 0 / 72 / 54 / 42

HEX #932943

RGB 147 41 67

HSL 345.28, 0.56%, 0.37%

LAB 34.38, 45.87, 10.08

 

CMYK 24 / 72 / 0 / 42

HEX #702993

RGB 112 41 147

HSL 280.19, 0.56%, 0.37%

LAB 32.12, 48.49, -44.69

 

CMYK 43 / 72 / 0 / 42

HEX #542993

RGB 84 41 147

HSL 264.34, 0.56%, 0.37%

LAB 28.32, 42.75, -51.02

 

CMYK 63 / 72 / 0 / 42

HEX #372993

RGB 55 41 147

HSL 247.92, 0.56%, 0.37%

LAB 25.27, 37.83, -56.13

 

CMYK 72 / 72 / 0 / 42

HEX #292993

RGB 41 41 147

HSL 240, 0.56%, 0.37%

LAB 24.21, 36.02, -57.92

 

CMYK 24 / 72 / 0 / 42

HEX #702993

RGB 112 41 147

HSL 280.19, 0.56%, 0.37%

LAB 32.12, 48.49, -44.69

 

CMYK 28 / 84 / 0 / 36

HEX #751AA2

RGB 117 26 162

HSL 280.15, 0.72%, 0.37%

LAB 32.1, 58.15, -53.82

 

CMYK 31 / 94 / 0 / 31

HEX #7B0AB1

RGB 123 10 177

HSL 280.6, 0.89%, 0.37%

LAB 33.14, 65.48, -61.1

 

CMYK 24 / 72 / 0 / 42

HEX #702993

RGB 112 41 147

HSL 280.19, 0.56%, 0.37%

LAB 32.12, 48.49, -44.69

 

CMYK 18 / 57 / 0 / 49

HEX #6B3883

RGB 107 56 131

HSL 280.8, 0.4%, 0.37%

LAB 33.12, 36.11, -33.25

 

CMYK 12 / 38 / 0 / 55

HEX #664874

RGB 102 72 116

HSL 280.91, 0.23%, 0.37%

LAB 35.44, 21.56, -20.32

 

CMYK 5 / 14 / 0 / 60

HEX #605765

RGB 96 87 101

HSL 278.57, 0.07%, 0.37%

LAB 38.27, 6.59, -6.72

 

CMYK 11 / 0 / 16 / 60

HEX #5B6656

RGB 91 102 86

HSL 101.25, 0.09%, 0.37%

LAB 41.84, -7.56, 7.63

 

CMYK 63 / 72 / 0 / 42

HEX #372993

RGB 55 41 147

HSL 247.92, 0.56%, 0.37%

LAB 25.27, 37.83, -56.13

 

CMYK 44 / 72 / 0 / 42

HEX #532993

RGB 83 41 147

HSL 263.77, 0.56%, 0.37%

LAB 28.2, 42.56, -51.23

 

CMYK 24 / 72 / 0 / 42

HEX #6F2993

RGB 111 41 147

HSL 279.62, 0.56%, 0.37%

LAB 31.97, 48.28, -44.93

 

CMYK 5 / 72 / 0 / 42

HEX #8C2993

RGB 140 41 147

HSL 296.04, 0.56%, 0.37%

LAB 36.5, 54.75, -37.43

 

CMYK 0 / 72 / 14 / 42

HEX #93297E

RGB 147 41 126

HSL 311.89, 0.56%, 0.37%

LAB 36.55, 52.94, -24.33

 

CMYK 23 / 72 / 0 / 68

HEX #3F1752

RGB 63 23 82

HSL 280.68, 0.56%, 0.21%

LAB 16.89, 30.4, -27.82

 

CMYK 24 / 72 / 0 / 55

HEX #572073

RGB 87 32 115

HSL 279.76, 0.56%, 0.29%

LAB 24.63, 39.72, -36.9

 

CMYK 24 / 72 / 0 / 42

HEX #702993

RGB 112 41 147

HSL 280.19, 0.56%, 0.37%

LAB 32.12, 48.49, -44.69

 

CMYK 23 / 72 / 0 / 30

HEX #8932B3

RGB 137 50 179

HSL 280.47, 0.56%, 0.45%

LAB 39.33, 56.86, -52.13

 

CMYK 22 / 66 / 0 / 21

HEX #9E44CA

RGB 158 68 202

HSL 280.3, 0.56%, 0.53%

LAB 46.54, 58.44, -53.83

 

CMYK 23 / 72 / 0 / 42

HEX #722A95

RGB 114 42 149

HSL 280.37, 0.56%, 0.37%

LAB 32.71, 48.93, -44.95

 

CMYK 0 / 72 / 63 / 42

HEX #932937

RGB 147 41 55

HSL 352.08, 0.56%, 0.37%

LAB 34.12, 44.95, 17.47

 

CMYK 72 / 0 / 53 / 42

HEX #299345

RGB 41 147 69

HSL 135.85, 0.56%, 0.37%

LAB 53.78, -47.04, 32.62

 

CMYK 23 / 72 / 0 / 42

HEX #722A95

RGB 114 42 149

HSL 280.37, 0.56%, 0.37%

LAB 32.71, 48.93, -44.95

 

CMYK 0 / 24 / 72 / 42

HEX #936F29

RGB 147 111 41

HSL 39.62, 0.56%, 0.37%

LAB 49.17, 6.85, 42.88

 

CMYK 72 / 0 / 24 / 42

HEX #29936F

RGB 41 147 111

HSL 159.62, 0.56%, 0.37%

LAB 54.54, -38.63, 10.59

 

CMYK 23 / 72 / 0 / 42

HEX #722A95

RGB 114 42 149

HSL 280.37, 0.56%, 0.37%

LAB 32.71, 48.93, -44.95

 

CMYK 0 / 72 / 63 / 42

HEX #932937

RGB 147 41 55

HSL 352.08, 0.56%, 0.37%

LAB 34.12, 44.95, 17.47

 

CMYK 48 / 0 / 72 / 42

HEX #4C9329

RGB 76 147 41

HSL 100.19, 0.56%, 0.37%

LAB 54.62, -41.51, 46.83

 

CMYK 72 / 0 / 10 / 42

HEX #299385

RGB 41 147 133

HSL 172.08, 0.56%, 0.37%

LAB 55.11, -32.84, -1.19

 

CMYK 23 / 72 / 0 / 42

HEX #722A95

RGB 114 42 149

HSL 280.37, 0.56%, 0.37%

LAB 32.71, 48.93, -44.95

 

CMYK 0 / 60 / 72 / 42

HEX #933B29

RGB 147 59 41

HSL 10.19, 0.56%, 0.37%

LAB 36.91, 35.96, 29.56

 

CMYK 48 / 0 / 72 / 42

HEX #4C9329

RGB 76 147 41

HSL 100.19, 0.56%, 0.37%

LAB 54.62, -41.51, 46.83

 

CMYK 72 / 12 / 0 / 42

HEX #298193

RGB 41 129 147

HSL 190.19, 0.56%, 0.37%

LAB 49.83, -19.51, -17.2

 

Description

Color code: HEX #722A95 | qconv.com Color code: HEX #722A95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 42 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 42 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 72 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 72% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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