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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #723ABD it is the complementary color #8DC542. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #723ABD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #723ABD shade: #773AB8, #884CCB, #995EDE, #AA70F1 and #BB82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #723ABD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #723ABD shade: #723ABD, #6128AA, #501697, #3F0484 and #2E0071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #723ABD shade: #7039BB, #9339BB, #B639BB, #BB399C and #BB3979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #723ABD shade: #7039BB, #4E39BB and #3939BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #723ABD shade matches the following richer shades: #7039BB, #6E25CF and #6B11E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #723ABD shade: #7039BB, #734DA7, #766193, #79747F and #7C886C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #723ABD shade: #3948BB, #4C39BB, #6F39BB, #9239BB and #B439BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #723ABD shade: #4A267C, #5D2F9B, #7039BB, #8653CA and #9C73D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #723ABD shade: #723ABD, #BB396B and #39BB3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #723ABD shade: #723ABD, #BB6F39 and #39BB6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #723ABD shade: #723ABD, #BB396B, #85BB39 and #39BB89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #723ABD shade: #723ABD, #BB3944, #85BB39 and #39BBB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 69 / 0 / 26

HEX #723ABD

RGB 114 58 189

HSL 265.65, 0.53%, 0.48%

LAB 38.34, 50.99, -59.79

 

Complementary color

CMYK 28 / 0 / 66 / 23

HEX #8DC542

RGB 141 197 66

HSL 85.65, 0.53%, 0.52%

LAB 73.54, -38.34, 57.57

 

CMYK 35 / 68 / 0 / 28

HEX #773AB8

RGB 119 58 184

HSL 269.05, 0.52%, 0.47%

LAB 38.57, 50.72, -56.45

 

CMYK 33 / 63 / 0 / 20

HEX #884CCB

RGB 136 76 203

HSL 268.35, 0.55%, 0.55%

LAB 45.24, 49.93, -56.63

 

CMYK 31 / 58 / 0 / 13

HEX #995EDE

RGB 153 94 222

HSL 267.66, 0.66%, 0.62%

LAB 51.9, 49, -56.68

 

CMYK 29 / 54 / 0 / 5

HEX #AA70F1

RGB 170 112 241

HSL 266.98, 0.82%, 0.69%

LAB 58.49, 48.05, -56.66

 

CMYK 27 / 49 / 0 / 0

HEX #BB82FF

RGB 187 130 255

HSL 267.36, 1%, 0.75%

LAB 64.76, 45.94, -54.29

 

CMYK 40 / 69 / 0 / 26

HEX #723ABD

RGB 114 58 189

HSL 265.65, 0.53%, 0.48%

LAB 38.34, 50.99, -59.79

 

CMYK 43 / 76 / 0 / 33

HEX #6128AA

RGB 97 40 170

HSL 266.31, 0.62%, 0.41%

LAB 31.72, 51.56, -59.39

 

CMYK 47 / 85 / 0 / 41

HEX #501697

RGB 80 22 151

HSL 266.98, 0.75%, 0.34%

LAB 25.3, 51.39, -58.45

 

CMYK 52 / 97 / 0 / 48

HEX #3F0484

RGB 63 4 132

HSL 267.66, 0.94%, 0.27%

LAB 19.26, 49.9, -56.63

 

CMYK 59 / 100 / 0 / 56

HEX #2E0071

RGB 46 0 113

HSL 264.42, 1%, 0.22%

LAB 14.25, 45.08, -52.83

 

CMYK 40 / 70 / 0 / 27

HEX #7039BB

RGB 112 57 187

HSL 265.38, 0.53%, 0.48%

LAB 37.77, 50.59, -59.55

 

CMYK 21 / 70 / 0 / 27

HEX #9339BB

RGB 147 57 187

HSL 281.54, 0.53%, 0.48%

LAB 42.33, 57.71, -51.94

 

CMYK 3 / 70 / 0 / 27

HEX #B639BB

RGB 182 57 187

HSL 297.69, 0.53%, 0.48%

LAB 47.57, 65.37, -43.27

 

CMYK 0 / 70 / 17 / 27

HEX #BB399C

RGB 187 57 156

HSL 314.31, 0.53%, 0.48%

LAB 46.83, 61.7, -26.08

 

CMYK 0 / 70 / 35 / 27

HEX #BB3979

RGB 187 57 121

HSL 330.46, 0.53%, 0.48%

LAB 45.46, 57.19, -7

 

CMYK 40 / 70 / 0 / 27

HEX #7039BB

RGB 112 57 187

HSL 265.38, 0.53%, 0.48%

LAB 37.77, 50.59, -59.55

 

CMYK 58 / 70 / 0 / 27

HEX #4E39BB

RGB 78 57 187

HSL 249.69, 0.53%, 0.48%

LAB 34.26, 44.72, -65.42

 

CMYK 70 / 70 / 0 / 27

HEX #3939BB

RGB 57 57 187

HSL 240, 0.53%, 0.48%

LAB 32.67, 41.9, -68.1

 

CMYK 40 / 70 / 0 / 27

HEX #7039BB

RGB 112 57 187

HSL 265.38, 0.53%, 0.48%

LAB 37.77, 50.59, -59.55

 

CMYK 47 / 82 / 0 / 19

HEX #6E25CF

RGB 110 37 207

HSL 265.76, 0.7%, 0.48%

LAB 36.26, 63.75, -73.71

 

CMYK 53 / 92 / 0 / 11

HEX #6B11E2

RGB 107 17 226

HSL 265.84, 0.86%, 0.48%

LAB 36.02, 73.14, -85.07

 

CMYK 40 / 70 / 0 / 27

HEX #7039BB

RGB 112 57 187

HSL 265.38, 0.53%, 0.48%

LAB 37.77, 50.59, -59.55

 

CMYK 31 / 54 / 0 / 35

HEX #734DA7

RGB 115 77 167

HSL 265.33, 0.37%, 0.48%

LAB 40.8, 35.2, -42.81

 

CMYK 20 / 34 / 0 / 42

HEX #766193

RGB 118 97 147

HSL 265.2, 0.2%, 0.48%

LAB 44.95, 19.06, -24.34

 

CMYK 5 / 9 / 0 / 50

HEX #79747F

RGB 121 116 127

HSL 267.27, 0.05%, 0.48%

LAB 49.6, 4.16, -5.35

 

CMYK 9 / 0 / 21 / 47

HEX #7C886C

RGB 124 136 108

HSL 85.71, 0.11%, 0.48%

LAB 55.05, -9.72, 13.6

 

CMYK 70 / 61 / 0 / 27

HEX #3948BB

RGB 57 72 187

HSL 233.08, 0.53%, 0.48%

LAB 36.16, 32.61, -62.37

 

CMYK 59 / 70 / 0 / 27

HEX #4C39BB

RGB 76 57 187

HSL 248.77, 0.53%, 0.48%

LAB 34.09, 44.42, -65.71

 

CMYK 41 / 70 / 0 / 27

HEX #6F39BB

RGB 111 57 187

HSL 264.92, 0.53%, 0.48%

LAB 37.65, 50.39, -59.74

 

CMYK 22 / 70 / 0 / 27

HEX #9239BB

RGB 146 57 187

HSL 281.08, 0.53%, 0.48%

LAB 42.19, 57.49, -52.17

 

CMYK 4 / 70 / 0 / 27

HEX #B439BB

RGB 180 57 187

HSL 296.77, 0.53%, 0.48%

LAB 47.26, 64.93, -43.78

 

CMYK 40 / 69 / 0 / 51

HEX #4A267C

RGB 74 38 124

HSL 265.12, 0.53%, 0.32%

LAB 24.63, 35.99, -42.72

 

CMYK 40 / 70 / 0 / 39

HEX #5D2F9B

RGB 93 47 155

HSL 265.56, 0.53%, 0.4%

LAB 31.18, 43.57, -51.22

 

CMYK 40 / 70 / 0 / 27

HEX #7039BB

RGB 112 57 187

HSL 265.38, 0.53%, 0.48%

LAB 37.77, 50.59, -59.55

 

CMYK 34 / 59 / 0 / 21

HEX #8653CA

RGB 134 83 202

HSL 265.71, 0.53%, 0.56%

LAB 46.34, 45.5, -54.3

 

CMYK 26 / 46 / 0 / 17

HEX #9C73D4

RGB 156 115 212

HSL 265.36, 0.53%, 0.64%

LAB 56.17, 35.75, -44.2

 

CMYK 40 / 69 / 0 / 26

HEX #723ABD

RGB 114 58 189

HSL 265.65, 0.53%, 0.48%

LAB 38.34, 50.99, -59.79

 

CMYK 0 / 70 / 43 / 27

HEX #BB396B

RGB 187 57 107

HSL 336.92, 0.53%, 0.48%

LAB 45.02, 55.69, 0.95

 

CMYK 70 / 0 / 68 / 27

HEX #39BB3B

RGB 57 187 59

HSL 120.92, 0.53%, 0.48%

LAB 67.07, -59.45, 52.51

 

CMYK 40 / 69 / 0 / 26

HEX #723ABD

RGB 114 58 189

HSL 265.65, 0.53%, 0.48%

LAB 38.34, 50.99, -59.79

 

CMYK 0 / 41 / 70 / 27

HEX #BB6F39

RGB 187 111 57

HSL 24.92, 0.53%, 0.48%

LAB 54.27, 25.46, 42.03

 

CMYK 70 / 0 / 41 / 27

HEX #39BB6F

RGB 57 187 111

HSL 144.92, 0.53%, 0.48%

LAB 67.69, -52.24, 28.54

 

CMYK 40 / 69 / 0 / 26

HEX #723ABD

RGB 114 58 189

HSL 265.65, 0.53%, 0.48%

LAB 38.34, 50.99, -59.79

 

CMYK 0 / 70 / 43 / 27

HEX #BB396B

RGB 187 57 107

HSL 336.92, 0.53%, 0.48%

LAB 45.02, 55.69, 0.95

 

CMYK 29 / 0 / 70 / 27

HEX #85BB39

RGB 133 187 57

HSL 84.92, 0.53%, 0.48%

LAB 70.05, -37.5, 57.34

 

CMYK 70 / 0 / 27 / 27

HEX #39BB89

RGB 57 187 137

HSL 156.92, 0.53%, 0.48%

LAB 68.18, -46.93, 15.32

 

CMYK 40 / 69 / 0 / 26

HEX #723ABD

RGB 114 58 189

HSL 265.65, 0.53%, 0.48%

LAB 38.34, 50.99, -59.79

 

CMYK 0 / 70 / 64 / 27

HEX #BB3944

RGB 187 57 68

HSL 354.92, 0.53%, 0.48%

LAB 44.1, 52.52, 23.73

 

CMYK 29 / 0 / 70 / 27

HEX #85BB39

RGB 133 187 57

HSL 84.92, 0.53%, 0.48%

LAB 70.05, -37.5, 57.34

 

CMYK 70 / 0 / 6 / 27

HEX #39BBB0

RGB 57 187 176

HSL 174.92, 0.53%, 0.48%

LAB 69.14, -37.13, -4.64

 

Description

Color code: HEX #723ABD | qconv.com Color code: HEX #723ABD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 58 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 58 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 69 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 69% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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