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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72499C it is the complementary color #8DB663. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72499C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72499C shade: #774997, #885BAA, #996DBD, #AA7FD0 and #BB91E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72499C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72499C shade: #72499C, #613789, #502576, #3F1363 and #2E0150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72499C shade: #72499C, #88499C, #9C4999, #9C4983 and #9C496C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72499C shade: #72499C, #5B499C and #49499C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72499C shade matches the following richer shades: #72499C, #7236AE, #7124C1 and #7111D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72499C shade: #72499C, #725C89, #726E76, #728164 and #739351

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72499C shade: #494D9C, #5B499C, #71499C, #87499C and #9C499A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72499C shade: #492F63, #5D3C80, #72499C, #865CB2 and #9B78BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72499C shade: #72499C, #9C4963 and #499C50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72499C shade: #72499C, #9C7149 and #499C71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72499C shade: #72499C, #9C4963, #749C49 and #499C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72499C shade: #72499C, #9C494A, #749C49 and #499C9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

Complementary color

CMYK 23 / 0 / 46 / 29

HEX #8DB663

RGB 141 182 99

HSL 89.64, 0.36%, 0.55%

LAB 69.48, -28.16, 37.72

 

CMYK 21 / 52 / 0 / 41

HEX #774997

RGB 119 73 151

HSL 275.38, 0.35%, 0.44%

LAB 39.45, 34.62, -35.35

 

CMYK 20 / 46 / 0 / 33

HEX #885BAA

RGB 136 91 170

HSL 274.18, 0.32%, 0.51%

LAB 46.47, 33.72, -35.45

 

CMYK 19 / 42 / 0 / 26

HEX #996DBD

RGB 153 109 189

HSL 273, 0.38%, 0.58%

LAB 53.37, 32.87, -35.53

 

CMYK 18 / 39 / 0 / 18

HEX #AA7FD0

RGB 170 127 208

HSL 271.85, 0.46%, 0.66%

LAB 60.14, 32.07, -35.61

 

CMYK 18 / 36 / 0 / 11

HEX #BB91E3

RGB 187 145 227

HSL 270.73, 0.59%, 0.73%

LAB 66.8, 31.33, -35.7

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 29 / 60 / 0 / 46

HEX #613789

RGB 97 55 137

HSL 270.73, 0.43%, 0.38%

LAB 31.99, 35.42, -38.85

 

CMYK 32 / 69 / 0 / 54

HEX #502576

RGB 80 37 118

HSL 271.85, 0.52%, 0.3%

LAB 24.75, 36.28, -38.67

 

CMYK 36 / 81 / 0 / 61

HEX #3F1363

RGB 63 19 99

HSL 273, 0.68%, 0.23%

LAB 17.57, 36.66, -38.1

 

CMYK 43 / 99 / 0 / 69

HEX #2E0150

RGB 46 1 80

HSL 274.18, 0.98%, 0.16%

LAB 10.42, 36.49, -37.08

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 13 / 53 / 0 / 39

HEX #88499C

RGB 136 73 156

HSL 285.54, 0.36%, 0.45%

LAB 41.84, 40.63, -34.43

 

CMYK 0 / 53 / 2 / 39

HEX #9C4999

RGB 156 73 153

HSL 302.17, 0.36%, 0.45%

LAB 44.42, 45.82, -28.4

 

CMYK 0 / 53 / 16 / 39

HEX #9C4983

RGB 156 73 131

HSL 318.07, 0.36%, 0.45%

LAB 43.47, 42.01, -16.6

 

CMYK 0 / 53 / 31 / 39

HEX #9C496C

RGB 156 73 108

HSL 334.7, 0.36%, 0.45%

LAB 42.64, 38.58, -3.76

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 42 / 53 / 0 / 39

HEX #5B499C

RGB 91 73 156

HSL 253.01, 0.36%, 0.45%

LAB 36.72, 28.35, -42.89

 

CMYK 53 / 53 / 0 / 39

HEX #49499C

RGB 73 73 156

HSL 240, 0.36%, 0.45%

LAB 35.17, 24.08, -45.47

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 34 / 69 / 0 / 32

HEX #7236AE

RGB 114 54 174

HSL 270, 0.53%, 0.45%

LAB 36.5, 49.19, -53.9

 

CMYK 41 / 81 / 0 / 24

HEX #7124C1

RGB 113 36 193

HSL 269.43, 0.69%, 0.45%

LAB 35.25, 61.19, -67.18

 

CMYK 46 / 92 / 0 / 17

HEX #7111D3

RGB 113 17 211

HSL 269.69, 0.85%, 0.45%

LAB 35.23, 70.33, -77.71

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 17 / 33 / 0 / 46

HEX #725C89

RGB 114 92 137

HSL 269.33, 0.2%, 0.45%

LAB 42.82, 18.35, -21.67

 

CMYK 3 / 7 / 0 / 54

HEX #726E76

RGB 114 110 118

HSL 270, 0.04%, 0.45%

LAB 47.02, 3.18, -3.89

 

CMYK 12 / 0 / 22 / 49

HEX #728164

RGB 114 129 100

HSL 91.03, 0.13%, 0.45%

LAB 52.06, -11.15, 13.93

 

CMYK 22 / 0 / 45 / 42

HEX #739351

RGB 115 147 81

HSL 89.09, 0.29%, 0.45%

LAB 57.18, -23.13, 31.28

 

CMYK 53 / 51 / 0 / 39

HEX #494D9C

RGB 73 77 156

HSL 237.11, 0.36%, 0.45%

LAB 36.22, 21.5, -43.78

 

CMYK 42 / 53 / 0 / 39

HEX #5B499C

RGB 91 73 156

HSL 253.01, 0.36%, 0.45%

LAB 36.72, 28.35, -42.89

 

CMYK 28 / 53 / 0 / 39

HEX #71499C

RGB 113 73 156

HSL 268.92, 0.36%, 0.45%

LAB 39.03, 34.16, -39.07

 

CMYK 13 / 53 / 0 / 39

HEX #87499C

RGB 135 73 156

HSL 284.82, 0.36%, 0.45%

LAB 41.71, 40.34, -34.65

 

CMYK 0 / 53 / 1 / 39

HEX #9C499A

RGB 156 73 154

HSL 301.45, 0.36%, 0.45%

LAB 44.47, 46, -28.92

 

CMYK 26 / 53 / 0 / 61

HEX #492F63

RGB 73 47 99

HSL 270, 0.36%, 0.29%

LAB 24.8, 23.42, -26.41

 

CMYK 27 / 53 / 0 / 50

HEX #5D3C80

RGB 93 60 128

HSL 269.12, 0.36%, 0.37%

LAB 32.07, 29.04, -33.16

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 25 / 48 / 0 / 30

HEX #865CB2

RGB 134 92 178

HSL 269.3, 0.36%, 0.53%

LAB 46.89, 34.48, -39.49

 

CMYK 19 / 37 / 0 / 25

HEX #9B78BF

RGB 155 120 191

HSL 269.58, 0.36%, 0.61%

LAB 56.25, 27.63, -32.15

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 0 / 53 / 37 / 39

HEX #9C4963

RGB 156 73 99

HSL 341.2, 0.36%, 0.45%

LAB 42.36, 37.41, 1.4

 

CMYK 53 / 0 / 49 / 39

HEX #499C50

RGB 73 156 80

HSL 125.06, 0.36%, 0.45%

LAB 57.82, -41.63, 32.15

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 0 / 28 / 53 / 39

HEX #9C7149

RGB 156 113 73

HSL 28.92, 0.36%, 0.45%

LAB 51.1, 12.15, 28.76

 

CMYK 53 / 0 / 28 / 39

HEX #499C71

RGB 73 156 113

HSL 148.92, 0.36%, 0.45%

LAB 58.4, -35.62, 14.99

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 0 / 53 / 37 / 39

HEX #9C4963

RGB 156 73 99

HSL 341.2, 0.36%, 0.45%

LAB 42.36, 37.41, 1.4

 

CMYK 26 / 0 / 53 / 39

HEX #749C49

RGB 116 156 73

HSL 88.92, 0.36%, 0.45%

LAB 59.86, -28.15, 38.7

 

CMYK 53 / 0 / 17 / 39

HEX #499C81

RGB 73 156 129

HSL 160.48, 0.36%, 0.45%

LAB 58.77, -32, 6.51

 

CMYK 27 / 53 / 0 / 39

HEX #72499C

RGB 114 73 156

HSL 269.64, 0.36%, 0.45%

LAB 39.14, 34.44, -38.88

 

CMYK 0 / 53 / 53 / 39

HEX #9C494A

RGB 156 73 74

HSL 359.28, 0.36%, 0.45%

LAB 41.73, 34.67, 15.96

 

CMYK 26 / 0 / 53 / 39

HEX #749C49

RGB 116 156 73

HSL 88.92, 0.36%, 0.45%

LAB 59.86, -28.15, 38.7

 

CMYK 53 / 0 / 1 / 39

HEX #499C9A

RGB 73 156 154

HSL 178.55, 0.36%, 0.45%

LAB 59.46, -25.55, -6.65

 

Description

Color code: HEX #72499C | qconv.com Color code: HEX #72499C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 73 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 73 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 53 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 53% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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