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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #725C54 it is the complementary color #8DA3AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #725C54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #725C54 shade: #775C4F, #886E62, #998075, #AA9288 and #BBA49B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #725C54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #725C54 shade: #725C54, #614A41, #50382E, #3F261B and #2E1408

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #725C54 shade: #725C54 and #725454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #725C54 shade: #725C54, #726454, #726C54, #707254 and #687254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #725C54 shade matches the following richer shades: #725C54, #825444, #924D34, #A24524 and #B23E14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #725C54 shade: #725C54, #626364, #526B74, #427384 and #327A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #725C54 shade: #72545C, #725454, #725C54, #726454 and #726C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #725C54 shade: #423631, #5A4942, #725C54, #8A6F66 and #9D847B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #725C54 shade: #725C54, #647254 and #545872

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #725C54 shade: #725C54, #54725C and #5C5472

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #725C54 shade: #725C54, #647254, #546A72 and #625472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #725C54 shade: #725C54, #5B7254, #546A72 and #6B5472

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

Complementary color

CMYK 18 / 5 / 0 / 33

HEX #8DA3AB

RGB 141 163 171

HSL 196, 0.15%, 0.61%

LAB 65.59, -5.92, -6.73

 

CMYK 0 / 23 / 34 / 53

HEX #775C4F

RGB 119 92 79

HSL 19.5, 0.2%, 0.39%

LAB 41.44, 9.01, 11.71

 

CMYK 0 / 19 / 28 / 47

HEX #886E62

RGB 136 110 98

HSL 18.95, 0.16%, 0.46%

LAB 48.6, 8.35, 10.56

 

CMYK 0 / 16 / 24 / 40

HEX #998075

RGB 153 128 117

HSL 18.33, 0.15%, 0.53%

LAB 55.58, 7.79, 9.54

 

CMYK 0 / 14 / 20 / 33

HEX #AA9288

RGB 170 146 136

HSL 17.65, 0.17%, 0.6%

LAB 62.41, 7.32, 8.61

 

CMYK 0 / 12 / 17 / 27

HEX #BBA49B

RGB 187 164 155

HSL 16.88, 0.19%, 0.67%

LAB 69.1, 6.9, 7.74

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 0 / 24 / 33 / 62

HEX #614A41

RGB 97 74 65

HSL 16.88, 0.2%, 0.32%

LAB 33.61, 8.3, 9.12

 

CMYK 0 / 30 / 43 / 69

HEX #50382E

RGB 80 56 46

HSL 17.65, 0.27%, 0.25%

LAB 25.95, 9.16, 10.47

 

CMYK 0 / 40 / 57 / 75

HEX #3F261B

RGB 63 38 27

HSL 18.33, 0.4%, 0.18%

LAB 18.02, 10.34, 12.15

 

CMYK 0 / 57 / 83 / 82

HEX #2E1408

RGB 46 20 8

HSL 18.95, 0.7%, 0.11%

LAB 9.79, 12.01, 11.63

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 0 / 26 / 26 / 55

HEX #725454

RGB 114 84 84

HSL 0, 0.15%, 0.39%

LAB 38.83, 12.48, 4.87

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 0 / 12 / 26 / 55

HEX #726454

RGB 114 100 84

HSL 32, 0.15%, 0.39%

LAB 43.26, 2.83, 11.13

 

CMYK 0 / 5 / 26 / 55

HEX #726C54

RGB 114 108 84

HSL 48, 0.15%, 0.39%

LAB 45.56, -1.88, 14.3

 

CMYK 2 / 0 / 26 / 55

HEX #707254

RGB 112 114 84

HSL 64, 0.15%, 0.39%

LAB 47.13, -6.19, 16.42

 

CMYK 9 / 0 / 26 / 55

HEX #687254

RGB 104 114 84

HSL 80, 0.15%, 0.39%

LAB 46.47, -9.51, 15.41

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 0 / 35 / 48 / 49

HEX #825444

RGB 130 84 68

HSL 15.48, 0.31%, 0.39%

LAB 40.42, 17.18, 17.22

 

CMYK 0 / 47 / 64 / 43

HEX #924D34

RGB 146 77 52

HSL 15.96, 0.47%, 0.39%

LAB 40.68, 26.65, 27.55

 

CMYK 0 / 57 / 78 / 36

HEX #A24524

RGB 162 69 36

HSL 15.71, 0.64%, 0.39%

LAB 41.32, 36.55, 37.86

 

CMYK 0 / 65 / 89 / 30

HEX #B23E14

RGB 178 62 20

HSL 15.95, 0.8%, 0.39%

LAB 42.7, 45.39, 47.59

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 2 / 1 / 0 / 61

HEX #626364

RGB 98 99 100

HSL 210, 0.01%, 0.39%

LAB 41.91, -0.18, -0.71

 

CMYK 29 / 8 / 0 / 55

HEX #526B74

RGB 82 107 116

HSL 195.88, 0.17%, 0.39%

LAB 43.61, -6.88, -8.03

 

CMYK 50 / 13 / 0 / 48

HEX #427384

RGB 66 115 132

HSL 195.45, 0.33%, 0.39%

LAB 45.75, -11.61, -14.48

 

CMYK 66 / 18 / 0 / 42

HEX #327A94

RGB 50 122 148

HSL 195.92, 0.49%, 0.39%

LAB 47.92, -13.89, -20.69

 

CMYK 0 / 26 / 19 / 55

HEX #72545C

RGB 114 84 92

HSL 344, 0.15%, 0.39%

LAB 39.05, 13.82, 0.24

 

CMYK 0 / 26 / 26 / 55

HEX #725454

RGB 114 84 84

HSL 0, 0.15%, 0.39%

LAB 38.83, 12.48, 4.87

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 0 / 12 / 26 / 55

HEX #726454

RGB 114 100 84

HSL 32, 0.15%, 0.39%

LAB 43.26, 2.83, 11.13

 

CMYK 0 / 5 / 26 / 55

HEX #726C54

RGB 114 108 84

HSL 48, 0.15%, 0.39%

LAB 45.56, -1.88, 14.3

 

CMYK 0 / 18 / 26 / 74

HEX #423631

RGB 66 54 49

HSL 17.65, 0.15%, 0.23%

LAB 23.73, 4.39, 5.13

 

CMYK 0 / 19 / 27 / 65

HEX #5A4942

RGB 90 73 66

HSL 17.5, 0.15%, 0.31%

LAB 32.55, 5.97, 6.89

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 0 / 20 / 26 / 46

HEX #8A6F66

RGB 138 111 102

HSL 15, 0.15%, 0.47%

LAB 49.17, 9.2, 9.03

 

CMYK 0 / 16 / 22 / 38

HEX #9D847B

RGB 157 132 123

HSL 15.88, 0.15%, 0.55%

LAB 57.17, 8.05, 8.4

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 12 / 0 / 26 / 55

HEX #647254

RGB 100 114 84

HSL 88, 0.15%, 0.39%

LAB 46.16, -11.14, 14.93

 

CMYK 26 / 23 / 0 / 55

HEX #545872

RGB 84 88 114

HSL 232, 0.15%, 0.39%

LAB 37.98, 4.78, -15.31

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 26 / 0 / 19 / 55

HEX #54725C

RGB 84 114 92

HSL 136, 0.15%, 0.39%

LAB 45.21, -15.78, 8.72

 

CMYK 19 / 26 / 0 / 55

HEX #5C5472

RGB 92 84 114

HSL 256, 0.15%, 0.39%

LAB 37.54, 10.07, -15.93

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 12 / 0 / 26 / 55

HEX #647254

RGB 100 114 84

HSL 88, 0.15%, 0.39%

LAB 46.16, -11.14, 14.93

 

CMYK 26 / 7 / 0 / 55

HEX #546A72

RGB 84 106 114

HSL 196, 0.15%, 0.39%

LAB 43.37, -6.15, -7.16

 

CMYK 14 / 26 / 0 / 55

HEX #625472

RGB 98 84 114

HSL 268, 0.15%, 0.39%

LAB 38.11, 12.2, -15

 

CMYK 0 / 19 / 26 / 55

HEX #725C54

RGB 114 92 84

HSL 16, 0.15%, 0.39%

LAB 41.01, 7.62, 7.98

 

CMYK 20 / 0 / 26 / 55

HEX #5B7254

RGB 91 114 84

HSL 106, 0.15%, 0.39%

LAB 45.5, -14.71, 13.92

 

CMYK 26 / 7 / 0 / 55

HEX #546A72

RGB 84 106 114

HSL 196, 0.15%, 0.39%

LAB 43.37, -6.15, -7.16

 

CMYK 6 / 26 / 0 / 55

HEX #6B5472

RGB 107 84 114

HSL 286, 0.15%, 0.39%

LAB 39.04, 15.47, -13.5

 

Description

Color code: HEX #725C54 | qconv.com Color code: HEX #725C54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 92 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 92 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 26 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 26% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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