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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #726CA1 it is the complementary color #8D935E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #726CA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #726CA1 shade: #776C9C, #887EAF, #9990C2, #AAA2D5 and #BBB4E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #726CA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #726CA1 shade: #726CA1, #615A8E, #50487B, #3F3668 and #2E2455

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #726CA1 shade: #726CA1, #806CA1, #8F6CA1, #9D6CA1 and #A16C97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #726CA1 shade: #726CA1 and #6C6CA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #726CA1 shade matches the following richer shades: #726CA1, #6359B4, #5445C8, #4532DB and #361FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #726CA1 shade: #726CA1, #81808E, #90937A, #9FA667 and #AEBA53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #726CA1 shade: #6C83A1, #6C75A1, #726CA1, #806CA1 and #8E6CA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #726CA1 shade: #4D4972, #5F598B, #726CA1, #8A85B1 and #A39FC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #726CA1 shade: #726CA1, #A16C91 and #7CA16C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #726CA1 shade: #726CA1, #A1726C and #6CA172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #726CA1 shade: #726CA1, #A16C91, #9CA16C and #6CA17C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #726CA1 shade: #726CA1, #A16C81, #9CA16C and #6CA18C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

Complementary color

CMYK 4 / 0 / 36 / 42

HEX #8D935E

RGB 141 147 94

HSL 66.79, 0.22%, 0.47%

LAB 59.29, -10.96, 27.36

 

CMYK 24 / 31 / 0 / 39

HEX #776C9C

RGB 119 108 156

HSL 253.75, 0.2%, 0.52%

LAB 48.32, 14.97, -24.45

 

CMYK 22 / 28 / 0 / 31

HEX #887EAF

RGB 136 126 175

HSL 252.24, 0.23%, 0.59%

LAB 55.33, 14.4, -24.55

 

CMYK 21 / 26 / 0 / 24

HEX #9990C2

RGB 153 144 194

HSL 250.8, 0.29%, 0.66%

LAB 62.18, 13.9, -24.7

 

CMYK 20 / 24 / 0 / 16

HEX #AAA2D5

RGB 170 162 213

HSL 249.41, 0.38%, 0.74%

LAB 68.89, 13.44, -24.87

 

CMYK 19 / 22 / 0 / 9

HEX #BBB4E8

RGB 187 180 232

HSL 248.08, 0.53%, 0.81%

LAB 75.47, 13.03, -25.06

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 32 / 37 / 0 / 44

HEX #615A8E

RGB 97 90 142

HSL 248.08, 0.22%, 0.45%

LAB 40.91, 15.38, -27.78

 

CMYK 35 / 41 / 0 / 52

HEX #50487B

RGB 80 72 123

HSL 249.41, 0.26%, 0.38%

LAB 33.5, 16.22, -27.88

 

CMYK 39 / 48 / 0 / 59

HEX #3F3668

RGB 63 54 104

HSL 250.8, 0.32%, 0.31%

LAB 25.85, 17.24, -28.05

 

CMYK 46 / 58 / 0 / 67

HEX #2E2455

RGB 46 36 85

HSL 252.24, 0.4%, 0.24%

LAB 17.91, 18.53, -28.32

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 20 / 33 / 0 / 37

HEX #806CA1

RGB 128 108 161

HSL 262.64, 0.22%, 0.53%

LAB 49.36, 19.09, -25.71

 

CMYK 11 / 33 / 0 / 37

HEX #8F6CA1

RGB 143 108 161

HSL 279.62, 0.22%, 0.53%

LAB 50.85, 23.99, -23.29

 

CMYK 2 / 33 / 0 / 37

HEX #9D6CA1

RGB 157 108 161

HSL 295.47, 0.22%, 0.53%

LAB 52.36, 28.67, -20.83

 

CMYK 0 / 33 / 6 / 37

HEX #A16C97

RGB 161 108 151

HSL 311.32, 0.22%, 0.53%

LAB 52.44, 28.1, -14.82

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 33 / 33 / 0 / 37

HEX #6C6CA1

RGB 108 108 161

HSL 240, 0.22%, 0.53%

LAB 47.61, 12.86, -28.57

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 45 / 51 / 0 / 29

HEX #6359B4

RGB 99 89 180

HSL 246.59, 0.38%, 0.53%

LAB 42.9, 27.58, -47.21

 

CMYK 58 / 66 / 0 / 22

HEX #5445C8

RGB 84 69 200

HSL 246.87, 0.54%, 0.53%

LAB 38.4, 42.82, -66.25

 

CMYK 68 / 77 / 0 / 14

HEX #4532DB

RGB 69 50 219

HSL 246.75, 0.7%, 0.53%

LAB 35.32, 57.03, -82.32

 

CMYK 77 / 87 / 0 / 6

HEX #361FEF

RGB 54 31 239

HSL 246.63, 0.87%, 0.53%

LAB 33.98, 69.53, -96

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 9 / 10 / 0 / 44

HEX #81808E

RGB 129 128 142

HSL 244.29, 0.06%, 0.53%

LAB 54.09, 3.27, -7.4

 

CMYK 2 / 0 / 17 / 42

HEX #90937A

RGB 144 147 122

HSL 67.2, 0.1%, 0.53%

LAB 60.07, -5.63, 12.89

 

CMYK 4 / 0 / 38 / 35

HEX #9FA667

RGB 159 166 103

HSL 66.67, 0.26%, 0.53%

LAB 66.23, -12.57, 31.79

 

CMYK 6 / 0 / 55 / 27

HEX #AEBA53

RGB 174 186 83

HSL 66.99, 0.43%, 0.53%

LAB 72.72, -18.74, 49.92

 

CMYK 33 / 19 / 0 / 37

HEX #6C83A1

RGB 108 131 161

HSL 213.96, 0.22%, 0.53%

LAB 54.02, -0.82, -18.68

 

CMYK 33 / 27 / 0 / 37

HEX #6C75A1

RGB 108 117 161

HSL 229.81, 0.22%, 0.53%

LAB 50.08, 7.43, -24.73

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 20 / 33 / 0 / 37

HEX #806CA1

RGB 128 108 161

HSL 262.64, 0.22%, 0.53%

LAB 49.36, 19.09, -25.71

 

CMYK 12 / 33 / 0 / 37

HEX #8E6CA1

RGB 142 108 161

HSL 278.49, 0.22%, 0.53%

LAB 50.74, 23.66, -23.46

 

CMYK 32 / 36 / 0 / 55

HEX #4D4972

RGB 77 73 114

HSL 245.85, 0.22%, 0.37%

LAB 33.04, 12.03, -22.99

 

CMYK 32 / 36 / 0 / 45

HEX #5F598B

RGB 95 89 139

HSL 247.2, 0.22%, 0.45%

LAB 40.31, 14.56, -26.91

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 22 / 25 / 0 / 31

HEX #8A85B1

RGB 138 133 177

HSL 246.82, 0.22%, 0.61%

LAB 57.42, 11.43, -22.48

 

CMYK 16 / 18 / 0 / 24

HEX #A39FC1

RGB 163 159 193

HSL 247.06, 0.22%, 0.69%

LAB 66.85, 8.39, -16.94

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 0 / 33 / 10 / 37

HEX #A16C91

RGB 161 108 145

HSL 318.11, 0.22%, 0.53%

LAB 52.23, 27.01, -11.62

 

CMYK 23 / 0 / 33 / 37

HEX #7CA16C

RGB 124 161 108

HSL 101.89, 0.22%, 0.53%

LAB 62.39, -22.89, 23.6

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 0 / 29 / 33 / 37

HEX #A1726C

RGB 161 114 108

HSL 6.79, 0.22%, 0.53%

LAB 52.61, 17.72, 10.72

 

CMYK 33 / 0 / 29 / 37

HEX #6CA172

RGB 108 161 114

HSL 126.79, 0.22%, 0.53%

LAB 61.56, -27.48, 19.04

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 0 / 33 / 10 / 37

HEX #A16C91

RGB 161 108 145

HSL 318.11, 0.22%, 0.53%

LAB 52.23, 27.01, -11.62

 

CMYK 3 / 0 / 33 / 37

HEX #9CA16C

RGB 156 161 108

HSL 65.66, 0.22%, 0.53%

LAB 64.68, -10.51, 27.05

 

CMYK 33 / 0 / 23 / 37

HEX #6CA17C

RGB 108 161 124

HSL 138.11, 0.22%, 0.53%

LAB 61.77, -25.6, 13.78

 

CMYK 29 / 33 / 0 / 37

HEX #726CA1

RGB 114 108 161

HSL 246.79, 0.22%, 0.53%

LAB 48.1, 14.68, -27.76

 

CMYK 0 / 33 / 20 / 37

HEX #A16C81

RGB 161 108 129

HSL 336.23, 0.22%, 0.53%

LAB 51.71, 24.28, -2.96

 

CMYK 3 / 0 / 33 / 37

HEX #9CA16C

RGB 156 161 108

HSL 65.66, 0.22%, 0.53%

LAB 64.68, -10.51, 27.05

 

CMYK 33 / 0 / 13 / 37

HEX #6CA18C

RGB 108 161 140

HSL 156.23, 0.22%, 0.53%

LAB 62.14, -22.29, 5.37

 

Description

Color code: HEX #726CA1 | qconv.com Color code: HEX #726CA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 108 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 108 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 33 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 33% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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