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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #726D84 it is the complementary color #8D927B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #726D84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #726D84 shade: #776D7F, #887F92, #9991A5, #AAA3B8 and #BBB5CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #726D84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #726D84 shade: #726D84, #615B71, #50495E, #3F374B and #2E2538

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #726D84 shade: #716B83, #776B83, #7E6B83, #836B83 and #836B7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #726D84 shade: #716B83 and #6B6B83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #726D84 shade matches the following richer shades: #716B83, #665897, #5B45AA, #5031BE and #451ED1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #726D84 shade: #716B83, #7C7F70, #87925D, #91A649 and #9CB936

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #726D84 shade: #6B7383, #6B6D83, #716B83, #776B83 and #7D6B83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #726D84 shade: #4A4656, #5D596D, #716B83, #868197 and #9B97AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #726D84 shade: #726D84, #836B79 and #70836B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #726D84 shade: #726D84, #83716B and #6B8371

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #726D84 shade: #726D84, #836B79, #7E836B and #6B8375

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #726D84 shade: #726D84, #836B72, #7E836B and #6B837D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 17 / 0 / 48

HEX #726D84

RGB 114 109 132

HSL 253.04, 0.1%, 0.47%

LAB 47.21, 6.87, -11.96

 

Complementary color

CMYK 3 / 0 / 16 / 43

HEX #8D927B

RGB 141 146 123

HSL 73.04, 0.1%, 0.53%

LAB 59.57, -6.07, 11.59

 

CMYK 6 / 14 / 0 / 50

HEX #776D7F

RGB 119 109 127

HSL 273.33, 0.08%, 0.46%

LAB 47.48, 7.56, -8.53

 

CMYK 7 / 13 / 0 / 43

HEX #887F92

RGB 136 127 146

HSL 268.42, 0.08%, 0.54%

LAB 54.54, 7.21, -8.99

 

CMYK 7 / 12 / 0 / 35

HEX #9991A5

RGB 153 145 165

HSL 264, 0.1%, 0.61%

LAB 61.43, 6.89, -9.45

 

CMYK 8 / 11 / 0 / 28

HEX #AAA3B8

RGB 170 163 184

HSL 260, 0.13%, 0.68%

LAB 68.17, 6.6, -9.9

 

CMYK 8 / 11 / 0 / 20

HEX #BBB5CB

RGB 187 181 203

HSL 256.36, 0.17%, 0.75%

LAB 74.78, 6.33, -10.35

 

CMYK 14 / 17 / 0 / 48

HEX #726D84

RGB 114 109 132

HSL 253.04, 0.1%, 0.47%

LAB 47.21, 6.87, -11.96

 

CMYK 14 / 19 / 0 / 56

HEX #615B71

RGB 97 91 113

HSL 256.36, 0.11%, 0.4%

LAB 39.94, 7.25, -11.61

 

CMYK 15 / 22 / 0 / 63

HEX #50495E

RGB 80 73 94

HSL 260, 0.13%, 0.33%

LAB 32.43, 7.69, -11.27

 

CMYK 16 / 27 / 0 / 71

HEX #3F374B

RGB 63 55 75

HSL 264, 0.15%, 0.25%

LAB 24.63, 8.21, -10.97

 

CMYK 18 / 34 / 0 / 78

HEX #2E2538

RGB 46 37 56

HSL 268.42, 0.2%, 0.18%

LAB 16.45, 8.86, -10.71

 

CMYK 14 / 18 / 0 / 49

HEX #716B83

RGB 113 107 131

HSL 255, 0.1%, 0.47%

LAB 46.53, 7.49, -12.4

 

CMYK 9 / 18 / 0 / 49

HEX #776B83

RGB 119 107 131

HSL 270, 0.1%, 0.47%

LAB 47.07, 9.63, -11.53

 

CMYK 4 / 18 / 0 / 49

HEX #7E6B83

RGB 126 107 131

HSL 287.5, 0.1%, 0.47%

LAB 47.74, 12.18, -10.46

 

CMYK 0 / 18 / 0 / 49

HEX #836B83

RGB 131 107 131

HSL 300, 0.1%, 0.47%

LAB 48.23, 14.01, -9.67

 

CMYK 0 / 18 / 5 / 49

HEX #836B7C

RGB 131 107 124

HSL 317.5, 0.1%, 0.47%

LAB 48, 12.62, -5.84

 

CMYK 14 / 18 / 0 / 49

HEX #716B83

RGB 113 107 131

HSL 255, 0.1%, 0.47%

LAB 46.53, 7.49, -12.4

 

CMYK 18 / 18 / 0 / 49

HEX #6B6B83

RGB 107 107 131

HSL 240, 0.1%, 0.47%

LAB 46.02, 5.38, -13.23

 

CMYK 14 / 18 / 0 / 49

HEX #716B83

RGB 113 107 131

HSL 255, 0.1%, 0.47%

LAB 46.53, 7.49, -12.4

 

CMYK 32 / 42 / 0 / 41

HEX #665897

RGB 102 88 151

HSL 253.33, 0.26%, 0.47%

LAB 41.28, 20.62, -32.58

 

CMYK 46 / 59 / 0 / 33

HEX #5B45AA

RGB 91 69 170

HSL 253.07, 0.42%, 0.47%

LAB 36.71, 34.95, -51.3

 

CMYK 58 / 74 / 0 / 25

HEX #5031BE

RGB 80 49 190

HSL 253.19, 0.59%, 0.47%

LAB 33.18, 50.19, -68.96

 

CMYK 67 / 86 / 0 / 18

HEX #451ED1

RGB 69 30 209

HSL 253.07, 0.75%, 0.47%

LAB 31.34, 62.66, -83.14

 

CMYK 14 / 18 / 0 / 49

HEX #716B83

RGB 113 107 131

HSL 255, 0.1%, 0.47%

LAB 46.53, 7.49, -12.4

 

CMYK 2 / 0 / 12 / 50

HEX #7C7F70

RGB 124 127 112

HSL 72, 0.06%, 0.47%

LAB 52.55, -4, 7.77

 

CMYK 8 / 0 / 36 / 43

HEX #87925D

RGB 135 146 93

HSL 72.45, 0.22%, 0.47%

LAB 58.51, -13.02, 26.8

 

CMYK 13 / 0 / 56 / 35

HEX #91A649

RGB 145 166 73

HSL 73.55, 0.39%, 0.47%

LAB 64.78, -21.49, 44.95

 

CMYK 16 / 0 / 71 / 27

HEX #9CB936

RGB 156 185 54

HSL 73.28, 0.55%, 0.47%

LAB 70.89, -27.7, 59.79

 

CMYK 18 / 12 / 0 / 49

HEX #6B7383

RGB 107 115 131

HSL 220, 0.1%, 0.47%

LAB 48.29, 0.62, -9.8

 

CMYK 18 / 17 / 0 / 49

HEX #6B6D83

RGB 107 109 131

HSL 235, 0.1%, 0.47%

LAB 46.58, 4.18, -12.38

 

CMYK 14 / 18 / 0 / 49

HEX #716B83

RGB 113 107 131

HSL 255, 0.1%, 0.47%

LAB 46.53, 7.49, -12.4

 

CMYK 9 / 18 / 0 / 49

HEX #776B83

RGB 119 107 131

HSL 270, 0.1%, 0.47%

LAB 47.07, 9.63, -11.53

 

CMYK 5 / 18 / 0 / 49

HEX #7D6B83

RGB 125 107 131

HSL 285, 0.1%, 0.47%

LAB 47.64, 11.81, -10.62

 

CMYK 14 / 19 / 0 / 66

HEX #4A4656

RGB 74 70 86

HSL 255, 0.1%, 0.31%

LAB 30.66, 5.36, -8.9

 

CMYK 15 / 18 / 0 / 57

HEX #5D596D

RGB 93 89 109

HSL 252, 0.1%, 0.39%

LAB 38.86, 6.07, -10.82

 

CMYK 14 / 18 / 0 / 49

HEX #716B83

RGB 113 107 131

HSL 255, 0.1%, 0.47%

LAB 46.53, 7.49, -12.4

 

CMYK 11 / 15 / 0 / 41

HEX #868197

RGB 134 129 151

HSL 253.64, 0.1%, 0.55%

LAB 55.08, 6.42, -11.11

 

CMYK 9 / 11 / 0 / 33

HEX #9B97AA

RGB 155 151 170

HSL 252.63, 0.1%, 0.63%

LAB 63.35, 5.24, -9.39

 

CMYK 14 / 17 / 0 / 48

HEX #726D84

RGB 114 109 132

HSL 253.04, 0.1%, 0.47%

LAB 47.21, 6.87, -11.96

 

CMYK 0 / 18 / 8 / 49

HEX #836B79

RGB 131 107 121

HSL 325, 0.1%, 0.47%

LAB 47.91, 12.04, -4.19

 

CMYK 15 / 0 / 18 / 49

HEX #70836B

RGB 112 131 107

HSL 107.5, 0.1%, 0.47%

LAB 52.66, -11.77, 10.7

 

CMYK 14 / 17 / 0 / 48

HEX #726D84

RGB 114 109 132

HSL 253.04, 0.1%, 0.47%

LAB 47.21, 6.87, -11.96

 

CMYK 0 / 14 / 18 / 49

HEX #83716B

RGB 131 113 107

HSL 15, 0.1%, 0.47%

LAB 49.13, 5.98, 5.92

 

CMYK 18 / 0 / 14 / 49

HEX #6B8371

RGB 107 131 113

HSL 135, 0.1%, 0.47%

LAB 52.45, -12.47, 6.88

 

CMYK 14 / 17 / 0 / 48

HEX #726D84

RGB 114 109 132

HSL 253.04, 0.1%, 0.47%

LAB 47.21, 6.87, -11.96

 

CMYK 0 / 18 / 8 / 49

HEX #836B79

RGB 131 107 121

HSL 325, 0.1%, 0.47%

LAB 47.91, 12.04, -4.19

 

CMYK 4 / 0 / 18 / 49

HEX #7E836B

RGB 126 131 107

HSL 72.5, 0.1%, 0.47%

LAB 53.74, -6.34, 12.37

 

CMYK 18 / 0 / 11 / 49

HEX #6B8375

RGB 107 131 117

HSL 145, 0.1%, 0.47%

LAB 52.56, -11.65, 4.71

 

CMYK 14 / 17 / 0 / 48

HEX #726D84

RGB 114 109 132

HSL 253.04, 0.1%, 0.47%

LAB 47.21, 6.87, -11.96

 

CMYK 0 / 18 / 13 / 49

HEX #836B72

RGB 131 107 114

HSL 342.5, 0.1%, 0.47%

LAB 47.7, 10.74, -0.32

 

CMYK 4 / 0 / 18 / 49

HEX #7E836B

RGB 126 131 107

HSL 72.5, 0.1%, 0.47%

LAB 53.74, -6.34, 12.37

 

CMYK 18 / 0 / 5 / 49

HEX #6B837D

RGB 107 131 125

HSL 165, 0.1%, 0.47%

LAB 52.77, -9.94, 0.36

 

Description

Color code: HEX #726D84 | qconv.com Color code: HEX #726D84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 109 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 109 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 17 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 17% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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