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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #727987 it is the complementary color #8D8678. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #727987. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #727987 shade: #777982, #888B95, #999DA8, #AAAFBB and #BBC1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #727987. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #727987 shade: #727987, #616774, #505561, #3F434E and #2E313B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #727987 shade: #727986, #727486, #777286, #7C7286 and #817286

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #727987 shade: #727986, #727486 and #727286

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #727987 shade matches the following richer shades: #727986, #5E729B, #4A6CAF, #3665C3 and #225ED7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #727987 shade: #727986, #878072, #9B875E, #AF8D4A and #C39436

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #727987 shade: #728486, #727E86, #727986, #727486 and #767286

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #727987 shade: #4C515A, #5F6570, #727986, #888E9A and #9FA3AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #727987 shade: #727987, #847286 and #818672

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #727987 shade: #727987, #867279 and #798672

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #727987 shade: #727987, #847286, #868072 and #758672

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #727987 shade: #727987, #867283, #868072 and #728676

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 10 / 0 / 47

HEX #727987

RGB 114 121 135

HSL 220, 0.08%, 0.49%

LAB 50.69, 0.48, -8.51

 

Complementary color

CMYK 0 / 5 / 15 / 45

HEX #8D8678

RGB 141 134 120

HSL 40, 0.08%, 0.51%

LAB 56.16, 0.1, 8.47

 

CMYK 8 / 7 / 0 / 49

HEX #777982

RGB 119 121 130

HSL 229.09, 0.04%, 0.49%

LAB 50.93, 1.14, -5.17

 

CMYK 9 / 7 / 0 / 42

HEX #888B95

RGB 136 139 149

HSL 226.15, 0.06%, 0.56%

LAB 57.91, 0.96, -5.7

 

CMYK 9 / 7 / 0 / 34

HEX #999DA8

RGB 153 157 168

HSL 224, 0.08%, 0.63%

LAB 64.73, 0.79, -6.22

 

CMYK 9 / 6 / 0 / 27

HEX #AAAFBB

RGB 170 175 187

HSL 222.35, 0.11%, 0.7%

LAB 71.41, 0.63, -6.73

 

CMYK 9 / 6 / 0 / 19

HEX #BBC1CE

RGB 187 193 206

HSL 221.05, 0.16%, 0.77%

LAB 77.97, 0.47, -7.23

 

CMYK 16 / 10 / 0 / 47

HEX #727987

RGB 114 121 135

HSL 220, 0.08%, 0.49%

LAB 50.69, 0.48, -8.51

 

CMYK 16 / 11 / 0 / 55

HEX #616774

RGB 97 103 116

HSL 221.05, 0.09%, 0.42%

LAB 43.51, 0.65, -8.06

 

CMYK 18 / 12 / 0 / 62

HEX #505561

RGB 80 85 97

HSL 222.35, 0.1%, 0.35%

LAB 36.11, 0.85, -7.62

 

CMYK 19 / 14 / 0 / 69

HEX #3F434E

RGB 63 67 78

HSL 224, 0.11%, 0.28%

LAB 28.44, 1.06, -7.18

 

CMYK 22 / 17 / 0 / 77

HEX #2E313B

RGB 46 49 59

HSL 226.15, 0.12%, 0.21%

LAB 20.41, 1.31, -6.75

 

CMYK 15 / 10 / 0 / 47

HEX #727986

RGB 114 121 134

HSL 219, 0.08%, 0.49%

LAB 50.66, 0.25, -7.97

 

CMYK 15 / 13 / 0 / 47

HEX #727486

RGB 114 116 134

HSL 234, 0.08%, 0.49%

LAB 49.24, 3.18, -10.09

 

CMYK 11 / 15 / 0 / 47

HEX #777286

RGB 119 114 134

HSL 255, 0.08%, 0.49%

LAB 49.1, 6.13, -10.26

 

CMYK 7 / 15 / 0 / 47

HEX #7C7286

RGB 124 114 134

HSL 270, 0.08%, 0.49%

LAB 49.55, 7.93, -9.55

 

CMYK 4 / 15 / 0 / 47

HEX #817286

RGB 129 114 134

HSL 285, 0.08%, 0.49%

LAB 50.01, 9.75, -8.81

 

CMYK 15 / 10 / 0 / 47

HEX #727986

RGB 114 121 134

HSL 219, 0.08%, 0.49%

LAB 50.66, 0.25, -7.97

 

CMYK 15 / 13 / 0 / 47

HEX #727486

RGB 114 116 134

HSL 234, 0.08%, 0.49%

LAB 49.24, 3.18, -10.09

 

CMYK 15 / 15 / 0 / 47

HEX #727286

RGB 114 114 134

HSL 240, 0.08%, 0.49%

LAB 48.68, 4.36, -10.94

 

CMYK 15 / 10 / 0 / 47

HEX #727986

RGB 114 121 134

HSL 219, 0.08%, 0.49%

LAB 50.66, 0.25, -7.97

 

CMYK 39 / 26 / 0 / 39

HEX #5E729B

RGB 94 114 155

HSL 220.33, 0.24%, 0.49%

LAB 47.98, 3.42, -24.54

 

CMYK 58 / 38 / 0 / 31

HEX #4A6CAF

RGB 74 108 175

HSL 219.8, 0.41%, 0.49%

LAB 46.01, 8.36, -39.44

 

CMYK 72 / 48 / 0 / 24

HEX #3665C3

RGB 54 101 195

HSL 220, 0.57%, 0.49%

LAB 44.28, 16.4, -53.88

 

CMYK 84 / 56 / 0 / 16

HEX #225ED7

RGB 34 94 215

HSL 220.11, 0.73%, 0.49%

LAB 43.14, 26.4, -67.26

 

CMYK 15 / 10 / 0 / 47

HEX #727986

RGB 114 121 134

HSL 219, 0.08%, 0.49%

LAB 50.66, 0.25, -7.97

 

CMYK 0 / 5 / 16 / 47

HEX #878072

RGB 135 128 114

HSL 40, 0.08%, 0.49%

LAB 53.82, 0.12, 8.55

 

CMYK 0 / 13 / 39 / 39

HEX #9B875E

RGB 155 135 94

HSL 40.33, 0.24%, 0.49%

LAB 57.18, 1.49, 24.84

 

CMYK 0 / 19 / 58 / 31

HEX #AF8D4A

RGB 175 141 74

HSL 39.8, 0.41%, 0.49%

LAB 60.48, 4.78, 40.11

 

CMYK 0 / 24 / 72 / 24

HEX #C39436

RGB 195 148 54

HSL 40, 0.57%, 0.49%

LAB 64.2, 8.41, 54.2

 

CMYK 15 / 1 / 0 / 47

HEX #728486

RGB 114 132 134

HSL 186, 0.08%, 0.49%

LAB 53.82, -6.06, -3.29

 

CMYK 15 / 6 / 0 / 47

HEX #727E86

RGB 114 126 134

HSL 204, 0.08%, 0.49%

LAB 52.09, -2.65, -5.84

 

CMYK 15 / 10 / 0 / 47

HEX #727986

RGB 114 121 134

HSL 219, 0.08%, 0.49%

LAB 50.66, 0.25, -7.97

 

CMYK 15 / 13 / 0 / 47

HEX #727486

RGB 114 116 134

HSL 234, 0.08%, 0.49%

LAB 49.24, 3.18, -10.09

 

CMYK 12 / 15 / 0 / 47

HEX #767286

RGB 118 114 134

HSL 252, 0.08%, 0.49%

LAB 49.02, 5.78, -10.4

 

CMYK 16 / 10 / 0 / 65

HEX #4C515A

RGB 76 81 90

HSL 218.57, 0.08%, 0.33%

LAB 34.31, 0.12, -5.94

 

CMYK 15 / 10 / 0 / 56

HEX #5F6570

RGB 95 101 112

HSL 218.82, 0.08%, 0.41%

LAB 42.63, 0.18, -6.98

 

CMYK 15 / 10 / 0 / 47

HEX #727986

RGB 114 121 134

HSL 219, 0.08%, 0.49%

LAB 50.66, 0.25, -7.97

 

CMYK 12 / 8 / 0 / 40

HEX #888E9A

RGB 136 142 154

HSL 220, 0.08%, 0.57%

LAB 58.89, 0.33, -7.11

 

CMYK 8 / 6 / 0 / 32

HEX #9FA3AD

RGB 159 163 173

HSL 222.86, 0.08%, 0.65%

LAB 66.96, 0.57, -5.67

 

CMYK 16 / 10 / 0 / 47

HEX #727987

RGB 114 121 135

HSL 220, 0.08%, 0.49%

LAB 50.69, 0.48, -8.51

 

CMYK 1 / 15 / 0 / 47

HEX #847286

RGB 132 114 134

HSL 294, 0.08%, 0.49%

LAB 50.29, 10.85, -8.36

 

CMYK 4 / 0 / 15 / 47

HEX #818672

RGB 129 134 114

HSL 75, 0.08%, 0.49%

LAB 55, -5.63, 10.15

 

CMYK 16 / 10 / 0 / 47

HEX #727987

RGB 114 121 135

HSL 220, 0.08%, 0.49%

LAB 50.69, 0.48, -8.51

 

CMYK 0 / 15 / 10 / 47

HEX #867279

RGB 134 114 121

HSL 339, 0.08%, 0.49%

LAB 50.08, 9.07, -0.96

 

CMYK 10 / 0 / 15 / 47

HEX #798672

RGB 121 134 114

HSL 99, 0.08%, 0.49%

LAB 54.38, -8.71, 9.17

 

CMYK 16 / 10 / 0 / 47

HEX #727987

RGB 114 121 135

HSL 220, 0.08%, 0.49%

LAB 50.69, 0.48, -8.51

 

CMYK 1 / 15 / 0 / 47

HEX #847286

RGB 132 114 134

HSL 294, 0.08%, 0.49%

LAB 50.29, 10.85, -8.36

 

CMYK 0 / 4 / 15 / 47

HEX #868072

RGB 134 128 114

HSL 42, 0.08%, 0.49%

LAB 53.73, -0.28, 8.41

 

CMYK 13 / 0 / 15 / 47

HEX #758672

RGB 117 134 114

HSL 111, 0.08%, 0.49%

LAB 54.08, -10.22, 8.71

 

CMYK 16 / 10 / 0 / 47

HEX #727987

RGB 114 121 135

HSL 220, 0.08%, 0.49%

LAB 50.69, 0.48, -8.51

 

CMYK 0 / 15 / 2 / 47

HEX #867283

RGB 134 114 131

HSL 309, 0.08%, 0.49%

LAB 50.38, 10.99, -6.42

 

CMYK 0 / 4 / 15 / 47

HEX #868072

RGB 134 128 114

HSL 42, 0.08%, 0.49%

LAB 53.73, -0.28, 8.41

 

CMYK 15 / 0 / 12 / 47

HEX #728676

RGB 114 134 118

HSL 132, 0.08%, 0.49%

LAB 53.96, -10.56, 6.2

 

Description

Color code: HEX #727987 | qconv.com Color code: HEX #727987 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 121 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 121 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 10 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 10% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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