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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728012 it is the complementary color #8D7FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728012 shade: #77800D, #889220, #99A433, #AAB646 and #BBC859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728012 shade: #728012, #616E00, #505C00, #3F4A00 and #2E3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728012 shade: #738112, #817112, #815312, #813512 and #811712

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728012 shade: #738112, #558112, #378112, #198112 and #128129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728012 shade matches the following richer shades: #738112 and #7C8D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728012 shade: #738112, #6A751E, #61692A, #585D36 and #4F5142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728012 shade: #815312, #817012, #748112, #568112 and #398112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728012 shade: #323908, #535D0D, #738112, #93A517 and #B3C91C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728012 shade: #728012, #128135 and #611281

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728012 shade: #728012, #127481 and #811274

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728012 shade: #728012, #128135, #1F1281 and #81125E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728012 shade: #728012, #128156, #1F1281 and #81123D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 86 / 50

HEX #728012

RGB 114 128 18

HSL 67.64, 0.75%, 0.29%

LAB 50.76, -18.94, 51.67

 

Complementary color

CMYK 41 / 46 / 0 / 7

HEX #8D7FED

RGB 141 127 237

HSL 247.64, 0.75%, 0.71%

LAB 58.93, 31.46, -53.9

 

CMYK 7 / 0 / 90 / 50

HEX #77800D

RGB 119 128 13

HSL 64.7, 0.82%, 0.28%

LAB 51.14, -16.82, 53.33

 

CMYK 7 / 0 / 78 / 43

HEX #889220

RGB 136 146 32

HSL 65.26, 0.64%, 0.35%

LAB 57.94, -17.91, 54.57

 

CMYK 7 / 0 / 69 / 36

HEX #99A433

RGB 153 164 51

HSL 65.84, 0.53%, 0.42%

LAB 64.61, -18.75, 54.58

 

CMYK 7 / 0 / 62 / 29

HEX #AAB646

RGB 170 182 70

HSL 66.43, 0.44%, 0.49%

LAB 71.18, -19.4, 53.95

 

CMYK 7 / 0 / 56 / 22

HEX #BBC859

RGB 187 200 89

HSL 67.03, 0.5%, 0.57%

LAB 77.64, -19.91, 53.03

 

CMYK 11 / 0 / 86 / 50

HEX #728012

RGB 114 128 18

HSL 67.64, 0.75%, 0.29%

LAB 50.76, -18.94, 51.67

 

CMYK 12 / 0 / 100 / 57

HEX #616E00

RGB 97 110 0

HSL 67.09, 1%, 0.22%

LAB 43.79, -17.76, 49.54

 

CMYK 13 / 0 / 100 / 64

HEX #505C00

RGB 80 92 0

HSL 67.83, 1%, 0.18%

LAB 36.67, -16.09, 43.61

 

CMYK 15 / 0 / 100 / 71

HEX #3F4A00

RGB 63 74 0

HSL 68.92, 1%, 0.15%

LAB 29.3, -14.38, 37.46

 

CMYK 18 / 0 / 100 / 78

HEX #2E3800

RGB 46 56 0

HSL 70.71, 1%, 0.11%

LAB 21.61, -12.62, 29.77

 

CMYK 11 / 0 / 86 / 49

HEX #738112

RGB 115 129 18

HSL 67.57, 0.76%, 0.29%

LAB 51.14, -19.01, 52.03

 

CMYK 0 / 12 / 86 / 49

HEX #817112

RGB 129 113 18

HSL 51.35, 0.76%, 0.29%

LAB 47.65, -3.75, 49.56

 

CMYK 0 / 36 / 86 / 49

HEX #815312

RGB 129 83 18

HSL 35.14, 0.76%, 0.29%

LAB 39.41, 13.78, 42.5

 

CMYK 0 / 59 / 86 / 49

HEX #813512

RGB 129 53 18

HSL 18.92, 0.76%, 0.29%

LAB 32.38, 30.87, 36.31

 

CMYK 0 / 82 / 86 / 49

HEX #811712

RGB 129 23 18

HSL 2.7, 0.76%, 0.29%

LAB 27.64, 43.69, 31.99

 

CMYK 11 / 0 / 86 / 49

HEX #738112

RGB 115 129 18

HSL 67.57, 0.76%, 0.29%

LAB 51.14, -19.01, 52.03

 

CMYK 34 / 0 / 86 / 49

HEX #558112

RGB 85 129 18

HSL 83.78, 0.76%, 0.29%

LAB 49.1, -31.84, 49.47

 

CMYK 57 / 0 / 86 / 49

HEX #378112

RGB 55 129 18

HSL 100, 0.76%, 0.29%

LAB 47.7, -42.23, 47.68

 

CMYK 81 / 0 / 86 / 49

HEX #198112

RGB 25 129 18

HSL 116.22, 0.76%, 0.29%

LAB 46.91, -48.8, 46.68

 

CMYK 86 / 0 / 68 / 49

HEX #128129

RGB 18 129 41

HSL 132.43, 0.76%, 0.29%

LAB 46.96, -47.79, 38.22

 

CMYK 11 / 0 / 86 / 49

HEX #738112

RGB 115 129 18

HSL 67.57, 0.76%, 0.29%

LAB 51.14, -19.01, 52.03

 

CMYK 12 / 0 / 96 / 45

HEX #7C8D06

RGB 124 141 6

HSL 67.56, 0.92%, 0.29%

LAB 55.43, -21.45, 58.16

 

CMYK 11 / 0 / 86 / 49

HEX #738112

RGB 115 129 18

HSL 67.57, 0.76%, 0.29%

LAB 51.14, -19.01, 52.03

 

CMYK 9 / 0 / 74 / 54

HEX #6A751E

RGB 106 117 30

HSL 67.59, 0.59%, 0.29%

LAB 46.82, -16.23, 43.92

 

CMYK 8 / 0 / 60 / 59

HEX #61692A

RGB 97 105 42

HSL 67.62, 0.43%, 0.29%

LAB 42.48, -12.92, 33.71

 

CMYK 5 / 0 / 42 / 64

HEX #585D36

RGB 88 93 54

HSL 67.69, 0.27%, 0.29%

LAB 38.15, -8.88, 21.74

 

CMYK 2 / 0 / 19 / 68

HEX #4F5142

RGB 79 81 66

HSL 68, 0.1%, 0.29%

LAB 33.86, -3.84, 8.57

 

CMYK 0 / 36 / 86 / 49

HEX #815312

RGB 129 83 18

HSL 35.14, 0.76%, 0.29%

LAB 39.41, 13.78, 42.5

 

CMYK 0 / 13 / 86 / 49

HEX #817012

RGB 129 112 18

HSL 50.81, 0.76%, 0.29%

LAB 47.36, -3.18, 49.32

 

CMYK 10 / 0 / 86 / 49

HEX #748112

RGB 116 129 18

HSL 67.03, 0.76%, 0.29%

LAB 51.22, -18.56, 52.13

 

CMYK 33 / 0 / 86 / 49

HEX #568112

RGB 86 129 18

HSL 83.24, 0.76%, 0.29%

LAB 49.16, -31.44, 49.54

 

CMYK 56 / 0 / 86 / 49

HEX #398112

RGB 57 129 18

HSL 98.92, 0.76%, 0.29%

LAB 47.77, -41.64, 47.78

 

CMYK 12 / 0 / 86 / 78

HEX #323908

RGB 50 57 8

HSL 68.57, 0.75%, 0.13%

LAB 22.38, -10.6, 27.43

 

CMYK 11 / 0 / 86 / 64

HEX #535D0D

RGB 83 93 13

HSL 67.5, 0.75%, 0.21%

LAB 37.29, -14.73, 40.43

 

CMYK 11 / 0 / 86 / 49

HEX #738112

RGB 115 129 18

HSL 67.57, 0.76%, 0.29%

LAB 51.14, -19.01, 52.03

 

CMYK 11 / 0 / 86 / 35

HEX #93A517

RGB 147 165 23

HSL 67.61, 0.76%, 0.37%

LAB 64.3, -23.05, 62.93

 

CMYK 11 / 0 / 86 / 21

HEX #B3C91C

RGB 179 201 28

HSL 67.63, 0.76%, 0.45%

LAB 76.95, -26.91, 73.34

 

CMYK 11 / 0 / 86 / 50

HEX #728012

RGB 114 128 18

HSL 67.64, 0.75%, 0.29%

LAB 50.76, -18.94, 51.67

 

CMYK 86 / 0 / 59 / 49

HEX #128135

RGB 18 129 53

HSL 138.92, 0.76%, 0.29%

LAB 47.09, -46.23, 32.61

 

CMYK 25 / 86 / 0 / 49

HEX #611281

RGB 97 18 129

HSL 282.7, 0.76%, 0.29%

LAB 25.44, 50.19, -44.41

 

CMYK 11 / 0 / 86 / 50

HEX #728012

RGB 114 128 18

HSL 67.64, 0.75%, 0.29%

LAB 50.76, -18.94, 51.67

 

CMYK 86 / 10 / 0 / 49

HEX #127481

RGB 18 116 129

HSL 187.03, 0.76%, 0.29%

LAB 44.52, -21.29, -14.69

 

CMYK 0 / 86 / 10 / 49

HEX #811274

RGB 129 18 116

HSL 307.03, 0.76%, 0.29%

LAB 30.3, 54.15, -28.06

 

CMYK 11 / 0 / 86 / 50

HEX #728012

RGB 114 128 18

HSL 67.64, 0.75%, 0.29%

LAB 50.76, -18.94, 51.67

 

CMYK 86 / 0 / 59 / 49

HEX #128135

RGB 18 129 53

HSL 138.92, 0.76%, 0.29%

LAB 47.09, -46.23, 32.61

 

CMYK 76 / 86 / 0 / 49

HEX #1F1281

RGB 31 18 129

HSL 247.03, 0.76%, 0.29%

LAB 17.03, 41.71, -58.54

 

CMYK 0 / 86 / 27 / 49

HEX #81125E

RGB 129 18 94

HSL 318.92, 0.76%, 0.29%

LAB 29.18, 51.05, -15.63

 

CMYK 11 / 0 / 86 / 50

HEX #728012

RGB 114 128 18

HSL 67.64, 0.75%, 0.29%

LAB 50.76, -18.94, 51.67

 

CMYK 86 / 0 / 33 / 49

HEX #128156

RGB 18 129 86

HSL 156.76, 0.76%, 0.29%

LAB 47.63, -39.95, 15.23

 

CMYK 76 / 86 / 0 / 49

HEX #1F1281

RGB 31 18 129

HSL 247.03, 0.76%, 0.29%

LAB 17.03, 41.71, -58.54

 

CMYK 0 / 86 / 53 / 49

HEX #81123D

RGB 129 18 61

HSL 336.76, 0.76%, 0.29%

LAB 27.94, 47.5, 4.48

 

Description

Color code: HEX #728012 | qconv.com Color code: HEX #728012 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 128 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 128 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 86 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 86% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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