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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728B1E it is the complementary color #8D74E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728B1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728B1E shade: #778B19, #889D2C, #99AF3F, #AAC152 and #BBD365

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728B1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728B1E shade: #728B1E, #61790B, #506700, #3F5500 and #2E4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728B1E shade: #718A1E, #8A851E, #8A681E, #8A4B1E and #8A2E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728B1E shade: #718A1E, #548A1E, #378A1E, #1E8A22 and #1E8A3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728B1E shade matches the following richer shades: #718A1E, #789710 and #80A503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728B1E shade: #718A1E, #697C2B, #626E39, #5B6147 and #535354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728B1E shade: #8A671E, #8A841E, #728A1E, #558A1E and #398A1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728B1E shade: #39460F, #556816, #718A1E, #8DAB25 and #A8CD2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728B1E shade: #728B1E, #1E8A4B and #761E8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728B1E shade: #728B1E, #1E728A and #8A1E72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728B1E shade: #728B1E, #1E8A4B, #351E8A and #8A1E5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728B1E shade: #728B1E, #1E8A6B, #351E8A and #8A1E3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 78 / 45

HEX #728B1E

RGB 114 139 30

HSL 73.76, 0.64%, 0.33%

LAB 54.17, -24.07, 51.15

 

Complementary color

CMYK 37 / 48 / 0 / 12

HEX #8D74E1

RGB 141 116 225

HSL 253.76, 0.64%, 0.67%

LAB 55.67, 34.57, -52.39

 

CMYK 14 / 0 / 82 / 45

HEX #778B19

RGB 119 139 25

HSL 70.53, 0.7%, 0.32%

LAB 54.51, -22.12, 53.16

 

CMYK 13 / 0 / 72 / 38

HEX #889D2C

RGB 136 157 44

HSL 71.15, 0.56%, 0.39%

LAB 61.25, -22.9, 53.49

 

CMYK 13 / 0 / 64 / 31

HEX #99AF3F

RGB 153 175 63

HSL 71.79, 0.47%, 0.47%

LAB 67.87, -23.48, 53.03

 

CMYK 12 / 0 / 58 / 24

HEX #AAC152

RGB 170 193 82

HSL 72.43, 0.47%, 0.54%

LAB 74.38, -23.92, 52.18

 

CMYK 11 / 0 / 52 / 17

HEX #BBD365

RGB 187 211 101

HSL 73.09, 0.56%, 0.61%

LAB 80.79, -24.25, 51.16

 

CMYK 18 / 0 / 78 / 45

HEX #728B1E

RGB 114 139 30

HSL 73.76, 0.64%, 0.33%

LAB 54.17, -24.07, 51.15

 

CMYK 20 / 0 / 91 / 53

HEX #61790B

RGB 97 121 11

HSL 73.09, 0.83%, 0.26%

LAB 47.29, -23.17, 49.89

 

CMYK 22 / 0 / 100 / 60

HEX #506700

RGB 80 103 0

HSL 73.4, 1%, 0.2%

LAB 40.26, -21.92, 46.31

 

CMYK 26 / 0 / 100 / 67

HEX #3F5500

RGB 63 85 0

HSL 75.53, 1%, 0.17%

LAB 33.04, -20.36, 40.3

 

CMYK 31 / 0 / 100 / 74

HEX #2E4300

RGB 46 67 0

HSL 78.81, 1%, 0.13%

LAB 25.55, -18.76, 33.73

 

CMYK 18 / 0 / 78 / 46

HEX #718A1E

RGB 113 138 30

HSL 73.89, 0.64%, 0.33%

LAB 53.79, -24, 50.77

 

CMYK 0 / 4 / 78 / 46

HEX #8A851E

RGB 138 133 30

HSL 57.22, 0.64%, 0.33%

LAB 54.31, -10.2, 51.98

 

CMYK 0 / 25 / 78 / 46

HEX #8A681E

RGB 138 104 30

HSL 41.11, 0.64%, 0.33%

LAB 46.17, 6.15, 44.37

 

CMYK 0 / 46 / 78 / 46

HEX #8A4B1E

RGB 138 75 30

HSL 25, 0.64%, 0.33%

LAB 38.78, 23.03, 37.12

 

CMYK 0 / 67 / 78 / 46

HEX #8A2E1E

RGB 138 46 30

HSL 8.89, 0.64%, 0.33%

LAB 32.81, 38.27, 30.95

 

CMYK 18 / 0 / 78 / 46

HEX #718A1E

RGB 113 138 30

HSL 73.89, 0.64%, 0.33%

LAB 53.79, -24, 50.77

 

CMYK 39 / 0 / 78 / 46

HEX #548A1E

RGB 84 138 30

HSL 90, 0.64%, 0.33%

LAB 52.01, -35.68, 48.45

 

CMYK 60 / 0 / 78 / 46

HEX #378A1E

RGB 55 138 30

HSL 106.11, 0.64%, 0.33%

LAB 50.78, -44.95, 46.84

 

CMYK 78 / 0 / 75 / 46

HEX #1E8A22

RGB 30 138 34

HSL 122.22, 0.64%, 0.33%

LAB 50.18, -49.9, 44.57

 

CMYK 78 / 0 / 54 / 46

HEX #1E8A3F

RGB 30 138 63

HSL 138.33, 0.64%, 0.33%

LAB 50.47, -46.42, 31.61

 

CMYK 18 / 0 / 78 / 46

HEX #718A1E

RGB 113 138 30

HSL 73.89, 0.64%, 0.33%

LAB 53.79, -24, 50.77

 

CMYK 21 / 0 / 89 / 41

HEX #789710

RGB 120 151 16

HSL 73.78, 0.81%, 0.33%

LAB 58.19, -27.92, 58.55

 

CMYK 22 / 0 / 98 / 35

HEX #80A503

RGB 128 165 3

HSL 73.7, 0.96%, 0.33%

LAB 62.93, -31.5, 64.53

 

CMYK 18 / 0 / 78 / 46

HEX #718A1E

RGB 113 138 30

HSL 73.89, 0.64%, 0.33%

LAB 53.79, -24, 50.77

 

CMYK 15 / 0 / 65 / 51

HEX #697C2B

RGB 105 124 43

HSL 74.07, 0.49%, 0.33%

LAB 49, -19.49, 40.58

 

CMYK 11 / 0 / 48 / 57

HEX #626E39

RGB 98 110 57

HSL 73.58, 0.32%, 0.33%

LAB 44.3, -13.67, 27.92

 

CMYK 6 / 0 / 27 / 62

HEX #5B6147

RGB 91 97 71

HSL 73.85, 0.15%, 0.33%

LAB 39.96, -7.35, 14.08

 

CMYK 1 / 1 / 0 / 67

HEX #535354

RGB 83 83 84

HSL 240, 0.01%, 0.33%

LAB 35.33, 0.22, -0.59

 

CMYK 0 / 25 / 78 / 46

HEX #8A671E

RGB 138 103 30

HSL 40.56, 0.64%, 0.33%

LAB 45.9, 6.73, 44.11

 

CMYK 0 / 4 / 78 / 46

HEX #8A841E

RGB 138 132 30

HSL 56.67, 0.64%, 0.33%

LAB 54.03, -9.66, 51.72

 

CMYK 17 / 0 / 78 / 46

HEX #728A1E

RGB 114 138 30

HSL 73.33, 0.64%, 0.33%

LAB 53.87, -23.57, 50.86

 

CMYK 38 / 0 / 78 / 46

HEX #558A1E

RGB 85 138 30

HSL 89.44, 0.64%, 0.33%

LAB 52.06, -35.31, 48.52

 

CMYK 59 / 0 / 78 / 46

HEX #398A1E

RGB 57 138 30

HSL 105, 0.64%, 0.33%

LAB 50.85, -44.41, 46.93

 

CMYK 19 / 0 / 79 / 73

HEX #39460F

RGB 57 70 15

HSL 74.18, 0.65%, 0.17%

LAB 27.53, -14.24, 29.78

 

CMYK 18 / 0 / 79 / 59

HEX #556816

RGB 85 104 22

HSL 73.9, 0.65%, 0.25%

LAB 41.04, -19.31, 40.84

 

CMYK 18 / 0 / 78 / 46

HEX #718A1E

RGB 113 138 30

HSL 73.89, 0.64%, 0.33%

LAB 53.79, -24, 50.77

 

CMYK 18 / 0 / 78 / 33

HEX #8DAB25

RGB 141 171 37

HSL 73.43, 0.64%, 0.41%

LAB 65.69, -28.02, 60.24

 

CMYK 18 / 0 / 78 / 20

HEX #A8CD2D

RGB 168 205 45

HSL 73.88, 0.64%, 0.49%

LAB 77.39, -32.73, 69.22

 

CMYK 18 / 0 / 78 / 45

HEX #728B1E

RGB 114 139 30

HSL 73.76, 0.64%, 0.33%

LAB 54.17, -24.07, 51.15

 

CMYK 78 / 0 / 46 / 46

HEX #1E8A4B

RGB 30 138 75

HSL 145, 0.64%, 0.33%

LAB 50.64, -44.37, 25.45

 

CMYK 14 / 78 / 0 / 46

HEX #761E8A

RGB 118 30 138

HSL 288.89, 0.64%, 0.33%

LAB 30.91, 52.21, -41.03

 

CMYK 18 / 0 / 78 / 45

HEX #728B1E

RGB 114 139 30

HSL 73.76, 0.64%, 0.33%

LAB 54.17, -24.07, 51.15

 

CMYK 78 / 17 / 0 / 46

HEX #1E728A

RGB 30 114 138

HSL 193.33, 0.64%, 0.33%

LAB 44.44, -15.83, -20.17

 

CMYK 0 / 78 / 17 / 46

HEX #8A1E72

RGB 138 30 114

HSL 313.33, 0.64%, 0.33%

LAB 33.02, 52.65, -22.41

 

CMYK 18 / 0 / 78 / 45

HEX #728B1E

RGB 114 139 30

HSL 73.76, 0.64%, 0.33%

LAB 54.17, -24.07, 51.15

 

CMYK 78 / 0 / 46 / 46

HEX #1E8A4B

RGB 30 138 75

HSL 145, 0.64%, 0.33%

LAB 50.64, -44.37, 25.45

 

CMYK 62 / 78 / 0 / 46

HEX #351E8A

RGB 53 30 138

HSL 252.78, 0.64%, 0.33%

LAB 22.02, 40.81, -55.9

 

CMYK 0 / 78 / 33 / 46

HEX #8A1E5D

RGB 138 30 93

HSL 325, 0.64%, 0.33%

LAB 32.08, 49.84, -10.39

 

CMYK 18 / 0 / 78 / 45

HEX #728B1E

RGB 114 139 30

HSL 73.76, 0.64%, 0.33%

LAB 54.17, -24.07, 51.15

 

CMYK 78 / 0 / 22 / 46

HEX #1E8A6B

RGB 30 138 107

HSL 162.78, 0.64%, 0.33%

LAB 51.28, -37.26, 8.25

 

CMYK 62 / 78 / 0 / 46

HEX #351E8A

RGB 53 30 138

HSL 252.78, 0.64%, 0.33%

LAB 22.02, 40.81, -55.9

 

CMYK 0 / 78 / 57 / 46

HEX #8A1E3C

RGB 138 30 60

HSL 343.33, 0.64%, 0.33%

LAB 31.02, 46.5, 9.73

 

Description

Color code: HEX #728B1E | qconv.com Color code: HEX #728B1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 139 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 139 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 78 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 78% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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