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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728B27 it is the complementary color #8D74D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728B27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728B27 shade: #778B22, #889D35, #99AF48, #AAC15B and #BBD36E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728B27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728B27 shade: #728B27, #617914, #506701, #3F5500 and #2E4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728B27 shade: #728B27, #8B8927, #8B6E27, #8B5327 and #8B3827

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728B27 shade: #728B27, #578B27, #3C8B27, #278B2D and #278B48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728B27 shade matches the following richer shades: #728B27, #799918 and #80A80A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728B27 shade: #728B27, #6B7C35, #636E44, #5C5F52 and #555161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728B27 shade: #8B6E27, #8B8927, #728B27, #578B27 and #3C8B27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728B27 shade: #3D4A15, #576B1E, #728B27, #8CAB30 and #A5C83C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728B27 shade: #728B27, #278B54 and #7C278B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728B27 shade: #728B27, #27728B and #8B2772

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728B27 shade: #728B27, #278B54, #40278B and #8B275E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728B27 shade: #728B27, #278B72, #40278B and #8B2740

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

Complementary color

CMYK 35 / 46 / 0 / 15

HEX #8D74D8

RGB 141 116 216

HSL 255, 0.56%, 0.65%

LAB 55.19, 32.17, -48.11

 

CMYK 14 / 0 / 76 / 45

HEX #778B22

RGB 119 139 34

HSL 71.43, 0.61%, 0.34%

LAB 54.56, -21.7, 50.25

 

CMYK 13 / 0 / 66 / 38

HEX #889D35

RGB 136 157 53

HSL 72.12, 0.5%, 0.41%

LAB 61.31, -22.33, 49.96

 

CMYK 13 / 0 / 59 / 31

HEX #99AF48

RGB 153 175 72

HSL 72.82, 0.42%, 0.48%

LAB 67.95, -22.79, 49.16

 

CMYK 12 / 0 / 53 / 24

HEX #AAC15B

RGB 170 193 91

HSL 73.53, 0.45%, 0.56%

LAB 74.47, -23.13, 48.13

 

CMYK 11 / 0 / 48 / 17

HEX #BBD36E

RGB 187 211 110

HSL 74.26, 0.53%, 0.63%

LAB 80.89, -23.38, 47.01

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 20 / 0 / 83 / 53

HEX #617914

RGB 97 121 20

HSL 74.26, 0.72%, 0.28%

LAB 47.32, -22.85, 47.62

 

CMYK 22 / 0 / 99 / 60

HEX #506701

RGB 80 103 1

HSL 73.53, 0.98%, 0.2%

LAB 40.26, -21.89, 46.05

 

CMYK 26 / 0 / 100 / 67

HEX #3F5500

RGB 63 85 0

HSL 75.53, 1%, 0.17%

LAB 33.04, -20.36, 40.3

 

CMYK 31 / 0 / 100 / 74

HEX #2E4300

RGB 46 67 0

HSL 78.81, 1%, 0.13%

LAB 25.55, -18.76, 33.73

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 0 / 1 / 72 / 45

HEX #8B8927

RGB 139 137 39

HSL 58.8, 0.56%, 0.35%

LAB 55.61, -11.47, 49.95

 

CMYK 0 / 21 / 72 / 45

HEX #8B6E27

RGB 139 110 39

HSL 42.6, 0.56%, 0.35%

LAB 47.99, 3.6, 42.3

 

CMYK 0 / 40 / 72 / 45

HEX #8B5327

RGB 139 83 39

HSL 26.4, 0.56%, 0.35%

LAB 40.93, 19.33, 34.82

 

CMYK 0 / 60 / 72 / 45

HEX #8B3827

RGB 139 56 39

HSL 10.2, 0.56%, 0.35%

LAB 34.93, 34.25, 28.1

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 37 / 0 / 72 / 45

HEX #578B27

RGB 87 139 39

HSL 91.2, 0.56%, 0.35%

LAB 52.55, -34.41, 45.68

 

CMYK 57 / 0 / 72 / 45

HEX #3C8B27

RGB 60 139 39

HSL 107.4, 0.56%, 0.35%

LAB 51.35, -43.27, 44.06

 

CMYK 72 / 0 / 68 / 45

HEX #278B2D

RGB 39 139 45

HSL 123.6, 0.56%, 0.35%

LAB 50.79, -47.64, 40.73

 

CMYK 72 / 0 / 48 / 45

HEX #278B48

RGB 39 139 72

HSL 139.8, 0.56%, 0.35%

LAB 51.11, -43.86, 27.7

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 21 / 0 / 84 / 40

HEX #799918

RGB 121 153 24

HSL 74.88, 0.73%, 0.35%

LAB 58.89, -28.22, 57.34

 

CMYK 24 / 0 / 94 / 34

HEX #80A80A

RGB 128 168 10

HSL 75.19, 0.89%, 0.35%

LAB 63.85, -32.78, 64.31

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 14 / 0 / 57 / 51

HEX #6B7C35

RGB 107 124 53

HSL 74.37, 0.4%, 0.35%

LAB 49.25, -17.74, 36.1

 

CMYK 10 / 0 / 38 / 57

HEX #636E44

RGB 99 110 68

HSL 75.71, 0.24%, 0.35%

LAB 44.55, -11.81, 22.07

 

CMYK 3 / 0 / 14 / 63

HEX #5C5F52

RGB 92 95 82

HSL 73.85, 0.07%, 0.35%

LAB 39.7, -3.8, 7.04

 

CMYK 12 / 16 / 0 / 62

HEX #555161

RGB 85 81 97

HSL 255, 0.09%, 0.35%

LAB 35.36, 5.22, -8.7

 

CMYK 0 / 21 / 72 / 45

HEX #8B6E27

RGB 139 110 39

HSL 42.6, 0.56%, 0.35%

LAB 47.99, 3.6, 42.3

 

CMYK 0 / 1 / 72 / 45

HEX #8B8927

RGB 139 137 39

HSL 58.8, 0.56%, 0.35%

LAB 55.61, -11.47, 49.95

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 37 / 0 / 72 / 45

HEX #578B27

RGB 87 139 39

HSL 91.2, 0.56%, 0.35%

LAB 52.55, -34.41, 45.68

 

CMYK 57 / 0 / 72 / 45

HEX #3C8B27

RGB 60 139 39

HSL 107.4, 0.56%, 0.35%

LAB 51.35, -43.27, 44.06

 

CMYK 18 / 0 / 72 / 71

HEX #3D4A15

RGB 61 74 21

HSL 74.72, 0.56%, 0.19%

LAB 29.27, -14.13, 28.87

 

CMYK 19 / 0 / 72 / 58

HEX #576B1E

RGB 87 107 30

HSL 75.58, 0.56%, 0.27%

LAB 42.21, -19.49, 38.83

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 18 / 0 / 72 / 33

HEX #8CAB30

RGB 140 171 48

HSL 75.12, 0.56%, 0.43%

LAB 65.68, -27.87, 56.48

 

CMYK 18 / 0 / 70 / 22

HEX #A5C83C

RGB 165 200 60

HSL 75, 0.56%, 0.51%

LAB 75.84, -30.84, 62.71

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 72 / 0 / 40 / 45

HEX #278B54

RGB 39 139 84

HSL 147, 0.56%, 0.35%

LAB 51.31, -41.62, 21.39

 

CMYK 11 / 72 / 0 / 45

HEX #7C278B

RGB 124 39 139

HSL 291, 0.56%, 0.35%

LAB 33.14, 50.35, -38.03

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 72 / 18 / 0 / 45

HEX #27728B

RGB 39 114 139

HSL 195, 0.56%, 0.35%

LAB 44.7, -14.25, -20.34

 

CMYK 0 / 72 / 18 / 45

HEX #8B2772

RGB 139 39 114

HSL 315, 0.56%, 0.35%

LAB 34.3, 49.79, -20.4

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 72 / 0 / 40 / 45

HEX #278B54

RGB 39 139 84

HSL 147, 0.56%, 0.35%

LAB 51.31, -41.62, 21.39

 

CMYK 54 / 72 / 0 / 45

HEX #40278B

RGB 64 39 139

HSL 255, 0.56%, 0.35%

LAB 24.97, 37.87, -51.64

 

CMYK 0 / 72 / 32 / 45

HEX #8B275E

RGB 139 39 94

HSL 327, 0.56%, 0.35%

LAB 33.45, 47.03, -8.94

 

CMYK 18 / 0 / 72 / 45

HEX #728B27

RGB 114 139 39

HSL 75, 0.56%, 0.35%

LAB 54.23, -23.56, 47.92

 

CMYK 72 / 0 / 18 / 45

HEX #278B72

RGB 39 139 114

HSL 165, 0.56%, 0.35%

LAB 51.96, -34.63, 5.2

 

CMYK 54 / 72 / 0 / 45

HEX #40278B

RGB 64 39 139

HSL 255, 0.56%, 0.35%

LAB 24.97, 37.87, -51.64

 

CMYK 0 / 72 / 54 / 45

HEX #8B2740

RGB 139 39 64

HSL 345, 0.56%, 0.35%

LAB 32.5, 43.83, 9.19

 

Description

Color code: HEX #728B27 | qconv.com Color code: HEX #728B27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 139 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 139 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 72 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 72% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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