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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728BC4 it is the complementary color #8D743B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728BC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728BC4 shade: #778BBF, #889DD2, #99AFE5, #AAC1F8 and #BBD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728BC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728BC4 shade: #728BC4, #6179B1, #50679E, #3F558B and #2E4378

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728BC4 shade: #728BC4, #7275C4, #8572C4, #9B72C4 and #B172C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728BC4 shade: #728BC4, #7275C4 and #7272C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728BC4 shade matches the following richer shades: #728BC4, #6285D4, #527FE4 and #4278F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728BC4 shade: #728BC4, #8291B4, #9298A4, #A39E94 and #B3A483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728BC4 shade: #72B8C4, #72A2C4, #728CC4, #7276C4 and #8472C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728BC4 shade: #4360A1, #5573B8, #728BC4, #8FA3D0 and #ACBBDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728BC4 shade: #728BC4, #BA72C4 and #ADC472

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728BC4 shade: #728BC4, #C4728C and #8CC472

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728BC4 shade: #728BC4, #BA72C4, #C4AA72 and #7CC472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728BC4 shade: #728BC4, #C472B5, #C4AA72 and #72C481

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

Complementary color

CMYK 0 / 18 / 58 / 45

HEX #8D743B

RGB 141 116 59

HSL 41.71, 0.41%, 0.39%

LAB 50.06, 2.49, 34.73

 

CMYK 38 / 27 / 0 / 25

HEX #778BBF

RGB 119 139 191

HSL 223.33, 0.36%, 0.61%

LAB 58.18, 5.86, -29.39

 

CMYK 35 / 25 / 0 / 18

HEX #889DD2

RGB 136 157 210

HSL 222.97, 0.45%, 0.68%

LAB 64.96, 5.41, -29.46

 

CMYK 33 / 24 / 0 / 10

HEX #99AFE5

RGB 153 175 229

HSL 222.63, 0.59%, 0.75%

LAB 71.62, 5.02, -29.56

 

CMYK 31 / 22 / 0 / 3

HEX #AAC1F8

RGB 170 193 248

HSL 222.31, 0.85%, 0.82%

LAB 78.15, 4.67, -29.69

 

CMYK 27 / 17 / 0 / 0

HEX #BBD3FF

RGB 187 211 255

HSL 218.82, 1%, 0.87%

LAB 84.16, 1.53, -24.13

 

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

CMYK 45 / 32 / 0 / 31

HEX #6179B1

RGB 97 121 177

HSL 222, 0.34%, 0.54%

LAB 51.14, 6.51, -32.44

 

CMYK 49 / 35 / 0 / 38

HEX #50679E

RGB 80 103 158

HSL 222.31, 0.33%, 0.47%

LAB 44.05, 7.27, -32.51

 

CMYK 55 / 39 / 0 / 45

HEX #3F558B

RGB 63 85 139

HSL 222.63, 0.38%, 0.4%

LAB 36.78, 8.23, -32.64

 

CMYK 62 / 44 / 0 / 53

HEX #2E4378

RGB 46 67 120

HSL 222.97, 0.45%, 0.33%

LAB 29.29, 9.51, -32.84

 

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

CMYK 42 / 40 / 0 / 23

HEX #7275C4

RGB 114 117 196

HSL 237.8, 0.41%, 0.61%

LAB 52.16, 18.98, -41.68

 

CMYK 32 / 42 / 0 / 23

HEX #8572C4

RGB 133 114 196

HSL 253.9, 0.41%, 0.61%

LAB 52.96, 25.9, -40.32

 

CMYK 21 / 42 / 0 / 23

HEX #9B72C4

RGB 155 114 196

HSL 270, 0.41%, 0.61%

LAB 55.06, 32.23, -36.87

 

CMYK 10 / 42 / 0 / 23

HEX #B172C4

RGB 177 114 196

HSL 286.1, 0.41%, 0.61%

LAB 57.43, 38.81, -32.99

 

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

CMYK 42 / 40 / 0 / 23

HEX #7275C4

RGB 114 117 196

HSL 237.8, 0.41%, 0.61%

LAB 52.16, 18.98, -41.68

 

CMYK 42 / 42 / 0 / 23

HEX #7272C4

RGB 114 114 196

HSL 240, 0.41%, 0.61%

LAB 51.38, 20.79, -42.92

 

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

CMYK 54 / 37 / 0 / 17

HEX #6285D4

RGB 98 133 212

HSL 221.58, 0.57%, 0.61%

LAB 56.21, 10.41, -44.42

 

CMYK 64 / 44 / 0 / 11

HEX #527FE4

RGB 82 127 228

HSL 221.51, 0.73%, 0.61%

LAB 54.63, 16.23, -55.97

 

CMYK 73 / 51 / 0 / 4

HEX #4278F4

RGB 66 120 244

HSL 221.8, 0.89%, 0.61%

LAB 53.08, 23.83, -67.42

 

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

CMYK 28 / 19 / 0 / 29

HEX #8291B4

RGB 130 145 180

HSL 222, 0.25%, 0.61%

LAB 60.15, 2.74, -20.06

 

CMYK 11 / 7 / 0 / 36

HEX #9298A4

RGB 146 152 164

HSL 220, 0.09%, 0.61%

LAB 62.72, 0.32, -7.02

 

CMYK 0 / 3 / 9 / 36

HEX #A39E94

RGB 163 158 148

HSL 40, 0.08%, 0.61%

LAB 65.26, 0, 5.86

 

CMYK 0 / 8 / 27 / 30

HEX #B3A483

RGB 179 164 131

HSL 41.25, 0.24%, 0.61%

LAB 67.85, 0.2, 19.13

 

CMYK 42 / 6 / 0 / 23

HEX #72B8C4

RGB 114 184 196

HSL 188.78, 0.41%, 0.61%

LAB 70.76, -18.89, -13.01

 

CMYK 42 / 17 / 0 / 23

HEX #72A2C4

RGB 114 162 196

HSL 204.88, 0.41%, 0.61%

LAB 64.49, -7.16, -22.51

 

CMYK 42 / 29 / 0 / 23

HEX #728CC4

RGB 114 140 196

HSL 220.98, 0.41%, 0.61%

LAB 58.34, 5.32, -31.99

 

CMYK 42 / 40 / 0 / 23

HEX #7276C4

RGB 114 118 196

HSL 237.07, 0.41%, 0.61%

LAB 52.42, 18.38, -41.27

 

CMYK 33 / 42 / 0 / 23

HEX #8472C4

RGB 132 114 196

HSL 253.17, 0.41%, 0.61%

LAB 52.87, 25.62, -40.47

 

CMYK 58 / 40 / 0 / 37

HEX #4360A1

RGB 67 96 161

HSL 221.49, 0.41%, 0.45%

LAB 41.43, 9.63, -38.49

 

CMYK 54 / 38 / 0 / 28

HEX #5573B8

RGB 85 115 184

HSL 221.82, 0.41%, 0.53%

LAB 49.07, 9.43, -39.79

 

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

CMYK 31 / 22 / 0 / 18

HEX #8FA3D0

RGB 143 163 208

HSL 221.54, 0.41%, 0.69%

LAB 66.97, 3.51, -25.23

 

CMYK 22 / 15 / 0 / 14

HEX #ACBBDC

RGB 172 187 220

HSL 221.25, 0.41%, 0.77%

LAB 75.75, 1.88, -18.24

 

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

CMYK 5 / 42 / 0 / 23

HEX #BA72C4

RGB 186 114 196

HSL 292.68, 0.41%, 0.61%

LAB 58.47, 41.54, -31.29

 

CMYK 12 / 0 / 42 / 23

HEX #ADC472

RGB 173 196 114

HSL 76.83, 0.41%, 0.61%

LAB 75.81, -21.01, 38.53

 

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

CMYK 0 / 42 / 29 / 23

HEX #C4728C

RGB 196 114 140

HSL 340.98, 0.41%, 0.61%

LAB 57.72, 35.5, -0.08

 

CMYK 29 / 0 / 42 / 23

HEX #8CC472

RGB 140 196 114

HSL 100.98, 0.41%, 0.61%

LAB 73.72, -33.21, 35.44

 

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

CMYK 5 / 42 / 0 / 23

HEX #BA72C4

RGB 186 114 196

HSL 292.68, 0.41%, 0.61%

LAB 58.47, 41.54, -31.29

 

CMYK 0 / 13 / 42 / 23

HEX #C4AA72

RGB 196 170 114

HSL 40.98, 0.41%, 0.61%

LAB 70.66, 1.7, 32.33

 

CMYK 37 / 0 / 42 / 23

HEX #7CC472

RGB 124 196 114

HSL 112.68, 0.41%, 0.61%

LAB 72.88, -38.59, 34.19

 

CMYK 42 / 29 / 0 / 23

HEX #728BC4

RGB 114 139 196

HSL 221.71, 0.41%, 0.61%

LAB 58.06, 5.9, -32.42

 

CMYK 0 / 42 / 8 / 23

HEX #C472B5

RGB 196 114 181

HSL 310.98, 0.41%, 0.61%

LAB 59.07, 41.9, -21.71

 

CMYK 0 / 13 / 42 / 23

HEX #C4AA72

RGB 196 170 114

HSL 40.98, 0.41%, 0.61%

LAB 70.66, 1.7, 32.33

 

CMYK 42 / 0 / 34 / 23

HEX #72C481

RGB 114 196 129

HSL 130.98, 0.41%, 0.61%

LAB 72.66, -39.29, 26.02

 

Description

Color code: HEX #728BC4 | qconv.com Color code: HEX #728BC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 139 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 139 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 29 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 29% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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