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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728CA5 it is the complementary color #8D735A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728CA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728CA5 shade: #778CA0, #889EB3, #99B0C6, #AAC2D9 and #BBD4EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728CA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728CA5 shade: #728CA5, #617A92, #50687F, #3F566C and #2E4459

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728CA5 shade: #738CA5, #737FA5, #7473A5, #8273A5 and #8F73A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728CA5 shade: #738CA5, #737FA5 and #7373A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728CA5 shade matches the following richer shades: #738CA5, #608DB8, #4D8DCA, #3B8DDD and #288EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728CA5 shade: #738CA5, #858C92, #988C80, #AA8B6D and #BD8B5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728CA5 shade: #73A5A2, #739AA5, #738DA5, #737FA5 and #7373A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728CA5 shade: #4D6378, #5D7891, #738CA5, #8CA1B5 and #A5B5C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728CA5 shade: #728CA5, #9573A5 and #A1A573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728CA5 shade: #728CA5, #A5738D and #8DA573

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728CA5 shade: #728CA5, #9573A5, #A58B73 and #82A573

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728CA5 shade: #728CA5, #A473A5, #A58B73 and #73A573

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 15 / 0 / 35

HEX #728CA5

RGB 114 140 165

HSL 209.41, 0.22%, 0.55%

LAB 57.12, -3.12, -16.22

 

Complementary color

CMYK 0 / 18 / 36 / 45

HEX #8D735A

RGB 141 115 90

HSL 29.41, 0.22%, 0.45%

LAB 50.29, 6.42, 17.67

 

CMYK 26 / 13 / 0 / 37

HEX #778CA0

RGB 119 140 160

HSL 209.27, 0.18%, 0.55%

LAB 57.29, -2.82, -13.08

 

CMYK 24 / 12 / 0 / 30

HEX #889EB3

RGB 136 158 179

HSL 209.3, 0.22%, 0.62%

LAB 64.11, -2.94, -13.45

 

CMYK 23 / 11 / 0 / 22

HEX #99B0C6

RGB 153 176 198

HSL 209.33, 0.28%, 0.69%

LAB 70.8, -3.06, -13.82

 

CMYK 22 / 11 / 0 / 15

HEX #AAC2D9

RGB 170 194 217

HSL 209.36, 0.38%, 0.76%

LAB 77.36, -3.17, -14.2

 

CMYK 21 / 10 / 0 / 7

HEX #BBD4EC

RGB 187 212 236

HSL 209.39, 0.56%, 0.83%

LAB 83.81, -3.28, -14.58

 

CMYK 31 / 15 / 0 / 35

HEX #728CA5

RGB 114 140 165

HSL 209.41, 0.22%, 0.55%

LAB 57.12, -3.12, -16.22

 

CMYK 34 / 16 / 0 / 43

HEX #617A92

RGB 97 122 146

HSL 209.39, 0.2%, 0.48%

LAB 50.14, -2.94, -15.92

 

CMYK 37 / 18 / 0 / 50

HEX #50687F

RGB 80 104 127

HSL 209.36, 0.23%, 0.41%

LAB 42.97, -2.73, -15.64

 

CMYK 42 / 20 / 0 / 58

HEX #3F566C

RGB 63 86 108

HSL 209.33, 0.26%, 0.34%

LAB 35.59, -2.47, -15.39

 

CMYK 48 / 24 / 0 / 65

HEX #2E4459

RGB 46 68 89

HSL 209.3, 0.32%, 0.26%

LAB 27.94, -2.1, -15.18

 

CMYK 30 / 15 / 0 / 35

HEX #738CA5

RGB 115 140 165

HSL 210, 0.22%, 0.55%

LAB 57.19, -2.82, -16.11

 

CMYK 30 / 23 / 0 / 35

HEX #737FA5

RGB 115 127 165

HSL 225.6, 0.22%, 0.55%

LAB 53.54, 4.7, -21.69

 

CMYK 30 / 30 / 0 / 35

HEX #7473A5

RGB 116 115 165

HSL 241.2, 0.22%, 0.55%

LAB 50.32, 12.13, -26.64

 

CMYK 21 / 30 / 0 / 35

HEX #8273A5

RGB 130 115 165

HSL 258, 0.22%, 0.55%

LAB 51.52, 16.54, -24.68

 

CMYK 13 / 30 / 0 / 35

HEX #8F73A5

RGB 143 115 165

HSL 273.6, 0.22%, 0.55%

LAB 52.75, 20.79, -22.69

 

CMYK 30 / 15 / 0 / 35

HEX #738CA5

RGB 115 140 165

HSL 210, 0.22%, 0.55%

LAB 57.19, -2.82, -16.11

 

CMYK 30 / 23 / 0 / 35

HEX #737FA5

RGB 115 127 165

HSL 225.6, 0.22%, 0.55%

LAB 53.54, 4.7, -21.69

 

CMYK 30 / 30 / 0 / 35

HEX #7373A5

RGB 115 115 165

HSL 240, 0.22%, 0.55%

LAB 50.24, 11.83, -26.77

 

CMYK 30 / 15 / 0 / 35

HEX #738CA5

RGB 115 140 165

HSL 210, 0.22%, 0.55%

LAB 57.19, -2.82, -16.11

 

CMYK 48 / 23 / 0 / 28

HEX #608DB8

RGB 96 141 184

HSL 209.32, 0.38%, 0.55%

LAB 57.07, -3.39, -27.24

 

CMYK 62 / 30 / 0 / 21

HEX #4D8DCA

RGB 77 141 202

HSL 209.28, 0.54%, 0.55%

LAB 56.97, -1.84, -37.66

 

CMYK 73 / 36 / 0 / 13

HEX #3B8DDD

RGB 59 141 221

HSL 209.63, 0.7%, 0.55%

LAB 57.27, 1.87, -47.9

 

CMYK 83 / 41 / 0 / 6

HEX #288EEF

RGB 40 142 239

HSL 209.25, 0.86%, 0.55%

LAB 58.06, 5.86, -56.68

 

CMYK 30 / 15 / 0 / 35

HEX #738CA5

RGB 115 140 165

HSL 210, 0.22%, 0.55%

LAB 57.19, -2.82, -16.11

 

CMYK 9 / 4 / 0 / 43

HEX #858C92

RGB 133 140 146

HSL 207.69, 0.06%, 0.55%

LAB 57.86, -1.3, -4.08

 

CMYK 0 / 8 / 16 / 40

HEX #988C80

RGB 152 140 128

HSL 30, 0.1%, 0.55%

LAB 58.97, 2.38, 8.02

 

CMYK 0 / 18 / 36 / 33

HEX #AA8B6D

RGB 170 139 109

HSL 29.51, 0.26%, 0.55%

LAB 59.99, 7.38, 20.47

 

CMYK 0 / 26 / 52 / 26

HEX #BD8B5B

RGB 189 139 91

HSL 29.39, 0.43%, 0.55%

LAB 61.69, 13.36, 32.99

 

CMYK 30 / 0 / 2 / 35

HEX #73A5A2

RGB 115 165 162

HSL 176.4, 0.22%, 0.55%

LAB 64.29, -17.22, -3.79

 

CMYK 30 / 7 / 0 / 35

HEX #739AA5

RGB 115 154 165

HSL 193.2, 0.22%, 0.55%

LAB 61.2, -10.61, -10.08

 

CMYK 30 / 15 / 0 / 35

HEX #738DA5

RGB 115 141 165

HSL 208.8, 0.22%, 0.55%

LAB 57.47, -3.38, -15.68

 

CMYK 30 / 23 / 0 / 35

HEX #737FA5

RGB 115 127 165

HSL 225.6, 0.22%, 0.55%

LAB 53.54, 4.7, -21.69

 

CMYK 30 / 30 / 0 / 35

HEX #7373A5

RGB 115 115 165

HSL 240, 0.22%, 0.55%

LAB 50.24, 11.83, -26.77

 

CMYK 36 / 18 / 0 / 53

HEX #4D6378

RGB 77 99 120

HSL 209.3, 0.22%, 0.39%

LAB 40.99, -2.63, -14.44

 

CMYK 36 / 17 / 0 / 43

HEX #5D7891

RGB 93 120 145

HSL 208.85, 0.22%, 0.47%

LAB 49.26, -3.26, -16.7

 

CMYK 30 / 15 / 0 / 35

HEX #738CA5

RGB 115 140 165

HSL 210, 0.22%, 0.55%

LAB 57.19, -2.82, -16.11

 

CMYK 23 / 11 / 0 / 29

HEX #8CA1B5

RGB 140 161 181

HSL 209.27, 0.22%, 0.63%

LAB 65.28, -2.87, -12.79

 

CMYK 16 / 8 / 0 / 23

HEX #A5B5C5

RGB 165 181 197

HSL 210, 0.22%, 0.71%

LAB 72.94, -2.18, -9.98

 

CMYK 31 / 15 / 0 / 35

HEX #728CA5

RGB 114 140 165

HSL 209.41, 0.22%, 0.55%

LAB 57.12, -3.12, -16.22

 

CMYK 10 / 30 / 0 / 35

HEX #9573A5

RGB 149 115 165

HSL 280.8, 0.22%, 0.55%

LAB 53.35, 22.79, -21.72

 

CMYK 2 / 0 / 30 / 35

HEX #A1A573

RGB 161 165 115

HSL 64.8, 0.22%, 0.55%

LAB 66.31, -9.69, 25.51

 

CMYK 31 / 15 / 0 / 35

HEX #728CA5

RGB 114 140 165

HSL 209.41, 0.22%, 0.55%

LAB 57.12, -3.12, -16.22

 

CMYK 0 / 30 / 15 / 35

HEX #A5738D

RGB 165 115 141

HSL 328.8, 0.22%, 0.55%

LAB 54.22, 23.78, -6.24

 

CMYK 15 / 0 / 30 / 35

HEX #8DA573

RGB 141 165 115

HSL 88.8, 0.22%, 0.55%

LAB 64.81, -17.49, 23.24

 

CMYK 31 / 15 / 0 / 35

HEX #728CA5

RGB 114 140 165

HSL 209.41, 0.22%, 0.55%

LAB 57.12, -3.12, -16.22

 

CMYK 10 / 30 / 0 / 35

HEX #9573A5

RGB 149 115 165

HSL 280.8, 0.22%, 0.55%

LAB 53.35, 22.79, -21.72

 

CMYK 0 / 16 / 30 / 35

HEX #A58B73

RGB 165 139 115

HSL 28.8, 0.22%, 0.55%

LAB 59.62, 6.13, 16.5

 

CMYK 21 / 0 / 30 / 35

HEX #82A573

RGB 130 165 115

HSL 102, 0.22%, 0.55%

LAB 64.07, -21.6, 22.12

 

CMYK 31 / 15 / 0 / 35

HEX #728CA5

RGB 114 140 165

HSL 209.41, 0.22%, 0.55%

LAB 57.12, -3.12, -16.22

 

CMYK 1 / 30 / 0 / 35

HEX #A473A5

RGB 164 115 165

HSL 298.8, 0.22%, 0.55%

LAB 54.94, 27.84, -19.15

 

CMYK 0 / 16 / 30 / 35

HEX #A58B73

RGB 165 139 115

HSL 28.8, 0.22%, 0.55%

LAB 59.62, 6.13, 16.5

 

CMYK 30 / 0 / 30 / 35

HEX #73A573

RGB 115 165 115

HSL 120, 0.22%, 0.55%

LAB 63.17, -26.9, 20.74

 

Description

Color code: HEX #728CA5 | qconv.com Color code: HEX #728CA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 140 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 140 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 15 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 15% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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