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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7291C0 it is the complementary color #8D6E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7291C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7291C0 shade: #7791BB, #88A3CE, #99B5E1, #AAC7F4 and #BBD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7291C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7291C0 shade: #7291C0, #617FAD, #506D9A, #3F5B87 and #2E4974

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7291C0 shade: #7291BF, #727CBF, #7D72BF, #9272BF and #A772BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7291C0 shade: #7291BF, #727CBF and #7272BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7291C0 shade matches the following richer shades: #7291BF, #618DD0, #518AE0 and #4086F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7291C0 shade: #7291BF, #8294AF, #93979E, #A39B8E and #B49E7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7291C0 shade: #72BABF, #72A5BF, #7291BF, #727CBF and #7C72BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7291C0 shade: #45679A, #557AB2, #7291BF, #8EA7CC and #ABBDD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7291C0 shade: #7291C0, #B072BF and #B0BF72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7291C0 shade: #7291C0, #BF7291 and #91BF72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7291C0 shade: #7291C0, #B072BF, #BFA072 and #81BF72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7291C0 shade: #7291C0, #BF72B8, #BFA072 and #72BF79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 24 / 0 / 25

HEX #7291C0

RGB 114 145 192

HSL 216.15, 0.38%, 0.6%

LAB 59.56, 1.29, -27.85

 

Complementary color

CMYK 0 / 22 / 55 / 45

HEX #8D6E3F

RGB 141 110 63

HSL 36.15, 0.38%, 0.4%

LAB 48.48, 6.3, 30.68

 

CMYK 36 / 22 / 0 / 27

HEX #7791BB

RGB 119 145 187

HSL 217.06, 0.33%, 0.6%

LAB 59.67, 1.3, -24.82

 

CMYK 34 / 21 / 0 / 19

HEX #88A3CE

RGB 136 163 206

HSL 216.86, 0.42%, 0.67%

LAB 66.43, 0.98, -24.98

 

CMYK 32 / 20 / 0 / 12

HEX #99B5E1

RGB 153 181 225

HSL 216.67, 0.55%, 0.74%

LAB 73.06, 0.7, -25.16

 

CMYK 30 / 18 / 0 / 4

HEX #AAC7F4

RGB 170 199 244

HSL 216.49, 0.77%, 0.81%

LAB 79.57, 0.45, -25.37

 

CMYK 27 / 15 / 0 / 0

HEX #BBD9FF

RGB 187 217 255

HSL 213.53, 1%, 0.87%

LAB 85.71, -1.64, -21.78

 

CMYK 41 / 24 / 0 / 25

HEX #7291C0

RGB 114 145 192

HSL 216.15, 0.38%, 0.6%

LAB 59.56, 1.29, -27.85

 

CMYK 44 / 27 / 0 / 32

HEX #617FAD

RGB 97 127 173

HSL 216.32, 0.32%, 0.53%

LAB 52.66, 1.75, -27.76

 

CMYK 48 / 29 / 0 / 40

HEX #506D9A

RGB 80 109 154

HSL 216.49, 0.32%, 0.46%

LAB 45.6, 2.31, -27.72

 

CMYK 53 / 33 / 0 / 47

HEX #3F5B87

RGB 63 91 135

HSL 216.67, 0.36%, 0.39%

LAB 38.35, 3.04, -27.72

 

CMYK 60 / 37 / 0 / 55

HEX #2E4974

RGB 46 73 116

HSL 216.86, 0.43%, 0.32%

LAB 30.89, 4.02, -27.78

 

CMYK 40 / 24 / 0 / 25

HEX #7291BF

RGB 114 145 191

HSL 215.84, 0.38%, 0.6%

LAB 59.52, 1.01, -27.34

 

CMYK 40 / 35 / 0 / 25

HEX #727CBF

RGB 114 124 191

HSL 232.21, 0.38%, 0.6%

LAB 53.77, 13.33, -36.29

 

CMYK 35 / 40 / 0 / 25

HEX #7D72BF

RGB 125 114 191

HSL 248.57, 0.38%, 0.6%

LAB 52.01, 22.34, -38.99

 

CMYK 24 / 40 / 0 / 25

HEX #9272BF

RGB 146 114 191

HSL 264.94, 0.38%, 0.6%

LAB 53.93, 28.38, -35.85

 

CMYK 13 / 40 / 0 / 25

HEX #A772BF

RGB 167 114 191

HSL 281.3, 0.38%, 0.6%

LAB 56.1, 34.72, -32.29

 

CMYK 40 / 24 / 0 / 25

HEX #7291BF

RGB 114 145 191

HSL 215.84, 0.38%, 0.6%

LAB 59.52, 1.01, -27.34

 

CMYK 40 / 35 / 0 / 25

HEX #727CBF

RGB 114 124 191

HSL 232.21, 0.38%, 0.6%

LAB 53.77, 13.33, -36.29

 

CMYK 40 / 40 / 0 / 25

HEX #7272BF

RGB 114 114 191

HSL 240, 0.38%, 0.6%

LAB 51.12, 19.35, -40.45

 

CMYK 40 / 24 / 0 / 25

HEX #7291BF

RGB 114 145 191

HSL 215.84, 0.38%, 0.6%

LAB 59.52, 1.01, -27.34

 

CMYK 53 / 32 / 0 / 18

HEX #618DD0

RGB 97 141 208

HSL 216.22, 0.54%, 0.6%

LAB 58.17, 4.19, -39.09

 

CMYK 64 / 38 / 0 / 12

HEX #518AE0

RGB 81 138 224

HSL 216.08, 0.7%, 0.6%

LAB 57.37, 8.04, -49.36

 

CMYK 73 / 44 / 0 / 5

HEX #4086F1

RGB 64 134 241

HSL 216.27, 0.86%, 0.6%

LAB 56.58, 13.88, -60.14

 

CMYK 40 / 24 / 0 / 25

HEX #7291BF

RGB 114 145 191

HSL 215.84, 0.38%, 0.6%

LAB 59.52, 1.01, -27.34

 

CMYK 26 / 15 / 0 / 31

HEX #8294AF

RGB 130 148 175

HSL 216, 0.22%, 0.6%

LAB 60.8, -0.2, -16.24

 

CMYK 7 / 4 / 0 / 38

HEX #93979E

RGB 147 151 158

HSL 218.18, 0.05%, 0.6%

LAB 62.34, -0.03, -4.18

 

CMYK 0 / 5 / 13 / 36

HEX #A39B8E

RGB 163 155 142

HSL 37.14, 0.1%, 0.6%

LAB 64.31, 0.62, 7.85

 

CMYK 0 / 12 / 31 / 29

HEX #B49E7D

RGB 180 158 125

HSL 36, 0.27%, 0.6%

LAB 66.24, 3.04, 20.23

 

CMYK 40 / 3 / 0 / 25

HEX #72BABF

RGB 114 186 191

HSL 183.9, 0.38%, 0.6%

LAB 71.18, -21.2, -9.63

 

CMYK 40 / 14 / 0 / 25

HEX #72A5BF

RGB 114 165 191

HSL 200.26, 0.38%, 0.6%

LAB 65.16, -10.16, -18.7

 

CMYK 40 / 24 / 0 / 25

HEX #7291BF

RGB 114 145 191

HSL 215.84, 0.38%, 0.6%

LAB 59.52, 1.01, -27.34

 

CMYK 40 / 35 / 0 / 25

HEX #727CBF

RGB 114 124 191

HSL 232.21, 0.38%, 0.6%

LAB 53.77, 13.33, -36.29

 

CMYK 35 / 40 / 0 / 25

HEX #7C72BF

RGB 124 114 191

HSL 247.79, 0.38%, 0.6%

LAB 51.93, 22.06, -39.13

 

CMYK 55 / 33 / 0 / 40

HEX #45679A

RGB 69 103 154

HSL 216, 0.38%, 0.44%

LAB 43.21, 3.3, -31.5

 

CMYK 52 / 31 / 0 / 30

HEX #557AB2

RGB 85 122 178

HSL 216.13, 0.38%, 0.52%

LAB 50.76, 3.25, -33.66

 

CMYK 40 / 24 / 0 / 25

HEX #7291BF

RGB 114 145 191

HSL 215.84, 0.38%, 0.6%

LAB 59.52, 1.01, -27.34

 

CMYK 30 / 18 / 0 / 20

HEX #8EA7CC

RGB 142 167 204

HSL 215.81, 0.38%, 0.68%

LAB 67.83, -0.02, -21.69

 

CMYK 21 / 13 / 0 / 15

HEX #ABBDD9

RGB 171 189 217

HSL 216.52, 0.38%, 0.76%

LAB 76.11, -0.19, -16.08

 

CMYK 41 / 24 / 0 / 25

HEX #7291C0

RGB 114 145 192

HSL 216.15, 0.38%, 0.6%

LAB 59.56, 1.29, -27.85

 

CMYK 8 / 40 / 0 / 25

HEX #B072BF

RGB 176 114 191

HSL 288.31, 0.38%, 0.6%

LAB 57.1, 37.48, -30.66

 

CMYK 8 / 0 / 40 / 25

HEX #B0BF72

RGB 176 191 114

HSL 71.69, 0.38%, 0.6%

LAB 74.64, -17.33, 37.09

 

CMYK 41 / 24 / 0 / 25

HEX #7291C0

RGB 114 145 192

HSL 216.15, 0.38%, 0.6%

LAB 59.56, 1.29, -27.85

 

CMYK 0 / 40 / 24 / 25

HEX #BF7291

RGB 191 114 145

HSL 335.84, 0.38%, 0.6%

LAB 57.23, 34.41, -3.78

 

CMYK 24 / 0 / 40 / 25

HEX #91BF72

RGB 145 191 114

HSL 95.84, 0.38%, 0.6%

LAB 72.56, -29.08, 34.01

 

CMYK 41 / 24 / 0 / 25

HEX #7291C0

RGB 114 145 192

HSL 216.15, 0.38%, 0.6%

LAB 59.56, 1.29, -27.85

 

CMYK 8 / 40 / 0 / 25

HEX #B072BF

RGB 176 114 191

HSL 288.31, 0.38%, 0.6%

LAB 57.1, 37.48, -30.66

 

CMYK 0 / 16 / 40 / 25

HEX #BFA072

RGB 191 160 114

HSL 35.84, 0.38%, 0.6%

LAB 67.6, 5.04, 28.24

 

CMYK 32 / 0 / 40 / 25

HEX #81BF72

RGB 129 191 114

HSL 108.31, 0.38%, 0.6%

LAB 71.65, -34.67, 32.66

 

CMYK 41 / 24 / 0 / 25

HEX #7291C0

RGB 114 145 192

HSL 216.15, 0.38%, 0.6%

LAB 59.56, 1.29, -27.85

 

CMYK 0 / 40 / 4 / 25

HEX #BF72B8

RGB 191 114 184

HSL 305.45, 0.38%, 0.6%

LAB 58.58, 40.83, -24.24

 

CMYK 0 / 16 / 40 / 25

HEX #BFA072

RGB 191 160 114

HSL 35.84, 0.38%, 0.6%

LAB 67.6, 5.04, 28.24

 

CMYK 40 / 0 / 37 / 25

HEX #72BF79

RGB 114 191 121

HSL 125.45, 0.38%, 0.6%

LAB 71.02, -38.4, 28.05

 

Description

Color code: HEX #7291C0 | qconv.com Color code: HEX #7291C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 145 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 145 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 24 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 24% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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