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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #729CD0 it is the complementary color #8D632F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #729CD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #729CD0 shade: #779CCB, #88AEDE, #99C0F1, #AAD2FF and #BBE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #729CD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #729CD0 shade: #729CD0, #618ABD, #5078AA, #3F6697 and #2E5484

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #729CD0 shade: #719BCF, #7182CF, #7A71CF, #9371CF and #AD71CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #729CD0 shade: #719BCF, #7182CF and #7171CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #729CD0 shade matches the following richer shades: #719BCF, #629ADF, #5298EE and #4396FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #729CD0 shade: #719BCF, #809DC0, #909EB1, #9FA0A2 and #AEA292

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #729CD0 shade: #71CECF, #71B5CF, #719BCF, #7182CF and #7971CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #729CD0 shade: #3B71B3, #5285C5, #719BCF, #90B1DA and #AFC7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #729CD0 shade: #729CD0, #B871CF and #C1CF71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #729CD0 shade: #729CD0, #CF719B and #9BCF71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #729CD0 shade: #729CD0, #B871CF, #CFA571 and #89CF71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #729CD0 shade: #729CD0, #CF71CB, #CFA571 and #71CF76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 25 / 0 / 18

HEX #729CD0

RGB 114 156 208

HSL 213.19, 0.5%, 0.63%

LAB 63.27, -0.43, -31.08

 

Complementary color

CMYK 0 / 30 / 67 / 45

HEX #8D632F

RGB 141 99 47

HSL 33.19, 0.5%, 0.37%

LAB 45.35, 11.41, 35.6

 

CMYK 41 / 23 / 0 / 20

HEX #779CCB

RGB 119 156 203

HSL 213.57, 0.45%, 0.63%

LAB 63.35, -0.56, -28.14

 

CMYK 39 / 22 / 0 / 13

HEX #88AEDE

RGB 136 174 222

HSL 213.49, 0.57%, 0.7%

LAB 70.02, -0.91, -28.28

 

CMYK 37 / 20 / 0 / 5

HEX #99C0F1

RGB 153 192 241

HSL 213.41, 0.76%, 0.77%

LAB 76.57, -1.22, -28.44

 

CMYK 33 / 18 / 0 / 0

HEX #AAD2FF

RGB 170 210 255

HSL 211.76, 1%, 0.83%

LAB 82.84, -2.73, -26.24

 

CMYK 27 / 11 / 0 / 0

HEX #BBE4FF

RGB 187 228 255

HSL 203.82, 1%, 0.87%

LAB 88.58, -7.36, -17.45

 

CMYK 45 / 25 / 0 / 18

HEX #729CD0

RGB 114 156 208

HSL 213.19, 0.5%, 0.63%

LAB 63.27, -0.43, -31.08

 

CMYK 49 / 27 / 0 / 26

HEX #618ABD

RGB 97 138 189

HSL 213.26, 0.41%, 0.56%

LAB 56.48, 0.09, -31

 

CMYK 53 / 29 / 0 / 33

HEX #5078AA

RGB 80 120 170

HSL 213.33, 0.36%, 0.49%

LAB 49.55, 0.73, -30.94

 

CMYK 58 / 32 / 0 / 41

HEX #3F6697

RGB 63 102 151

HSL 213.41, 0.41%, 0.42%

LAB 42.45, 1.56, -30.93

 

CMYK 65 / 36 / 0 / 48

HEX #2E5484

RGB 46 84 132

HSL 213.49, 0.48%, 0.35%

LAB 35.18, 2.67, -30.95

 

CMYK 45 / 25 / 0 / 19

HEX #719BCF

RGB 113 155 207

HSL 213.19, 0.49%, 0.63%

LAB 62.89, -0.4, -31.1

 

CMYK 45 / 37 / 0 / 19

HEX #7182CF

RGB 113 130 207

HSL 229.15, 0.49%, 0.63%

LAB 56.07, 14.16, -41.77

 

CMYK 41 / 45 / 0 / 19

HEX #7A71CF

RGB 122 113 207

HSL 245.74, 0.49%, 0.63%

LAB 52.35, 26.59, -47.62

 

CMYK 29 / 45 / 0 / 19

HEX #9371CF

RGB 147 113 207

HSL 261.7, 0.49%, 0.63%

LAB 54.57, 33.19, -43.95

 

CMYK 16 / 45 / 0 / 19

HEX #AD71CF

RGB 173 113 207

HSL 278.3, 0.49%, 0.63%

LAB 57.27, 40.51, -39.52

 

CMYK 45 / 25 / 0 / 19

HEX #719BCF

RGB 113 155 207

HSL 213.19, 0.49%, 0.63%

LAB 62.89, -0.4, -31.1

 

CMYK 45 / 37 / 0 / 19

HEX #7182CF

RGB 113 130 207

HSL 229.15, 0.49%, 0.63%

LAB 56.07, 14.16, -41.77

 

CMYK 45 / 45 / 0 / 19

HEX #7171CF

RGB 113 113 207

HSL 240, 0.49%, 0.63%

LAB 51.64, 24.38, -48.79

 

CMYK 45 / 25 / 0 / 19

HEX #719BCF

RGB 113 155 207

HSL 213.19, 0.49%, 0.63%

LAB 62.89, -0.4, -31.1

 

CMYK 56 / 31 / 0 / 13

HEX #629ADF

RGB 98 154 223

HSL 213.12, 0.66%, 0.63%

LAB 62.54, 1.57, -40.61

 

CMYK 66 / 36 / 0 / 7

HEX #5298EE

RGB 82 152 238

HSL 213.08, 0.82%, 0.63%

LAB 62.02, 4.68, -49.77

 

CMYK 74 / 41 / 0 / 1

HEX #4396FD

RGB 67 150 253

HSL 213.23, 0.98%, 0.63%

LAB 61.74, 8.91, -58.48

 

CMYK 45 / 25 / 0 / 19

HEX #719BCF

RGB 113 155 207

HSL 213.19, 0.49%, 0.63%

LAB 62.89, -0.4, -31.1

 

CMYK 33 / 18 / 0 / 25

HEX #809DC0

RGB 128 157 192

HSL 212.81, 0.34%, 0.63%

LAB 63.76, -1.58, -21.31

 

CMYK 19 / 11 / 0 / 31

HEX #909EB1

RGB 144 158 177

HSL 214.55, 0.17%, 0.63%

LAB 64.61, -0.84, -11.53

 

CMYK 2 / 1 / 0 / 36

HEX #9FA0A2

RGB 159 160 162

HSL 220, 0.02%, 0.63%

LAB 65.84, 0.03, -1.17

 

CMYK 0 / 7 / 16 / 32

HEX #AEA292

RGB 174 162 146

HSL 34.29, 0.15%, 0.63%

LAB 67.21, 1.62, 9.89

 

CMYK 45 / 0 / 0 / 19

HEX #71CECF

RGB 113 206 207

HSL 180.64, 0.49%, 0.63%

LAB 77.38, -27.34, -9.11

 

CMYK 45 / 13 / 0 / 19

HEX #71B5CF

RGB 113 181 207

HSL 196.6, 0.49%, 0.63%

LAB 70.22, -14.64, -19.86

 

CMYK 45 / 25 / 0 / 19

HEX #719BCF

RGB 113 155 207

HSL 213.19, 0.49%, 0.63%

LAB 62.89, -0.4, -31.1

 

CMYK 45 / 37 / 0 / 19

HEX #7182CF

RGB 113 130 207

HSL 229.15, 0.49%, 0.63%

LAB 56.07, 14.16, -41.77

 

CMYK 42 / 45 / 0 / 19

HEX #7971CF

RGB 121 113 207

HSL 245.11, 0.49%, 0.63%

LAB 52.26, 26.34, -47.76

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 58 / 32 / 0 / 23

HEX #5285C5

RGB 82 133 197

HSL 213.39, 0.5%, 0.55%

LAB 54.66, 2.18, -38.44

 

CMYK 45 / 25 / 0 / 19

HEX #719BCF

RGB 113 155 207

HSL 213.19, 0.49%, 0.63%

LAB 62.89, -0.4, -31.1

 

CMYK 34 / 19 / 0 / 15

HEX #90B1DA

RGB 144 177 218

HSL 213.24, 0.5%, 0.71%

LAB 71.17, -1.42, -24.29

 

CMYK 23 / 13 / 0 / 11

HEX #AFC7E4

RGB 175 199 228

HSL 212.83, 0.5%, 0.79%

LAB 79.36, -1.83, -17.08

 

CMYK 45 / 25 / 0 / 18

HEX #729CD0

RGB 114 156 208

HSL 213.19, 0.5%, 0.63%

LAB 63.27, -0.43, -31.08

 

CMYK 11 / 45 / 0 / 19

HEX #B871CF

RGB 184 113 207

HSL 285.32, 0.49%, 0.63%

LAB 58.51, 43.69, -37.48

 

CMYK 7 / 0 / 45 / 19

HEX #C1CF71

RGB 193 207 113

HSL 68.94, 0.49%, 0.63%

LAB 80.27, -18.76, 44.89

 

CMYK 45 / 25 / 0 / 18

HEX #729CD0

RGB 114 156 208

HSL 213.19, 0.5%, 0.63%

LAB 63.27, -0.43, -31.08

 

CMYK 0 / 45 / 25 / 19

HEX #CF719B

RGB 207 113 155

HSL 333.19, 0.49%, 0.63%

LAB 59.38, 41.97, -6.15

 

CMYK 25 / 0 / 45 / 19

HEX #9BCF71

RGB 155 207 113

HSL 93.19, 0.49%, 0.63%

LAB 77.75, -33.14, 41.22

 

CMYK 45 / 25 / 0 / 18

HEX #729CD0

RGB 114 156 208

HSL 213.19, 0.5%, 0.63%

LAB 63.27, -0.43, -31.08

 

CMYK 11 / 45 / 0 / 19

HEX #B871CF

RGB 184 113 207

HSL 285.32, 0.49%, 0.63%

LAB 58.51, 43.69, -37.48

 

CMYK 0 / 20 / 45 / 19

HEX #CFA571

RGB 207 165 113

HSL 33.19, 0.49%, 0.63%

LAB 70.43, 8.79, 32.77

 

CMYK 34 / 0 / 45 / 19

HEX #89CF71

RGB 137 207 113

HSL 104.68, 0.49%, 0.63%

LAB 76.76, -39.38, 39.77

 

CMYK 45 / 25 / 0 / 18

HEX #729CD0

RGB 114 156 208

HSL 213.19, 0.5%, 0.63%

LAB 63.27, -0.43, -31.08

 

CMYK 0 / 45 / 2 / 19

HEX #CF71CB

RGB 207 113 203

HSL 302.55, 0.49%, 0.63%

LAB 61.12, 49.67, -30.94

 

CMYK 0 / 20 / 45 / 19

HEX #CFA571

RGB 207 165 113

HSL 33.19, 0.49%, 0.63%

LAB 70.43, 8.79, 32.77

 

CMYK 45 / 0 / 43 / 19

HEX #71CF76

RGB 113 207 118

HSL 123.19, 0.49%, 0.63%

LAB 75.73, -46.12, 35.72

 

Description

Color code: HEX #729CD0 | qconv.com Color code: HEX #729CD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 156 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 156 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 25 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 25% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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