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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72A5C4 it is the complementary color #8D5A3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72A5C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72A5C4 shade: #77A5BF, #88B7D2, #99C9E5, #AADBF8 and #BBEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72A5C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72A5C4 shade: #72A5C4, #6193B1, #50819E, #3F6F8B and #2E5D78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72A5C4 shade: #72A5C4, #728FC4, #7279C4, #8272C4 and #9872C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72A5C4 shade: #72A5C4, #728FC4, #7279C4 and #7272C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72A5C4 shade matches the following richer shades: #72A5C4, #62A9D4, #52ADE4 and #42B1F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72A5C4 shade: #72A5C4, #82A1B4, #929DA4, #A39994 and #B39583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72A5C4 shade: #72C4B6, #72BCC4, #72A6C4, #7290C4 and #727AC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72A5C4 shade: #437DA1, #5592B8, #72A5C4, #8FB8D0 and #ACCADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72A5C4 shade: #72A5C4, #A072C4 and #C4C172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72A5C4 shade: #72A5C4, #C472A6 and #A6C472

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72A5C4 shade: #72A5C4, #A072C4, #C49072 and #96C472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72A5C4 shade: #72A5C4, #B972C4, #C49072 and #7DC472

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

Complementary color

CMYK 0 / 36 / 58 / 45

HEX #8D5A3B

RGB 141 90 59

HSL 22.68, 0.41%, 0.39%

LAB 43.2, 17.59, 26.43

 

CMYK 38 / 14 / 0 / 25

HEX #77A5BF

RGB 119 165 191

HSL 201.67, 0.36%, 0.61%

LAB 65.43, -8.81, -18.26

 

CMYK 35 / 13 / 0 / 18

HEX #88B7D2

RGB 136 183 210

HSL 201.89, 0.45%, 0.68%

LAB 72.06, -8.93, -18.6

 

CMYK 33 / 12 / 0 / 10

HEX #99C9E5

RGB 153 201 229

HSL 202.11, 0.59%, 0.75%

LAB 78.58, -9.04, -18.93

 

CMYK 31 / 12 / 0 / 3

HEX #AADBF8

RGB 170 219 248

HSL 202.31, 0.85%, 0.82%

LAB 84.99, -9.13, -19.27

 

CMYK 27 / 7 / 0 / 0

HEX #BBEDFF

RGB 187 237 255

HSL 195.88, 1%, 0.87%

LAB 90.94, -11.95, -13.9

 

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

CMYK 45 / 17 / 0 / 31

HEX #6193B1

RGB 97 147 177

HSL 202.5, 0.34%, 0.54%

LAB 58.59, -8.57, -20.93

 

CMYK 49 / 18 / 0 / 38

HEX #50819E

RGB 80 129 158

HSL 202.31, 0.33%, 0.47%

LAB 51.7, -8.26, -20.64

 

CMYK 55 / 20 / 0 / 45

HEX #3F6F8B

RGB 63 111 139

HSL 202.11, 0.38%, 0.4%

LAB 44.65, -7.85, -20.36

 

CMYK 62 / 23 / 0 / 53

HEX #2E5D78

RGB 46 93 120

HSL 201.89, 0.45%, 0.33%

LAB 37.42, -7.26, -20.07

 

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

CMYK 42 / 27 / 0 / 23

HEX #728FC4

RGB 114 143 196

HSL 218.78, 0.41%, 0.61%

LAB 59.17, 3.57, -30.71

 

CMYK 42 / 38 / 0 / 23

HEX #7279C4

RGB 114 121 196

HSL 234.88, 0.41%, 0.61%

LAB 53.21, 16.57, -40.03

 

CMYK 34 / 42 / 0 / 23

HEX #8272C4

RGB 130 114 196

HSL 251.71, 0.41%, 0.61%

LAB 52.69, 25.07, -40.75

 

CMYK 22 / 42 / 0 / 23

HEX #9872C4

RGB 152 114 196

HSL 267.8, 0.41%, 0.61%

LAB 54.76, 31.35, -37.36

 

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

CMYK 42 / 27 / 0 / 23

HEX #728FC4

RGB 114 143 196

HSL 218.78, 0.41%, 0.61%

LAB 59.17, 3.57, -30.71

 

CMYK 42 / 38 / 0 / 23

HEX #7279C4

RGB 114 121 196

HSL 234.88, 0.41%, 0.61%

LAB 53.21, 16.57, -40.03

 

CMYK 42 / 42 / 0 / 23

HEX #7272C4

RGB 114 114 196

HSL 240, 0.41%, 0.61%

LAB 51.38, 20.79, -42.92

 

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

CMYK 54 / 20 / 0 / 17

HEX #62A9D4

RGB 98 169 212

HSL 202.63, 0.57%, 0.61%

LAB 66.31, -10.21, -28.66

 

CMYK 64 / 24 / 0 / 11

HEX #52ADE4

RGB 82 173 228

HSL 202.6, 0.73%, 0.61%

LAB 67.49, -10.49, -35.68

 

CMYK 73 / 27 / 0 / 4

HEX #42B1F4

RGB 66 177 244

HSL 202.58, 0.89%, 0.61%

LAB 68.85, -9.76, -42.33

 

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

CMYK 28 / 11 / 0 / 29

HEX #82A1B4

RGB 130 161 180

HSL 202.8, 0.25%, 0.61%

LAB 64.59, -6.22, -13.33

 

CMYK 11 / 4 / 0 / 36

HEX #929DA4

RGB 146 157 164

HSL 203.33, 0.09%, 0.61%

LAB 64.08, -2.46, -5

 

CMYK 0 / 6 / 9 / 36

HEX #A39994

RGB 163 153 148

HSL 20, 0.08%, 0.61%

LAB 63.92, 2.76, 3.93

 

CMYK 0 / 17 / 27 / 30

HEX #B39583

RGB 179 149 131

HSL 22.5, 0.24%, 0.61%

LAB 63.93, 8.43, 13.69

 

CMYK 42 / 0 / 7 / 23

HEX #72C4B6

RGB 114 196 182

HSL 169.76, 0.41%, 0.61%

LAB 73.83, -28.38, -0.82

 

CMYK 42 / 4 / 0 / 23

HEX #72BCC4

RGB 114 188 196

HSL 185.85, 0.41%, 0.61%

LAB 71.91, -20.94, -11.28

 

CMYK 42 / 15 / 0 / 23

HEX #72A6C4

RGB 114 166 196

HSL 201.95, 0.41%, 0.61%

LAB 65.62, -9.35, -20.78

 

CMYK 42 / 27 / 0 / 23

HEX #7290C4

RGB 114 144 196

HSL 218.05, 0.41%, 0.61%

LAB 59.44, 3, -30.28

 

CMYK 42 / 38 / 0 / 23

HEX #727AC4

RGB 114 122 196

HSL 234.15, 0.41%, 0.61%

LAB 53.47, 15.97, -39.61

 

CMYK 58 / 22 / 0 / 37

HEX #437DA1

RGB 67 125 161

HSL 202.98, 0.41%, 0.45%

LAB 50.02, -8.02, -25.02

 

CMYK 54 / 21 / 0 / 28

HEX #5592B8

RGB 85 146 184

HSL 203.03, 0.41%, 0.53%

LAB 57.99, -8.81, -25.86

 

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

CMYK 31 / 12 / 0 / 18

HEX #8FB8D0

RGB 143 184 208

HSL 202.15, 0.41%, 0.69%

LAB 72.68, -7.99, -16.54

 

CMYK 22 / 8 / 0 / 14

HEX #ACCADC

RGB 172 202 220

HSL 202.5, 0.41%, 0.77%

LAB 79.72, -6.13, -12.28

 

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

CMYK 18 / 42 / 0 / 23

HEX #A072C4

RGB 160 114 196

HSL 273.66, 0.41%, 0.61%

LAB 55.58, 33.71, -36.02

 

CMYK 0 / 2 / 42 / 23

HEX #C4C172

RGB 196 193 114

HSL 57.8, 0.41%, 0.61%

LAB 76.73, -10.39, 40.06

 

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

CMYK 0 / 42 / 15 / 23

HEX #C472A6

RGB 196 114 166

HSL 321.95, 0.41%, 0.61%

LAB 58.53, 39.39, -13.92

 

CMYK 15 / 0 / 42 / 23

HEX #A6C472

RGB 166 196 114

HSL 81.95, 0.41%, 0.61%

LAB 75.33, -23.69, 37.82

 

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

CMYK 18 / 42 / 0 / 23

HEX #A072C4

RGB 160 114 196

HSL 273.66, 0.41%, 0.61%

LAB 55.58, 33.71, -36.02

 

CMYK 0 / 27 / 42 / 23

HEX #C49072

RGB 196 144 114

HSL 21.95, 0.41%, 0.61%

LAB 64.08, 15.85, 23.65

 

CMYK 23 / 0 / 42 / 23

HEX #96C472

RGB 150 196 114

HSL 93.66, 0.41%, 0.61%

LAB 74.3, -29.65, 36.31

 

CMYK 42 / 16 / 0 / 23

HEX #72A5C4

RGB 114 165 196

HSL 202.68, 0.41%, 0.61%

LAB 65.34, -8.81, -21.22

 

CMYK 6 / 42 / 0 / 23

HEX #B972C4

RGB 185 114 196

HSL 291.95, 0.41%, 0.61%

LAB 58.35, 41.24, -31.48

 

CMYK 0 / 27 / 42 / 23

HEX #C49072

RGB 196 144 114

HSL 21.95, 0.41%, 0.61%

LAB 64.08, 15.85, 23.65

 

CMYK 36 / 0 / 42 / 23

HEX #7DC472

RGB 125 196 114

HSL 111.95, 0.41%, 0.61%

LAB 72.93, -38.27, 34.26

 

Description

Color code: HEX #72A5C4 | qconv.com Color code: HEX #72A5C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 165 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 165 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 16 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 16% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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