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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72A6CE it is the complementary color #8D5931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72A6CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72A6CE shade: #77A6C9, #88B8DC, #99CAEF, #AADCFF and #BBEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72A6CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72A6CE shade: #72A6CE, #6194BB, #5082A8, #3F7095 and #2E5E82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72A6CE shade: #73A6CD, #738ECD, #7375CD, #8973CD and #A173CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72A6CE shade: #73A6CD, #738ECD, #7375CD and #7373CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72A6CE shade matches the following richer shades: #73A6CD, #64A8DD, #54AAEC and #45ACFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72A6CE shade: #73A6CD, #82A4BE, #91A2AF, #A1A0A0 and #B09E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72A6CE shade: #73CDC4, #73BECD, #73A6CD, #738ECD and #7376CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72A6CE shade: #3E7EB0, #5493C3, #73A6CD, #91B9D8 and #B0CDE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72A6CE shade: #72A6CE, #AC73CD and #CACD73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72A6CE shade: #72A6CE, #CD73A6 and #A6CD73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72A6CE shade: #72A6CE, #AC73CD, #CD9A73 and #94CD73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72A6CE shade: #72A6CE, #C773CD, #CD9A73 and #79CD73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 19 / 0 / 19

HEX #72A6CE

RGB 114 166 206

HSL 206.09, 0.48%, 0.63%

LAB 65.99, -6.58, -25.77

 

Complementary color

CMYK 0 / 37 / 65 / 45

HEX #8D5931

RGB 141 89 49

HSL 26.09, 0.48%, 0.37%

LAB 42.81, 17.39, 31.61

 

CMYK 41 / 17 / 0 / 21

HEX #77A6C9

RGB 119 166 201

HSL 205.61, 0.43%, 0.63%

LAB 66.07, -6.68, -22.85

 

CMYK 38 / 16 / 0 / 14

HEX #88B8DC

RGB 136 184 220

HSL 205.71, 0.55%, 0.7%

LAB 72.68, -6.9, -23.11

 

CMYK 36 / 15 / 0 / 6

HEX #99CAEF

RGB 153 202 239

HSL 205.81, 0.73%, 0.77%

LAB 79.18, -7.08, -23.38

 

CMYK 33 / 14 / 0 / 0

HEX #AADCFF

RGB 170 220 255

HSL 204.71, 1%, 0.83%

LAB 85.48, -7.97, -22.22

 

CMYK 27 / 7 / 0 / 0

HEX #BBEEFF

RGB 187 238 255

HSL 195, 1%, 0.87%

LAB 91.2, -12.46, -13.51

 

CMYK 45 / 19 / 0 / 19

HEX #72A6CE

RGB 114 166 206

HSL 206.09, 0.48%, 0.63%

LAB 65.99, -6.58, -25.77

 

CMYK 48 / 21 / 0 / 27

HEX #6194BB

RGB 97 148 187

HSL 206, 0.4%, 0.56%

LAB 59.26, -6.23, -25.56

 

CMYK 52 / 23 / 0 / 34

HEX #5082A8

RGB 80 130 168

HSL 205.91, 0.35%, 0.49%

LAB 52.4, -5.78, -25.36

 

CMYK 58 / 25 / 0 / 42

HEX #3F7095

RGB 63 112 149

HSL 205.81, 0.41%, 0.42%

LAB 45.38, -5.19, -25.17

 

CMYK 65 / 28 / 0 / 49

HEX #2E5E82

RGB 46 94 130

HSL 205.71, 0.48%, 0.35%

LAB 38.2, -4.37, -24.98

 

CMYK 44 / 19 / 0 / 20

HEX #73A6CD

RGB 115 166 205

HSL 206, 0.47%, 0.63%

LAB 66, -6.61, -25.19

 

CMYK 44 / 31 / 0 / 20

HEX #738ECD

RGB 115 142 205

HSL 222, 0.47%, 0.63%

LAB 59.34, 7, -35.5

 

CMYK 44 / 43 / 0 / 20

HEX #7375CD

RGB 115 117 205

HSL 238.67, 0.47%, 0.63%

LAB 52.7, 21.86, -45.95

 

CMYK 33 / 44 / 0 / 20

HEX #8973CD

RGB 137 115 205

HSL 254.67, 0.47%, 0.63%

LAB 54.01, 28.78, -43.76

 

CMYK 21 / 44 / 0 / 20

HEX #A173CD

RGB 161 115 205

HSL 270.67, 0.47%, 0.63%

LAB 56.33, 35.5, -39.94

 

CMYK 44 / 19 / 0 / 20

HEX #73A6CD

RGB 115 166 205

HSL 206, 0.47%, 0.63%

LAB 66, -6.61, -25.19

 

CMYK 44 / 31 / 0 / 20

HEX #738ECD

RGB 115 142 205

HSL 222, 0.47%, 0.63%

LAB 59.34, 7, -35.5

 

CMYK 44 / 43 / 0 / 20

HEX #7375CD

RGB 115 117 205

HSL 238.67, 0.47%, 0.63%

LAB 52.7, 21.86, -45.95

 

CMYK 44 / 44 / 0 / 20

HEX #7373CD

RGB 115 115 205

HSL 240, 0.47%, 0.63%

LAB 52.19, 23.07, -46.76

 

CMYK 44 / 19 / 0 / 20

HEX #73A6CD

RGB 115 166 205

HSL 206, 0.47%, 0.63%

LAB 66, -6.61, -25.19

 

CMYK 55 / 24 / 0 / 13

HEX #64A8DD

RGB 100 168 221

HSL 206.28, 0.64%, 0.63%

LAB 66.47, -6.52, -33.37

 

CMYK 64 / 28 / 0 / 7

HEX #54AAEC

RGB 84 170 236

HSL 206.05, 0.8%, 0.63%

LAB 67.04, -5.92, -40.75

 

CMYK 73 / 31 / 0 / 2

HEX #45ACFB

RGB 69 172 251

HSL 206.04, 0.96%, 0.63%

LAB 67.83, -4.24, -47.73

 

CMYK 44 / 19 / 0 / 20

HEX #73A6CD

RGB 115 166 205

HSL 206, 0.47%, 0.63%

LAB 66, -6.61, -25.19

 

CMYK 32 / 14 / 0 / 25

HEX #82A4BE

RGB 130 164 190

HSL 206, 0.32%, 0.63%

LAB 65.76, -5.39, -17.15

 

CMYK 17 / 7 / 0 / 31

HEX #91A2AF

RGB 145 162 175

HSL 206, 0.16%, 0.63%

LAB 65.71, -3.17, -8.75

 

CMYK 0 / 1 / 1 / 37

HEX #A1A0A0

RGB 161 160 160

HSL 0, 0.01%, 0.63%

LAB 65.95, 0.36, 0.12

 

CMYK 0 / 10 / 18 / 31

HEX #B09E90

RGB 176 158 144

HSL 26.25, 0.17%, 0.63%

LAB 66.29, 4.26, 9.71

 

CMYK 44 / 0 / 4 / 20

HEX #73CDC4

RGB 115 205 196

HSL 174, 0.47%, 0.63%

LAB 76.86, -29.12, -3.94

 

CMYK 44 / 7 / 0 / 20

HEX #73BECD

RGB 115 190 205

HSL 190, 0.47%, 0.63%

LAB 72.81, -19.37, -14.84

 

CMYK 44 / 19 / 0 / 20

HEX #73A6CD

RGB 115 166 205

HSL 206, 0.47%, 0.63%

LAB 66, -6.61, -25.19

 

CMYK 44 / 31 / 0 / 20

HEX #738ECD

RGB 115 142 205

HSL 222, 0.47%, 0.63%

LAB 59.34, 7, -35.5

 

CMYK 44 / 42 / 0 / 20

HEX #7376CD

RGB 115 118 205

HSL 238, 0.47%, 0.63%

LAB 52.96, 21.26, -45.54

 

CMYK 65 / 28 / 0 / 31

HEX #3E7EB0

RGB 62 126 176

HSL 206.32, 0.48%, 0.47%

LAB 50.78, -4.58, -32.55

 

CMYK 57 / 25 / 0 / 24

HEX #5493C3

RGB 84 147 195

HSL 205.95, 0.48%, 0.55%

LAB 58.69, -6.17, -31.01

 

CMYK 44 / 19 / 0 / 20

HEX #73A6CD

RGB 115 166 205

HSL 206, 0.47%, 0.63%

LAB 66, -6.61, -25.19

 

CMYK 33 / 14 / 0 / 15

HEX #91B9D8

RGB 145 185 216

HSL 206.2, 0.48%, 0.71%

LAB 73.33, -5.98, -19.89

 

CMYK 22 / 10 / 0 / 11

HEX #B0CDE3

RGB 176 205 227

HSL 205.88, 0.48%, 0.79%

LAB 80.98, -4.93, -14.1

 

CMYK 45 / 19 / 0 / 19

HEX #72A6CE

RGB 114 166 206

HSL 206.09, 0.48%, 0.63%

LAB 65.99, -6.58, -25.77

 

CMYK 16 / 44 / 0 / 20

HEX #AC73CD

RGB 172 115 205

HSL 278, 0.47%, 0.63%

LAB 57.5, 38.69, -38.03

 

CMYK 1 / 0 / 44 / 20

HEX #CACD73

RGB 202 205 115

HSL 62, 0.47%, 0.63%

LAB 80.44, -13.98, 44.27

 

CMYK 45 / 19 / 0 / 19

HEX #72A6CE

RGB 114 166 206

HSL 206.09, 0.48%, 0.63%

LAB 65.99, -6.58, -25.77

 

CMYK 0 / 44 / 19 / 20

HEX #CD73A6

RGB 205 115 166

HSL 326, 0.47%, 0.63%

LAB 59.88, 41.87, -11.77

 

CMYK 19 / 0 / 44 / 20

HEX #A6CD73

RGB 166 205 115

HSL 86, 0.47%, 0.63%

LAB 77.88, -27.93, 40.53

 

CMYK 45 / 19 / 0 / 19

HEX #72A6CE

RGB 114 166 206

HSL 206.09, 0.48%, 0.63%

LAB 65.99, -6.58, -25.77

 

CMYK 16 / 44 / 0 / 20

HEX #AC73CD

RGB 172 115 205

HSL 278, 0.47%, 0.63%

LAB 57.5, 38.69, -38.03

 

CMYK 0 / 25 / 44 / 20

HEX #CD9A73

RGB 205 154 115

HSL 26, 0.47%, 0.63%

LAB 67.52, 14.14, 27.86

 

CMYK 28 / 0 / 44 / 20

HEX #94CD73

RGB 148 205 115

HSL 98, 0.47%, 0.63%

LAB 76.8, -34.45, 38.94

 

CMYK 45 / 19 / 0 / 19

HEX #72A6CE

RGB 114 166 206

HSL 206.09, 0.48%, 0.63%

LAB 65.99, -6.58, -25.77

 

CMYK 3 / 44 / 0 / 20

HEX #C773CD

RGB 199 115 205

HSL 296, 0.47%, 0.63%

LAB 60.61, 46.64, -32.94

 

CMYK 0 / 25 / 44 / 20

HEX #CD9A73

RGB 205 154 115

HSL 26, 0.47%, 0.63%

LAB 67.52, 14.14, 27.86

 

CMYK 41 / 0 / 44 / 20

HEX #79CD73

RGB 121 205 115

HSL 116, 0.47%, 0.63%

LAB 75.43, -43.34, 36.92

 

Description

Color code: HEX #72A6CE | qconv.com Color code: HEX #72A6CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 166 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 166 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 19 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 19% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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