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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72B9D9 it is the complementary color #8D4626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72B9D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72B9D9 shade: #77B9D4, #88CBE7, #99DDFA, #AAEFFF and #BBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72B9D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72B9D9 shade: #72B9D9, #61A7C6, #5095B3, #3F83A0 and #2E718D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72B9D9 shade: #71B9D9, #719DD9, #7181D9, #7E71D9 and #9A71D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72B9D9 shade: #71B9D9, #719DD9, #7181D9 and #7171D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72B9D9 shade matches the following richer shades: #71B9D9, #63BEE7 and #55C4F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72B9D9 shade: #71B9D9, #80B3CB, #8EAEBC, #9DA8AE and #ABA39F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72B9D9 shade: #71D9C1, #71D6D9, #71BAD9, #719ED9 and #7183D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72B9D9 shade: #3497C4, #51A9D0, #71B9D9, #92C9E2 and #B3D9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72B9D9 shade: #72B9D9, #A571D9 and #D9CF71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72B9D9 shade: #72B9D9, #D971BA and #BAD971

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72B9D9 shade: #72B9D9, #A571D9, #D99171 and #A5D971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72B9D9 shade: #72B9D9, #C471D9, #D99171 and #86D971

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 15 / 0 / 15

HEX #72B9D9

RGB 114 185 217

HSL 198.64, 0.58%, 0.65%

LAB 71.75, -13.76, -23

 

Complementary color

CMYK 0 / 50 / 73 / 45

HEX #8D4626

RGB 141 70 38

HSL 18.64, 0.58%, 0.35%

LAB 38.17, 27.55, 32.41

 

CMYK 44 / 13 / 0 / 17

HEX #77B9D4

RGB 119 185 212

HSL 197.42, 0.52%, 0.65%

LAB 71.81, -13.92, -20.16

 

CMYK 41 / 12 / 0 / 9

HEX #88CBE7

RGB 136 203 231

HSL 197.68, 0.66%, 0.72%

LAB 78.3, -14.07, -20.52

 

CMYK 39 / 12 / 0 / 2

HEX #99DDFA

RGB 153 221 250

HSL 197.94, 0.91%, 0.79%

LAB 84.68, -14.19, -20.88

 

CMYK 33 / 6 / 0 / 0

HEX #AAEFFF

RGB 170 239 255

HSL 191.29, 1%, 0.83%

LAB 90.55, -17.64, -14.58

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 47 / 15 / 0 / 15

HEX #72B9D9

RGB 114 185 217

HSL 198.64, 0.58%, 0.65%

LAB 71.75, -13.76, -23

 

CMYK 51 / 16 / 0 / 22

HEX #61A7C6

RGB 97 167 198

HSL 198.42, 0.47%, 0.58%

LAB 65.17, -13.47, -22.66

 

CMYK 55 / 17 / 0 / 30

HEX #5095B3

RGB 80 149 179

HSL 198.18, 0.39%, 0.51%

LAB 58.47, -13.09, -22.31

 

CMYK 61 / 18 / 0 / 37

HEX #3F83A0

RGB 63 131 160

HSL 197.94, 0.43%, 0.44%

LAB 51.64, -12.57, -21.95

 

CMYK 67 / 20 / 0 / 45

HEX #2E718D

RGB 46 113 141

HSL 197.68, 0.51%, 0.37%

LAB 44.68, -11.84, -21.55

 

CMYK 48 / 15 / 0 / 15

HEX #71B9D9

RGB 113 185 217

HSL 198.46, 0.58%, 0.65%

LAB 71.7, -13.99, -23.07

 

CMYK 48 / 28 / 0 / 15

HEX #719DD9

RGB 113 157 217

HSL 214.62, 0.58%, 0.65%

LAB 63.86, 1.38, -35.16

 

CMYK 48 / 41 / 0 / 15

HEX #7181D9

RGB 113 129 217

HSL 230.77, 0.58%, 0.65%

LAB 56.31, 17.76, -47.03

 

CMYK 42 / 48 / 0 / 15

HEX #7E71D9

RGB 126 113 217

HSL 247.5, 0.58%, 0.65%

LAB 53.23, 30.42, -51.87

 

CMYK 29 / 48 / 0 / 15

HEX #9A71D9

RGB 154 113 217

HSL 263.65, 0.58%, 0.65%

LAB 55.78, 37.57, -47.66

 

CMYK 48 / 15 / 0 / 15

HEX #71B9D9

RGB 113 185 217

HSL 198.46, 0.58%, 0.65%

LAB 71.7, -13.99, -23.07

 

CMYK 48 / 28 / 0 / 15

HEX #719DD9

RGB 113 157 217

HSL 214.62, 0.58%, 0.65%

LAB 63.86, 1.38, -35.16

 

CMYK 48 / 41 / 0 / 15

HEX #7181D9

RGB 113 129 217

HSL 230.77, 0.58%, 0.65%

LAB 56.31, 17.76, -47.03

 

CMYK 48 / 48 / 0 / 15

HEX #7171D9

RGB 113 113 217

HSL 240, 0.58%, 0.65%

LAB 52.21, 27.37, -53.55

 

CMYK 48 / 15 / 0 / 15

HEX #71B9D9

RGB 113 185 217

HSL 198.46, 0.58%, 0.65%

LAB 71.7, -13.99, -23.07

 

CMYK 57 / 18 / 0 / 9

HEX #63BEE7

RGB 99 190 231

HSL 198.64, 0.73%, 0.65%

LAB 73.06, -15.57, -28.66

 

CMYK 65 / 20 / 0 / 4

HEX #55C4F6

RGB 85 196 246

HSL 198.63, 0.9%, 0.65%

LAB 74.87, -16.59, -34.01

 

CMYK 48 / 15 / 0 / 15

HEX #71B9D9

RGB 113 185 217

HSL 198.46, 0.58%, 0.65%

LAB 71.7, -13.99, -23.07

 

CMYK 37 / 12 / 0 / 20

HEX #80B3CB

RGB 128 179 203

HSL 199.2, 0.42%, 0.65%

LAB 70.27, -10.78, -17.51

 

CMYK 24 / 7 / 0 / 26

HEX #8EAEBC

RGB 142 174 188

HSL 198.26, 0.26%, 0.65%

LAB 69.22, -7.7, -10.75

 

CMYK 10 / 3 / 0 / 32

HEX #9DA8AE

RGB 157 168 174

HSL 201.18, 0.09%, 0.65%

LAB 68.19, -2.64, -4.43

 

CMYK 0 / 5 / 7 / 33

HEX #ABA39F

RGB 171 163 159

HSL 20, 0.07%, 0.65%

LAB 67.54, 2.17, 3.1

 

CMYK 48 / 0 / 11 / 15

HEX #71D9C1

RGB 113 217 193

HSL 166.15, 0.58%, 0.65%

LAB 80.17, -35.98, 2.51

 

CMYK 48 / 1 / 0 / 15

HEX #71D6D9

RGB 113 214 217

HSL 181.73, 0.58%, 0.65%

LAB 79.96, -28.66, -10.62

 

CMYK 48 / 14 / 0 / 15

HEX #71BAD9

RGB 113 186 217

HSL 197.88, 0.58%, 0.65%

LAB 71.99, -14.52, -22.64

 

CMYK 48 / 27 / 0 / 15

HEX #719ED9

RGB 113 158 217

HSL 214.04, 0.58%, 0.65%

LAB 64.14, 0.81, -34.73

 

CMYK 48 / 40 / 0 / 15

HEX #7183D9

RGB 113 131 217

HSL 229.62, 0.58%, 0.65%

LAB 56.83, 16.56, -46.19

 

CMYK 73 / 23 / 0 / 23

HEX #3497C4

RGB 52 151 196

HSL 198.75, 0.58%, 0.49%

LAB 58.83, -13.5, -31.43

 

CMYK 61 / 19 / 0 / 18

HEX #51A9D0

RGB 81 169 208

HSL 198.43, 0.57%, 0.57%

LAB 65.5, -14.81, -27.75

 

CMYK 48 / 15 / 0 / 15

HEX #71B9D9

RGB 113 185 217

HSL 198.46, 0.58%, 0.65%

LAB 71.7, -13.99, -23.07

 

CMYK 35 / 11 / 0 / 11

HEX #92C9E2

RGB 146 201 226

HSL 198.75, 0.58%, 0.73%

LAB 78.1, -11.7, -18.09

 

CMYK 24 / 7 / 0 / 8

HEX #B3D9EA

RGB 179 217 234

HSL 198.55, 0.57%, 0.81%

LAB 84.56, -8.73, -12.45

 

CMYK 47 / 15 / 0 / 15

HEX #72B9D9

RGB 114 185 217

HSL 198.64, 0.58%, 0.65%

LAB 71.75, -13.76, -23

 

CMYK 24 / 48 / 0 / 15

HEX #A571D9

RGB 165 113 217

HSL 270, 0.58%, 0.65%

LAB 56.9, 40.53, -45.81

 

CMYK 0 / 5 / 48 / 15

HEX #D9CF71

RGB 217 207 113

HSL 54.23, 0.58%, 0.65%

LAB 82.15, -9.16, 47.62

 

CMYK 47 / 15 / 0 / 15

HEX #72B9D9

RGB 114 185 217

HSL 198.64, 0.58%, 0.65%

LAB 71.75, -13.76, -23

 

CMYK 0 / 48 / 14 / 15

HEX #D971BA

RGB 217 113 186

HSL 317.88, 0.58%, 0.65%

LAB 61.75, 49.86, -20.23

 

CMYK 14 / 0 / 48 / 15

HEX #BAD971

RGB 186 217 113

HSL 77.88, 0.58%, 0.65%

LAB 82.52, -26.35, 47.53

 

CMYK 47 / 15 / 0 / 15

HEX #72B9D9

RGB 114 185 217

HSL 198.64, 0.58%, 0.65%

LAB 71.75, -13.76, -23

 

CMYK 24 / 48 / 0 / 15

HEX #A571D9

RGB 165 113 217

HSL 270, 0.58%, 0.65%

LAB 56.9, 40.53, -45.81

 

CMYK 0 / 33 / 48 / 15

HEX #D99171

RGB 217 145 113

HSL 18.46, 0.58%, 0.65%

LAB 66.67, 23.66, 28.07

 

CMYK 24 / 0 / 48 / 15

HEX #A5D971

RGB 165 217 113

HSL 90, 0.58%, 0.65%

LAB 81.19, -34.17, 45.61

 

CMYK 47 / 15 / 0 / 15

HEX #72B9D9

RGB 114 185 217

HSL 198.64, 0.58%, 0.65%

LAB 71.75, -13.76, -23

 

CMYK 10 / 48 / 0 / 15

HEX #C471D9

RGB 196 113 217

HSL 287.88, 0.58%, 0.65%

LAB 60.39, 49.13, -40.07

 

CMYK 0 / 33 / 48 / 15

HEX #D99171

RGB 217 145 113

HSL 18.46, 0.58%, 0.65%

LAB 66.67, 23.66, 28.07

 

CMYK 38 / 0 / 48 / 15

HEX #86D971

RGB 134 217 113

HSL 107.88, 0.58%, 0.65%

LAB 79.55, -44.72, 43.21

 

Description

Color code: HEX #72B9D9 | qconv.com Color code: HEX #72B9D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 185 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 185 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 15 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 15% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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