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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72C443 it is the complementary color #8D3BBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72C443. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72C443 shade: #77C43E, #88D651, #99E864, #AAFA77 and #BBFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72C443. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72C443 shade: #72C443, #61B230, #50A01D, #3F8E0A and #2E7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72C443 shade: #73C444, #95C444, #B7C444, #C4AE44 and #C48B44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72C443 shade: #73C444, #51C444, #44C45B, #44C47D and #44C49F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72C443 shade matches the following richer shades: #73C444, #6DD831 and #68EB1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72C443 shade: #73C444, #78B058, #7E9C6C, #838880 and #887594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72C443 shade: #B7C444, #95C444, #73C444, #51C444 and #44C45A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72C443 shade: #4E8A2B, #60AA35, #73C444, #8ACE64 and #A2D883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72C443 shade: #72C443, #44C4AF and #C444A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72C443 shade: #72C443, #4473C4 and #C44473

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72C443 shade: #72C443, #44C4AF, #9544C4 and #C4445A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72C443 shade: #72C443, #44B3C4, #9544C4 and #C45544

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 66 / 23

HEX #72C443

RGB 114 196 67

HSL 98.14, 0.52%, 0.52%

LAB 71.87, -47.27, 54.97

 

Complementary color

CMYK 25 / 69 / 0 / 26

HEX #8D3BBC

RGB 141 59 188

HSL 278.14, 0.52%, 0.48%

LAB 41.88, 55.77, -53.3

 

CMYK 39 / 0 / 68 / 23

HEX #77C43E

RGB 119 196 62

HSL 94.48, 0.53%, 0.51%

LAB 72.06, -46.02, 57.25

 

CMYK 36 / 0 / 62 / 16

HEX #88D651

RGB 136 214 81

HSL 95.19, 0.62%, 0.58%

LAB 78.42, -46.26, 56.57

 

CMYK 34 / 0 / 57 / 9

HEX #99E864

RGB 153 232 100

HSL 95.91, 0.74%, 0.65%

LAB 84.69, -46.37, 55.64

 

CMYK 32 / 0 / 52 / 2

HEX #AAFA77

RGB 170 250 119

HSL 96.64, 0.93%, 0.72%

LAB 90.89, -46.39, 54.58

 

CMYK 27 / 0 / 46 / 0

HEX #BBFF8A

RGB 187 255 138

HSL 94.87, 1%, 0.77%

LAB 93.42, -40.71, 49.04

 

CMYK 42 / 0 / 66 / 23

HEX #72C443

RGB 114 196 67

HSL 98.14, 0.52%, 0.52%

LAB 71.87, -47.27, 54.97

 

CMYK 46 / 0 / 73 / 30

HEX #61B230

RGB 97 178 48

HSL 97.38, 0.58%, 0.44%

LAB 65.43, -46.9, 55.44

 

CMYK 50 / 0 / 82 / 37

HEX #50A01D

RGB 80 160 29

HSL 96.64, 0.69%, 0.37%

LAB 58.91, -46.25, 55.17

 

CMYK 56 / 0 / 93 / 44

HEX #3F8E0A

RGB 63 142 10

HSL 95.91, 0.87%, 0.3%

LAB 52.31, -45.18, 53.54

 

CMYK 63 / 0 / 100 / 51

HEX #2E7C00

RGB 46 124 0

HSL 97.74, 1%, 0.24%

LAB 45.63, -43.51, 49.75

 

CMYK 41 / 0 / 65 / 23

HEX #73C444

RGB 115 196 68

HSL 97.97, 0.52%, 0.52%

LAB 71.92, -46.86, 54.63

 

CMYK 24 / 0 / 65 / 23

HEX #95C444

RGB 149 196 68

HSL 82.03, 0.52%, 0.52%

LAB 73.73, -34.72, 57.11

 

CMYK 7 / 0 / 65 / 23

HEX #B7C444

RGB 183 196 68

HSL 66.09, 0.52%, 0.52%

LAB 76.05, -21.09, 60.25

 

CMYK 0 / 11 / 65 / 23

HEX #C4AE44

RGB 196 174 68

HSL 49.69, 0.52%, 0.52%

LAB 71.16, -4.33, 55.46

 

CMYK 0 / 29 / 65 / 23

HEX #C48B44

RGB 196 139 68

HSL 33.28, 0.52%, 0.52%

LAB 62.18, 14.57, 45.67

 

CMYK 41 / 0 / 65 / 23

HEX #73C444

RGB 115 196 68

HSL 97.97, 0.52%, 0.52%

LAB 71.92, -46.86, 54.63

 

CMYK 59 / 0 / 65 / 23

HEX #51C444

RGB 81 196 68

HSL 113.91, 0.52%, 0.52%

LAB 70.63, -56.59, 52.85

 

CMYK 65 / 0 / 54 / 23

HEX #44C45B

RGB 68 196 91

HSL 130.78, 0.52%, 0.52%

LAB 70.5, -56.76, 42.22

 

CMYK 65 / 0 / 36 / 23

HEX #44C47D

RGB 68 196 125

HSL 146.72, 0.52%, 0.52%

LAB 71, -51.16, 25.63

 

CMYK 65 / 0 / 19 / 23

HEX #44C49F

RGB 68 196 159

HSL 162.66, 0.52%, 0.52%

LAB 71.7, -43.81, 8.39

 

CMYK 41 / 0 / 65 / 23

HEX #73C444

RGB 115 196 68

HSL 97.97, 0.52%, 0.52%

LAB 71.92, -46.86, 54.63

 

CMYK 50 / 0 / 77 / 15

HEX #6DD831

RGB 109 216 49

HSL 98.44, 0.68%, 0.52%

LAB 77.63, -57.86, 67.17

 

CMYK 56 / 0 / 88 / 8

HEX #68EB1D

RGB 104 235 29

HSL 98.16, 0.84%, 0.52%

LAB 83.15, -66.83, 76.86

 

CMYK 41 / 0 / 65 / 23

HEX #73C444

RGB 115 196 68

HSL 97.97, 0.52%, 0.52%

LAB 71.92, -46.86, 54.63

 

CMYK 32 / 0 / 50 / 31

HEX #78B058

RGB 120 176 88

HSL 98.18, 0.36%, 0.52%

LAB 66.33, -34.36, 39.08

 

CMYK 19 / 0 / 31 / 39

HEX #7E9C6C

RGB 126 156 108

HSL 97.5, 0.2%, 0.52%

LAB 61.04, -19.6, 21.82

 

CMYK 4 / 0 / 6 / 47

HEX #838880

RGB 131 136 128

HSL 97.5, 0.03%, 0.52%

LAB 56.08, -3.41, 3.65

 

CMYK 8 / 21 / 0 / 42

HEX #887594

RGB 136 117 148

HSL 276.77, 0.13%, 0.52%

LAB 51.94, 13.48, -14.06

 

CMYK 7 / 0 / 65 / 23

HEX #B7C444

RGB 183 196 68

HSL 66.09, 0.52%, 0.52%

LAB 76.05, -21.09, 60.25

 

CMYK 24 / 0 / 65 / 23

HEX #95C444

RGB 149 196 68

HSL 82.03, 0.52%, 0.52%

LAB 73.73, -34.72, 57.11

 

CMYK 41 / 0 / 65 / 23

HEX #73C444

RGB 115 196 68

HSL 97.97, 0.52%, 0.52%

LAB 71.92, -46.86, 54.63

 

CMYK 59 / 0 / 65 / 23

HEX #51C444

RGB 81 196 68

HSL 113.91, 0.52%, 0.52%

LAB 70.63, -56.59, 52.85

 

CMYK 65 / 0 / 54 / 23

HEX #44C45A

RGB 68 196 90

HSL 130.31, 0.52%, 0.52%

LAB 70.49, -56.9, 42.68

 

CMYK 43 / 0 / 69 / 46

HEX #4E8A2B

RGB 78 138 43

HSL 97.89, 0.52%, 0.35%

LAB 51.8, -36.87, 43.1

 

CMYK 44 / 0 / 69 / 33

HEX #60AA35

RGB 96 170 53

HSL 97.95, 0.52%, 0.44%

LAB 62.92, -43.57, 50.93

 

CMYK 41 / 0 / 65 / 23

HEX #73C444

RGB 115 196 68

HSL 97.97, 0.52%, 0.52%

LAB 71.92, -46.86, 54.63

 

CMYK 33 / 0 / 51 / 19

HEX #8ACE64

RGB 138 206 100

HSL 98.49, 0.52%, 0.6%

LAB 76.35, -40.2, 45.62

 

CMYK 25 / 0 / 39 / 15

HEX #A2D883

RGB 162 216 131

HSL 98.12, 0.52%, 0.68%

LAB 80.98, -32.53, 36.41

 

CMYK 42 / 0 / 66 / 23

HEX #72C443

RGB 114 196 67

HSL 98.14, 0.52%, 0.52%

LAB 71.87, -47.27, 54.97

 

CMYK 65 / 0 / 11 / 23

HEX #44C4AF

RGB 68 196 175

HSL 170.16, 0.52%, 0.52%

LAB 72.1, -39.82, 0.27

 

CMYK 0 / 65 / 15 / 23

HEX #C444A6

RGB 196 68 166

HSL 314.06, 0.52%, 0.52%

LAB 50.24, 61.27, -26.6

 

CMYK 42 / 0 / 66 / 23

HEX #72C443

RGB 114 196 67

HSL 98.14, 0.52%, 0.52%

LAB 71.87, -47.27, 54.97

 

CMYK 65 / 41 / 0 / 23

HEX #4473C4

RGB 68 115 196

HSL 217.97, 0.52%, 0.52%

LAB 48.85, 10.11, -47.1

 

CMYK 0 / 65 / 41 / 23

HEX #C44473

RGB 196 68 115

HSL 337.97, 0.52%, 0.52%

LAB 48.4, 54.83, 1.16

 

CMYK 42 / 0 / 66 / 23

HEX #72C443

RGB 114 196 67

HSL 98.14, 0.52%, 0.52%

LAB 71.87, -47.27, 54.97

 

CMYK 65 / 0 / 11 / 23

HEX #44C4AF

RGB 68 196 175

HSL 170.16, 0.52%, 0.52%

LAB 72.1, -39.82, 0.27

 

CMYK 24 / 65 / 0 / 23

HEX #9544C4

RGB 149 68 196

HSL 277.97, 0.52%, 0.52%

LAB 44.95, 55.15, -52.96

 

CMYK 0 / 65 / 54 / 23

HEX #C4445A

RGB 196 68 90

HSL 349.69, 0.52%, 0.52%

LAB 47.76, 52.53, 15.47

 

CMYK 42 / 0 / 66 / 23

HEX #72C443

RGB 114 196 67

HSL 98.14, 0.52%, 0.52%

LAB 71.87, -47.27, 54.97

 

CMYK 65 / 9 / 0 / 23

HEX #44B3C4

RGB 68 179 196

HSL 187.97, 0.52%, 0.52%

LAB 67.62, -25.88, -17.92

 

CMYK 24 / 65 / 0 / 23

HEX #9544C4

RGB 149 68 196

HSL 277.97, 0.52%, 0.52%

LAB 44.95, 55.15, -52.96

 

CMYK 0 / 57 / 65 / 23

HEX #C45544

RGB 196 85 68

HSL 7.97, 0.52%, 0.52%

LAB 50.28, 43.24, 31.77

 

Description

Color code: HEX #72C443 | qconv.com Color code: HEX #72C443 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 196 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 196 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 66 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 66% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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