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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72C831 it is the complementary color #8D37CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72C831. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72C831 shade: #77C82C, #88DA3F, #99EC52, #AAFE65 and #BBFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72C831. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72C831 shade: #72C831, #61B61E, #50A40B, #3F9200 and #2E8000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72C831 shade: #72C930, #9BC930, #C4C930, #C9A430 and #C97B30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72C831 shade: #72C930, #49C930, #30C941, #30C96A and #30C993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72C831 shade matches the following richer shades: #72C930, #6FDD1C and #6CF108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72C831 shade: #72C930, #75B444, #77A059, #7A8C6D and #7D7881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72C831 shade: #C4C930, #9BC930, #72C930, #4AC930 and #30C93F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72C831 shade: #4C8620, #5FA728, #72C930, #88D44E and #9EDC70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72C831 shade: #72C831, #30C9A5 and #C930AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72C831 shade: #72C831, #3072C9 and #C93072

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72C831 shade: #72C831, #30C9A5, #8730C9 and #C93054

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72C831 shade: #72C831, #30BFC9, #8730C9 and #C93A30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 76 / 22

HEX #72C831

RGB 114 200 49

HSL 94.17, 0.61%, 0.49%

LAB 72.96, -50.18, 62.76

 

Complementary color

CMYK 32 / 73 / 0 / 19

HEX #8D37CE

RGB 141 55 206

HSL 274.17, 0.61%, 0.51%

LAB 42.54, 61.46, -62.71

 

CMYK 41 / 0 / 78 / 22

HEX #77C82C

RGB 119 200 44

HSL 91.15, 0.64%, 0.48%

LAB 73.16, -48.81, 64.61

 

CMYK 38 / 0 / 71 / 15

HEX #88DA3F

RGB 136 218 63

HSL 91.74, 0.68%, 0.55%

LAB 79.46, -49.31, 64.72

 

CMYK 35 / 0 / 65 / 7

HEX #99EC52

RGB 153 236 82

HSL 92.34, 0.8%, 0.62%

LAB 85.69, -49.63, 64.29

 

CMYK 33 / 0 / 60 / 0

HEX #AAFE65

RGB 170 254 101

HSL 92.94, 0.99%, 0.7%

LAB 91.85, -49.82, 63.55

 

CMYK 27 / 0 / 53 / 0

HEX #BBFF78

RGB 187 255 120

HSL 90.22, 1%, 0.74%

LAB 93.21, -42.65, 57.1

 

CMYK 43 / 0 / 76 / 22

HEX #72C831

RGB 114 200 49

HSL 94.17, 0.61%, 0.49%

LAB 72.96, -50.18, 62.76

 

CMYK 47 / 0 / 84 / 29

HEX #61B61E

RGB 97 182 30

HSL 93.55, 0.72%, 0.42%

LAB 66.59, -49.5, 62.12

 

CMYK 51 / 0 / 93 / 36

HEX #50A40B

RGB 80 164 11

HSL 92.94, 0.87%, 0.34%

LAB 60.14, -48.46, 60.15

 

CMYK 57 / 0 / 100 / 43

HEX #3F9200

RGB 63 146 0

HSL 94.11, 1%, 0.29%

LAB 53.62, -46.96, 56.3

 

CMYK 64 / 0 / 100 / 50

HEX #2E8000

RGB 46 128 0

HSL 98.44, 1%, 0.25%

LAB 47, -44.96, 50.84

 

CMYK 43 / 0 / 76 / 21

HEX #72C930

RGB 114 201 48

HSL 94.12, 0.61%, 0.49%

LAB 73.26, -50.64, 63.38

 

CMYK 23 / 0 / 76 / 21

HEX #9BC930

RGB 155 201 48

HSL 78.04, 0.61%, 0.49%

LAB 75.42, -35.9, 66.19

 

CMYK 2 / 0 / 76 / 21

HEX #C4C930

RGB 196 201 48

HSL 61.96, 0.61%, 0.49%

LAB 78.3, -19.13, 69.9

 

CMYK 0 / 18 / 76 / 21

HEX #C9A430

RGB 201 164 48

HSL 45.49, 0.61%, 0.49%

LAB 68.88, 2.13, 61.34

 

CMYK 0 / 39 / 76 / 21

HEX #C97B30

RGB 201 123 48

HSL 29.41, 0.61%, 0.49%

LAB 58.79, 24.41, 51.6

 

CMYK 43 / 0 / 76 / 21

HEX #72C930

RGB 114 201 48

HSL 94.12, 0.61%, 0.49%

LAB 73.26, -50.64, 63.38

 

CMYK 64 / 0 / 76 / 21

HEX #49C930

RGB 73 201 48

HSL 110.2, 0.61%, 0.49%

LAB 71.83, -61.8, 61.49

 

CMYK 76 / 0 / 68 / 21

HEX #30C941

RGB 48 201 65

HSL 126.67, 0.61%, 0.49%

LAB 71.41, -64.91, 54.7

 

CMYK 76 / 0 / 47 / 21

HEX #30C96A

RGB 48 201 106

HSL 142.75, 0.61%, 0.49%

LAB 71.85, -59.58, 36.44

 

CMYK 76 / 0 / 27 / 21

HEX #30C993

RGB 48 201 147

HSL 158.82, 0.61%, 0.49%

LAB 72.57, -51.57, 16.02

 

CMYK 43 / 0 / 76 / 21

HEX #72C930

RGB 114 201 48

HSL 94.12, 0.61%, 0.49%

LAB 73.26, -50.64, 63.38

 

CMYK 50 / 0 / 87 / 13

HEX #6FDD1C

RGB 111 221 28

HSL 94.2, 0.78%, 0.49%

LAB 79.14, -60.02, 73.72

 

CMYK 55 / 0 / 97 / 5

HEX #6CF108

RGB 108 241 8

HSL 94.25, 0.94%, 0.49%

LAB 85.06, -68.27, 81.07

 

CMYK 43 / 0 / 76 / 21

HEX #72C930

RGB 114 201 48

HSL 94.12, 0.61%, 0.49%

LAB 73.26, -50.64, 63.38

 

CMYK 35 / 0 / 62 / 29

HEX #75B444

RGB 117 180 68

HSL 93.75, 0.45%, 0.49%

LAB 67.16, -39.36, 49.45

 

CMYK 26 / 0 / 44 / 37

HEX #77A059

RGB 119 160 89

HSL 94.65, 0.29%, 0.49%

LAB 61.47, -27, 32.52

 

CMYK 13 / 0 / 22 / 45

HEX #7A8C6D

RGB 122 140 109

HSL 94.84, 0.12%, 0.49%

LAB 56.09, -12.51, 14.44

 

CMYK 3 / 7 / 0 / 49

HEX #7D7881

RGB 125 120 129

HSL 273.33, 0.04%, 0.49%

LAB 51.13, 3.71, -4.23

 

CMYK 2 / 0 / 76 / 21

HEX #C4C930

RGB 196 201 48

HSL 61.96, 0.61%, 0.49%

LAB 78.3, -19.13, 69.9

 

CMYK 23 / 0 / 76 / 21

HEX #9BC930

RGB 155 201 48

HSL 78.04, 0.61%, 0.49%

LAB 75.42, -35.9, 66.19

 

CMYK 43 / 0 / 76 / 21

HEX #72C930

RGB 114 201 48

HSL 94.12, 0.61%, 0.49%

LAB 73.26, -50.64, 63.38

 

CMYK 63 / 0 / 76 / 21

HEX #4AC930

RGB 74 201 48

HSL 109.8, 0.61%, 0.49%

LAB 71.85, -61.58, 61.53

 

CMYK 76 / 0 / 69 / 21

HEX #30C93F

RGB 48 201 63

HSL 125.88, 0.61%, 0.49%

LAB 71.39, -65.1, 55.47

 

CMYK 43 / 0 / 76 / 47

HEX #4C8620

RGB 76 134 32

HSL 94.12, 0.61%, 0.33%

LAB 50.32, -36.68, 45.96

 

CMYK 43 / 0 / 76 / 35

HEX #5FA728

RGB 95 167 40

HSL 94.02, 0.61%, 0.41%

LAB 61.85, -43.6, 54.7

 

CMYK 43 / 0 / 76 / 21

HEX #72C930

RGB 114 201 48

HSL 94.12, 0.61%, 0.49%

LAB 73.26, -50.64, 63.38

 

CMYK 36 / 0 / 63 / 17

HEX #88D44E

RGB 136 212 78

HSL 94.03, 0.61%, 0.57%

LAB 77.8, -45.68, 57.15

 

CMYK 28 / 0 / 49 / 14

HEX #9EDC70

RGB 158 220 112

HSL 94.44, 0.61%, 0.65%

LAB 81.63, -38.14, 46.54

 

CMYK 43 / 0 / 76 / 22

HEX #72C831

RGB 114 200 49

HSL 94.17, 0.61%, 0.49%

LAB 72.96, -50.18, 62.76

 

CMYK 76 / 0 / 18 / 21

HEX #30C9A5

RGB 48 201 165

HSL 165.88, 0.61%, 0.49%

LAB 72.97, -47.28, 6.91

 

CMYK 0 / 76 / 13 / 21

HEX #C930AF

RGB 201 48 175

HSL 310.2, 0.61%, 0.49%

LAB 49.04, 70.66, -33.71

 

CMYK 43 / 0 / 76 / 22

HEX #72C831

RGB 114 200 49

HSL 94.17, 0.61%, 0.49%

LAB 72.96, -50.18, 62.76

 

CMYK 76 / 43 / 0 / 21

HEX #3072C9

RGB 48 114 201

HSL 214.12, 0.61%, 0.49%

LAB 48.11, 9.62, -51.2

 

CMYK 0 / 76 / 43 / 21

HEX #C93072

RGB 201 48 114

HSL 334.12, 0.61%, 0.49%

LAB 46.64, 63.41, -0.69

 

CMYK 43 / 0 / 76 / 22

HEX #72C831

RGB 114 200 49

HSL 94.17, 0.61%, 0.49%

LAB 72.96, -50.18, 62.76

 

CMYK 76 / 0 / 18 / 21

HEX #30C9A5

RGB 48 201 165

HSL 165.88, 0.61%, 0.49%

LAB 72.97, -47.28, 6.91

 

CMYK 33 / 76 / 0 / 21

HEX #8730C9

RGB 135 48 201

HSL 274.12, 0.61%, 0.49%

LAB 40.38, 62.06, -63.35

 

CMYK 0 / 76 / 58 / 21

HEX #C93054

RGB 201 48 84

HSL 345.88, 0.61%, 0.49%

LAB 45.87, 60.97, 16.72

 

CMYK 43 / 0 / 76 / 22

HEX #72C831

RGB 114 200 49

HSL 94.17, 0.61%, 0.49%

LAB 72.96, -50.18, 62.76

 

CMYK 76 / 5 / 0 / 21

HEX #30BFC9

RGB 48 191 201

HSL 183.92, 0.61%, 0.49%

LAB 70.94, -32.85, -15.67

 

CMYK 33 / 76 / 0 / 21

HEX #8730C9

RGB 135 48 201

HSL 274.12, 0.61%, 0.49%

LAB 40.38, 62.06, -63.35

 

CMYK 0 / 71 / 76 / 21

HEX #C93A30

RGB 201 58 48

HSL 3.92, 0.61%, 0.49%

LAB 46.52, 55.64, 38.95

 

Description

Color code: HEX #72C831 | qconv.com Color code: HEX #72C831 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 200 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 200 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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