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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72CD0D it is the complementary color #8D32F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72CD0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72CD0D shade: #77CD08, #88DF1B, #99F12E, #AAFF41 and #BBFF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72CD0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72CD0D shade: #72CD0D, #61BB00, #50A900, #3F9700 and #2E8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72CD0D shade: #72CE0D, #A6CE0D, #CEC10D, #CE8D0D and #CE590D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72CD0D shade: #72CE0D, #3ECE0D, #0DCE0F, #0DCE43 and #0DCE77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72CD0D shade matches the following richer shades: #72CE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72CD0D shade: #72CE0D, #71BC1E, #70AA30, #6F9842 and #6E8754

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72CD0D shade: #CEC10D, #A7CE0D, #74CE0D, #40CE0D and #0DCE0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72CD0D shade: #478008, #5DA70A, #72CE0D, #87F014 and #9BF23B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72CD0D shade: #72CD0D, #0DCE8D and #CE0DC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72CD0D shade: #72CD0D, #0D74CE and #CE0D74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72CD0D shade: #72CD0D, #0DCE8D, #670DCE and #CE0D4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72CD0D shade: #72CD0D, #0DCEC7, #670DCE and #CE0D13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 94 / 20

HEX #72CD0D

RGB 114 205 13

HSL 88.44, 0.88%, 0.43%

LAB 74.36, -53.49, 72.08

 

Complementary color

CMYK 42 / 79 / 0 / 5

HEX #8D32F2

RGB 141 50 242

HSL 268.44, 0.88%, 0.57%

LAB 44.74, 71.49, -79.65

 

CMYK 42 / 0 / 96 / 20

HEX #77CD08

RGB 119 205 8

HSL 86.19, 0.92%, 0.42%

LAB 74.57, -51.94, 72.87

 

CMYK 39 / 0 / 88 / 13

HEX #88DF1B

RGB 136 223 27

HSL 86.63, 0.78%, 0.49%

LAB 80.79, -52.97, 75.71

 

CMYK 37 / 0 / 81 / 5

HEX #99F12E

RGB 153 241 46

HSL 87.08, 0.87%, 0.56%

LAB 86.94, -53.75, 77.27

 

CMYK 33 / 0 / 75 / 0

HEX #AAFF41

RGB 170 255 65

HSL 86.84, 1%, 0.63%

LAB 91.89, -52.73, 76.82

 

CMYK 27 / 0 / 67 / 0

HEX #BBFF54

RGB 187 255 84

HSL 83.86, 1%, 0.66%

LAB 92.89, -45.63, 71.64

 

CMYK 44 / 0 / 94 / 20

HEX #72CD0D

RGB 114 205 13

HSL 88.44, 0.88%, 0.43%

LAB 74.36, -53.49, 72.08

 

CMYK 48 / 0 / 100 / 27

HEX #61BB00

RGB 97 187 0

HSL 88.88, 1%, 0.37%

LAB 68.08, -52.2, 68.21

 

CMYK 53 / 0 / 100 / 34

HEX #50A900

RGB 80 169 0

HSL 91.6, 1%, 0.33%

LAB 61.72, -50.59, 62.95

 

CMYK 58 / 0 / 100 / 41

HEX #3F9700

RGB 63 151 0

HSL 94.97, 1%, 0.3%

LAB 55.27, -48.8, 57.6

 

CMYK 65 / 0 / 100 / 48

HEX #2E8500

RGB 46 133 0

HSL 99.25, 1%, 0.26%

LAB 48.71, -46.75, 52.19

 

CMYK 45 / 0 / 94 / 19

HEX #72CE0D

RGB 114 206 13

HSL 88.6, 0.88%, 0.43%

LAB 74.67, -53.87, 72.33

 

CMYK 19 / 0 / 94 / 19

HEX #A6CE0D

RGB 166 206 13

HSL 72.44, 0.88%, 0.43%

LAB 77.45, -34.87, 75.72

 

CMYK 0 / 6 / 94 / 19

HEX #CEC10D

RGB 206 193 13

HSL 55.96, 0.88%, 0.43%

LAB 76.85, -11.71, 76.57

 

CMYK 0 / 32 / 94 / 19

HEX #CE8D0D

RGB 206 141 13

HSL 39.79, 0.88%, 0.43%

LAB 63.51, 15.85, 66.68

 

CMYK 0 / 57 / 94 / 19

HEX #CE590D

RGB 206 89 13

HSL 23.63, 0.88%, 0.43%

LAB 52.17, 43.15, 58.75

 

CMYK 45 / 0 / 94 / 19

HEX #72CE0D

RGB 114 206 13

HSL 88.6, 0.88%, 0.43%

LAB 74.67, -53.87, 72.33

 

CMYK 70 / 0 / 94 / 19

HEX #3ECE0D

RGB 62 206 13

HSL 104.77, 0.88%, 0.43%

LAB 73.02, -67.11, 70.31

 

CMYK 94 / 0 / 93 / 19

HEX #0DCE0F

RGB 13 206 15

HSL 120.62, 0.88%, 0.43%

LAB 72.4, -72.56, 69.29

 

CMYK 94 / 0 / 67 / 19

HEX #0DCE43

RGB 13 206 67

HSL 136.79, 0.88%, 0.43%

LAB 72.65, -69.41, 55.13

 

CMYK 94 / 0 / 42 / 19

HEX #0DCE77

RGB 13 206 119

HSL 152.95, 0.88%, 0.43%

LAB 73.26, -61.97, 31.59

 

CMYK 45 / 0 / 94 / 19

HEX #72CE0D

RGB 114 206 13

HSL 88.6, 0.88%, 0.43%

LAB 74.67, -53.87, 72.33

 

CMYK 45 / 0 / 94 / 19

HEX #72CE0D

RGB 114 206 13

HSL 88.6, 0.88%, 0.43%

LAB 74.67, -53.87, 72.33

 

CMYK 40 / 0 / 84 / 26

HEX #71BC1E

RGB 113 188 30

HSL 88.48, 0.72%, 0.43%

LAB 69.16, -46.6, 64.68

 

CMYK 34 / 0 / 72 / 33

HEX #70AA30

RGB 112 170 48

HSL 88.52, 0.56%, 0.43%

LAB 63.68, -38.36, 53.91

 

CMYK 27 / 0 / 57 / 40

HEX #6F9842

RGB 111 152 66

HSL 88.6, 0.39%, 0.43%

LAB 58.25, -28.91, 40.17

 

CMYK 19 / 0 / 38 / 47

HEX #6E8754

RGB 110 135 84

HSL 89.41, 0.23%, 0.43%

LAB 53.26, -18.51, 24.56

 

CMYK 0 / 6 / 94 / 19

HEX #CEC10D

RGB 206 193 13

HSL 55.96, 0.88%, 0.43%

LAB 76.85, -11.71, 76.57

 

CMYK 19 / 0 / 94 / 19

HEX #A7CE0D

RGB 167 206 13

HSL 72.12, 0.88%, 0.43%

LAB 77.51, -34.47, 75.8

 

CMYK 44 / 0 / 94 / 19

HEX #74CE0D

RGB 116 206 13

HSL 87.98, 0.88%, 0.43%

LAB 74.75, -53.23, 72.44

 

CMYK 69 / 0 / 94 / 19

HEX #40CE0D

RGB 64 206 13

HSL 104.15, 0.88%, 0.43%

LAB 73.06, -66.74, 70.36

 

CMYK 94 / 0 / 94 / 19

HEX #0DCE0D

RGB 13 206 13

HSL 120, 0.88%, 0.43%

LAB 72.4, -72.6, 69.54

 

CMYK 45 / 0 / 94 / 50

HEX #478008

RGB 71 128 8

HSL 88.5, 0.88%, 0.27%

LAB 48, -37.01, 50.44

 

CMYK 44 / 0 / 94 / 35

HEX #5DA70A

RGB 93 167 10

HSL 88.28, 0.89%, 0.35%

LAB 61.64, -45.49, 61.74

 

CMYK 45 / 0 / 94 / 19

HEX #72CE0D

RGB 114 206 13

HSL 88.6, 0.88%, 0.43%

LAB 74.67, -53.87, 72.33

 

CMYK 44 / 0 / 92 / 6

HEX #87F014

RGB 135 240 20

HSL 88.64, 0.88%, 0.51%

LAB 85.77, -60.01, 80.87

 

CMYK 36 / 0 / 76 / 5

HEX #9BF23B

RGB 155 242 59

HSL 88.52, 0.88%, 0.59%

LAB 87.38, -52.88, 74.1

 

CMYK 44 / 0 / 94 / 20

HEX #72CD0D

RGB 114 205 13

HSL 88.44, 0.88%, 0.43%

LAB 74.36, -53.49, 72.08

 

CMYK 94 / 0 / 32 / 19

HEX #0DCE8D

RGB 13 206 141

HSL 159.79, 0.88%, 0.43%

LAB 73.64, -57.53, 20.65

 

CMYK 0 / 94 / 6 / 19

HEX #CE0DC1

RGB 206 13 193

HSL 304.04, 0.88%, 0.43%

LAB 48.59, 80.75, -44.9

 

CMYK 44 / 0 / 94 / 20

HEX #72CD0D

RGB 114 205 13

HSL 88.44, 0.88%, 0.43%

LAB 74.36, -53.49, 72.08

 

CMYK 94 / 44 / 0 / 19

HEX #0D74CE

RGB 13 116 206

HSL 207.98, 0.88%, 0.43%

LAB 48.3, 7.57, -53.79

 

CMYK 0 / 94 / 44 / 19

HEX #CE0D74

RGB 206 13 116

HSL 327.98, 0.88%, 0.43%

LAB 45.18, 71.93, -3.96

 

CMYK 44 / 0 / 94 / 20

HEX #72CD0D

RGB 114 205 13

HSL 88.44, 0.88%, 0.43%

LAB 74.36, -53.49, 72.08

 

CMYK 94 / 0 / 32 / 19

HEX #0DCE8D

RGB 13 206 141

HSL 159.79, 0.88%, 0.43%

LAB 73.64, -57.53, 20.65

 

CMYK 50 / 94 / 0 / 19

HEX #670DCE

RGB 103 13 206

HSL 267.98, 0.88%, 0.43%

LAB 33.2, 68.99, -78.21

 

CMYK 0 / 94 / 63 / 19

HEX #CE0D4D

RGB 206 13 77

HSL 340.1, 0.88%, 0.43%

LAB 44.15, 69.14, 18.94

 

CMYK 44 / 0 / 94 / 20

HEX #72CD0D

RGB 114 205 13

HSL 88.44, 0.88%, 0.43%

LAB 74.36, -53.49, 72.08

 

CMYK 94 / 0 / 3 / 19

HEX #0DCEC7

RGB 13 206 199

HSL 177.82, 0.88%, 0.43%

LAB 75.05, -42.64, -8.48

 

CMYK 50 / 94 / 0 / 19

HEX #670DCE

RGB 103 13 206

HSL 267.98, 0.88%, 0.43%

LAB 33.2, 68.99, -78.21

 

CMYK 0 / 94 / 91 / 19

HEX #CE0D13

RGB 206 13 19

HSL 358.13, 0.88%, 0.43%

LAB 43.44, 67.16, 51

 

Description

Color code: HEX #72CD0D | qconv.com Color code: HEX #72CD0D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 205 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 205 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 94 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 94% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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