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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72E971 it is the complementary color #8D168E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72E971. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72E971 shade: #77E96C, #88FB7F, #99FF92, #AAFFA5 and #BBFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72E971. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72E971 shade: #72E971, #61D75E, #50C54B, #3FB338 and #2EA125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72E971 shade: #72E871, #92E871, #B3E871, #D3E871 and #E8DE71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72E971 shade: #72E871, #71E890, #71E8B1, #71E8D1 and #71E0E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72E971 shade matches the following richer shades: #72E871 and #65F664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72E971 shade: #72E871, #7FDB7F, #8CCE8C, #99C199 and #A6B4A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72E971 shade: #B3E871, #93E871, #73E871, #71E88F and #71E8AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72E971 shade: #2BDD2A, #4FE34E, #72E871, #96EE95 and #B9F4B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72E971 shade: #72E971, #71D3E8 and #E871A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72E971 shade: #72E971, #7173E8 and #E87173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72E971 shade: #72E971, #71D3E8, #E671E8 and #E88771

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72E971 shade: #72E971, #71AFE8, #E671E8 and #E8AB71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 52 / 9

HEX #72E971

RGB 114 233 113

HSL 119.5, 0.73%, 0.68%

LAB 83.47, -57.01, 47.84

 

Complementary color

CMYK 1 / 85 / 0 / 44

HEX #8D168E

RGB 141 22 142

HSL 299.5, 0.73%, 0.32%

LAB 34.37, 59.83, -37.73

 

CMYK 49 / 0 / 54 / 9

HEX #77E96C

RGB 119 233 108

HSL 114.72, 0.74%, 0.67%

LAB 83.59, -56.29, 50.36

 

CMYK 46 / 0 / 49 / 2

HEX #88FB7F

RGB 136 251 127

HSL 115.65, 0.94%, 0.74%

LAB 89.75, -56.31, 49.15

 

CMYK 40 / 0 / 43 / 0

HEX #99FF92

RGB 153 255 146

HSL 116.15, 1%, 0.79%

LAB 91.85, -50.54, 42.88

 

CMYK 33 / 0 / 35 / 0

HEX #AAFFA5

RGB 170 255 165

HSL 116.67, 1%, 0.82%

LAB 92.92, -42.65, 35.09

 

CMYK 27 / 0 / 28 / 0

HEX #BBFFB8

RGB 187 255 184

HSL 117.46, 1%, 0.86%

LAB 94.12, -34.34, 27.32

 

CMYK 51 / 0 / 52 / 9

HEX #72E971

RGB 114 233 113

HSL 119.5, 0.73%, 0.68%

LAB 83.47, -57.01, 47.84

 

CMYK 55 / 0 / 56 / 16

HEX #61D75E

RGB 97 215 94

HSL 118.51, 0.6%, 0.61%

LAB 77.25, -56.85, 49.07

 

CMYK 59 / 0 / 62 / 23

HEX #50C54B

RGB 80 197 75

HSL 117.54, 0.51%, 0.53%

LAB 70.97, -56.48, 50.23

 

CMYK 65 / 0 / 69 / 30

HEX #3FB338

RGB 63 179 56

HSL 116.59, 0.52%, 0.46%

LAB 64.63, -55.79, 51.17

 

CMYK 71 / 0 / 77 / 37

HEX #2EA125

RGB 46 161 37

HSL 115.65, 0.63%, 0.39%

LAB 58.23, -54.61, 51.63

 

CMYK 51 / 0 / 51 / 9

HEX #72E871

RGB 114 232 113

HSL 119.5, 0.72%, 0.68%

LAB 83.17, -56.62, 47.48

 

CMYK 37 / 0 / 51 / 9

HEX #92E871

RGB 146 232 113

HSL 103.36, 0.72%, 0.68%

LAB 84.49, -47.27, 49.39

 

CMYK 23 / 0 / 51 / 9

HEX #B3E871

RGB 179 232 113

HSL 86.72, 0.72%, 0.68%

LAB 86.25, -35.96, 51.92

 

CMYK 9 / 0 / 51 / 9

HEX #D3E871

RGB 211 232 113

HSL 70.59, 0.72%, 0.68%

LAB 88.33, -23.9, 54.9

 

CMYK 0 / 4 / 51 / 9

HEX #E8DE71

RGB 232 222 113

HSL 54.96, 0.72%, 0.68%

LAB 87.29, -10.68, 54.06

 

CMYK 51 / 0 / 51 / 9

HEX #72E871

RGB 114 232 113

HSL 119.5, 0.72%, 0.68%

LAB 83.17, -56.62, 47.48

 

CMYK 51 / 0 / 38 / 9

HEX #71E890

RGB 113 232 144

HSL 135.63, 0.72%, 0.68%

LAB 83.57, -52.3, 32.8

 

CMYK 51 / 0 / 24 / 9

HEX #71E8B1

RGB 113 232 177

HSL 152.27, 0.72%, 0.68%

LAB 84.17, -46.16, 16.65

 

CMYK 51 / 0 / 10 / 9

HEX #71E8D1

RGB 113 232 209

HSL 168.4, 0.72%, 0.68%

LAB 84.91, -39.07, 0.92

 

CMYK 51 / 3 / 0 / 9

HEX #71E0E8

RGB 113 224 232

HSL 184.03, 0.72%, 0.68%

LAB 83.26, -29.57, -13.67

 

CMYK 51 / 0 / 51 / 9

HEX #72E871

RGB 114 232 113

HSL 119.5, 0.72%, 0.68%

LAB 83.17, -56.62, 47.48

 

CMYK 59 / 0 / 59 / 4

HEX #65F664

RGB 101 246 100

HSL 119.59, 0.89%, 0.68%

LAB 86.8, -66.47, 57.53

 

CMYK 51 / 0 / 51 / 9

HEX #72E871

RGB 114 232 113

HSL 119.5, 0.72%, 0.68%

LAB 83.17, -56.62, 47.48

 

CMYK 42 / 0 / 42 / 14

HEX #7FDB7F

RGB 127 219 127

HSL 120, 0.56%, 0.68%

LAB 80.01, -45.79, 36.82

 

CMYK 32 / 0 / 32 / 19

HEX #8CCE8C

RGB 140 206 140

HSL 120, 0.4%, 0.68%

LAB 77.05, -33.96, 26.37

 

CMYK 21 / 0 / 21 / 24

HEX #99C199

RGB 153 193 153

HSL 120, 0.24%, 0.68%

LAB 74.33, -21.13, 15.86

 

CMYK 8 / 0 / 8 / 29

HEX #A6B4A6

RGB 166 180 166

HSL 120, 0.09%, 0.68%

LAB 71.89, -7.53, 5.47

 

CMYK 23 / 0 / 51 / 9

HEX #B3E871

RGB 179 232 113

HSL 86.72, 0.72%, 0.68%

LAB 86.25, -35.96, 51.92

 

CMYK 37 / 0 / 51 / 9

HEX #93E871

RGB 147 232 113

HSL 102.86, 0.72%, 0.68%

LAB 84.54, -46.95, 49.46

 

CMYK 50 / 0 / 51 / 9

HEX #73E871

RGB 115 232 113

HSL 118.99, 0.72%, 0.68%

LAB 83.21, -56.36, 47.53

 

CMYK 51 / 0 / 38 / 9

HEX #71E88F

RGB 113 232 143

HSL 135.13, 0.72%, 0.68%

LAB 83.55, -52.47, 33.29

 

CMYK 51 / 0 / 25 / 9

HEX #71E8AF

RGB 113 232 175

HSL 151.26, 0.72%, 0.68%

LAB 84.13, -46.57, 17.64

 

CMYK 81 / 0 / 81 / 13

HEX #2BDD2A

RGB 43 221 42

HSL 119.66, 0.72%, 0.52%

LAB 77.52, -73.31, 68.47

 

CMYK 65 / 0 / 66 / 11

HEX #4FE34E

RGB 79 227 78

HSL 119.6, 0.73%, 0.6%

LAB 80.26, -66.85, 59.24

 

CMYK 51 / 0 / 51 / 9

HEX #72E871

RGB 114 232 113

HSL 119.5, 0.72%, 0.68%

LAB 83.17, -56.62, 47.48

 

CMYK 37 / 0 / 37 / 7

HEX #96EE95

RGB 150 238 149

HSL 119.33, 0.72%, 0.76%

LAB 86.9, -43.77, 34.96

 

CMYK 24 / 0 / 24 / 4

HEX #B9F4B9

RGB 185 244 185

HSL 120, 0.73%, 0.84%

LAB 91.02, -29.72, 22.54

 

CMYK 51 / 0 / 52 / 9

HEX #72E971

RGB 114 233 113

HSL 119.5, 0.73%, 0.68%

LAB 83.47, -57.01, 47.84

 

CMYK 51 / 9 / 0 / 9

HEX #71D3E8

RGB 113 211 232

HSL 190.59, 0.72%, 0.68%

LAB 79.57, -23.2, -19.22

 

CMYK 0 / 51 / 30 / 9

HEX #E871A3

RGB 232 113 163

HSL 334.79, 0.72%, 0.68%

LAB 63.02, 51.38, -4.99

 

CMYK 51 / 0 / 52 / 9

HEX #72E971

RGB 114 233 113

HSL 119.5, 0.73%, 0.68%

LAB 83.47, -57.01, 47.84

 

CMYK 51 / 50 / 0 / 9

HEX #7173E8

RGB 113 115 232

HSL 238.99, 0.72%, 0.68%

LAB 53.6, 30.73, -59.77

 

CMYK 0 / 51 / 50 / 9

HEX #E87173

RGB 232 113 115

HSL 358.99, 0.72%, 0.68%

LAB 61.83, 46.2, 20.84

 

CMYK 51 / 0 / 52 / 9

HEX #72E971

RGB 114 233 113

HSL 119.5, 0.73%, 0.68%

LAB 83.47, -57.01, 47.84

 

CMYK 51 / 9 / 0 / 9

HEX #71D3E8

RGB 113 211 232

HSL 190.59, 0.72%, 0.68%

LAB 79.57, -23.2, -19.22

 

CMYK 1 / 51 / 0 / 9

HEX #E671E8

RGB 230 113 232

HSL 298.99, 0.72%, 0.68%

LAB 65.33, 61.27, -40.4

 

CMYK 0 / 42 / 51 / 9

HEX #E88771

RGB 232 135 113

HSL 11.09, 0.72%, 0.68%

LAB 66.27, 34.86, 27.89

 

CMYK 51 / 0 / 52 / 9

HEX #72E971

RGB 114 233 113

HSL 119.5, 0.73%, 0.68%

LAB 83.47, -57.01, 47.84

 

CMYK 51 / 25 / 0 / 9

HEX #71AFE8

RGB 113 175 232

HSL 208.74, 0.72%, 0.68%

LAB 69.47, -4.28, -34.7

 

CMYK 1 / 51 / 0 / 9

HEX #E671E8

RGB 230 113 232

HSL 298.99, 0.72%, 0.68%

LAB 65.33, 61.27, -40.4

 

CMYK 0 / 26 / 51 / 9

HEX #E8AB71

RGB 232 171 113

HSL 29.24, 0.72%, 0.68%

LAB 74.49, 15.78, 38.47

 

Description

Color code: HEX #72E971 | qconv.com Color code: HEX #72E971 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 233 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 233 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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