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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72E32A it is the complementary color #8D1CD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72E32A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72E32A shade: #77E325, #88F538, #99FF4B, #AAFF5E and #BBFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72E32A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72E32A shade: #72E32A, #61D117, #50BF04, #3FAD00 and #2E9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72E32A shade: #72E32A, #A4E32A, #D6E32A, #E3BE2A and #E38D2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72E32A shade: #72E32A, #40E32A, #2AE346, #2AE378 and #2AE3AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72E32A shade matches the following richer shades: #72E32A and #6EF617

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72E32A shade: #72E32A, #76D03E, #7BBC51, #7FA965 and #839578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72E32A shade: #D7E32A, #A5E32A, #74E32A, #43E32A and #2AE343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72E32A shade: #4DA615, #5ECA1A, #72E32A, #8AE84F and #A2EC73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72E32A shade: #72E32A, #2AE3BE and #E32ABE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72E32A shade: #72E32A, #2A74E3 and #E32A74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72E32A shade: #72E32A, #2AE3BE, #992AE3 and #E32A4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72E32A shade: #72E32A, #2AD0E3, #992AE3 and #E33D2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

Complementary color

CMYK 34 / 87 / 0 / 16

HEX #8D1CD5

RGB 141 28 213

HSL 276.65, 0.77%, 0.47%

LAB 40.08, 71.71, -70.76

 

CMYK 48 / 0 / 84 / 11

HEX #77E325

RGB 119 227 37

HSL 94.11, 0.77%, 0.52%

LAB 81.29, -59.57, 73.83

 

CMYK 44 / 0 / 77 / 4

HEX #88F538

RGB 136 245 56

HSL 94.6, 0.9%, 0.59%

LAB 87.4, -60.31, 74.71

 

CMYK 40 / 0 / 71 / 0

HEX #99FF4B

RGB 153 255 75

HSL 94, 1%, 0.65%

LAB 91.14, -57.75, 72.53

 

CMYK 33 / 0 / 63 / 0

HEX #AAFF5E

RGB 170 255 94

HSL 91.68, 1%, 0.68%

LAB 92.08, -50.81, 66.65

 

CMYK 27 / 0 / 56 / 0

HEX #BBFF71

RGB 187 255 113

HSL 88.73, 1%, 0.72%

LAB 93.14, -43.33, 60.12

 

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

CMYK 54 / 0 / 89 / 18

HEX #61D117

RGB 97 209 23

HSL 96.13, 0.8%, 0.45%

LAB 74.95, -59.8, 70.86

 

CMYK 58 / 0 / 98 / 25

HEX #50BF04

RGB 80 191 4

HSL 95.61, 0.96%, 0.38%

LAB 68.73, -58.42, 68.01

 

CMYK 64 / 0 / 100 / 32

HEX #3FAD00

RGB 63 173 0

HSL 98.15, 1%, 0.34%

LAB 62.46, -56.51, 63.29

 

CMYK 70 / 0 / 100 / 39

HEX #2E9B00

RGB 46 155 0

HSL 102.19, 1%, 0.3%

LAB 56.11, -54.22, 58.07

 

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

CMYK 28 / 0 / 81 / 11

HEX #A4E32A

RGB 164 227 42

HSL 80.43, 0.77%, 0.53%

LAB 83.44, -44.2, 75.37

 

CMYK 6 / 0 / 81 / 11

HEX #D6E32A

RGB 214 227 42

HSL 64.22, 0.77%, 0.53%

LAB 86.7, -24.47, 79.47

 

CMYK 0 / 16 / 81 / 11

HEX #E3BE2A

RGB 227 190 42

HSL 48, 0.77%, 0.53%

LAB 78.07, -0.46, 72.49

 

CMYK 0 / 38 / 81 / 11

HEX #E38D2A

RGB 227 141 42

HSL 32.11, 0.77%, 0.53%

LAB 66.17, 25.5, 62.1

 

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

CMYK 72 / 0 / 81 / 11

HEX #40E32A

RGB 64 227 42

HSL 112.86, 0.77%, 0.53%

LAB 79.72, -72.17, 70.62

 

CMYK 81 / 0 / 69 / 11

HEX #2AE346

RGB 42 227 70

HSL 129.08, 0.77%, 0.53%

LAB 79.54, -73.17, 61.38

 

CMYK 81 / 0 / 47 / 11

HEX #2AE378

RGB 42 227 120

HSL 145.3, 0.77%, 0.53%

LAB 80.06, -66.89, 39.89

 

CMYK 81 / 0 / 25 / 11

HEX #2AE3AA

RGB 42 227 170

HSL 161.51, 0.77%, 0.53%

LAB 80.92, -57.09, 15.52

 

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

CMYK 55 / 0 / 91 / 4

HEX #6EF617

RGB 110 246 23

HSL 96.59, 0.93%, 0.53%

LAB 86.65, -69.19, 80.82

 

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

CMYK 43 / 0 / 70 / 18

HEX #76D03E

RGB 118 208 62

HSL 96.99, 0.61%, 0.53%

LAB 75.64, -51.23, 60.94

 

CMYK 35 / 0 / 57 / 26

HEX #7BBC51

RGB 123 188 81

HSL 96.45, 0.44%, 0.53%

LAB 70.02, -39.51, 46.88

 

CMYK 25 / 0 / 40 / 34

HEX #7FA965

RGB 127 169 101

HSL 97.06, 0.28%, 0.53%

LAB 64.83, -26.8, 30.6

 

CMYK 12 / 0 / 19 / 42

HEX #839578

RGB 131 149 120

HSL 97.24, 0.12%, 0.53%

LAB 59.6, -12.03, 13.2

 

CMYK 5 / 0 / 81 / 11

HEX #D7E32A

RGB 215 227 42

HSL 63.89, 0.77%, 0.53%

LAB 86.78, -24.06, 79.56

 

CMYK 27 / 0 / 81 / 11

HEX #A5E32A

RGB 165 227 42

HSL 80.11, 0.77%, 0.53%

LAB 83.5, -43.83, 75.44

 

CMYK 49 / 0 / 81 / 11

HEX #74E32A

RGB 116 227 42

HSL 96, 0.77%, 0.53%

LAB 81.19, -60.24, 72.5

 

CMYK 70 / 0 / 81 / 11

HEX #43E32A

RGB 67 227 42

HSL 111.89, 0.77%, 0.53%

LAB 79.78, -71.67, 70.7

 

CMYK 81 / 0 / 70 / 11

HEX #2AE343

RGB 42 227 67

HSL 128.11, 0.77%, 0.53%

LAB 79.52, -73.44, 62.47

 

CMYK 54 / 0 / 87 / 35

HEX #4DA615

RGB 77 166 21

HSL 96.83, 0.78%, 0.37%

LAB 60.7, -49.81, 58.75

 

CMYK 53 / 0 / 87 / 21

HEX #5ECA1A

RGB 94 202 26

HSL 96.82, 0.77%, 0.45%

LAB 72.69, -58.03, 68.33

 

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

CMYK 41 / 0 / 66 / 9

HEX #8AE84F

RGB 138 232 79

HSL 96.86, 0.77%, 0.61%

LAB 83.8, -53.15, 63.24

 

CMYK 31 / 0 / 51 / 7

HEX #A2EC73

RGB 162 236 115

HSL 96.69, 0.76%, 0.69%

LAB 86.46, -43.49, 51.02

 

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

CMYK 81 / 0 / 16 / 11

HEX #2AE3BE

RGB 42 227 190

HSL 168, 0.77%, 0.53%

LAB 81.37, -52.28, 5.62

 

CMYK 0 / 81 / 16 / 11

HEX #E32ABE

RGB 227 42 190

HSL 312, 0.77%, 0.53%

LAB 53.71, 79.75, -34.83

 

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

CMYK 81 / 49 / 0 / 11

HEX #2A74E3

RGB 42 116 227

HSL 216, 0.77%, 0.53%

LAB 50.13, 17.53, -62.72

 

CMYK 0 / 81 / 49 / 11

HEX #E32A74

RGB 227 42 116

HSL 336, 0.77%, 0.53%

LAB 50.98, 71.93, 4.99

 

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

CMYK 81 / 0 / 16 / 11

HEX #2AE3BE

RGB 42 227 190

HSL 168, 0.77%, 0.53%

LAB 81.37, -52.28, 5.62

 

CMYK 33 / 81 / 0 / 11

HEX #992AE3

RGB 153 42 227

HSL 276, 0.77%, 0.53%

LAB 44.2, 72.55, -71.98

 

CMYK 0 / 81 / 65 / 11

HEX #E32A4F

RGB 227 42 79

HSL 348, 0.77%, 0.53%

LAB 50.16, 69.49, 26.33

 

CMYK 50 / 0 / 81 / 11

HEX #72E32A

RGB 114 227 42

HSL 96.65, 0.77%, 0.53%

LAB 81.12, -60.82, 72.41

 

CMYK 81 / 8 / 0 / 11

HEX #2AD0E3

RGB 42 208 227

HSL 186.16, 0.77%, 0.53%

LAB 76.77, -33.56, -20.95

 

CMYK 33 / 81 / 0 / 11

HEX #992AE3

RGB 153 42 227

HSL 276, 0.77%, 0.53%

LAB 44.2, 72.55, -71.98

 

CMYK 0 / 73 / 81 / 11

HEX #E33D2A

RGB 227 61 42

HSL 6.16, 0.77%, 0.53%

LAB 51.65, 62.52, 48.85

 

Description

Color code: HEX #72E32A | qconv.com Color code: HEX #72E32A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 227 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 227 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 81 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 81% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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