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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72F15E it is the complementary color #8D0EA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72F15E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72F15E shade: #77F159, #88FF6C, #99FF7F, #AAFF92 and #BBFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72F15E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72F15E shade: #72F15E, #61DF4B, #50CD38, #3FBB25 and #2EA912

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72F15E shade: #73F15F, #9AF15F, #C1F15F, #E9F15F and #F1D15F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72F15E shade: #73F15F, #5FF172, #5FF19A, #5FF1C1 and #5FF1E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72F15E shade matches the following richer shades: #73F15F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72F15E shade: #73F15F, #7DE36D, #87D57B, #91C789 and #9CB997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72F15E shade: #C3F15F, #9CF15F, #75F15F, #5FF170 and #5FF197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72F15E shade: #31E914, #52ED39, #73F15F, #94F485 and #B5F7AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72F15E shade: #72F15E, #5FE9F1 and #F15FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72F15E shade: #72F15E, #5F75F1 and #F15F75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72F15E shade: #72F15E, #5FE9F1, #DB5FF1 and #F1665F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72F15E shade: #72F15E, #5FBEF1, #DB5FF1 and #F1925F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 61 / 5

HEX #72F15E

RGB 114 241 94

HSL 111.84, 0.84%, 0.66%

LAB 85.65, -62.17, 58.89

 

Complementary color

CMYK 12 / 91 / 0 / 37

HEX #8D0EA1

RGB 141 14 161

HSL 291.84, 0.84%, 0.34%

LAB 35.1, 64.58, -48.16

 

CMYK 51 / 0 / 63 / 5

HEX #77F159

RGB 119 241 89

HSL 108.16, 0.84%, 0.65%

LAB 85.78, -61.34, 61.16

 

CMYK 47 / 0 / 58 / 0

HEX #88FF6C

RGB 136 255 108

HSL 108.57, 1%, 0.71%

LAB 90.71, -60.06, 58.87

 

CMYK 40 / 0 / 50 / 0

HEX #99FF7F

RGB 153 255 127

HSL 107.81, 1%, 0.75%

LAB 91.61, -52.98, 51.58

 

CMYK 33 / 0 / 43 / 0

HEX #AAFF92

RGB 170 255 146

HSL 106.79, 1%, 0.79%

LAB 92.64, -45.32, 44.05

 

CMYK 27 / 0 / 35 / 0

HEX #BBFFA5

RGB 187 255 165

HSL 105.33, 1%, 0.82%

LAB 93.8, -37.21, 36.41

 

CMYK 53 / 0 / 61 / 5

HEX #72F15E

RGB 114 241 94

HSL 111.84, 0.84%, 0.66%

LAB 85.65, -62.17, 58.89

 

CMYK 57 / 0 / 66 / 13

HEX #61DF4B

RGB 97 223 75

HSL 111.08, 0.7%, 0.58%

LAB 79.51, -61.75, 59.77

 

CMYK 61 / 0 / 73 / 20

HEX #50CD38

RGB 80 205 56

HSL 110.34, 0.6%, 0.51%

LAB 73.32, -61.04, 60.32

 

CMYK 66 / 0 / 80 / 27

HEX #3FBB25

RGB 63 187 37

HSL 109.6, 0.67%, 0.44%

LAB 67.07, -59.92, 60.25

 

CMYK 73 / 0 / 89 / 34

HEX #2EA912

RGB 46 169 18

HSL 108.87, 0.81%, 0.37%

LAB 60.78, -58.23, 59.1

 

CMYK 52 / 0 / 61 / 5

HEX #73F15F

RGB 115 241 95

HSL 111.78, 0.84%, 0.66%

LAB 85.7, -61.82, 58.53

 

CMYK 36 / 0 / 61 / 5

HEX #9AF15F

RGB 154 241 95

HSL 95.75, 0.84%, 0.66%

LAB 87.29, -50.27, 60.76

 

CMYK 20 / 0 / 61 / 5

HEX #C1F15F

RGB 193 241 95

HSL 79.73, 0.84%, 0.66%

LAB 89.43, -36.48, 63.72

 

CMYK 3 / 0 / 61 / 5

HEX #E9F15F

RGB 233 241 95

HSL 63.29, 0.84%, 0.66%

LAB 92.16, -20.94, 67.48

 

CMYK 0 / 13 / 61 / 5

HEX #F1D15F

RGB 241 209 95

HSL 46.85, 0.84%, 0.66%

LAB 84.55, -1.78, 59.34

 

CMYK 52 / 0 / 61 / 5

HEX #73F15F

RGB 115 241 95

HSL 111.78, 0.84%, 0.66%

LAB 85.7, -61.82, 58.53

 

CMYK 61 / 0 / 53 / 5

HEX #5FF172

RGB 95 241 114

HSL 127.81, 0.84%, 0.66%

LAB 85.28, -64.34, 49.44

 

CMYK 61 / 0 / 36 / 5

HEX #5FF19A

RGB 95 241 154

HSL 144.25, 0.84%, 0.66%

LAB 85.84, -58.12, 30.68

 

CMYK 61 / 0 / 20 / 5

HEX #5FF1C1

RGB 95 241 193

HSL 160.27, 0.84%, 0.66%

LAB 86.6, -50.25, 11.67

 

CMYK 61 / 0 / 4 / 5

HEX #5FF1E8

RGB 95 241 232

HSL 176.3, 0.84%, 0.66%

LAB 87.57, -40.8, -7.31

 

CMYK 52 / 0 / 61 / 5

HEX #73F15F

RGB 115 241 95

HSL 111.78, 0.84%, 0.66%

LAB 85.7, -61.82, 58.53

 

CMYK 52 / 0 / 61 / 5

HEX #73F15F

RGB 115 241 95

HSL 111.78, 0.84%, 0.66%

LAB 85.7, -61.82, 58.53

 

CMYK 45 / 0 / 52 / 11

HEX #7DE36D

RGB 125 227 109

HSL 111.86, 0.68%, 0.66%

LAB 82.06, -52.11, 48.1

 

CMYK 37 / 0 / 42 / 16

HEX #87D57B

RGB 135 213 123

HSL 112, 0.52%, 0.66%

LAB 78.56, -41.32, 37.04

 

CMYK 27 / 0 / 31 / 22

HEX #91C789

RGB 145 199 137

HSL 112.26, 0.36%, 0.66%

LAB 75.25, -29.49, 25.56

 

CMYK 16 / 0 / 18 / 27

HEX #9CB997

RGB 156 185 151

HSL 111.18, 0.2%, 0.66%

LAB 72.23, -16.38, 14.03

 

CMYK 19 / 0 / 61 / 5

HEX #C3F15F

RGB 195 241 95

HSL 78.9, 0.84%, 0.66%

LAB 89.55, -35.73, 63.89

 

CMYK 35 / 0 / 61 / 5

HEX #9CF15F

RGB 156 241 95

HSL 94.93, 0.84%, 0.66%

LAB 87.39, -49.61, 60.89

 

CMYK 51 / 0 / 61 / 5

HEX #75F15F

RGB 117 241 95

HSL 110.96, 0.84%, 0.66%

LAB 85.77, -61.29, 58.62

 

CMYK 61 / 0 / 54 / 5

HEX #5FF170

RGB 95 241 112

HSL 126.99, 0.84%, 0.66%

LAB 85.26, -64.59, 50.33

 

CMYK 61 / 0 / 37 / 5

HEX #5FF197

RGB 95 241 151

HSL 143.01, 0.84%, 0.66%

LAB 85.79, -58.66, 32.12

 

CMYK 79 / 0 / 91 / 9

HEX #31E914

RGB 49 233 20

HSL 111.83, 0.84%, 0.5%

LAB 81.28, -76.88, 76.19

 

CMYK 65 / 0 / 76 / 7

HEX #52ED39

RGB 82 237 57

HSL 111.67, 0.83%, 0.58%

LAB 83.26, -71.18, 69.84

 

CMYK 52 / 0 / 61 / 5

HEX #73F15F

RGB 115 241 95

HSL 111.78, 0.84%, 0.66%

LAB 85.7, -61.82, 58.53

 

CMYK 39 / 0 / 45 / 4

HEX #94F485

RGB 148 244 133

HSL 111.89, 0.83%, 0.74%

LAB 88.3, -49.2, 44.61

 

CMYK 27 / 0 / 31 / 3

HEX #B5F7AB

RGB 181 247 171

HSL 112.11, 0.83%, 0.82%

LAB 91.36, -34.65, 30.11

 

CMYK 53 / 0 / 61 / 5

HEX #72F15E

RGB 114 241 94

HSL 111.84, 0.84%, 0.66%

LAB 85.65, -62.17, 58.89

 

CMYK 61 / 3 / 0 / 5

HEX #5FE9F1

RGB 95 233 241

HSL 183.29, 0.84%, 0.66%

LAB 85.54, -34.74, -15.07

 

CMYK 0 / 61 / 27 / 5

HEX #F15FAF

RGB 241 95 175

HSL 327.12, 0.84%, 0.66%

LAB 61.64, 63.82, -13.79

 

CMYK 53 / 0 / 61 / 5

HEX #72F15E

RGB 114 241 94

HSL 111.84, 0.84%, 0.66%

LAB 85.65, -62.17, 58.89

 

CMYK 61 / 51 / 0 / 5

HEX #5F75F1

RGB 95 117 241

HSL 230.96, 0.84%, 0.66%

LAB 53.5, 28.95, -65.01

 

CMYK 0 / 61 / 51 / 5

HEX #F15F75

RGB 241 95 117

HSL 350.96, 0.84%, 0.66%

LAB 60.04, 57.79, 17.47

 

CMYK 53 / 0 / 61 / 5

HEX #72F15E

RGB 114 241 94

HSL 111.84, 0.84%, 0.66%

LAB 85.65, -62.17, 58.89

 

CMYK 61 / 3 / 0 / 5

HEX #5FE9F1

RGB 95 233 241

HSL 183.29, 0.84%, 0.66%

LAB 85.54, -34.74, -15.07

 

CMYK 9 / 61 / 0 / 5

HEX #DB5FF1

RGB 219 95 241

HSL 290.96, 0.84%, 0.66%

LAB 61.3, 68.21, -51.84

 

CMYK 0 / 58 / 61 / 5

HEX #F1665F

RGB 241 102 95

HSL 2.88, 0.84%, 0.66%

LAB 60.81, 53.04, 31.1

 

CMYK 53 / 0 / 61 / 5

HEX #72F15E

RGB 114 241 94

HSL 111.84, 0.84%, 0.66%

LAB 85.65, -62.17, 58.89

 

CMYK 61 / 21 / 0 / 5

HEX #5FBEF1

RGB 95 190 241

HSL 200.96, 0.84%, 0.66%

LAB 73.29, -13.3, -33.72

 

CMYK 9 / 61 / 0 / 5

HEX #DB5FF1

RGB 219 95 241

HSL 290.96, 0.84%, 0.66%

LAB 61.3, 68.21, -51.84

 

CMYK 0 / 39 / 61 / 5

HEX #F1925F

RGB 241 146 95

HSL 20.96, 0.84%, 0.66%

LAB 69.53, 31.22, 41.92

 

Description

Color code: HEX #72F15E | qconv.com Color code: HEX #72F15E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 241 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 241 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 61 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 61% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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