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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72FA23 it is the complementary color #8D05DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72FA23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72FA23 shade: #77FA1E, #88FF31, #99FF44, #AAFF57 and #BBFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72FA23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72FA23 shade: #72FA23, #61E810, #50D600, #3FC400 and #2EB200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72FA23 shade: #72FA23, #ACFA23, #E6FA23, #FAD423 and #FA9A23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72FA23 shade: #72FA23, #38FA23, #23FA48, #23FA82 and #23FABC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72FA23 shade matches the following richer shades: #72FA23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72FA23 shade: #72FA23, #77E835, #7BD647, #80C459 and #85B16B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72FA23 shade: #E8FA23, #AFFA23, #75FA23, #3CFA23 and #23FA43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72FA23 shade: #4BC704, #5BEF04, #72FA23, #8CFB4B and #A6FC73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72FA23 shade: #72FA23, #23FAD3 and #FA23CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72FA23 shade: #72FA23, #2375FA and #FA2375

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72FA23 shade: #72FA23, #23FAD3, #A723FA and #FA234A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72FA23 shade: #72FA23, #23E1FA, #A723FA and #FA3C23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

Complementary color

CMYK 36 / 98 / 0 / 14

HEX #8D05DC

RGB 141 5 220

HSL 277.95, 0.96%, 0.44%

LAB 39.48, 76.72, -75.77

 

CMYK 52 / 0 / 88 / 2

HEX #77FA1E

RGB 119 250 30

HSL 95.73, 0.96%, 0.55%

LAB 88.15, -68.02, 81.13

 

CMYK 47 / 0 / 81 / 0

HEX #88FF31

RGB 136 255 49

HSL 94.66, 1%, 0.6%

LAB 90.31, -64.35, 79.28

 

CMYK 40 / 0 / 73 / 0

HEX #99FF44

RGB 153 255 68

HSL 92.73, 1%, 0.63%

LAB 91.1, -58.18, 74.83

 

CMYK 33 / 0 / 66 / 0

HEX #AAFF57

RGB 170 255 87

HSL 90.36, 1%, 0.67%

LAB 92.02, -51.35, 69.32

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6A

RGB 187 255 106

HSL 87.38, 1%, 0.71%

LAB 93.07, -43.95, 63.06

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 58 / 0 / 93 / 9

HEX #61E810

RGB 97 232 16

HSL 97.5, 0.87%, 0.49%

LAB 82, -67.88, 77.71

 

CMYK 63 / 0 / 100 / 16

HEX #50D600

RGB 80 214 0

HSL 97.57, 1%, 0.42%

LAB 75.95, -66.2, 74.17

 

CMYK 68 / 0 / 100 / 23

HEX #3FC400

RGB 63 196 0

HSL 100.71, 1%, 0.38%

LAB 69.85, -64.03, 69.15

 

CMYK 74 / 0 / 100 / 30

HEX #2EB200

RGB 46 178 0

HSL 104.49, 1%, 0.35%

LAB 63.69, -61.52, 64.1

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 31 / 0 / 86 / 2

HEX #ACFA23

RGB 172 250 35

HSL 81.77, 0.96%, 0.56%

LAB 90.44, -51.17, 83.09

 

CMYK 8 / 0 / 86 / 2

HEX #E6FA23

RGB 230 250 35

HSL 65.58, 0.96%, 0.56%

LAB 94.02, -28.96, 87.51

 

CMYK 0 / 15 / 86 / 2

HEX #FAD423

RGB 250 212 35

HSL 49.4, 0.96%, 0.56%

LAB 85.77, -2.1, 81.51

 

CMYK 0 / 38 / 86 / 2

HEX #FA9A23

RGB 250 154 35

HSL 33.21, 0.96%, 0.56%

LAB 71.93, 28.04, 70.38

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 78 / 0 / 86 / 2

HEX #38FA23

RGB 56 250 35

HSL 114.14, 0.96%, 0.56%

LAB 86.67, -80.37, 78.36

 

CMYK 86 / 0 / 71 / 2

HEX #23FA48

RGB 35 250 72

HSL 130.33, 0.96%, 0.56%

LAB 86.6, -80.32, 67.98

 

CMYK 86 / 0 / 48 / 2

HEX #23FA82

RGB 35 250 130

HSL 146.51, 0.96%, 0.56%

LAB 87.16, -73.42, 44.01

 

CMYK 86 / 0 / 25 / 2

HEX #23FABC

RGB 35 250 188

HSL 162.7, 0.96%, 0.56%

LAB 88.14, -62.22, 16.29

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 49 / 0 / 77 / 9

HEX #77E835

RGB 119 232 53

HSL 97.88, 0.8%, 0.56%

LAB 82.86, -60.67, 71.06

 

CMYK 43 / 0 / 67 / 16

HEX #7BD647

RGB 123 214 71

HSL 98.18, 0.64%, 0.56%

LAB 77.73, -51.35, 59.74

 

CMYK 35 / 0 / 55 / 23

HEX #80C459

RGB 128 196 89

HSL 98.13, 0.48%, 0.56%

LAB 72.75, -40.45, 46.41

 

CMYK 25 / 0 / 40 / 31

HEX #85B16B

RGB 133 177 107

HSL 97.71, 0.31%, 0.56%

LAB 67.64, -27.65, 31.16

 

CMYK 7 / 0 / 86 / 2

HEX #E8FA23

RGB 232 250 35

HSL 65.02, 0.96%, 0.56%

LAB 94.16, -28.15, 87.68

 

CMYK 30 / 0 / 86 / 2

HEX #AFFA23

RGB 175 250 35

HSL 80.93, 0.96%, 0.56%

LAB 90.6, -50.1, 83.28

 

CMYK 53 / 0 / 86 / 2

HEX #75FA23

RGB 117 250 35

HSL 97.12, 0.96%, 0.56%

LAB 88.1, -68.4, 80.16

 

CMYK 76 / 0 / 86 / 2

HEX #3CFA23

RGB 60 250 35

HSL 113.02, 0.96%, 0.56%

LAB 86.73, -79.85, 78.43

 

CMYK 86 / 0 / 73 / 2

HEX #23FA43

RGB 35 250 67

HSL 128.93, 0.96%, 0.56%

LAB 86.57, -80.71, 69.65

 

CMYK 62 / 0 / 98 / 22

HEX #4BC704

RGB 75 199 4

HSL 98.15, 0.96%, 0.4%

LAB 71.11, -62.35, 69.85

 

CMYK 62 / 0 / 98 / 6

HEX #5BEF04

RGB 91 239 4

HSL 97.79, 0.97%, 0.48%

LAB 83.95, -71.74, 80.3

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 44 / 0 / 70 / 2

HEX #8CFB4B

RGB 140 251 75

HSL 97.84, 0.96%, 0.64%

LAB 89.43, -60.22, 70.62

 

CMYK 34 / 0 / 54 / 1

HEX #A6FC73

RGB 166 252 115

HSL 97.66, 0.96%, 0.72%

LAB 91.22, -48.98, 56.72

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 86 / 0 / 16 / 2

HEX #23FAD3

RGB 35 250 211

HSL 169.12, 0.96%, 0.56%

LAB 88.65, -56.73, 5.12

 

CMYK 0 / 86 / 19 / 2

HEX #FA23CB

RGB 250 35 203

HSL 313.12, 0.96%, 0.56%

LAB 57.88, 87.32, -35.49

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 86 / 53 / 0 / 2

HEX #2375FA

RGB 35 117 250

HSL 217.12, 0.96%, 0.56%

LAB 51.82, 25.07, -72.85

 

CMYK 0 / 86 / 53 / 2

HEX #FA2375

RGB 250 35 117

HSL 337.12, 0.96%, 0.56%

LAB 54.88, 79.04, 10.53

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 86 / 0 / 16 / 2

HEX #23FAD3

RGB 35 250 211

HSL 169.12, 0.96%, 0.56%

LAB 88.65, -56.73, 5.12

 

CMYK 33 / 86 / 0 / 2

HEX #A723FA

RGB 167 35 250

HSL 276.84, 0.96%, 0.56%

LAB 47.39, 80.98, -79.65

 

CMYK 0 / 86 / 70 / 2

HEX #FA234A

RGB 250 35 74

HSL 349.12, 0.96%, 0.56%

LAB 54.05, 76.66, 35.12

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 86 / 10 / 0 / 2

HEX #23E1FA

RGB 35 225 250

HSL 186.98, 0.96%, 0.56%

LAB 82.44, -34.97, -24.6

 

CMYK 33 / 86 / 0 / 2

HEX #A723FA

RGB 167 35 250

HSL 276.84, 0.96%, 0.56%

LAB 47.39, 80.98, -79.65

 

CMYK 0 / 76 / 86 / 2

HEX #FA3C23

RGB 250 60 35

HSL 6.98, 0.96%, 0.56%

LAB 55.76, 69.52, 57.35

 

Description

Color code: HEX #72FA23 | qconv.com Color code: HEX #72FA23 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 250 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 250 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 86 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 86% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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