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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72FC21 it is the complementary color #8D03DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72FC21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72FC21 shade: #77FC1C, #88FF2F, #99FF42, #AAFF55 and #BBFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72FC21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72FC21 shade: #72FC21, #61EA0E, #50D800, #3FC600 and #2EB400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72FC21 shade: #72FB21, #ADFB21, #E7FB21, #FBD421 and #FB9A21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72FC21 shade: #72FB21, #37FB21, #21FB46, #21FB81 and #21FBBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72FC21 shade matches the following richer shades: #72FB21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72FC21 shade: #72FB21, #77E934, #7BD746, #80C558 and #85B36A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72FC21 shade: #E9FB21, #AFFB21, #75FB21, #3BFB21 and #21FB42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72FC21 shade: #4BC803, #5BF003, #72FB21, #8CFC4A and #A6FC73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72FC21 shade: #72FC21, #21FBD3 and #FB21CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72FC21 shade: #72FC21, #2175FB and #FB2175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72FC21 shade: #72FC21, #21FBD3, #A821FB and #FB2149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72FC21 shade: #72FC21, #21E2FB, #A821FB and #FB3B21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 87 / 1

HEX #72FC21

RGB 114 252 33

HSL 97.81, 0.97%, 0.56%

LAB 88.59, -69.93, 80.92

 

Complementary color

CMYK 36 / 99 / 0 / 13

HEX #8D03DE

RGB 141 3 222

HSL 277.81, 0.97%, 0.44%

LAB 39.58, 77.33, -76.74

 

CMYK 53 / 0 / 89 / 1

HEX #77FC1C

RGB 119 252 28

HSL 95.63, 0.97%, 0.55%

LAB 88.75, -68.76, 81.95

 

CMYK 47 / 0 / 82 / 0

HEX #88FF2F

RGB 136 255 47

HSL 94.33, 1%, 0.59%

LAB 90.3, -64.43, 79.76

 

CMYK 40 / 0 / 74 / 0

HEX #99FF42

RGB 153 255 66

HSL 92.38, 1%, 0.63%

LAB 91.09, -58.3, 75.46

 

CMYK 33 / 0 / 67 / 0

HEX #AAFF55

RGB 170 255 85

HSL 90, 1%, 0.67%

LAB 92.01, -51.49, 70.06

 

CMYK 27 / 0 / 59 / 0

HEX #BBFF68

RGB 187 255 104

HSL 87.02, 1%, 0.7%

LAB 93.05, -44.12, 63.88

 

CMYK 55 / 0 / 87 / 1

HEX #72FC21

RGB 114 252 33

HSL 97.81, 0.97%, 0.56%

LAB 88.59, -69.93, 80.92

 

CMYK 59 / 0 / 94 / 8

HEX #61EA0E

RGB 97 234 14

HSL 97.36, 0.89%, 0.49%

LAB 82.6, -68.58, 78.42

 

CMYK 63 / 0 / 100 / 15

HEX #50D800

RGB 80 216 0

HSL 97.78, 1%, 0.42%

LAB 76.57, -66.85, 74.66

 

CMYK 68 / 0 / 100 / 22

HEX #3FC600

RGB 63 198 0

HSL 100.91, 1%, 0.39%

LAB 70.49, -64.66, 69.66

 

CMYK 74 / 0 / 100 / 29

HEX #2EB400

RGB 46 180 0

HSL 104.67, 1%, 0.35%

LAB 64.34, -62.13, 64.62

 

CMYK 55 / 0 / 87 / 2

HEX #72FB21

RGB 114 251 33

HSL 97.71, 0.96%, 0.56%

LAB 88.3, -69.59, 80.66

 

CMYK 31 / 0 / 87 / 2

HEX #ADFB21

RGB 173 251 33

HSL 81.47, 0.96%, 0.56%

LAB 90.77, -51.28, 83.75

 

CMYK 8 / 0 / 87 / 2

HEX #E7FB21

RGB 231 251 33

HSL 65.5, 0.96%, 0.56%

LAB 94.35, -29.06, 88.16

 

CMYK 0 / 16 / 87 / 2

HEX #FBD421

RGB 251 212 33

HSL 49.27, 0.96%, 0.56%

LAB 85.86, -1.71, 82.04

 

CMYK 0 / 39 / 87 / 2

HEX #FB9A21

RGB 251 154 33

HSL 33.3, 0.96%, 0.56%

LAB 72.05, 28.41, 71.08

 

CMYK 55 / 0 / 87 / 2

HEX #72FB21

RGB 114 251 33

HSL 97.71, 0.96%, 0.56%

LAB 88.3, -69.59, 80.66

 

CMYK 78 / 0 / 87 / 2

HEX #37FB21

RGB 55 251 33

HSL 113.94, 0.96%, 0.56%

LAB 86.96, -80.85, 78.98

 

CMYK 87 / 0 / 72 / 2

HEX #21FB46

RGB 33 251 70

HSL 130.18, 0.96%, 0.56%

LAB 86.88, -80.91, 68.95

 

CMYK 87 / 0 / 49 / 2

HEX #21FB81

RGB 33 251 129

HSL 146.42, 0.96%, 0.56%

LAB 87.44, -74.03, 44.82

 

CMYK 87 / 0 / 25 / 2

HEX #21FBBC

RGB 33 251 188

HSL 162.66, 0.96%, 0.56%

LAB 88.42, -62.72, 16.69

 

CMYK 55 / 0 / 87 / 2

HEX #72FB21

RGB 114 251 33

HSL 97.71, 0.96%, 0.56%

LAB 88.3, -69.59, 80.66

 

CMYK 55 / 0 / 87 / 2

HEX #72FB21

RGB 114 251 33

HSL 97.71, 0.96%, 0.56%

LAB 88.3, -69.59, 80.66

 

CMYK 49 / 0 / 78 / 9

HEX #77E934

RGB 119 233 52

HSL 97.79, 0.8%, 0.56%

LAB 83.15, -61.09, 71.63

 

CMYK 43 / 0 / 67 / 16

HEX #7BD746

RGB 123 215 70

HSL 98.07, 0.64%, 0.56%

LAB 78.02, -51.83, 60.44

 

CMYK 35 / 0 / 55 / 23

HEX #80C558

RGB 128 197 88

HSL 97.98, 0.48%, 0.56%

LAB 73.04, -41, 47.22

 

CMYK 26 / 0 / 41 / 30

HEX #85B36A

RGB 133 179 106

HSL 97.81, 0.32%, 0.56%

LAB 68.22, -28.76, 32.42

 

CMYK 7 / 0 / 87 / 2

HEX #E9FB21

RGB 233 251 33

HSL 64.95, 0.96%, 0.56%

LAB 94.49, -28.26, 88.34

 

CMYK 30 / 0 / 87 / 2

HEX #AFFB21

RGB 175 251 33

HSL 80.92, 0.96%, 0.56%

LAB 90.88, -50.57, 83.88

 

CMYK 53 / 0 / 87 / 2

HEX #75FB21

RGB 117 251 33

HSL 96.88, 0.96%, 0.56%

LAB 88.39, -68.81, 80.78

 

CMYK 76 / 0 / 87 / 2

HEX #3BFB21

RGB 59 251 33

HSL 112.84, 0.96%, 0.56%

LAB 87.01, -80.34, 79.05

 

CMYK 87 / 0 / 74 / 2

HEX #21FB42

RGB 33 251 66

HSL 129.08, 0.96%, 0.56%

LAB 86.85, -81.22, 70.26

 

CMYK 63 / 0 / 99 / 22

HEX #4BC803

RGB 75 200 3

HSL 98.07, 0.97%, 0.4%

LAB 71.43, -62.7, 70.21

 

CMYK 62 / 0 / 99 / 6

HEX #5BF003

RGB 91 240 3

HSL 97.72, 0.98%, 0.48%

LAB 84.25, -72.07, 80.63

 

CMYK 55 / 0 / 87 / 2

HEX #72FB21

RGB 114 251 33

HSL 97.71, 0.96%, 0.56%

LAB 88.3, -69.59, 80.66

 

CMYK 44 / 0 / 71 / 1

HEX #8CFC4A

RGB 140 252 74

HSL 97.75, 0.97%, 0.64%

LAB 89.72, -60.67, 71.26

 

CMYK 34 / 0 / 54 / 1

HEX #A6FC73

RGB 166 252 115

HSL 97.66, 0.96%, 0.72%

LAB 91.22, -48.98, 56.72

 

CMYK 55 / 0 / 87 / 1

HEX #72FC21

RGB 114 252 33

HSL 97.81, 0.97%, 0.56%

LAB 88.59, -69.93, 80.92

 

CMYK 87 / 0 / 16 / 2

HEX #21FBD3

RGB 33 251 211

HSL 168.99, 0.96%, 0.56%

LAB 88.93, -57.24, 5.52

 

CMYK 0 / 87 / 19 / 2

HEX #FB21CC

RGB 251 33 204

HSL 312.94, 0.96%, 0.56%

LAB 58, 87.95, -35.87

 

CMYK 55 / 0 / 87 / 1

HEX #72FC21

RGB 114 252 33

HSL 97.81, 0.97%, 0.56%

LAB 88.59, -69.93, 80.92

 

CMYK 87 / 53 / 0 / 2

HEX #2175FB

RGB 33 117 251

HSL 216.88, 0.96%, 0.56%

LAB 51.85, 25.33, -73.35

 

CMYK 0 / 87 / 53 / 2

HEX #FB2175

RGB 251 33 117

HSL 336.88, 0.96%, 0.56%

LAB 54.95, 79.61, 10.66

 

CMYK 55 / 0 / 87 / 1

HEX #72FC21

RGB 114 252 33

HSL 97.81, 0.97%, 0.56%

LAB 88.59, -69.93, 80.92

 

CMYK 87 / 0 / 16 / 2

HEX #21FBD3

RGB 33 251 211

HSL 168.99, 0.96%, 0.56%

LAB 88.93, -57.24, 5.52

 

CMYK 33 / 87 / 0 / 2

HEX #A821FB

RGB 168 33 251

HSL 277.16, 0.96%, 0.56%

LAB 47.47, 81.74, -80.08

 

CMYK 0 / 87 / 71 / 2

HEX #FB2149

RGB 251 33 73

HSL 348.99, 0.96%, 0.56%

LAB 54.11, 77.22, 35.82

 

CMYK 55 / 0 / 87 / 1

HEX #72FC21

RGB 114 252 33

HSL 97.81, 0.97%, 0.56%

LAB 88.59, -69.93, 80.92

 

CMYK 87 / 10 / 0 / 2

HEX #21E2FB

RGB 33 226 251

HSL 186.88, 0.96%, 0.56%

LAB 82.74, -35.24, -24.67

 

CMYK 33 / 87 / 0 / 2

HEX #A821FB

RGB 168 33 251

HSL 277.16, 0.96%, 0.56%

LAB 47.47, 81.74, -80.08

 

CMYK 0 / 76 / 87 / 2

HEX #FB3B21

RGB 251 59 33

HSL 7.16, 0.96%, 0.56%

LAB 55.83, 70.07, 58.33

 

Description

Color code: HEX #72FC21 | qconv.com Color code: HEX #72FC21 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 252 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 252 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 87 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 87% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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