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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #730B86 it is the complementary color #8CF479. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #730B86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #730B86 shade: #780B81, #891D94, #9A2FA7, #AB41BA and #BC53CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #730B86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #730B86 shade: #730B86, #620073, #510060, #40004D and #2F003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #730B86 shade: #710A84, #840A76, #840A55, #840A34 and #840A13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #730B86 shade: #710A84, #500A84, #2F0A84, #0F0A84 and #0A0A84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #730B86 shade matches the following richer shades: #710A84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #730B86 shade: #710A84, #691678, #61216C, #592D61 and #513855

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #730B86 shade: #2F0A84, #4F0A84, #6F0A84, #840A77 and #840A57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #730B86 shade: #2F0437, #50075D, #710A84, #920DAA and #B210D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #730B86 shade: #730B86, #840E0A and #0A843F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #730B86 shade: #730B86, #846F0A and #0A846F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #730B86 shade: #730B86, #840E0A, #1E840A and #0A8084

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #730B86 shade: #730B86, #84330A, #1E840A and #0A5B84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 92 / 0 / 47

HEX #730B86

RGB 115 11 134

HSL 290.73, 0.85%, 0.28%

LAB 28.39, 55.89, -42.62

 

Complementary color

CMYK 43 / 0 / 50 / 4

HEX #8CF479

RGB 140 244 121

HSL 110.73, 0.85%, 0.72%

LAB 87.8, -53.12, 49.61

 

CMYK 7 / 91 / 0 / 49

HEX #780B81

RGB 120 11 129

HSL 295.42, 0.84%, 0.27%

LAB 28.95, 55.89, -38.55

 

CMYK 7 / 80 / 0 / 42

HEX #891D94

RGB 137 29 148

HSL 294.45, 0.67%, 0.35%

LAB 34.67, 58.25, -40.98

 

CMYK 8 / 72 / 0 / 35

HEX #9A2FA7

RGB 154 47 167

HSL 293.5, 0.56%, 0.42%

LAB 40.72, 59.29, -42.63

 

CMYK 8 / 65 / 0 / 27

HEX #AB41BA

RGB 171 65 186

HSL 292.56, 0.48%, 0.49%

LAB 46.95, 59.54, -43.77

 

CMYK 8 / 60 / 0 / 20

HEX #BC53CD

RGB 188 83 205

HSL 291.64, 0.55%, 0.56%

LAB 53.26, 59.34, -44.58

 

CMYK 14 / 92 / 0 / 47

HEX #730B86

RGB 115 11 134

HSL 290.73, 0.85%, 0.28%

LAB 28.39, 55.89, -42.62

 

CMYK 15 / 100 / 0 / 55

HEX #620073

RGB 98 0 115

HSL 291.13, 1%, 0.23%

LAB 23.12, 51.71, -39.25

 

CMYK 16 / 100 / 0 / 62

HEX #510060

RGB 81 0 96

HSL 290.63, 1%, 0.19%

LAB 18.34, 45.44, -34.72

 

CMYK 17 / 100 / 0 / 70

HEX #40004D

RGB 64 0 77

HSL 289.87, 1%, 0.15%

LAB 13.39, 38.95, -30.03

 

CMYK 19 / 100 / 0 / 77

HEX #2F003A

RGB 47 0 58

HSL 288.62, 1%, 0.11%

LAB 8.22, 32.17, -25.15

 

CMYK 14 / 92 / 0 / 48

HEX #710A84

RGB 113 10 132

HSL 290.66, 0.86%, 0.28%

LAB 27.83, 55.36, -42.3

 

CMYK 0 / 92 / 11 / 48

HEX #840A76

RGB 132 10 118

HSL 306.89, 0.86%, 0.28%

LAB 30.47, 56.6, -29.03

 

CMYK 0 / 92 / 36 / 48

HEX #840A55

RGB 132 10 85

HSL 323.11, 0.86%, 0.28%

LAB 28.85, 52.29, -10.17

 

CMYK 0 / 92 / 61 / 48

HEX #840A34

RGB 132 10 52

HSL 339.34, 0.86%, 0.28%

LAB 27.77, 49.3, 10.41

 

CMYK 0 / 92 / 86 / 48

HEX #840A13

RGB 132 10 19

HSL 355.57, 0.86%, 0.28%

LAB 27.21, 47.73, 31.26

 

CMYK 14 / 92 / 0 / 48

HEX #710A84

RGB 113 10 132

HSL 290.66, 0.86%, 0.28%

LAB 27.83, 55.36, -42.3

 

CMYK 39 / 92 / 0 / 48

HEX #500A84

RGB 80 10 132

HSL 274.43, 0.86%, 0.28%

LAB 22.26, 50.31, -51.61

 

CMYK 64 / 92 / 0 / 48

HEX #2F0A84

RGB 47 10 132

HSL 258.2, 0.86%, 0.28%

LAB 17.86, 46.8, -59.02

 

CMYK 89 / 92 / 0 / 48

HEX #0F0A84

RGB 15 10 132

HSL 242.46, 0.86%, 0.28%

LAB 15.41, 45.11, -63.17

 

CMYK 92 / 92 / 0 / 48

HEX #0A0A84

RGB 10 10 132

HSL 240, 0.86%, 0.28%

LAB 15.21, 44.99, -63.5

 

CMYK 14 / 92 / 0 / 48

HEX #710A84

RGB 113 10 132

HSL 290.66, 0.86%, 0.28%

LAB 27.83, 55.36, -42.3

 

CMYK 14 / 92 / 0 / 48

HEX #710A84

RGB 113 10 132

HSL 290.66, 0.86%, 0.28%

LAB 27.83, 55.36, -42.3

 

CMYK 13 / 82 / 0 / 53

HEX #691678

RGB 105 22 120

HSL 290.82, 0.69%, 0.28%

LAB 26.54, 48.69, -36.86

 

CMYK 10 / 69 / 0 / 58

HEX #61216C

RGB 97 33 108

HSL 291.2, 0.53%, 0.28%

LAB 25.9, 40.17, -30.28

 

CMYK 8 / 54 / 0 / 62

HEX #592D61

RGB 89 45 97

HSL 290.77, 0.37%, 0.28%

LAB 26.34, 29.2, -22.53

 

CMYK 5 / 34 / 0 / 67

HEX #513855

RGB 81 56 85

HSL 291.72, 0.21%, 0.28%

LAB 27.39, 16.89, -13.16

 

CMYK 64 / 92 / 0 / 48

HEX #2F0A84

RGB 47 10 132

HSL 258.2, 0.86%, 0.28%

LAB 17.86, 46.8, -59.02

 

CMYK 40 / 92 / 0 / 48

HEX #4F0A84

RGB 79 10 132

HSL 273.93, 0.86%, 0.28%

LAB 22.11, 50.18, -51.87

 

CMYK 16 / 92 / 0 / 48

HEX #6F0A84

RGB 111 10 132

HSL 289.67, 0.86%, 0.28%

LAB 27.47, 55.02, -42.9

 

CMYK 0 / 92 / 10 / 48

HEX #840A77

RGB 132 10 119

HSL 306.39, 0.86%, 0.28%

LAB 30.53, 56.74, -29.57

 

CMYK 0 / 92 / 34 / 48

HEX #840A57

RGB 132 10 87

HSL 322.13, 0.86%, 0.28%

LAB 28.93, 52.52, -11.37

 

CMYK 15 / 93 / 0 / 78

HEX #2F0437

RGB 47 4 55

HSL 290.59, 0.86%, 0.12%

LAB 8.71, 29.3, -22.17

 

CMYK 14 / 92 / 0 / 64

HEX #50075D

RGB 80 7 93

HSL 290.93, 0.86%, 0.2%

LAB 18.57, 42.71, -32.35

 

CMYK 14 / 92 / 0 / 48

HEX #710A84

RGB 113 10 132

HSL 290.66, 0.86%, 0.28%

LAB 27.83, 55.36, -42.3

 

CMYK 14 / 92 / 0 / 33

HEX #920DAA

RGB 146 13 170

HSL 290.83, 0.86%, 0.36%

LAB 36.56, 67.11, -51.19

 

CMYK 14 / 92 / 0 / 18

HEX #B210D0

RGB 178 16 208

HSL 290.63, 0.86%, 0.44%

LAB 44.79, 78.16, -59.96

 

CMYK 14 / 92 / 0 / 47

HEX #730B86

RGB 115 11 134

HSL 290.73, 0.85%, 0.28%

LAB 28.39, 55.89, -42.62

 

CMYK 0 / 89 / 92 / 48

HEX #840E0A

RGB 132 14 10

HSL 1.97, 0.86%, 0.28%

LAB 27.41, 46.76, 36.02

 

CMYK 92 / 0 / 52 / 48

HEX #0A843F

RGB 10 132 63

HSL 146.07, 0.86%, 0.28%

LAB 48.17, -46.4, 28.72

 

CMYK 14 / 92 / 0 / 47

HEX #730B86

RGB 115 11 134

HSL 290.73, 0.85%, 0.28%

LAB 28.39, 55.89, -42.62

 

CMYK 0 / 16 / 92 / 48

HEX #846F0A

RGB 132 111 10

HSL 49.67, 0.86%, 0.28%

LAB 47.36, -1.38, 51.44

 

CMYK 92 / 0 / 16 / 48

HEX #0A846F

RGB 10 132 111

HSL 169.67, 0.86%, 0.28%

LAB 49.15, -35.35, 2.83

 

CMYK 14 / 92 / 0 / 47

HEX #730B86

RGB 115 11 134

HSL 290.73, 0.85%, 0.28%

LAB 28.39, 55.89, -42.62

 

CMYK 0 / 89 / 92 / 48

HEX #840E0A

RGB 132 14 10

HSL 1.97, 0.86%, 0.28%

LAB 27.41, 46.76, 36.02

 

CMYK 77 / 0 / 92 / 48

HEX #1E840A

RGB 30 132 10

HSL 110.16, 0.86%, 0.28%

LAB 48.01, -49.34, 49.53

 

CMYK 92 / 3 / 0 / 48

HEX #0A8084

RGB 10 128 132

HSL 181.97, 0.86%, 0.28%

LAB 48.47, -27, -10.51

 

CMYK 14 / 92 / 0 / 47

HEX #730B86

RGB 115 11 134

HSL 290.73, 0.85%, 0.28%

LAB 28.39, 55.89, -42.62

 

CMYK 0 / 61 / 92 / 48

HEX #84330A

RGB 132 51 10

HSL 20.16, 0.86%, 0.28%

LAB 32.47, 32.91, 39.96

 

CMYK 77 / 0 / 92 / 48

HEX #1E840A

RGB 30 132 10

HSL 110.16, 0.86%, 0.28%

LAB 48.01, -49.34, 49.53

 

CMYK 92 / 31 / 0 / 48

HEX #0A5B84

RGB 10 91 132

HSL 200.16, 0.86%, 0.28%

LAB 36.39, -6.41, -29.1

 

Description

Color code: HEX #730B86 | qconv.com Color code: HEX #730B86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 11 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 11 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 92 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 92% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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