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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #730D9F it is the complementary color #8CF260. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #730D9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #730D9F shade: #780D9A, #891FAD, #9A31C0, #AB43D3 and #BC55E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #730D9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #730D9F shade: #730D9F, #62008C, #510079, #400066 and #2F0053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #730D9F shade: #730DA0, #9B0DA0, #A00D7D, #A00D55 and #A00D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #730D9F shade: #730DA0, #4C0DA0, #240DA0 and #0D0DA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #730D9F shade matches the following richer shades: #730DA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #730D9F shade: #730DA0, #6E1B92, #682984, #633776 and #5D4568

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #730D9F shade: #230DA0, #4A0DA0, #710DA0, #990DA0 and #A00D80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #730D9F shade: #3C0654, #58097A, #730DA0, #8F10C6 and #AA13EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #730D9F shade: #730D9F, #A00D1E and #0DA036

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #730D9F shade: #730D9F, #A0710D and #0DA071

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #730D9F shade: #730D9F, #A00D1E, #3BA00D and #0DA08F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #730D9F shade: #730D9F, #A0280D, #3BA00D and #0D85A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 92 / 0 / 38

HEX #730D9F

RGB 115 13 159

HSL 281.92, 0.85%, 0.34%

LAB 30.49, 60.32, -54.64

 

Complementary color

CMYK 42 / 0 / 60 / 5

HEX #8CF260

RGB 140 242 96

HSL 101.92, 0.85%, 0.66%

LAB 86.96, -55.02, 59.79

 

CMYK 22 / 92 / 0 / 40

HEX #780D9A

RGB 120 13 154

HSL 285.53, 0.84%, 0.33%

LAB 30.91, 60.1, -50.87

 

CMYK 21 / 82 / 0 / 32

HEX #891FAD

RGB 137 31 173

HSL 284.79, 0.7%, 0.4%

LAB 36.58, 62.32, -53.01

 

CMYK 20 / 74 / 0 / 25

HEX #9A31C0

RGB 154 49 192

HSL 284.06, 0.59%, 0.47%

LAB 42.57, 63.3, -54.43

 

CMYK 19 / 68 / 0 / 17

HEX #AB43D3

RGB 171 67 211

HSL 283.33, 0.62%, 0.55%

LAB 48.73, 63.53, -55.38

 

CMYK 18 / 63 / 0 / 10

HEX #BC55E6

RGB 188 85 230

HSL 282.62, 0.74%, 0.62%

LAB 54.97, 63.31, -56.03

 

CMYK 28 / 92 / 0 / 38

HEX #730D9F

RGB 115 13 159

HSL 281.92, 0.85%, 0.34%

LAB 30.49, 60.32, -54.64

 

CMYK 30 / 100 / 0 / 45

HEX #62008C

RGB 98 0 140

HSL 282, 1%, 0.27%

LAB 25.23, 56.51, -51.65

 

CMYK 33 / 100 / 0 / 53

HEX #510079

RGB 81 0 121

HSL 280.17, 1%, 0.24%

LAB 20.56, 50.45, -47.41

 

CMYK 37 / 100 / 0 / 60

HEX #400066

RGB 64 0 102

HSL 277.65, 1%, 0.2%

LAB 15.74, 44.22, -43.06

 

CMYK 43 / 100 / 0 / 67

HEX #2F0053

RGB 47 0 83

HSL 273.98, 1%, 0.16%

LAB 10.77, 37.81, -38.57

 

CMYK 28 / 92 / 0 / 37

HEX #730DA0

RGB 115 13 160

HSL 281.63, 0.85%, 0.34%

LAB 30.57, 60.52, -55.12

 

CMYK 3 / 92 / 0 / 37

HEX #9B0DA0

RGB 155 13 160

HSL 297.96, 0.85%, 0.34%

LAB 37.47, 66.95, -43.62

 

CMYK 0 / 92 / 22 / 37

HEX #A00D7D

RGB 160 13 125

HSL 314.29, 0.85%, 0.34%

LAB 36.45, 62.88, -23.68

 

CMYK 0 / 92 / 47 / 37

HEX #A00D55

RGB 160 13 85

HSL 330.61, 0.85%, 0.34%

LAB 34.84, 58.56, -0.62

 

CMYK 0 / 92 / 72 / 37

HEX #A00D2D

RGB 160 13 45

HSL 346.94, 0.85%, 0.34%

LAB 33.88, 55.89, 24.15

 

CMYK 28 / 92 / 0 / 37

HEX #730DA0

RGB 115 13 160

HSL 281.63, 0.85%, 0.34%

LAB 30.57, 60.52, -55.12

 

CMYK 53 / 92 / 0 / 37

HEX #4C0DA0

RGB 76 13 160

HSL 265.71, 0.85%, 0.34%

LAB 24.84, 55.78, -64.75

 

CMYK 78 / 92 / 0 / 37

HEX #240DA0

RGB 36 13 160

HSL 249.39, 0.85%, 0.34%

LAB 20.83, 52.97, -71.51

 

CMYK 92 / 92 / 0 / 37

HEX #0D0DA0

RGB 13 13 160

HSL 240, 0.85%, 0.34%

LAB 19.69, 52.26, -73.45

 

CMYK 28 / 92 / 0 / 37

HEX #730DA0

RGB 115 13 160

HSL 281.63, 0.85%, 0.34%

LAB 30.57, 60.52, -55.12

 

CMYK 28 / 92 / 0 / 37

HEX #730DA0

RGB 115 13 160

HSL 281.63, 0.85%, 0.34%

LAB 30.57, 60.52, -55.12

 

CMYK 25 / 82 / 0 / 43

HEX #6E1B92

RGB 110 27 146

HSL 281.85, 0.69%, 0.34%

LAB 29.85, 53.29, -47.76

 

CMYK 21 / 69 / 0 / 48

HEX #682984

RGB 104 41 132

HSL 281.54, 0.53%, 0.34%

LAB 29.9, 43.34, -39.04

 

CMYK 16 / 53 / 0 / 54

HEX #633776

RGB 99 55 118

HSL 281.9, 0.36%, 0.34%

LAB 31.1, 31.31, -28.39

 

CMYK 11 / 34 / 0 / 59

HEX #5D4568

RGB 93 69 104

HSL 281.14, 0.2%, 0.34%

LAB 33.1, 17.45, -16.48

 

CMYK 78 / 92 / 0 / 37

HEX #230DA0

RGB 35 13 160

HSL 248.98, 0.85%, 0.34%

LAB 20.76, 52.92, -71.62

 

CMYK 54 / 92 / 0 / 37

HEX #4A0DA0

RGB 74 13 160

HSL 264.9, 0.85%, 0.34%

LAB 24.58, 55.59, -65.17

 

CMYK 29 / 92 / 0 / 37

HEX #710DA0

RGB 113 13 160

HSL 280.82, 0.85%, 0.34%

LAB 30.25, 60.24, -55.66

 

CMYK 4 / 92 / 0 / 37

HEX #990DA0

RGB 153 13 160

HSL 297.14, 0.85%, 0.34%

LAB 37.11, 66.6, -44.22

 

CMYK 0 / 92 / 20 / 37

HEX #A00D80

RGB 160 13 128

HSL 313.06, 0.85%, 0.34%

LAB 36.59, 63.27, -25.32

 

CMYK 29 / 93 / 0 / 67

HEX #3C0654

RGB 60 6 84

HSL 281.54, 0.87%, 0.18%

LAB 14.01, 37.46, -33.86

 

CMYK 28 / 93 / 0 / 52

HEX #58097A

RGB 88 9 122

HSL 281.95, 0.86%, 0.26%

LAB 22.57, 49.5, -44.71

 

CMYK 28 / 92 / 0 / 37

HEX #730DA0

RGB 115 13 160

HSL 281.63, 0.85%, 0.34%

LAB 30.57, 60.52, -55.12

 

CMYK 28 / 92 / 0 / 22

HEX #8F10C6

RGB 143 16 198

HSL 281.87, 0.85%, 0.42%

LAB 38.35, 71.34, -64.86

 

CMYK 28 / 92 / 0 / 8

HEX #AA13EB

RGB 170 19 235

HSL 281.94, 0.85%, 0.5%

LAB 45.65, 81.41, -74.04

 

CMYK 28 / 92 / 0 / 38

HEX #730D9F

RGB 115 13 159

HSL 281.92, 0.85%, 0.34%

LAB 30.49, 60.32, -54.64

 

CMYK 0 / 92 / 81 / 37

HEX #A00D1E

RGB 160 13 30

HSL 353.06, 0.85%, 0.34%

LAB 33.68, 55.32, 33.23

 

CMYK 92 / 0 / 66 / 37

HEX #0DA036

RGB 13 160 54

HSL 136.73, 0.85%, 0.34%

LAB 57.55, -56.79, 44.09

 

CMYK 28 / 92 / 0 / 38

HEX #730D9F

RGB 115 13 159

HSL 281.92, 0.85%, 0.34%

LAB 30.49, 60.32, -54.64

 

CMYK 0 / 29 / 92 / 37

HEX #A0710D

RGB 160 113 13

HSL 40.82, 0.85%, 0.34%

LAB 51.05, 10.72, 55

 

CMYK 92 / 0 / 29 / 37

HEX #0DA071

RGB 13 160 113

HSL 160.82, 0.85%, 0.34%

LAB 58.43, -46.39, 14.84

 

CMYK 28 / 92 / 0 / 38

HEX #730D9F

RGB 115 13 159

HSL 281.92, 0.85%, 0.34%

LAB 30.49, 60.32, -54.64

 

CMYK 0 / 92 / 81 / 37

HEX #A00D1E

RGB 160 13 30

HSL 353.06, 0.85%, 0.34%

LAB 33.68, 55.32, 33.23

 

CMYK 63 / 0 / 92 / 37

HEX #3BA00D

RGB 59 160 13

HSL 101.22, 0.85%, 0.34%

LAB 58.13, -52.7, 57.87

 

CMYK 92 / 0 / 11 / 37

HEX #0DA08F

RGB 13 160 143

HSL 173.06, 0.85%, 0.34%

LAB 59.17, -38.5, -0.98

 

CMYK 28 / 92 / 0 / 38

HEX #730D9F

RGB 115 13 159

HSL 281.92, 0.85%, 0.34%

LAB 30.49, 60.32, -54.64

 

CMYK 0 / 75 / 92 / 37

HEX #A0280D

RGB 160 40 13

HSL 11.02, 0.85%, 0.34%

LAB 36.02, 47.92, 43.82

 

CMYK 63 / 0 / 92 / 37

HEX #3BA00D

RGB 59 160 13

HSL 101.22, 0.85%, 0.34%

LAB 58.13, -52.7, 57.87

 

CMYK 92 / 17 / 0 / 37

HEX #0D85A0

RGB 13 133 160

HSL 191.02, 0.85%, 0.34%

LAB 51.15, -19.85, -22.8

 

Description

Color code: HEX #730D9F | qconv.com Color code: HEX #730D9F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 13 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 13 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 92 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 92% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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