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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #733A52 it is the complementary color #8CC5AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #733A52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #733A52 shade: #783A4D, #894C60, #9A5E73, #AB7086 and #BC8299

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #733A52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #733A52 shade: #733A52, #62283F, #51162C, #400419 and #2F0006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #733A52 shade: #733A52, #733A42 and #733A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #733A52 shade: #733A52, #733A61, #733A71, #663A73 and #563A73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #733A52 shade matches the following richer shades: #733A52, #812C4F, #8F1E4D, #9D104B and #AB0149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #733A52 shade: #733A52, #654854, #575656, #496458 and #3B725B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #733A52 shade: #733A71, #733A62, #733A52, #733A43 and #733F3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #733A52 shade: #3C1E2B, #572C3E, #733A52, #8E4765 and #A95679

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #733A52 shade: #733A52, #73653A and #3A6973

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #733A52 shade: #733A52, #52733A and #3A5273

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #733A52 shade: #733A52, #73653A, #3A735A and #3A4773

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #733A52 shade: #733A52, #6F733A, #3A735A and #3D3A73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

Complementary color

CMYK 29 / 0 / 12 / 23

HEX #8CC5AD

RGB 140 197 173

HSL 154.74, 0.33%, 0.66%

LAB 75.15, -23.52, 6.14

 

CMYK 0 / 52 / 36 / 53

HEX #783A4D

RGB 120 58 77

HSL 341.61, 0.35%, 0.35%

LAB 33.04, 29.29, 1.06

 

CMYK 0 / 45 / 30 / 46

HEX #894C60

RGB 137 76 96

HSL 340.33, 0.29%, 0.42%

LAB 40.13, 28.32, -0.32

 

CMYK 0 / 39 / 25 / 40

HEX #9A5E73

RGB 154 94 115

HSL 339, 0.24%, 0.49%

LAB 47.12, 27.4, -1.45

 

CMYK 0 / 35 / 22 / 33

HEX #AB7086

RGB 171 112 134

HSL 337.63, 0.26%, 0.55%

LAB 53.99, 26.55, -2.4

 

CMYK 0 / 31 / 19 / 26

HEX #BC8299

RGB 188 130 153

HSL 336.21, 0.3%, 0.62%

LAB 60.74, 25.78, -3.25

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 0 / 59 / 36 / 62

HEX #62283F

RGB 98 40 63

HSL 336.21, 0.42%, 0.27%

LAB 25.18, 28.98, -1.63

 

CMYK 0 / 73 / 46 / 68

HEX #51162C

RGB 81 22 44

HSL 337.63, 0.57%, 0.2%

LAB 17.94, 29.55, 0.57

 

CMYK 0 / 94 / 61 / 75

HEX #400419

RGB 64 4 25

HSL 339, 0.88%, 0.13%

LAB 10.9, 29.37, 3.98

 

CMYK 0 / 100 / 87 / 82

HEX #2F0006

RGB 47 0 6

HSL 352.34, 1%, 0.09%

LAB 5.58, 23.59, 6.36

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 0 / 50 / 43 / 55

HEX #733A42

RGB 115 58 66

HSL 351.58, 0.33%, 0.34%

LAB 31.95, 25.89, 6.51

 

CMYK 0 / 50 / 50 / 55

HEX #733A3A

RGB 115 58 58

HSL 0, 0.33%, 0.34%

LAB 31.75, 24.96, 11.4

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 0 / 50 / 16 / 55

HEX #733A61

RGB 115 58 97

HSL 318.95, 0.33%, 0.34%

LAB 32.99, 30.56, -11.94

 

CMYK 0 / 50 / 2 / 55

HEX #733A71

RGB 115 58 113

HSL 302.11, 0.33%, 0.34%

LAB 33.7, 33.55, -21.01

 

CMYK 11 / 50 / 0 / 55

HEX #663A73

RGB 102 58 115

HSL 286.32, 0.33%, 0.34%

LAB 32.01, 29.79, -25.04

 

CMYK 25 / 50 / 0 / 55

HEX #563A73

RGB 86 58 115

HSL 269.47, 0.33%, 0.34%

LAB 30.02, 24.77, -28.31

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 0 / 66 / 39 / 49

HEX #812C4F

RGB 129 44 79

HSL 335.29, 0.49%, 0.34%

LAB 31.88, 39.94, -1.75

 

CMYK 0 / 79 / 46 / 44

HEX #8F1E4D

RGB 143 30 77

HSL 335.04, 0.65%, 0.34%

LAB 32.49, 49.48, 0.76

 

CMYK 0 / 90 / 52 / 38

HEX #9D104B

RGB 157 16 75

HSL 334.89, 0.82%, 0.34%

LAB 34.08, 56.48, 4.73

 

CMYK 0 / 99 / 57 / 33

HEX #AB0149

RGB 171 1 73

HSL 334.59, 0.99%, 0.34%

LAB 36.29, 61.78, 9.57

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 0 / 29 / 17 / 60

HEX #654854

RGB 101 72 84

HSL 335.17, 0.17%, 0.34%

LAB 34.07, 14.46, -2.22

 

CMYK 0 / 1 / 1 / 66

HEX #575656

RGB 87 86 86

HSL 0, 0.01%, 0.34%

LAB 36.66, 0.4, 0.14

 

CMYK 27 / 0 / 12 / 61

HEX #496458

RGB 73 100 88

HSL 153.33, 0.16%, 0.34%

LAB 39.97, -12.81, 3.58

 

CMYK 48 / 0 / 20 / 55

HEX #3B725B

RGB 59 114 91

HSL 154.91, 0.32%, 0.34%

LAB 43.83, -24.15, 7.17

 

CMYK 0 / 50 / 2 / 55

HEX #733A71

RGB 115 58 113

HSL 302.11, 0.33%, 0.34%

LAB 33.7, 33.55, -21.01

 

CMYK 0 / 50 / 15 / 55

HEX #733A62

RGB 115 58 98

HSL 317.89, 0.33%, 0.34%

LAB 33.03, 30.73, -12.52

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 0 / 50 / 42 / 55

HEX #733A43

RGB 115 58 67

HSL 350.53, 0.33%, 0.34%

LAB 31.98, 26.01, 5.9

 

CMYK 0 / 45 / 50 / 55

HEX #733F3A

RGB 115 63 58

HSL 5.26, 0.33%, 0.34%

LAB 32.93, 22.04, 13.01

 

CMYK 0 / 50 / 28 / 76

HEX #3C1E2B

RGB 60 30 43

HSL 334, 0.33%, 0.18%

LAB 15.82, 16.61, -2.27

 

CMYK 0 / 49 / 29 / 66

HEX #572C3E

RGB 87 44 62

HSL 334.88, 0.33%, 0.26%

LAB 24.24, 22.26, -2.53

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 0 / 50 / 29 / 44

HEX #8E4765

RGB 142 71 101

HSL 334.65, 0.33%, 0.42%

LAB 39.91, 33.68, -3.68

 

CMYK 0 / 49 / 28 / 34

HEX #A95679

RGB 169 86 121

HSL 334.7, 0.33%, 0.5%

LAB 47.59, 38.13, -4.15

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 0 / 12 / 50 / 55

HEX #73653A

RGB 115 101 58

HSL 45.26, 0.33%, 0.34%

LAB 43.15, -0.77, 26.28

 

CMYK 50 / 9 / 0 / 55

HEX #3A6973

RGB 58 105 115

HSL 190.53, 0.33%, 0.34%

LAB 41.6, -13.08, -10.59

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 29 / 0 / 50 / 55

HEX #52733A

RGB 82 115 58

HSL 94.74, 0.33%, 0.34%

LAB 44.75, -22.89, 27.67

 

CMYK 50 / 29 / 0 / 55

HEX #3A5273

RGB 58 82 115

HSL 214.74, 0.33%, 0.34%

LAB 34.34, 0.83, -21.71

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 0 / 12 / 50 / 55

HEX #73653A

RGB 115 101 58

HSL 45.26, 0.33%, 0.34%

LAB 43.15, -0.77, 26.28

 

CMYK 50 / 0 / 22 / 55

HEX #3A735A

RGB 58 115 90

HSL 153.68, 0.33%, 0.34%

LAB 44.09, -25.17, 8.13

 

CMYK 50 / 38 / 0 / 55

HEX #3A4773

RGB 58 71 115

HSL 226.32, 0.33%, 0.34%

LAB 30.98, 8, -26.96

 

CMYK 0 / 50 / 29 / 55

HEX #733A52

RGB 115 58 82

HSL 334.74, 0.33%, 0.34%

LAB 32.44, 28.1, -3.14

 

CMYK 3 / 0 / 50 / 55

HEX #6F733A

RGB 111 115 58

HSL 64.21, 0.33%, 0.34%

LAB 46.9, -10.58, 30.81

 

CMYK 50 / 0 / 22 / 55

HEX #3A735A

RGB 58 115 90

HSL 153.68, 0.33%, 0.34%

LAB 44.09, -25.17, 8.13

 

CMYK 47 / 50 / 0 / 55

HEX #3D3A73

RGB 61 58 115

HSL 243.16, 0.33%, 0.34%

LAB 27.45, 17.51, -32.54

 

Description

Color code: HEX #733A52 | qconv.com Color code: HEX #733A52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 58 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 58 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 29 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 29% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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