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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73469D it is the complementary color #8CB962. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73469D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73469D shade: #784698, #8958AB, #9A6ABE, #AB7CD1 and #BC8EE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73469D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73469D shade: #73469D, #62348A, #512277, #401064 and #2F0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73469D shade: #74479E, #8B479E, #9E4799, #9E4781 and #9E476A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73469D shade: #74479E, #5C479E and #47479E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73469D shade matches the following richer shades: #74479E, #7434B0, #7522C3 and #760FD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73469D shade: #74479E, #73598B, #726C79, #727E66 and #719154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73469D shade: #47489E, #5C479E, #74479E, #8B479E and #9E4799

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73469D shade: #4A2D65, #5F3A81, #74479E, #8859B4 and #9D76C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73469D shade: #73469D, #9E475F and #479E51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73469D shade: #73469D, #9E7447 and #479E74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73469D shade: #73469D, #9E475F, #719E47 and #479E85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73469D shade: #73469D, #9E4847, #719E47 and #479C9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 55 / 0 / 38

HEX #73469D

RGB 115 70 157

HSL 271.03, 0.38%, 0.45%

LAB 38.65, 36.68, -40.26

 

Complementary color

CMYK 24 / 0 / 47 / 27

HEX #8CB962

RGB 140 185 98

HSL 91.03, 0.38%, 0.55%

LAB 70.28, -30.09, 39.21

 

CMYK 21 / 54 / 0 / 40

HEX #784698

RGB 120 70 152

HSL 276.59, 0.37%, 0.44%

LAB 38.97, 36.85, -36.71

 

CMYK 20 / 49 / 0 / 33

HEX #8958AB

RGB 137 88 171

HSL 275.42, 0.33%, 0.51%

LAB 45.96, 35.96, -36.84

 

CMYK 19 / 44 / 0 / 25

HEX #9A6ABE

RGB 154 106 190

HSL 274.29, 0.39%, 0.58%

LAB 52.84, 35.09, -36.93

 

CMYK 18 / 41 / 0 / 18

HEX #AB7CD1

RGB 171 124 209

HSL 273.18, 0.48%, 0.65%

LAB 59.6, 34.27, -37.02

 

CMYK 18 / 38 / 0 / 11

HEX #BC8EE4

RGB 188 142 228

HSL 272.09, 0.61%, 0.73%

LAB 66.24, 33.51, -37.11

 

CMYK 27 / 55 / 0 / 38

HEX #73469D

RGB 115 70 157

HSL 271.03, 0.38%, 0.45%

LAB 38.65, 36.68, -40.26

 

CMYK 29 / 62 / 0 / 46

HEX #62348A

RGB 98 52 138

HSL 272.09, 0.45%, 0.37%

LAB 31.55, 37.61, -40.16

 

CMYK 32 / 71 / 0 / 53

HEX #512277

RGB 81 34 119

HSL 273.18, 0.56%, 0.3%

LAB 24.4, 38.34, -39.87

 

CMYK 36 / 84 / 0 / 61

HEX #401064

RGB 64 16 100

HSL 274.29, 0.72%, 0.23%

LAB 17.37, 38.37, -39.08

 

CMYK 42 / 100 / 0 / 68

HEX #2F0051

RGB 47 0 81

HSL 274.81, 1%, 0.16%

LAB 10.55, 37.34, -37.56

 

CMYK 27 / 55 / 0 / 38

HEX #74479E

RGB 116 71 158

HSL 271.03, 0.38%, 0.45%

LAB 39.05, 36.63, -40.22

 

CMYK 12 / 55 / 0 / 38

HEX #8B479E

RGB 139 71 158

HSL 286.9, 0.38%, 0.45%

LAB 41.94, 42.96, -35.45

 

CMYK 0 / 55 / 3 / 38

HEX #9E4799

RGB 158 71 153

HSL 303.45, 0.38%, 0.45%

LAB 44.34, 47.39, -28.5

 

CMYK 0 / 55 / 18 / 38

HEX #9E4781

RGB 158 71 129

HSL 320, 0.38%, 0.45%

LAB 43.3, 43.34, -15.61

 

CMYK 0 / 55 / 33 / 38

HEX #9E476A

RGB 158 71 106

HSL 335.86, 0.38%, 0.45%

LAB 42.48, 40.03, -2.71

 

CMYK 27 / 55 / 0 / 38

HEX #74479E

RGB 116 71 158

HSL 271.03, 0.38%, 0.45%

LAB 39.05, 36.63, -40.22

 

CMYK 42 / 55 / 0 / 38

HEX #5C479E

RGB 92 71 158

HSL 254.48, 0.38%, 0.45%

LAB 36.46, 30.41, -44.51

 

CMYK 55 / 55 / 0 / 38

HEX #47479E

RGB 71 71 158

HSL 240, 0.38%, 0.45%

LAB 34.63, 25.6, -47.55

 

CMYK 27 / 55 / 0 / 38

HEX #74479E

RGB 116 71 158

HSL 271.03, 0.38%, 0.45%

LAB 39.05, 36.63, -40.22

 

CMYK 34 / 70 / 0 / 31

HEX #7434B0

RGB 116 52 176

HSL 270.97, 0.54%, 0.45%

LAB 36.56, 51.04, -54.98

 

CMYK 40 / 83 / 0 / 24

HEX #7522C3

RGB 117 34 195

HSL 270.93, 0.7%, 0.45%

LAB 35.73, 62.89, -67.55

 

CMYK 45 / 93 / 0 / 16

HEX #760FD6

RGB 118 15 214

HSL 271.06, 0.87%, 0.45%

LAB 36.08, 71.83, -78.03

 

CMYK 27 / 55 / 0 / 38

HEX #74479E

RGB 116 71 158

HSL 271.03, 0.38%, 0.45%

LAB 39.05, 36.63, -40.22

 

CMYK 17 / 36 / 0 / 45

HEX #73598B

RGB 115 89 139

HSL 271.2, 0.22%, 0.45%

LAB 42.24, 20.99, -23.77

 

CMYK 6 / 11 / 0 / 53

HEX #726C79

RGB 114 108 121

HSL 267.69, 0.06%, 0.45%

LAB 46.56, 5.01, -6.37

 

CMYK 10 / 0 / 19 / 51

HEX #727E66

RGB 114 126 102

HSL 90, 0.11%, 0.45%

LAB 51.22, -9.14, 11.6

 

CMYK 22 / 0 / 42 / 43

HEX #719154

RGB 113 145 84

HSL 91.48, 0.27%, 0.45%

LAB 56.49, -22.49, 28.77

 

CMYK 55 / 54 / 0 / 38

HEX #47489E

RGB 71 72 158

HSL 239.31, 0.38%, 0.45%

LAB 34.89, 24.96, -47.13

 

CMYK 42 / 55 / 0 / 38

HEX #5C479E

RGB 92 71 158

HSL 254.48, 0.38%, 0.45%

LAB 36.46, 30.41, -44.51

 

CMYK 27 / 55 / 0 / 38

HEX #74479E

RGB 116 71 158

HSL 271.03, 0.38%, 0.45%

LAB 39.05, 36.63, -40.22

 

CMYK 12 / 55 / 0 / 38

HEX #8B479E

RGB 139 71 158

HSL 286.9, 0.38%, 0.45%

LAB 41.94, 42.96, -35.45

 

CMYK 0 / 55 / 3 / 38

HEX #9E4799

RGB 158 71 153

HSL 303.45, 0.38%, 0.45%

LAB 44.34, 47.39, -28.5

 

CMYK 27 / 55 / 0 / 60

HEX #4A2D65

RGB 74 45 101

HSL 271.07, 0.38%, 0.29%

LAB 24.55, 25.52, -28.09

 

CMYK 26 / 55 / 0 / 49

HEX #5F3A81

RGB 95 58 129

HSL 271.27, 0.38%, 0.37%

LAB 31.91, 31.07, -34.03

 

CMYK 27 / 55 / 0 / 38

HEX #74479E

RGB 116 71 158

HSL 271.03, 0.38%, 0.45%

LAB 39.05, 36.63, -40.22

 

CMYK 24 / 51 / 0 / 29

HEX #8859B4

RGB 136 89 180

HSL 270.99, 0.38%, 0.53%

LAB 46.54, 37.24, -41.19

 

CMYK 19 / 39 / 0 / 24

HEX #9D76C1

RGB 157 118 193

HSL 271.2, 0.38%, 0.61%

LAB 56.06, 29.85, -33.57

 

CMYK 27 / 55 / 0 / 38

HEX #73469D

RGB 115 70 157

HSL 271.03, 0.38%, 0.45%

LAB 38.65, 36.68, -40.26

 

CMYK 0 / 55 / 40 / 38

HEX #9E475F

RGB 158 71 95

HSL 343.45, 0.38%, 0.45%

LAB 42.16, 38.67, 3.62

 

CMYK 55 / 0 / 49 / 38

HEX #479E51

RGB 71 158 81

HSL 126.9, 0.38%, 0.45%

LAB 58.4, -42.85, 32.34

 

CMYK 27 / 55 / 0 / 38

HEX #73469D

RGB 115 70 157

HSL 271.03, 0.38%, 0.45%

LAB 38.65, 36.68, -40.26

 

CMYK 0 / 27 / 55 / 38

HEX #9E7447

RGB 158 116 71

HSL 31.03, 0.38%, 0.45%

LAB 52.08, 11.13, 31.13

 

CMYK 55 / 0 / 27 / 38

HEX #479E74

RGB 71 158 116

HSL 151.03, 0.38%, 0.45%

LAB 59.02, -36.37, 14.17

 

CMYK 27 / 55 / 0 / 38

HEX #73469D

RGB 115 70 157

HSL 271.03, 0.38%, 0.45%

LAB 38.65, 36.68, -40.26

 

CMYK 0 / 55 / 40 / 38

HEX #9E475F

RGB 158 71 95

HSL 343.45, 0.38%, 0.45%

LAB 42.16, 38.67, 3.62

 

CMYK 28 / 0 / 55 / 38

HEX #719E47

RGB 113 158 71

HSL 91.03, 0.38%, 0.45%

LAB 60.27, -30.48, 40.12

 

CMYK 55 / 0 / 16 / 38

HEX #479E85

RGB 71 158 133

HSL 162.76, 0.38%, 0.45%

LAB 59.42, -32.44, 5.18

 

CMYK 27 / 55 / 0 / 38

HEX #73469D

RGB 115 70 157

HSL 271.03, 0.38%, 0.45%

LAB 38.65, 36.68, -40.26

 

CMYK 0 / 54 / 55 / 38

HEX #9E4847

RGB 158 72 71

HSL 0.69, 0.38%, 0.45%

LAB 41.78, 35.69, 17.92

 

CMYK 28 / 0 / 55 / 38

HEX #719E47

RGB 113 158 71

HSL 91.03, 0.38%, 0.45%

LAB 60.27, -30.48, 40.12

 

CMYK 55 / 1 / 0 / 38

HEX #479C9E

RGB 71 156 158

HSL 181.38, 0.38%, 0.45%

LAB 59.51, -24.86, -8.85

 

Description

Color code: HEX #73469D | qconv.com Color code: HEX #73469D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 70 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 70 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 55 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 55% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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