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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7347B7 it is the complementary color #8CB848. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7347B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7347B7 shade: #7847B2, #8959C5, #9A6BD8, #AB7DEB and #BC8FFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7347B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7347B7 shade: #7347B7, #6235A4, #512391, #40117E and #2F006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7347B7 shade: #7347B7, #9147B7, #AF47B7, #B747A0 and #B74782

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7347B7 shade: #7347B7, #5547B7 and #4747B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7347B7 shade matches the following richer shades: #7347B7, #6F32CC, #6A1EE0 and #6609F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7347B7 shade: #7347B7, #775CA2, #7C708E, #808579 and #859965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7347B7 shade: #4758B7, #5447B7, #7247B7, #9047B7 and #AE47B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7347B7 shade: #4E307C, #603B99, #7347B7, #8A65C3 and #A082CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7347B7 shade: #7347B7, #B74776 and #49B747

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7347B7 shade: #7347B7, #B77247 and #47B772

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7347B7 shade: #7347B7, #B74776, #8CB747 and #47B788

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7347B7 shade: #7347B7, #B74754, #8CB747 and #47B7AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

Complementary color

CMYK 24 / 0 / 61 / 28

HEX #8CB848

RGB 140 184 72

HSL 83.57, 0.44%, 0.5%

LAB 69.7, -32.3, 50.87

 

CMYK 33 / 60 / 0 / 30

HEX #7847B2

RGB 120 71 178

HSL 267.48, 0.43%, 0.49%

LAB 40.76, 42.67, -49.36

 

CMYK 30 / 55 / 0 / 23

HEX #8959C5

RGB 137 89 197

HSL 266.67, 0.48%, 0.56%

LAB 47.62, 41.68, -49.35

 

CMYK 29 / 50 / 0 / 15

HEX #9A6BD8

RGB 154 107 216

HSL 265.87, 0.58%, 0.63%

LAB 54.39, 40.69, -49.3

 

CMYK 27 / 47 / 0 / 8

HEX #AB7DEB

RGB 171 125 235

HSL 265.09, 0.73%, 0.71%

LAB 61.07, 39.76, -49.23

 

CMYK 26 / 44 / 0 / 0

HEX #BC8FFE

RGB 188 143 254

HSL 264.32, 0.98%, 0.78%

LAB 67.64, 38.88, -49.18

 

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

CMYK 40 / 68 / 0 / 36

HEX #6235A4

RGB 98 53 164

HSL 264.32, 0.51%, 0.43%

LAB 33.61, 43.84, -52.69

 

CMYK 44 / 76 / 0 / 43

HEX #512391

RGB 81 35 145

HSL 265.09, 0.61%, 0.35%

LAB 26.72, 44.63, -52.41

 

CMYK 49 / 87 / 0 / 51

HEX #40117E

RGB 64 17 126

HSL 265.87, 0.76%, 0.28%

LAB 20.03, 44.66, -51.56

 

CMYK 56 / 100 / 0 / 58

HEX #2F006B

RGB 47 0 107

HSL 266.36, 1%, 0.21%

LAB 13.63, 43.66, -49.94

 

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

CMYK 21 / 61 / 0 / 28

HEX #9147B7

RGB 145 71 183

HSL 279.64, 0.44%, 0.5%

LAB 44.15, 49.92, -46.69

 

CMYK 4 / 61 / 0 / 28

HEX #AF47B7

RGB 175 71 183

HSL 295.71, 0.44%, 0.5%

LAB 48.31, 57.39, -39.83

 

CMYK 0 / 61 / 13 / 28

HEX #B747A0

RGB 183 71 160

HSL 312.32, 0.44%, 0.5%

LAB 48.4, 55.61, -26.07

 

CMYK 0 / 61 / 29 / 28

HEX #B74782

RGB 183 71 130

HSL 328.39, 0.44%, 0.5%

LAB 47.22, 51.3, -9.91

 

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

CMYK 54 / 61 / 0 / 28

HEX #5547B7

RGB 85 71 183

HSL 247.5, 0.44%, 0.5%

LAB 37.58, 36.49, -57.61

 

CMYK 61 / 61 / 0 / 28

HEX #4747B7

RGB 71 71 183

HSL 240, 0.44%, 0.5%

LAB 36.49, 33.98, -59.44

 

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

CMYK 46 / 75 / 0 / 20

HEX #6F32CC

RGB 111 50 204

HSL 263.77, 0.61%, 0.5%

LAB 37.88, 58.03, -69.31

 

CMYK 53 / 87 / 0 / 12

HEX #6A1EE0

RGB 106 30 224

HSL 263.51, 0.76%, 0.5%

LAB 36.7, 69.58, -82.81

 

CMYK 58 / 96 / 0 / 4

HEX #6609F5

RGB 102 9 245

HSL 263.64, 0.93%, 0.5%

LAB 37.14, 78.22, -94.03

 

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

CMYK 27 / 43 / 0 / 36

HEX #775CA2

RGB 119 92 162

HSL 263.14, 0.28%, 0.5%

LAB 44.5, 26.14, -33.96

 

CMYK 13 / 21 / 0 / 44

HEX #7C708E

RGB 124 112 142

HSL 264, 0.12%, 0.5%

LAB 49.28, 10.9, -14.67

 

CMYK 4 / 0 / 9 / 48

HEX #808579

RGB 128 133 121

HSL 85, 0.05%, 0.5%

LAB 54.81, -4.19, 5.83

 

CMYK 13 / 0 / 34 / 40

HEX #859965

RGB 133 153 101

HSL 83.08, 0.2%, 0.5%

LAB 60.52, -16.41, 25.05

 

CMYK 61 / 52 / 0 / 28

HEX #4758B7

RGB 71 88 183

HSL 230.89, 0.44%, 0.5%

LAB 40.8, 23.18, -52.46

 

CMYK 54 / 61 / 0 / 28

HEX #5447B7

RGB 84 71 183

HSL 246.96, 0.44%, 0.5%

LAB 37.5, 36.3, -57.76

 

CMYK 38 / 61 / 0 / 28

HEX #7247B7

RGB 114 71 183

HSL 263.04, 0.44%, 0.5%

LAB 40.41, 42.58, -52.9

 

CMYK 21 / 61 / 0 / 28

HEX #9047B7

RGB 144 71 183

HSL 279.11, 0.44%, 0.5%

LAB 44.02, 49.67, -46.91

 

CMYK 5 / 61 / 0 / 28

HEX #AE47B7

RGB 174 71 183

HSL 295.18, 0.44%, 0.5%

LAB 48.16, 57.13, -40.07

 

CMYK 37 / 61 / 0 / 51

HEX #4E307C

RGB 78 48 124

HSL 263.68, 0.44%, 0.34%

LAB 27.27, 31.13, -38.44

 

CMYK 37 / 61 / 0 / 40

HEX #603B99

RGB 96 59 153

HSL 263.62, 0.44%, 0.42%

LAB 33.8, 37.11, -45.74

 

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

CMYK 29 / 48 / 0 / 24

HEX #8A65C3

RGB 138 101 195

HSL 263.62, 0.44%, 0.58%

LAB 50.28, 34.62, -43.96

 

CMYK 22 / 37 / 0 / 19

HEX #A082CE

RGB 160 130 206

HSL 263.68, 0.44%, 0.66%

LAB 59.79, 26.91, -35.1

 

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

CMYK 0 / 61 / 36 / 28

HEX #B74776

RGB 183 71 118

HSL 334.82, 0.44%, 0.5%

LAB 46.82, 49.81, -3.23

 

CMYK 60 / 0 / 61 / 28

HEX #49B747

RGB 73 183 71

HSL 118.93, 0.44%, 0.5%

LAB 66.32, -53.43, 46.68

 

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

CMYK 0 / 38 / 61 / 28

HEX #B77247

RGB 183 114 71

HSL 23.04, 0.44%, 0.5%

LAB 54.61, 23.03, 34.92

 

CMYK 61 / 0 / 38 / 28

HEX #47B772

RGB 71 183 114

HSL 143.04, 0.44%, 0.5%

LAB 66.84, -47.45, 25.9

 

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

CMYK 0 / 61 / 36 / 28

HEX #B74776

RGB 183 71 118

HSL 334.82, 0.44%, 0.5%

LAB 46.82, 49.81, -3.23

 

CMYK 23 / 0 / 61 / 28

HEX #8CB747

RGB 140 183 71

HSL 83.04, 0.44%, 0.5%

LAB 69.4, -31.92, 50.97

 

CMYK 61 / 0 / 26 / 28

HEX #47B788

RGB 71 183 136

HSL 154.82, 0.44%, 0.5%

LAB 67.27, -42.98, 14.63

 

CMYK 37 / 61 / 0 / 28

HEX #7347B7

RGB 115 71 183

HSL 263.57, 0.44%, 0.5%

LAB 40.52, 42.8, -52.71

 

CMYK 0 / 61 / 54 / 28

HEX #B74754

RGB 183 71 84

HSL 353.04, 0.44%, 0.5%

LAB 45.93, 46.37, 16.26

 

CMYK 23 / 0 / 61 / 28

HEX #8CB747

RGB 140 183 71

HSL 83.04, 0.44%, 0.5%

LAB 69.4, -31.92, 50.97

 

CMYK 61 / 0 / 7 / 28

HEX #47B7AA

RGB 71 183 170

HSL 173.04, 0.44%, 0.5%

LAB 68.1, -34.68, -2.83

 

Description

Color code: HEX #7347B7 | qconv.com Color code: HEX #7347B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 71 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 71 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 61 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 61% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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